Paintings

Pair of very decorative Italian paintings, probably an old theatre set, from the 90s. Structure in old solid wood and linen canvas representing a vanity. S...

European School oil on panel of the 18th century Measures: 34X24CM Good condition.

Giovanni Michele Graneri (Italy, Turin 1708-1762) Bambocciata (Farmers dancing in front of the inn) The painting, made in oil on canvas, depicts a moment of celebration where some p...

Elegant 19th century pastel portrait of French officer with gold wooden frame. Excellent condition. Measures: 73 x 62 cm and 57 x 46 cm.

Saskia smiling with feather bar (circa 1633). Oil on canvas. Exceptionally beautiful copy after Rembrandt, back titled - copy after No. 1556, the royal pai...

Pretty oil on canvas restored (reentele) by: Emile van Marcke de Lummen. In the cleaning of the restoration, the letter: e is removed. Measures: 50 ...

Oil painting on canvas medical theme, home treatment of a chiropodist, Dutch school of the late eighteenth century - early nineteenth century. There ...

17th century, oil on canvas Dutch painting with hunting scene Oil on canvas. Dimensions: frame W 81 x H 75 cm, canvas 58 x 49 cm The oil on canvas painting depicts a hunting scene in a predominantly rocky landscape. On the right, at the center of the canvas is depicted a group of characters dressed for hunting according to the 17th century fashion of northern Europe. The men stop with their horses and dogs; one of them points downstream, while another one sounds a Horn, used as a call sign in hunting trips. In the foreground on the left another character sits on the ground, turning his back on the observer, in the company of two hunting dogs. The scene takes place in the open air, in a rocky context and the landscape widens towards a valley, beyond which the horizon is lost among mountain reliefs with blue tones. The bright sky is characterized by some clear clouds. The color palette of the canvas is characterized by brown tones; a ray of light that emphasizes the right group, where it stands out illuminated a dog and the spotted steed on which is rising a man with a red mantel...

French Louis XV style (20th Century) oil on canvas celadon painting of Chinoiserie genre scenes in the style of Jean Pillement.        

OIL ON CANVAS OF 17th Century LANDSCAPE OF WINTER OF THE NETHERLANDS. Good CONDITION. MEASURES WITH FRAME: 114X90 CM WITHOUT FRAME: 96X74 CM      

Hans Ruzicka Lautenschlaeger 19/20th century Oil on canvas. 52 x 41 cm unframed. Good condition.

Oil painting battle scene of Adam Eugen (1817-1880). Oil on canvas. Military scene from the time of the Spanish War of Succession, signed and dated Eugen ...

A very fine French 18th-19th century oil on canvas portrait of a posing lady with flowers, after Jean-Marc Nattier (1685-1766) within an ornate gilt wood carved frame, circa 1800. ...

Mid-century oil still life painting of a vase filled with assorted flowers next to a basket full of fruit on a table covered in fruit and grapes in a rectangular carved giltwood fram...

18th century oil on canvas of Putti preparing a hunt with hound, hare and horns. Wonderfully done. Most certainly French.

Bring the charm of the French high Society into your home with this beautiful suite of antique paintings. Crafted in France, circa 1760, each oil on canvas composition depicts child-like figures practicing the fine arts of painting, music, sculpture and architecture in the manner of Charles Van Loo. Each artwork is set inside the original, carved gilt wood frame. The allegory paintings are in excellent condition with wonderful details and rich colors. The quality of the present works sets them apart from the numerous studio versions of a set of paintings commissioned by Madame de Pompadour and executed by Carle van Loo...

Baroque and Rococo Architecture and Decoration Book by Alastair Laing, Anthony Blunt, and Christopher Ernest Tadgell. A study of a period in art ...

19th C Limoges Enamel of Thomas Francis, Prince of Carignano after van Dyck A exquisite large Limoges enamel of the portrait of Thomas Francis, Prince of Carignano by Anthony van Dyck, 1634. In a finely carved giltwood frame. Unsigned. The original work was created in 1634 painting by Anthony van Dyck, Known as one of the finest equestrian portraits, It depicts Thomas Francis, Prince of Carignano on a horse, as an allegory of his holding the reins of command even in difficult times. The prince is wearing the insignia and red sash of the Supreme Order of the Most Holy Annunciation, conferred on him in 1616 by his father Charles Emmanuel I, Duke of Savoy...

A print featuring a charming dining room decorated in the Louis XV style, matted and finished in a gilt wood frame.

Early 18th century Italian Venetian inland painting, a large size oil on canvas Baroque mountain landscape with stream, bridge, waterfall, wayfarers and a village in the background. The woodland is animated by figures, a caravan with horsemen fishermen. This monumental Italian Baroque landscape painting has a strong impact and an excellent composition balance, as it depicts in the center the luminous perspective of a fortified village, whose side wings consist of two mountain rocks with dark wooded vegetation crowded by characters, horsemen, paths, streams.On the left side, with respect to the observer, there is a path that runs alongside a stream that flows into a waterfall in the center of the composition. from a caravan of travelers on foot and on horseback traveling along it in both directions: going up the slope on the mountainous coast you can see a church and a village near the top. The right part of the painting depicts a more sparse and dry vegetation, painted in the chromatic tones of ocher, inside of which there are dead plant, dry branches and a smaller number of figures on the rugged mountain. The iconographic inspiration of this wooded representation seems to be in the large trunk of the withered conifer in a central position, which represents a dead tree, as a? reminder of the transience of everything in life, whose phases are summarized in the two mountainous coasts. In the background a village painted in light and soft blue colors, in stark contrast to the previous scene, seems  to reassure and project us into a future season. With a suggestive theatrical effect, more than 250 cm wide, this Baroque Italian painting comes from a private collection of Milan, the canvas has been lined and shows minor painting retouches at a horizontal seam of the canvas. It is unframed, it has just a wooden profile covering the canvas edge. It is an antique Italian landscape, the perfect opportunity to make a statement. Get the perfect size painting for a great living room, to create that eye-catching focal point. You can make an impact with a single large work by hanging this early 18th century Italian Baroque painting...

Italian 17th century still life painting in period carved gilt frame Italian school still life painting from the workshop of a great master. The 17th century Baroque painting in oil...

Pair of French School drawings in 18th century style. Hand drawn in Old Master Technique. Boucher School style Pair of Trompe l'Oeil Three-drop Panel...

Josef Mariano Kitschker (1879-1929) according to Boucher Oil on canvas with wooden frame. (S-77).

La Pub in URSS dans les annees 20 Anikst, Mikhail Published by Editions du Chene, 1987 This work describes the extraordinary emulation aroused in Russian a...

Alberto Carlieri (Italy-Roma 1672-1720), "Christ and the adulteress", Oil on canvas, with frame cm H 115 x L 151 x 6.5, only canvas H 98.5 x L 135 cm...

Julius Caesar Ibbetson 1759-1817 old master painting English, 18th century This English school painting by Julius Caesar Ibbetson (1759-1817) depicts a countryside farm house off of a road with a horse drawn wagon...

A stunning pair of antique Italian trompe l’oeil still life paintings, a pair of 18th century oil on canvas vision jokes, false still life paintings known as deception paintings by a follower of Cristoforo Munari (Reggio Emilia 1667- Pisa 1720) of Italian origin, dating back to the first half of 1700s. These 18th century Italian Baroque trompe l'oeil paintings depict an abundance of objects are arranged on a table. The background of the disordered compositions consists of a wooden board wall with hanging sketches and other objects. Both still life compositions are painted in soft ocher tones and have the same unseen source illuminating the display from the left, creating a dark shadow on the right side of both paintings. Biscuits, a glass vase of flowers, earthenware pots, a wooden instrument...

C18th gilt framed oil painting of the Battle of Boyne after Dutch artist Jan Wyck. It shows a panoramic landscape view from the northern vantage point ...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). An allegory of the love Omnia vincit amor...

Antonio Calza (Italy, Verona, 1653-18th April 1725) "Battle between Christian and Turkish cavalry with castle" The painting depicts a bloody battle between Christian and Turkish cavalry. Characterized by dynamism, intensity of color and light, the main scene occupies the lower horizontal section of the canvas, optically interrupted by the black fumes of the shots from which emerge, on the left, the towers of a fortress. On the right, in the distance you can see the combat in progress in the countryside, beyond which you can see the pale presence of hills that create a fifth, marking the horizon. To frame the scene contributes to the left, against light and in the foreground, a portion of the wall. The painter, however, introduces a horse on the ground, of which we see only the back, a ruse to involve the observer making him become active and participate in the scene. In the foreground, lifeless bodies, wounded horses and, scattered on the ground, weapons and a drum enhance the drama of the clash. The excitement and expressive force, the intense chromatic range attentive to the conditions of light and the fine brushstrokes, decisive and dramatic, suggests the attribution to Antonio Calza, one of the most important painters of battles of the seventeenth century, excellent student and continuator of the greatest interpreter of the genre, Jacques Courtois called il Borgognone (Saint-Hyppolite 1621 - Rome 1676). Il Borgognone, although not having had a real school or direct students, places itself as a primary reference point by the Italian and foreign "battaglisti". The genre of battle painting found great success in the collections of the Italian and European nobility of the seventeenth and eighteenth centuries. The battles of the Italian Renaissance, in which the scene converged towards a precise protagonist, evolve towards a type of combat "without hero". The bloody realism of the details and the dynamic development of the narrative confuse the figure of the protagonist, when present, to give importance to the swirl of horses and armed fighters, among which, moreover, does not emerge a winner. The certain documents relating to the life and movements of Antonio Calza are scarce; it was equally difficult to reconstruct, from the critics, a catalogue of autograph works. Through paintings in private collections, in museums and paintings passed on the antiques market it has been possible to identify a copious corpus of works that can be traced back to his hand. The work of art historians, together with that of antique dealers, in conferring proper attributions in order to best outline the figure of Calza, continues but studies are still in progress. In this sense, the work of Giancarlo Sestieri should certainly be noted, who investigated the artistic production of the battaglisti and Calza, thus allowing the comparison of the numerous photographic works reported, to identify and recognize the stylistic qualities that distinguish the corpus of paintings assigned to him today. Antonio Calza was born in 1653 in Italy, in Verona and in 1664 he entered the school of Carlo Cignani in Bologna, dedicating himself to painting battles and landscapes. He then perfected in Rome, where he knew the works of the then undisputed head of the sector, Jacques Courtois called the Burgundian. In 1675 he returned to Verona and married an 88-year-old widow who, dying, left him a rich inheritance. Much appreciated by the nobility and the bourgeoisie, he received numerous commissions. Bartolomeo Dal Pozzo (Le Vite de' pittori, de gli scultori et architetti veronesi, 1718) praises "three great paintings of battles...

Alberto Carlieri (Rome 1672-1720) "Architectural capriccio with the preaching of Saint Paul in the Areopagus of Athens" Oil on canvas, measures with...

Marzio Masturzo, attributed (Active in Italy - in Naples and Rome- in the second half of the 17th century) "Battle between cavalry and vessels with fortified city on the left" ...

18th century, Italian oil on canvas painting with landscape with ruins Measures: only the canvas cm W 97.5 x H 108; with the frame cm W 103.5 x H 114 x D 5 The fine oil on canv...

"The King and the Musical Page" by A. Sturm 1885 to K. Begas. Oil on canvas with wooden frame. Signed and dated. (S-78).

Superb French hand-painted watercolor/gouache miniature on a bone panel. It depicts Bacchus and Ariane in a courting scene set in a mountainous landscape. The 18th century miniature is a version of the painting by Charles Joseph Natoire (1700-1777). It is a small but elegant painting with amazing quality details. It is mounted in a hand carved polychrome and gilded Spanish Baroque style wood frame...

A very fine and Rare Russian mid-19th century Baroque style polychromed and gilded Religious Orthodox Christian Icon on a wooden panel with fi...

A ram lowers its horns in a face off with a barking dog that rises on its haunches. An ox turns its head to watch the row. An annoyed ewe glances over its shoulder, but the two behin...

Porcelain plaque painted with Mary Magdalene by K.P.M. German, circa 1900 Measures: Frame: Height 32.5cm, width 26.5cm, depth 3cm Plaque: Height 25.5cm, width 19cm, depth 0.5cm ...

Antique painting “Madonna with a Napkin” after Bartolome Esteban Murillo, 1666 This lovely oil painting on beveled wood panel is after the f...

Jews in the desert collecting the Manna. Oil on canvas, XVII century. Oil on canvas arranged horizontally in which a figurative theme is shown with a mountainous landscape in the ba...

17th century, Italian oil on canvas painting with battle between Christian and Turkish cavalry The oil on canvas painting depicts a battle between Christian and Turkish cavalry. C...

19th century Roman painter Still life with cherubs, flower festoons and herma with faun Measures: Oil on canvas, cm H 78 x W 95 without frame Cm H 122.00 x W 106 x D 8 with frame. The work, painted in oil on canvas, octagonal in shape, represents a nature with three putti or cupids playing with flower festoons in a wooded environment in which is placed a herma with faun and, on the left, a large neoclassical marble vase...

Attributed to Giorgio Lucchesi (1855-1941) A large and impressive early 20th century oil on canvas "Madonna and Child" after Bartolomé Esteban Murillo...

Adolf Constantin Baumgartner Stoiloff (Austrian/Russian, 1850-1924) a fine oil on board "Charging Warriors on Horseback" within an ornate giltwood frame, circa 1890 Born in 1850 in Linz (Austria) Stoiloff died in Vienna in 1924. According to a research of Russian literature, he studied in the 1880s at St. Petersburg Imperial Academy of Fine Arts. He was very well known for his Russian horse...

The enema of Louis XVI style amazing subject treated to the watercolor erotica or curiosa in the style of the 18th century illegible signature.

Francesco Simonini (Parma, 16 June 1686 - Parma, 1766) “The rest of the soldiers” and “The march of soldiers” oil on canvas The very fine paintings, attributable to the painte...

This captivating 19th-century still life oil painting by the award-winning French artist Charles Henri Franzini d'Issoncourt is a testament to his artistic talent. Recognized at the ...

Unknown Flemish Artist, Belgium 18th century, in the right part of the painting the artist represented a man sitting in front of a tavern. He is surrounded by Delft baroque earthenware pitchers and plates. The right side of the painting shows different types of birds, among them chicken, a swan, ducks and a peacock. The painter was here definitely inspired by the 17th century painter Melchior de...

Detailed 18th century style framed pastel bouquet drawing. Intricate burl wood and ebonized wood period frame. Very decorative.

French Louis XV style painted and gilt Trumeau mirror 19th century Louis XV style elegant French Trumeau wall panel with original glass plate and period 18th century French oil pain...

18th century, Italian oil on canvas still life by Pietro Navarra Oil on canvas, canvas measures: cm H 103 x W 164, framed measures...

Original oil on canvas painting by the very talented French artist Charles Henri Franzini d’Issoncourt who won an award in Paris at the Universal Exposition in 1900 for his artwork. ...

Still Life of an Kitchen Interieur , German , 18th century, Oil on canvas.      

18th century Giacomo Guardi old master painting of Venetian Lagoon. Provenance. Old master painting in oil on canvas by the artist Giacomo Guardi (1764...

Painting oil on canvas baroque period original black baroque frame. A painting made during the baroque period in its original frame. Subject liones...

This large, old master still life painting is a perfectly balanced composition of fruit and game birds. In the foreground a rabbit is stretched out. A copper kettle and a basket are ...

Detailed 18th century style framed pastel bouquet drawing. Intricate burl wood and ebonized wood period frame. Very decorative.

17th century oil on canvas representation of the "Feeding of the 4,000" of Italian school.