Dome and Obelisk in St. Peter's Square

Italian Venetian-Style (20th Century) painting of a white classical, domed church, resembling the Church of San Giorgio Maggiore, directly on a canal filled with gondolas in transit....

Italian Neoclassical-style (20th Century) painting capturing a street scene unfolding before classic architecture and monuments, with ruins in the distance, all under a large field o...

Italian Neo-classic engravings of architecture in a gold frame (18th/19th Cent)

Italian Neo-classic style print of a group of four engravings: Temple of Antony's and Faustina, Temple of Fortuna Virilis, Arch of the Goldsmiths and Arch of Trajan, Ancona, all matt...

Screen of Paintings of Saint Peter's Square in Rome, 20th Century. Screen with six oil on canvas paintings of Saint Peter's Square in Rome, 20th cen...

Francesco Chiarottini (1748-1796) Roman Architectural Capriccio Oil on glass, cm 52 x 67 without frame, 63.5 x 79cm with frame The valuable painting, attributed to the Italian p...

Piazza del Popolo con Obelisco Egizio Etching, 1752 Signed in the plate lower left (see photo) From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761) Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 21 Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome Condition: Excellent Image/Plate size: 8.25 x 12.63 inches Sheet size: 11 x 15 7/8 inches Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process. Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...

19th century, oil on canvas, Italian View of the forum Boario of Rome The fine painting represents the Piazza della Bocca della Verità, located in the Ripa district, in the area of the Foro Boario, the oldest market in Rome (Italy). On the right is described the Roman Temple of about 100 B.C. wrongly called of Vesta, circular Corinthian monopter with cell of white marble ashlar and twenty fluted columns. From the 12th century it was reused as a church dedicated to Santo Stefano delle carrozze, then, in the 18th century, in Santa Maria del Sole. On the right you can see the fountain called "dei tritoni" which was built in 1717 on a design by architect Carlo Bizzaccheri. The fountain has a star-shaped bathtub, in honour of the commissioner, the Pope Clement XI...