Canvas Paintings

Beautiful painting by the Polish-Belgian artist Mécislas de Rakowski. The painting shows a flower still life in a Chinese vase. Beautiful display of delicate white flowers against a...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Antique Canadian school 'winter landscape with stream' oil painting on artist's board/panel - original pine frame with gilt and painted finish - unsigned/untitled (pencil note on fra...

A light-blue, red still life oil on canvas painting, portraying a sunny day in a dining room with colorful flowers in vases, decorated by detailed wallpaper, painted by Vladimir Naïditch in a hand carved original gilded wooden frame, in good condition. The room depicts a console, small side table and a black French armchair...

An original impressionist oil on canvas, circa 1920, by listed Hungarian artist Witman Etelka Vizkeleti (1882-1962), signed lower right. Depicts a vibrant marketplace scene with two ...

LÉON RICHET
 French, 1847-1907

 Sunset Gold: Barbizon Oil on canvas signed Léon Richet lower right Item # 407SPJ10A A highly atmospheric example of Richet's work, it edges on T...

A charming antique 1920s oil on canvas painting of a mountain scene in a period frame. While the work is well executed it is unsigned. The painting was collected in France so presuma...

Early 20th century Italian oil on canvas by M Zampella, "Cows by Stream", gilded frame, signed: lower right, M. Zampella.  

Frank Vincent DuMond painting. Bucolic setting of a woman in a pastoral scene by a river. She is seated reading and dressed in an Edwardian, early 20th century clothing. Signed lower left. "To My Friend Mr.Kempshall, Frank V. DuMond". Frank Vincent DuMond was one of the most influential teacher-painters in 20th century America. He was an illustrator and American Impressionist painter of portraits and landscapes, and a prominent teacher who instructed thousands of art students throughout a career spanning over fifty years. In a teaching career spanning more than fifty years, DuMond taught thousands of artists at the art students league. His students included Norman Rockwell, Georgia O'Keeffe, John Marin, Frank J. Reilly,Charles Webster Hawthorne,Frank Herbert Mason,Ogden Pleissner, Kenneth Hayes Miller, Louis Bouché, Eugene Speicher,Helen Winslow...

A striking painting of Erik af Sillén. Erik af Sillén (1895–1977) was a Swedish nobleman and military officer who held various distinguished positions throughout his career. He serve...

Fritz Stäger 'Village Green' Oil on Canvas 1928. This is a wonderful and very naively painted early work by Fritz Stäger, a Swiss painter. Great atmosphere and colors - lots to se...

Condition: Original Vintage Condition Designer: Wanda S. Neumann Manufacturer: Wanda S. Neumann Materials: Oil On Canvas, Wood Frame Style: California Realism

Found in Europe, this Early 20th Century Oil on Canvas was painted in the early 1900's. Artist signed Kate Von Muhlenstein, suggest the art has a German origin. This interior paintin...

Traditional oil on canvas by Giuseppe Pitto depicting a beautiful young woman in a street market; she stands out from the scene since the background, the buildings, villagers, and st...

A very large antiqued reproduction oil painting after Rosa Bonheur. Apty titled"La fenaison en Auvergne / Haymaking in Auvergne" features an antiqued canvas. The canvas is signed alo...

Beautiful Walter E Baum painting from the 1930’s-40’s titled The Delaware in its original frame. The painting came out of a private collection, has never...

This is an original vintage oil on canvas still life painting from 1931, Denmark painted by Karl David Mygind (1877-1950). It has a motive of plants and tulip flowers in red and whit...

Painting, Still Life with Bouquet of Flowers, Jean Dufy (1888 - 1964), oil on canvas, 1927, signed and dated Jean Dufy was born in Le Havre, France, into an extremely artistically t...

French 19th Century, Oil on Canvas, Wall Panels or Trumeau Paintings Set of 4 large 19th century oil on canvas wall panels Trumeau paintings. These finely painted panels are simply ...

An interesting still life, signed, illegibly, ca' 1930's-30's. Oil on canvas, nicely done in a gild wood frame.

Oil on canvas by Austrian artist Alexander Demetrius Goltz (1857-1944) depicting a spring allegory subject, from circa 1900. Titled "Fruhling" or "Girl...

Signed and dated 1924. Jean Germain-Jacob was a French artist who was born in the 20th Century. Possibly of "Rue animée" which Jacob has used as a backdrop in some of his street pain...

Oil on Canvas of Bathsheba ( one of the wives of David ) by Émile Aubry (1880-1964) Signed: "Émile Aubry" France: circa 1928 Emile Aubry was born in Algeria but moved to Paris as a c...

A pair of original oil paintings on canvas depicting a handsome young aristocratic couple of the Directoire, early Empire period. They are each pictured from the waist up, she holdin...

A circa 1920s Spanish Colonial painting of an angel holding olive branch. Measurements: Height: 27.5" Width: 21.5" .

Large Impressionist oil painting on canvas Signed R. Blum. Beautifully executed antique impressionist oil painting on canvas signed R. Blum. This lovely large oil painting possibly d...

This 19th-century oil canvas; from Maison Blanchet; known for top-notch art supplies; is stamped with a 1890 mark. Blanchet; situated at rue Saint-Benoît 20; was an artist's haven offering premium colors; high-quality canvases; easels; and brushes. The painting showcases nymphs dancing...

A large 19th century oil on canvas Bacchante group depicting two allegorical young semi-nude maidens dancing with pan, attributed to Leopold Schmutzler...

Beautiful dog portrait by the Dutch painter Jan Essen. The painting shows a Schipperke, which is a breed of dog that used to be more common than it is now. It is a small-sized shepherd, of Belgian origin. The painter has succeeded in portraying the dog in its natural position. Beautiful details are the black fur of the dog and the eyes. The way the dog looks is just very dog like, a dog lover will recognize this faithful, loyal look. Jan Essen is a well-known Dutch animal painter from the second half of the 19th century. Initially he painted landscapes and cityscapes, but under the influence of the English animal painter J. Swan he also started painting animals from 1885 onwards. He has never lacked appreciation, because his work has been awarded at exhibitions in Amsterdam, Germany, France and Australia. He learned the trade from Conrad Greive (1837-1891). Signed and dated top left, Jan van Essen...

Vincente Puig signed, oil painting "Europa", depicting the mythological subject of Europa on the back of Zeus turned into a bull. Signed top left. Newspaper article affixed to verso....

Winter Landscape Snow Scene Country Road Painting Oil on Canvas Framed Argnegger . Late 19th-early 20th century winter landscape / snow scene, by...

Early 20th century Dutch oil painting on canvas. Children vending cut flowers on a beach. Fine painting with exceptional luminescence...

Antique painting of Frederick II/Frederick the Great after Anton Graff Oil on canvas painting of King Frederick II or better known as Frederick the Great of Prussia. Original black ...

This oil painting by Józef Krzyżański, measuring 79 x 53 cm, presents a striking nude study rendered with a quiet, introspective mood. Rooted in classical technique, the composition ...

Condition: Original Vintage Condition Materials: Oil On Canvas, Wood Frame Style: Portrait

The category Antique Paintings, French Landscape, features an Oil Painting on Canvas from the Early Twentieth Century era, depicting a view of a river with water lilies that are sometimes called lotus flowers. XX century. These are landscape paintings depicting a bend in a river using warm, bright colors. The work is signed Emile Gauffriaud...

Max Finné (German, c.1880-c.1960) A Portrait of the Hanseatic merchant Georg Giese, copied from the original of Hans Holbein the Younger by Max Finné, 1922-23. signed lower left: M...

1930s Italian Signed Still Life Painting Still life with cactus Oil on canvas signed Piccari. On the back the artist's address Via Maddalena 2 Rom...

This is a small antique Continental School painting. A framed oil on canvas European landscape, dating to the early 20th century, circa 19...

Reynolds Beal, Impressionist Oil Painting, USS Utah Rockport Mass, American, 1928 A fine impressionist oil on canvas by the well celebrated Reynolds Beal. Dated 1928 on verso and si...

A black-yellow, dark green antique Austrian still life oil on canvas painting depicting a clear glass vase with many flowers painted by Franz Xaver Pieler in a hand carved, original gilded wood frame, in good condition. The colorful painting depicts a dining table in a DIM room, representing the 19th...

A naturalistic oil painting depicting joseph, maria and the holy child in the barn of bethlehem. Oil painting on canvas with vigorous pastell colors. Framed with antique decorative g...

Emil Wennerwald, a Danish painter, created landscapes in the classic national romantic style, celebrating the natural beauty of his homeland and its artistic traditions. Influenced b...

Hans Zatzka, Austrian (1859-1945) A Fine Oil on Canvas "Portrait of Haunz Javorasky Als Knabe Dressed as a Sailor" within a carved gildwood frame. The charming portrait depicts a sea...

Each oil on panel depicting Santa Barbara seacoast. Giltwood frames and paintings under glass. Parshall was an American painter born in Buffalo and was based in Montecito since 1916....

Oil on canvas winter landscape by the renowned Swedish-born American Impressionist painter, John Fabian Carlson. Framed in a lemon gold molding. A...

Antique Framed Oil Painting on Canvas by J. Verstecken shows an artist inspired by a quaint alleyway between two impressive homes lit by the diffuse light of a wintry sun concealed b...

An English oil on canvas equestrian painting from the early 20th century signed George Paice (1854-1925), depicting a horse standing in a field, in a new custom brown and gilded frame. Created in the early years of the 20th century by British painter George Paice, this horizontal oil on canvas painting features an elegant brown horse with a single white sock...

Oil painting Ein Regentag, Rudolf Quittner (1872-1910), ca. 1904, signed signed bottom right "Rud. Quittner" Lit: Katalog der XXXII. Jahresausstellung in Wien Künstlerhaus, Wien 1...

This large antique origina painting was done by well known Anoine Blanchard of France in approximately 1920 in his signature Impressionistic style. The painting is done with oil pain...

Richard Geiger Large Oil on Canvas Master Painting Scene of the Commedia dell’arte. The Commedia dell’arte is an early form of theater in Italy. Various performers in the troupe w...

A wonderful still-life by French painter Rodolpe Fogé (1890-1976). He lived and worked in the Alsace region in north-eastern France and is mostly known for his local landscape painti...

Title: Nature Morte A still life composition featuring vibrant flowers in a vase alongside a potted rubber plant. Oil on canvas, signed A.H. (1911-12). Exhibited at Ordrupgaard Museum, Denmark, in the "Astrid Holm...

Embrace eclectic charm with our Vintage Boho Original Oil Portrait On Canvas. This one-of-a-kind piece exudes the warmth and character of Americana, capturing the essence of bygone e...

A half-length portrait of a young lady, her costume à la Turque and wearing a double strand of large and lustrous pearls. She is deep in somewhat pensive thought, her right hand resting lightly against her chin, her left hand gently clasping the neck of a pottery flask...

Female Nude Oil Painting, French School Early 20th Century, Paul Sieffert Style Beautiful oil on canvas with a soft and restrained palette. Depicting a reclining nude woman on a so...

Alfred Schmidt (1876 ????- 1956) – Portrait of the concert singer Caroline Naase Oil on canvas circa 1920 60 x 47 cm – without frame 78 x 65 cm – frame included Signed center right: Alf Schmidt. Alfred Schmidt 1876 Dresden – 1956 Graefelfing An impressionist at the Chiemsee The painterly mood content, which the artist Alfred Schmidt captured in countless variations on the canvas, occupies such an eminent and substantial position that it is inextricably linked to his oeuvre. “[…] Female creatures walking in the shimmering air […]”(1), who find their pleasure in the warm, golden tones of summer and the grey-silver shimmering water surface of the lake, correspond to the characteristic motif of the native of Dresden. One is inevitably reminded of the impressionist Christian Landenberger (1862-1927), to whom Schmidt was a friend and who painted canvas on canvas at Lake Ammersee, but “[…] softer, sweeter and more narrative, because he [Schmidt] often expands on that Nature and the human body come together to create a small, genre-like idyll”(2). His art is a commitment to plein air painting. He openly displays his impressionistic impetus. The originally anecdotal aspects of his painting, which he had experienced at the Karlsruhe Academy from 1886 to 1893, he gradually put aside both through the one-year study visit to Paris and Brittany in 1889 and through the influence of Landenberger and Swabian landscape painting. From this point onwards, artistic development is hardly noticeable. He had found his individual style and stuck to it. At the end of 1899, Schmidt came to the Swabian capital from Karlsruhe in the entourage of Leopold Graf von Kalckreuth (1855-1922), who was appointed to the Stuttgart Academy with Carlos Grethe (1864-1913) and Robert Poetzelberger...

Monumental oil on canvas from 1927 by french artist Georges Conrad in its wooden frame with gold leaf. Georges Conrad (24 February 1874, Aubervilliers - 7 December 1936, Rouen) was ...