Canvas Paintings

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Ma...

Oil on Canvas Since 2011 Lecturer at the Academy of Art in Bad Reichenhall and Kolbermoor, Founder of the color painting course, with Prof. Jerry Zeniuk and Prof. Raimer Jochims Awar...

Large French studio nude self-portrait, oil on canvas, signed and dated 1912. Jean-Gabriel Domergue was born on 4 March 1889 in Bordeaux. His father, a journalist and art critic, to...

A beautiful antique oil painting, portrait of a pug. The painting is signed and dated, 1881, but the signature is not legible. The painting is in ori...

A Large Continental Oil on Canvas "The Prohibited Reading " after Karel Ooms (Belgium, 1845-1900). This beautiful executed painting depicts a historical scene of an old man and a young woman who are huddled over a bible. The pair is gazing in apparent concern or alarm, over the old man's shoulder, towards something outside of the picture. The scene is likely set in the 16th or 17th century when Protestants were prosecuted, amongst others, for reading the bible in the vernacular, a practice prohibited by the Catholic Church at the time. Signed (l/r) A. Ribas 15-12-913. Within a giltwood carved frame. circa: Probably Belgium, 1913. Karel Ooms was born in Dessel on January 27, 1845 as the youngest son of a large peasant family. At school his extraordinary talent for drawing was discovered. When he was twelve his hometown provided financial support which allowed him to study at the Antwerp Academy of fine Arts. One of his teachers at the Academy was Nicaise de Keyser, one of the key figures in the Belgian Romantic-historical school of painting and a painter of mainly history paintings and portraits. After graduating from the Academy 1865 Karel Ooms was welcomed with pomp in his home town Dessel. He painted two altarpieces for the local church Saint Nicolas, to express his gratitude to his city. Karel Ooms settled as an independent artist in Antwerp around 1871. He quickly established a reputation as a portrait painter. In addition, he received commissions for religious paintings and history paintings. He gained particular recognition with two large paintings...

🌟 For Sale: Stunning Vintage Oil Painting - 1960s Nude Female Figure 🌟 Add a touch of timeless artistry to your space with this fantastic, large oil painting on canvas. This strik...

An exceptional large Mid-19th century American School Victorian Folk Art portrait. The painting features a young, well-dressed mother seated in a tufted balloon-back chair with her ...

Gary Komarin, Contemporary, Small 'French Wigs' Abstract Paintings, American, 21st C. FRENCH WIGS by Gary Komarin. On view now and available for sale exclusively through our America...

***Reduced In-House Delivery Rates - Click on “Ask Seller” to Request a Quote*** Large Antique Oil On Canvas Arts & Crafts Impressionist Landscape Painting Signed By Edward Parker H...

Untitled, Large Abstract by Mandy Wilkinson, British B. 1970 Mandy Wilkinson, British 1970 Oil on canvas, 49 inches wide by 36 inches high Giltwood Fra...

"Port à Venise" by Lasson Oil on Canvas Signed This stunning oil painting, "Port à Venise", offers a vibrant and slightly impressionist portrayal of the Venetian harbour. The artis...

Naïve Art Oil Painting, Countryside Landscape, Village and Farmers, France 1950s Signed "P.LEFEBRE" at the bottom right corner. This vibrant painting by French artist P. Lefebre is...

Scott Kerr is a self-taught Contemporary Abstract Artist. As a young boy, he was exposed to the art world by his father through the works of a local Texas artist, David Brownlow. Ama...

Fine danish expressive / abstract oilpainting 1930s-1950s. Oil on canvas. Signed back "P-Østergard".or " P-Ødtgård " Original frame. Incl frame: H. 80 cm / W. 70 cm / D. 4 cm pain...

A self portrait of Maurice Molarsky (1885-1950) painted in 1925 This very large portrait measures 54 inches high, 52 inches wide, with a period Harer black and giltwood frame. Maur...

The Brendan Bass Estate Collection pays homage to the beauty of vintage and antique pieces, each artfully concealing endless stories collected through the generations in which they ...

A late 19th Century French School still life in the style of Fantin-Latour. A well-executed Impressionist style oil on canvas depicting detailed objects of an opulent household: a ceramic basket weave bowl of apples, a lady's fan propping open a small book, next to a gold lournette on a pink beaded chain. In the background is a tall pewter candlestick...

Stunning expressionistic oil on canvas by East Village artist Kim Keever, part of the 1980s New York City East Village art scene that includ...

Vintage original still life oil painting by French born artist, Charles Levier. 1920=2003. Painting depicts a vase of flowers on a table in front of a window with a balustrade and wa...

Fabulous abstract midcentury art 1962 oil on canvas board Frame 26.75 x 32.5 w .75 Art 20 x 24.25 Signed Original unrestored condition. Refer to images please

Antique Flemish painting from the 18th century. Framework oil on canvas depicting an interior scene of a tavern with characters of good pictorial quality. Nice size and pleasant impact painting, for antique dealers, interior decorators and collectors of old Dutch painting...

Pair of English Victorian gilt framed oil paintings of white horse with saddle by wall (signed J. PAUL 1873).  

A Monumental contemporary school painting of "Sappho and Phaon" After Jacques-Louis David. The oil is on canvas and framed in gold with French relief. Phaon was said to be so beaut...

This is a truly splendid antique oil on canvas painting featuring a period interior scene by Francesco Bergamini (1851-1900) Italian, signed and dated 1894. This beautiful oil pai...

Abstract Expressionism Modern Art Painting signed M Chavez geometric art abstract expressionism painting signed M Chavez oil on canvas board  in the style of Mark Rothko  original pr...

Antique Vanitas Oil Painting, Antique Memento Mori Oil Painting, Antique Skull Oil Painting, Gothic Antique Painting, 19th Century Vanitas Still Life Oil Painting. Early 19th Century French Vanitas Oil Painting on Canvas. The Old Master Vanitas Still Life Painting depicts a skull, book and rosary. Oil on canvas, lined. Unsigned. In gold gilt period frame. Very well painted, attractive & highly decorative Vanitas skull...

Edouard Cortes (French 1882-1969) oil on canvas in a fine gilt frame. From a fine Madison CT estate. Turn of the century. Guaranteed as authentic. 13 by 18 1/2" Unframed. Cortès was...

Large signed Kerry Hallam abstract harbor scene of sail boats in the distance, on the water, as the afternoon sun sets from view. A very calming painting made of oil on canvas in mut...

Emil Wennerwald, a Danish painter, created landscapes in the classic national romantic style, celebrating the natural beauty of his homeland and its artistic traditions. Influenced b...

Splendid 17th century Italian painting. Oil painting on canvas depicting the alliance of Jacob and Laban. The subject is inspired by a canvas by Pietro da Cortona (1596-1669), preser...

Antique French early 20th century oil on canvas painting of a French infantry march during the Franco-Prussian War, signed "Edouard Detaille" (1848-1912).

A stunning circa 1805 English equestrian oil on canvas painting firmly attributed to prominent late-Georgian period artist Benjamin Marshall portrayi...

We present this fantastic 19th century oil on canvas painting. The painting features the initials NP at the bottom left (see photo). Attributable to the Italian painter Nicola Palizzi...

Painting of a casual, abstract female body in oil on newspaper by Antonio Guanse, Paris 1963 The woman's body lolls casually under the artist's brushstrokes. The abstract depiction ...

In good condition From a private collection Free international shipping 17th Century Old Master Crucifixion of Christ

Decorate a wall with this large and colorful oil on canvas painting. Painted in Paris circa 1970 and set in a thick carved gilt frame, the artwork beautifully captures the vibrant at...

A large antique oil on canvas painting entitled "Sacrifice to Minerva", circle of Francesco Solimena, attributed to Odoardo Vicinelli, dating from the mid 18th Century. The painting depicts a man standing, behind an altar, shielding himself from a kindling fire. To the left of the altar is seated Minerva, in classical flowing white robes, surrounded by a crowd of people. Francesco Solimena (4 October 1657 – 3 April 1747) was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen. Verso: Title, describtion, inventory marks and later restoration stamp: Aitken Dott & Son, Edinburgh 15 July 1970. Also bears an inscription attributing the painting to Odoardo Vicinelli: Odoardo Vicinelli, scholar of Giovanni Maria Morandi, flourished about 1750 an excellent master of the Venetian and Roman Schools, Provenance: Formerly at Letterfourie, Morayshire, and by descent, through the Gordon family Letterfourie House is a Georgian house in Moray Scotland, built by Robert Adam and completed in 1773 for Clan Gordon...

This is a large and decorative oil on canvas painting of "Sonning-on-Thames" by the renowned British artist Vernon Howard (1840-1902), Circa 1880 in date, signed and inscribed on a p...

Well done original oil on canvas beautiful colors nice subject, circa 1980's, framed unsigned the frame its nice but shows some wear as shown.

This quiet vintage midcentury still life oil painting is framed and signed by B. Christiansson, well known Swedish artist. In muted shad...

Pallet oil on canvas depicting a still life with a multi-colored floral bouquet in a vase on a red table top surface. Set against a molted background. Presented in a gilt frame, line...

Impressionist New York City, a snowy winter day on 5th avenue. Cars fill the street and snow fills the air. The city that never sleeps gleaming with patriotic pride with the famous E...

Unsigned painting by unknown artist. Made in Spain, circa 1960. Acrylic on canvas. In original condition, with minor wear consistent with age and use, preserving a beautiful...

A fabulous 1960's portrait-oil on canvas by Charles Levier, aka Villard. Beautifully done, similar in style to Bernard Buffet. High quality frame made in Belgium.

A circa 1940's large Mexican painted wood panel of the Virgin of Guadalupe. Measurements: Height: 60" Width: 36" Depth: 2"

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

"Les bienfaits de la nature offerts au plus grand nombre" “Nature's Goodness offered to more people” An Impressive and Decorative Art Deco oil on canvas painting Original frame Signe...

A German genre painting depicting a doctor’s visit to a little girl, 19th century. canvas: 17 by 20 ¼ inches frame: 24 by 27 inches

Impressionist Bucks County - Winter is here and the calmness of night is approaching. A covered bridge gently perched above a lively stream with banks of fresh snow. The ground is co...

Pre-owned goods are exempt from import duties for U.S. customers. Therefore, no import tariffs will be applicable to your purchase. Jean Geoffroy (1853–1924), a listed French artis...

A captivating music painting by renowned French artist Philippe Ancellin (1922-2010), titled Le Concert. This expressive oil on canvas depicts a trio of musicians—a violinist, a doub...

Terrific oil painting on canvass signed R.Post. Abstract Expressionist color and movement with cubist style shapes created by intersecting straight and curved lines. Ochre, teal, bla...

18th century old masters oil painting attributed to Claude Joseph Vernet, France. View of a Mediterranean port at sunset. Great pi...

Otto Pilny (Swiss, 1866-1936) A very fine orientalist oil on canvas "The Slave Market", depicting a desert scene with the offering of two female slaves. Signed and Dated (l/r): Otto Pilny, 1910. Canvas height: 31 1/2 inches (80 cm). Canvas width: 47 1/4 inches (120 cm). Frame height: 37 inches (94 cm). Frame width: 52 inches (132.1 cm). Previously offered at Christie's New York, 19th Century European Art, Sale 2521 on October 12, 2011, Lot 84. Latest Otto Pilny Sale: Christie's London - The Orientalist Sale including Works from the Najd Collection on 30 March 2021 - Lot 49 "Dance in the Desert" was sold for £100,800 ($138,500) There is not that much information about Otto Pilny who began his artistic education in Prague. Pilny also lived in Vienna and ended up settling in Zurich. Just like Ludwig Deutsch (1855-1935), Rudolf Ernst (1854-1932), and Carl Leopold Müller (1834-1892), Pilny was encouraged to travel abroad. During his two trips to Egypt, a favorite destination of the Austro-Hungarian school, the first one in 1889 and later en 1892, he acquired the taste of painting Orientalist scenes of Middle Eastern landscapes...

Peruvian Cuzo School Oil on Canvas of the Archangel Raphael, 19th Century. The Cuzco or Cusco school was a Roman Catholic artistic tradition that began in the 1500's in Peru, foll...

1950s Ruth Fulton WPA Abstract Impressionist Painting of Sailors on a Boat Offered for sale is a 1950s Ruth McConnell Fulton (1905-2003) WPA School Impressionist painting depictin...

Make an undeniably powerful statement with this Vintage Boho Monumental Mixed Media Abstract Oil On Canvas, a truly commanding work of art that fuses raw texture with profound visual...

Aleksei Alekseevich Shovkunenko (Ukrainian, 1884-1974), Standing Nude Man, Oil on Canvas, signed lower left, signed "Olexiy Shovkunenko / 1884-1974" and in Cyrillic to verso, unframe...

"Mar Azul" Abstract artwork by Mexican artist Maricruz Hernandez Covarrubias 1947-2016 Painting measurements: width 51.25'' height 39.25'' Maricruz H. Covarrubias – Biography Ea...

Helge Ernst (1916-1991), listed Danish artist. Large painting. Oil on canvas. Abstract composition. 1970s. The canvas measures: 115 x 72 cm. The fram...