2010s Paintings

This vibrant original painting by Miami based artist, Johanna Boccardo, was created with the meticulous signature style of the artist. The painting boldly displays her chromatic mastery, resulting in a fresh and colorful piece of contemporary art. Layers of color of various media are applied to get a multi-layered and dynamic effect, where cryptic stories and drawings are disguised in the background. "Green Calcite...

Modern abstract, mixed-media on White Aluminum painting; titled “The Island of Souls” by Maria Astadjov, a conceptual fine artist. Signed on front botto...

This pair of art pieces depicts the fantasy of two royal monkeys on horseback as is they were part of the sixteen century aristocracy. Each panel is hand painted on a non-woven pape...

Igneous is a design made from carbon powder and using Custhom’s innovative process of hand-foiling wallpapers, creates a unique distressed or highly polished finish in a wide range o...

Mayan Ruins is a set of five consecutive panels from a panoramic design depicting the jungles of Central America populated by Mayan ruins and tropical creatures of many kinds. The pa...

A contemporary abstract painting on canvas by Italian artist Giancarlo Mustich. Unsigned. Presented as photographed, unframed. Sourced in Italy. We ...

"Ultimate Pilgrimage" Sarah Dupré, 2023. Tar, oil, mixed media, and enamel. With black frame, behind glass. 25.5"H x 31.75 "W x 0.5" Using graphite, charcoal, tar, and influence f...

A large scale abstract mixed media painting by German artist Amela Rasi. This piece is presented on a cotton canvas + was created using pigments, acrylic and oil pastels. 2022. Amel...

Annelies, the painter of this work, works under the name 'Hymn of Silence'. As she progresses trough life, searching for balance or going with the flow, her art translates her evolut...

“Tudor Romance” Oil on canvas 2020 Size: 24 x 30 in. Unframed (custom framing is available upon request) The present painting transports the viewer to the imagined world of a Tudor estate, inclusive of a lovely water feature, monumental planter...

Title: Convergence of Dreams and Truth Size: 60"x60" Medium: acrylic and mixed media on canvas Caption: Convergence of dreams and truth unfolds in a mesmerizing display of ethereal b...

Annelies, the painter of this work, works under the name 'Hymn of Silence'. As she progresses trough life, searching for balance or going with the flow, her art translates her evolut...

'Les Champs Fleurissent' is a unique oil painting by the Dutch artist, Maarten Vrolijk. Enthralled by flowers and the power of nature, Vrolijk’s vibrant and joyous paintings are app...

'The Edge of a Fairytale' by British artist Jessica Zoob is a spectacular diptych with each canvas measuring W270cm x H95cm. Each canvas is available as a separate purchase of £24,00...

The pair of original paintings inspired by the 19th century Chinese export trade chinoiserie paintings of tree, flower & bird motif on wallp...

Large acrylic on canvas by Karl James Lubbering (b. 1969) features varying hues of violet and deep purple. Karl comes from a family of prominent Texas ...

King Salmon in the Salcha River, Alaska by Grant Nixon Item Number: AG0096_GN Watercolor on paper; 20" x 30". Well framed and matted. Grant is North Idaho artist specializing in watercolors. Very well done, nice colors. Arrives framed. Period: Contemporary Origin: Idaho, United States Sizr: 20" x 30" Frame 30" x 40" Family Owned & Operated Cisco’s Gallery...

This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image. 16 plates traveled through Europe as part of a book tour. We are offering them in a limited edition printed on Aluminum in large format. This one is called A Fecund Moment showing the tie of Marcus Garvey...

Adam and Eve II, 50” X 48”, Oil on Canvas MIRA PARK BIOGRAPHY Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from ...

The 'Where Angels Dance' triptych is a monumental work by British artist Jessica Zoob (three canvases each W150cm x H120cm). It offers a tranquil place of...

In PS series. PS series explores the effects of powdered charcoal with encaustic wax. Art Dimensions: 46 x 58 H inches Framed Dimensions: 47 W x 59 H inches. Maple float frame with gold leaf. Commission lead time is 12 weeks. John O'Hara (American, b. 1963) i s a self-taught artist from St. Louis and is known for his large-scale abstract decorative pieces. His medium of choice is encaustic—a mixture of pigments and beeswax and he allows the material to dictate color, line and texture. His works often feature natural and organic forms and incorporate both figural and abstract elements. O'Hara began his art career in 2018 and collectors and designers quickly took notice. O'Hara, co-founder of Forsyth, is known for his Vinyl series, Tar series, Brands series, Botanical series, Daisies series, Sardinia series, Square Dance series, and Get Your Shit Together series. His work is included in both public and private collections around the world. A few notables include: Michael Kors Collection store in London as well as the Michael Kors showrooms in Milan, Paris, and New York Maison de la Luz, the luxury hotel by Atelier Ace and designed by AD100 design firm Studio Shamshiri...

This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image. 16 plates traveled through Europe as part of a book tour. We are offering them in a limited edition printed on Aluminum in large format. This one is called Swaying In Developer Chemicals showing an overlay of all the design proposals for St. Peters Cathedral. Each plate is related to a scene and some lines from the book. Plate 003: SWAYING IN DEVELOPER CHEMICALS "At the end of the ambulatory, his vision is an unfinished photograph swaying in developer chemicals, still blurry and out of focus...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image. 16 plates...

This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into image. 16 plates...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move -- the plié -- and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered -- a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor -- a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum -- the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity -- movement directed inward to the core of one’s self -- a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions -- an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself -- the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to -- or moreso an extension of -- his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat-induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments -- moments that denote a certain frailty -- the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction -- and also the reverse of this -- a unique anthropomorphization of varying states of movement -- that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person -- one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s -- one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

This Plate comes from the book On The Rock Published by Montez press in 2016. The plates are a collaboration between the founders of Figure Ground on how to interrogate text into ima...

A beautiful original oil on canvas painting by German-born American artist Helen Allois (who artistically simply goes by Allois). This work titled "Disapp...

Adam and Eves, 54” X 52”, Oil on Canvas MIRA PARK BIOGRAPHY Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from co...

Eve, 34” X 56”, Oil on Canvas Painting MIRA PARK BIOGRAPHY Mira Park is a painter from Korea, currently based in Fort Lee, New Jersey. After a career in fashion design from compani...

Brussels Tapestry is a mural of three separate panels hand painted on a silk blue background. Each panel consists of a collage of vignettes with figures, animals, boats, and towers....

Aythamy Armas painting. Vertical Format. Mixed technic on canvas. Signed by the artist. Circa 2022, Spain. Very good condition. Bachelor of fine ar...

Painting in charcoal on paper made by Enrico Della Torre. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. Material: Cha...

A silver wired basket holds several large seashells as well as various architectural tools. The varied textures, shapes and colors of the objects ar...

Marie Hvid Pørksen (b. 1971), Denmark. Oil on canvas. Fence with barb wire. Dated 2010. The canvas measures: 40 x 40 cm. In excellent condition. Signed ...

"Twilight", 48 x 60”, depth 2” Acrylic on canvas. Gallery wrapped. Signed: Suzanne Clune NAWA Created: 2018 Suzanne Clune was born in the Hudson Valley into a family of e...

Stars in the dessert painted by Lebér. Mixed techniques on wood. Black wooden frame. Lebér’ s work is characterised by special use of color and plastic paint. There is usually a chee...

Acrylic, oil, collage on canvas.   

This beautiful work is a creation of Jolijn de Dijkman – de Veer. An artist from the Netherlands who is known for surprising works and different styles. She consciously does not opt ...

Oil on canvas. 30" x 48". Unframed. Sides of canvas painted so no frame necessary. North Idaho artist. On stretcher. Greg Parker has mastered the ability to capture the very essence ...

Abstract artwork of Earth's terrain view from space. Three dimensional impasto painting with raised valleys. Dimensions: 47.75"H x 47.75"W x 1"D.  

Our Gallery is pleased to have found a wonderful new talented California artist to represent, Scott Anderberg. We have a few of his works listed. This vibrant exuberant work is title...

Spring Vibes - Alain Carpentier Acrylique sur toile 25F - 81cm x 65cm 2022 1800 euros

Kharkiv... Devastation - Alain Carpentier 100cm x 100cm Acrylic on canvas 2022 3500 euros

Oil on canvas. 48" x 36". Unframed. Sides of canvas painted so no frame necessary. North Idaho artist. On stretcher. Greg Parker has mastered the ability to capture the very essence of what he sees and experiences in an exceptional artistic capacity. Greg’s ability to bring to canvas the moments seen through the human eye in such exceptional craftsmanship is one to be recognized. Early in his youth, he found himself especially interested in nature and read all he could about naturalists like John Muir who captured young Greg’s imagination. Being an outdoorsman himself, Greg’s studio in the beautiful Northwest part of the United States provides a setting in which often overlooked beauty Greg successfully captures and shares on canvas. Period: Contemporary Origin: Idaho Size: 48" x 36" Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source. Moose...

Interior territory - Elodie Huré Oil on paper mounted on linen stretcher 200x250cm 2016 Visual artist, videographer and collagist, also trained at ...

The 3 sisters - Elodie Huré Oil on canvas 2021 75x45cm Visual artist, videographer and collagist, also trained at the theater school, Elodie Huré exp...

A woman with a flower headdress is immersed in a dreamy atmosphere. The swamp, gray and ashen, is now behind her and she smiles as she caresses dreams of pink flamingos. This limited...

Marolles - Elodie Huré Oil on canvas Size: 65x49cm Signed on the back Visual artist, videographer and collagist, also trained at the theater ...

Talking to rocks 2 - Elodie Huré Oil on canvas 70x70cm 2020. Visual artist, videographer and collagist, also trained at the theater school, Elodie Huré expresses herself ...

Contemporary abstract artwork by Adrian. Untitled. Mixed-media on metal.. In good condition, with minor wear consistent with age and use, preserving a beautiful patina. M...

Original abstract oil painting on canvas by Jeffery Stuart entitled 'Monolith II". Framed in an oak wood frame. Artist: Jeffery Stuart Year: 2020 Style: Abstract Dimensio...

The Ocean - Elodie Huré Oil on canvas (without stretcher) 290 x 200cm 2020 Signed on the back Visual artist, videographer and collagist, also trained ...

"Opening," 2015 by artist Kathi Robinson Frank, from her latest series of large 72" x 56" canvases incorporates oil, acrylic, charcoal pastel and ...

Contemporary abstract artwork by Adrian. Untitled. Mixed-media on metal.. In good condition, with minor wear consistent with age and use, preserving a beautiful patina. M...

"Intercostal," 2022 is a large framed abstract mixed media painting by Kathi Robinson Frank in striking shades of black, gray, blue, yellow, green...

Ricardo Lanzarini etching 'Sensación de Agobio'. Made in Uruguay, circa 2020. Edition of 20. Hand signed. Number of edition and signature from the artist might differ from the photo as we own more than one piece. About the artist: Ricardo Lanzarini was born in Montevideo, Uruguay (1963), where he lives and works. He graduated in Fine Arts at the Escuela Nacional de Bellas Artes Institute, Universidad de la República, Uruguay. Since 1992 he has exhibited nationally and internationally: VI and VII Havana Biennial (1997–2000); Musée des Beaux-Arts de Nantes (1997); Comer o no Comer (Salamanca 2002); III International Biennial of Standards (Tijuana, Mexico, 2004); The Drawing Center of New York (2004); 29th Biennial of Pontevedra (Spain 2006); 1st Encounter Between Two Seas: Bienal de Sao Paulo-Valencia (Spain, 2007); DeCordova Museum and Sculpture Garden (Massachusetts, 2008); Syracuse University (New York, 2009); IV and VII Mercosul Biennial (2003–2009); 18th Biennale of Sydney (2012); 1a. Bienal de Montevideo (2012); 5th. Biennale of Moscow (2013); MSK- Museum Voor Schone Kunsten Gent (2014); 4th Poly/Graphic Triennial, San Juan: Latin America and the Caribbean (2015). In 2005 he was included in Emma Dexter's Vitamin D: New Perspective (Phaidon Press). In 2015 his work was part of Roger Malbert's Drawing People: The Human Figure in Contemporary Art (Thames & Hudson). Among the public and private collections in which he is represented are MSK- Museum Voor Schone Kunsten Gent, Musée des Beaux-Arts de Nantes, FRAC des Pays de la Loire, Deutsche Bank Collection, New York Public Library, Centre National des Arts Plastiques, Bibliothèque Nationale de France, Centre National de l'Estampe et l'Art Imprimé, La maison rouge...

James Siena etching 'Forma enfadada amb dents'. Made by the artist circa 2011. Edition of 35 Hand signed. Number of edition and signature from the artist might differ fr...