20th Century Paintings

Danish original antique oil on canvas landscape painting from 1925 by artist Rasmus Larsen (1867-1950). Rasmus Larsen was a renowned Danish painter known for his landscape motives a...

Vintage Italian Neo-Classic style four-paneled folding screens painted with an idyllic scene of women on either side of a river playing music, bathing and eating, a tower on a bridge...

An alluring oil on canvas portrait depicting a beautiful young woman decorating her hair with a red lace. Made by Lajos Rezes Molnár (Hungarian 1896...

Haitian acrylic painting on canvas of stylized big cats in a lush jungle setting with fruit trees, palm trees, and assorted tropical flora. Signed by noted artist M. Paul and present...

Found in Europe, this Early 20th Century Oil on Canvas was painted in the early 1900's. Artist signed Kate Von Muhlenstein, suggest the art has a German origin. This interior paintin...

Friedlander painting. A lovely and decorative painting made by an Israeli artist. Signed lower right in Hebrew letters. Translated the name of the artist is Friedlander. A fauviste w...

Original 1940s Pink Hibiscus Watercolor Painting on Paper Signed by Shirrell Graves. The painting features its original white wood frame with a white mat. Shirrell Graves is an Impr...

Ole Saabye, Danish artist. Oil on panel. Abstract composition. Signed and dated 1990. In perfect condition. Dimensions: 64.0 cm x 79.0 cm. Total dimensions: 67.0 cm x 82.0 cm.

This set of Sylvia Schuster portraits, each depicting a face in three-quarter profile rendered in black ink on paper, are quintessential examples of her profound ability to distill t...

Japanese screen with two doors painted with mineral pigments on rice paper. Early Showa period.

Emil Betzler German expressionist tempera on paper on ingrain 'Harlequins 2', the 1960s Outstanding piece of expressionist art. Signed. Similar work is shown in 'Emil Betzler' - mon...

A large scale painting titled 'Drifted Toss from a Faith' by Stanley Boxer. Signed and dated to verso.

Entitled "Truth and the Seven Deadly Sins" and teeming with allegory, this Art Deco study for a major mosaic was painted by Eugene Savage for the new Queens Supreme Courthouse -- a 1930s Works Progress Administration project in Queens, New York. The central figure with a hand mirror may represent Narcissus, who would personify "vanity," one of the sins, and at the bottom of the scene is a winged devil who seems to be opening a door to a fiery world below. To the right is a figure near a chest full of gold and coins, and the entire scene is surmounted by a reclining female nude. Savage is best known for a spectacular set of murals illustrating the history and lore of Hawaii commissioned by Matson Shipping Line for the S.S. Lurline, executed in the 1940s but not installed until the 1950s. The artist also painted other series of murals and paintings, include an enormous mural...

Painting size - 9.5 x 5.5 x .25 inches frame size - 17 x 13 x 2.75 inches George Blackie Sticks (1843-1936) Landscape painter in oil and watercolor. Son of James Sticks. The most distinguished member of the Sticks family of artists. Born in Newcastle. He had early artistic training as a designer in stained glass manufactory of William Wailes. He was placed under tuition of William Bell...

Montague Dawson: Racing Six-Metre yachts, goache on paper showing a yacht number 6/18, running before the wind with ‘goosewinged’ sails as she leads three other six-meter yachts. Sig...

Abstract rare acrylic on canvas by Richard Allen Morris Signed and dated on top as shown beautiful frame , California design listed artist .

Original 1940s White/Pink Magnolia Watercolor Painting on Paper Signed by Shirrell Graves. The painting features its original white wood frame with a white mat. Shirrell Graves (188...

Fine and exceptional Hungarian oil painting of a lifesize reclining nude, odalisque; mounted in original giltwood frame, signed: Szantho Maria ...

Known as an abstract colorist, Lamar Briggs (American, 1935-2015) began experimenting with acrylic paints in the early 1970's. In this undated work on paper he's thinned his medium d...

Copy of a portrait of a Dutch nobleman in ruffled collar

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Marker on a cardboard box by New York City picking and art legend, Robert Loughlin. Featured in Patrick Parrish Gallery's “Robert Loughlin: 1998-2011” exhibition in 2021. ROBERT LOUGHLIN (1949 - 2011) may have been one of the most elusive artists in New York, but his work was everywhere. You might have noticed his signature graffiti of a square-jawed man, The Brute, randomly appearing on doors, signs, and walls all over the city. Like his fellow graffiti artists who emerged during the 1980s, such as Basquiat, Keith Haring, and Kenning Scharf, Loughlin has now become a collectible name. Once considered outsiders to the mainstream art world, graffiti artists now command top dollar for their work and are shown in museums all over the world. When he wasn't making his mark on the city streets, Robert Loughlin still incorporated a similar grittiness into his art. He would ransack antique stores, thrift shops, flea markets, galleries, and estate sales and emerge with treasures that he would use as his canvas. Nothing was sacred...

A large scale and very dynamic painting on canvas comprised of oil and pencil depicting an interior. The interior with chairs surrounding a table set for coffee to the right, two lamps and a vase atop a Pleyel piano...

This colorful Mid-century modern expressionist work is signed and dated 1966. The subject is a Sydney terrace scene, with the harbor and a boat or ship visible between colorful house...

Large and exceptional painting, “Passion”, in patinated and engraved bronze and pewter with vibrant enamel cloisonne and hand-brazed sculptured frame by Philip & Kelvin LaVerne, Amer...

Fantastic Japanese late Meiji period two-panel byobu screen by Hashimoto Koshu. The large screen features two white geese amid brightly colored reeds. The symbolism of geese and reeds was introduced to Japan from China in the 13th century. This was a popular subject for Japanese zen artists of the period. Beautifully crafted with exceptional brush strokes and details. Made with natural pigments in dramatic vivid colors of white, pink, and mint green on a silk background of gilt. Circa 1900 with artist seal on bottom right corner. Koshu studied Western art under...

This is a vintage landscape painting. An Austrian, gilt framed oil on canvas, dating to the late 20th century, circa 1970. Delightfully presented oil painting, with a serene Alpine...

Wolf Kahn School Tonal Winter Landscape, Circa 1980s Unsigned 48" W x 36" H Whitewashed 1/4" Wood Frame A serene and evocative winter landscape in the style of Wolf Kahn, this unsi...

Painting Winter Landscape Tony Studio Art Icardi 1970s Measures: Height 70,5cm Width 89,5 cm Oil on canvas In good conservative condition, present signs of time due to use and ag...

Vintage watercolor painting features a landscape view in calm, minimal palette. The original art piece was professionally framed with double matting; it is signed by the artist in...

Fabulous colorful and well executed cubist style with a Don Quixote type figure on horseback entering a village. Vibrant reds with Stark outlines. Painting itself without the frame ...

Oil on canvas painting of geometric shapes signed Brink.

Large-scale abstract painting, American, circa 1960s. It measures an impressive 50.25" height x 42" width. This piece is currently unframed. If you prefer a black gallery frame (as s...

This colourful painting is of an abstract village scene in the geometric style. The elegant 'tray' frame keeps the focus on the picture itself. Si...

Original 'Hyde Park' color lithograph by André Derain. Lithograph printed from an original painting made by the author in France, circa 1906. Published by Fernand Mourlot in Les Fa...

Sculpture relief picture has certification of authenticity and a signature. This artistic and original object, created by AG3 using traditional craftsmanship techniques characterist...

A beautiful Ancestor portrait of an important Chinese Matriarch. The piece is hand painted in vibrant colors and has held the test of time. The gilt wood framing is an unusual fram...

Large painting by Arlene Slavin titled 'Ghost Grids' signed and dated 1972.

Stunning colors on this midcentury painting. Total measurement is 23 in W x 13 in x 1-5/8 in deep. Dated 1/1/1960, E Byard. Painting measurements listed below. The frame is original....

Helge Ernst (1916-1991), listed Danish artist. Large painting. Oil on canvas. Abstract composition. 1970s. The canvas measures: 115 x 72 cm. The fram...

Large abstract acrylic painting by noted NYC artist Jules Granowitter. The painting is mainly executed in tones of blue with orange, purple, green, gray and red also visible. Nice b...

French Provincial Painting of a Cow on Wooden Panel, Rustic Chalet Decor Description: This charming French Provincial painting depicts a beautifully detailed cow on a light brown wooden panel, surrounded by a delicate floral border. Its rectangular wooden support and rustic floral embellishments give it an authentic, countryside charm, making it an ideal decorative piece for mountain chalets or rustic-inspired interiors. Key features include: Traditional Subject and Style: The painting showcases a realistically rendered cow in earthy brown tones, capturing the tranquil beauty of rural life. Its simple yet elegant composition is a nod to traditional French Provincial art. Wooden Panel Support: Painted on a light brown wooden panel, the natural wood grain adds warmth and authenticity, enhancing the rustic appeal of the piece. Floral Decoration: Surrounding the main image is a delicate floral border, hand-painted with small, charming flowers, further emphasizing its French countryside style. Rustic Charm: The vintage-inspired design and pastoral subject make this painting perfect for mountain chalets, country homes, or rustic interiors, creating a cozy and inviting atmosphere. Versatile Display: Its small size allows for versatile display options, whether hung as a single focal point or as part of a curated gallery wall. Cultural Appeal: The French Provincial style evokes the timeless elegance of rural France, making it a delightful addition to both traditional and eclectic decor settings. This French Provincial cow painting is more than just rustic decor—it is an artistic tribute to pastoral life, bringing warmth, charm, and a touch of the French countryside to any space. Perfect for those who appreciate vintage-inspired art or wish to create a cozy, chalet-style ambiance. Keywords: French Provincial cow painting, rustic wooden panel art, vintage farm animal painting, chalet decor, country-style wall art, French countryside painting...

This is an absolutely beautiful acrylic on canvas by French artist, Pascal Magnis. A master of color, Magnis creates a canvas in which the colors and shapes appear to be jumping off the canvas. At the grand size of 9'10" x 6'9" this would ignite that drab wall! The artwork is signed in the lower right corner. Below From: Wimbledon Fine Art "Pascal Magis...

Painted by Eugene Savage -- arguably, America's most successful and prolific muralist in the Art Deco style, with important surviving paintings dating from the 1920s to the 1950s -- this study was made for a Zodiac-themed ceiling mural. The round painting features a night sky jeweled with bands of stars, and featuring several mythological figures such as Helios with his chariot and Cornucopia. Savage is best known for a spectacular set of murals illustrating the history and lore of Hawaii commissioned by Matson Shipping Line for the S. S. Lurline, executed in the 1940s but not installed until the 1950s. The artist also painted other series of murals and paintings, include an enormous mural...

Oil on canvas by Henri Hecht MAÏK (1922-1993) “Tiger and Clown with a Flower” sign and date lower right “MAÏK 66” Natural oak frame from the 60s. Canv...

English Renaissance style (dated 1903) framed incised wood and oil paint portrait of Queen Elizabeth against a black background in a rectangular w...

Stunning colors on this midcentury oil painting in an original midcentury frame. Be sure to check our storefront for many more decorating ideas, from primitives, Machine age, Mid-Cen...

Orientalist Scene Turkish Women Dancing In The Harem, Luigi Crosio. Measures: Height 67.5 cm Width 92 cm Mixed media on wood In good conservative condition, present signs of ...

Vintage still life painting features a large vase with bouquet of spring flowers, including lilacs, narcissi, tulips, and a peony, with a small flower posy placed next to it. Charmin...

The original watercolor depicts white flowers, possibly irises or narcissi, growing amongst the green leaves and grasses. Darker, moody colors of the greenery on the background sugg...

Signed and attributed to Jasper Francis Cropsey (American, 1823-1900) oil on board painting, titled Lone Deer. Earth tone green forest with blue sky and one lone brown deer. Dated an...

Sensuale Dipinto a pastello eseguito da Fried Pal negli anni 30 in puro stile Art Deco. L'autore riesce in maniera egregia a unire due motivi ricorrenti del periodo,il nudo e il dina...

Vintage oval portrait in a beautiful gilded wood frame of Sir Alexander Gibson, Lord Durie I of Scotland. He lived circa 1570–1644, and was aScottish judge and legal author, known to...

Untitled Joel Stein 1993 Acrylic Color on paper Aluminum frame with glass Excellent condiction frame: 48x48x2 cm paper:30x30 cm Stein Joel (Saint-Martin Boulogne, 1926 - Paris, 20...

Copy of a classical portrait of the Grand Duchess of Russia, Elena Pavlovna, in her Ermine cape with the steppes in background

Heavily impastoed oil with collaged material elements on canvas. Signed and dated on the back -Z. Salaburski, 1962.

Oil by Vidal Jimenez, Spain, 1960. Pop art.

Set in carved gilt wood frames and signed in the lower right and left corner by american artist Robert Lebron, each mid-century art work is painted on canvas and depicts a typical Parisian scene in the style of Edouard Cortes or Galien Laloue. One scene depicts the Place de la Madeleine and the other Place de la Paix with the Opera in the background. Both paintings are in excellent condition with rich and vivid colors. Robert Lebron (1928-2013) was an American impressionist artist. He was born in New York City, where he attended New York City's High School of Music and Arts. He also went on to study at the Art's Students' League for five years. Lebron developed his own personal technique after several extensive stays in Europe, relying on the use of a palette knife rather than brushes. Lebron has painted in Europe, particularly London and Paris, in Italy and Spain, in Canada and Mexico. He won such awards as the Forbes Magazine Award (travel grant), and he has had one-man shows at the Galeria Studio in Madrid and in New Jersey, Connecticut, Illinois and in his home city ( NYC). Most of his paintings feature favorite characters from his childhood including a tiny dog present in most of his paintings, inspired by the comic strip Dickie Dare. His paintings of the Donner Party are exhibited at the Emigrant...