Hand-Painted Paintings

A 1980s abstract acrylic on paper landscape painting by American artist Harry Hilson (1935-2004). Gestural lines come together to create a vibrant abstract landscape with blue mounta...

A 1980s abstract acrylic on paper landscape painting by American artist Harry Hilson (1935-2004). Gestural lines come together to create a vibrant abstract landscape with pink, purpl...

A 1980s abstract acrylic on paper mountainous landscape painting by American artist Harry Hilson (1935-2004). Gestural lines come together to create a vibrant abstract landscape with...

1970s Jaime Parlade designer hand painting "Walking Horse" oil on canvas Horse.

“Geometrics in Space”, Acrylic on Canvas in White Artist Frame, signed H Karp ‘80. Great graphic painting in vivid shades of blue, green, red and white. Artist unknown. Hard-edge style that also fits in with the Post-modern style and interiors. The painting is somewhat reminiscent of Soviet constructivism...

Starlings in a Winter Landscape by British artist Raymond C. Boothe (1929-2015). Oil on canvas in a hand carved custom frame. Framed the dimensions are 35" wide, 29.38" high and 2.5 inches deep. The canvas measures 24" wide and 18.75" high. Boothe, a Leeds artist, is known as of one of Britain's most accomplished botanical, wildlife and natural history artists. He was represented by the Fine Art Society for 50 years, where he had eight exhibitions. This painting has been in a private collection for the past 30/40 years and was purchased from the art dealer Henri Tiercet. Despite rarely leaving his native Yorkshire, Booth developed an international reputation as a leading botanical and natural history artist. He Spent much of his career in his private studio at home in Alwoodley – an 'inner sanctuary', which no one besides the artist was permitted to enter. Booth's meticulous rendering of wildlife, woodlands, meadows and heathland found admiration far beyond the bounds of his beloved Adel Woods, where he spent much of his time studying and refining his technique, even 'sleeping under hedgerows', remembers Peyton. A plantsman as well as an artist, Booth would cultivate flowers, plants and botanical specimens at home in the garden before painting them in the studio. It was through this extensive and painstaking process that Booth developed an expert knowledge of his subject, a defining feature of his work. Starlings in a Winter Landscape was purchased in the 1980s from Henri Tiercet and owner of Henri Tiercet Galleries Inc...

Minimalistic black-and-white abstract gestural ink-on-paper by Philip Renteria (1947-1998), 1976. Untitled brush and ink on paper, hand-signed by artist and newly-framed float-mounte...

A 1980s abstract acrylic on paper landscape painting titled Bush Country by American artist Harry Hilson (1935-2004). Gestural lines come together to create a vibrant abstract landsc...

Large late 20th century Maitland-Smith framed wall painting. circa 1990s Features a Primitive art style hand painted image of a Tigre with a tro...

Beautiful large abstract acrylic and mica by the noted California artist Frank Galuszka. It is titled "Starmaker" from 1999. This painting is from a lov...

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

1970s Jaime Parlade designer hand painting "Walking Horses" oil on canvas Horse.

Framed Oil "Wild Roses" on Masonite Panel, by John Heliker, American (1909-2000). Retains Gallery Label from Kraushaar Galleries, New York. Kraushaar Galleries was founded in 1885 and is still in business. Determined to become an artist, Heliker dropped out of high school to copy paintings...

Paul Garland (American, b. 1943), an abstract composition, pencil signed and dated 1984. The work is very colorful with wonderful movement and expression. It has been expertly framed...

Jack Knife, acrylic painting on board, By William Phelps Montgomery. William Phelps Montgomery was born in August 1948. The son of art historians, he gr...

Large and colorful abstract, 49 x 72 full of organic and beautiful color. Layers of paint with alot of symbolism. In excellent vintage condition with minimal wear.

Paul Garland (American, b. 1943), an abstract composition, pencil signed and dated 1983. The work is very colorful with wonderful movement and expression. It has been expertly framed...

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

"Jack Knife" “18” X 18” acrylic painting on board by William Phelps Montgomery. William was born in August 1948. The son of art historians, he grew up ...

Beautiful colorful Mid-Century Modern 1977 watercolor abstract Leaf artwork painting #3 maple frame colorful. Wired on back to be hung horizontal. Vintage condition. Neil R Anderson...

Vintage midcentury oil on canvas portait of young woman in ruffled strapless white gown. A red rose in her dark hair striking a daring pose. Unsig...

Vintage Mid-Century Modern Cityscape Oil Painting "Skyline V" by M. Baker Signed and Dated 1978. Features an impasto on board depiction of Hong Kong's skyline, framed with a antique...

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

Beautiful colorful Mid-Century Modern 1977 watercolor abstract Leaf artwork painting #2 maple frame colorful. Wired on back to be hung horizontal. Vintage condition. Neil R Anderson...

Beautiful colorful Mid-Century Modern 1977 watercolor abstract Leaf artwork painting #1 maple frame colorful. Wired on back to be hung horizontal. Vintage condition. Neil R Anderson...

1970s Jaime Parlade designer hand painting "Walking Horse" oil on canvas. Horse.

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

Cuadro de aves en lago con flores pintado a mano sobre lienzo años 1970.

1970s Jaime Parlade Designer hand painting "elephants" oil on canvas.

1970s Jaime Parlade designer hand painting "tigers" oil on canvas.

1970s Jaime Parlade Designer hand painting "Tigers" oil on canvas.

Cuadro de aves en lago con flores pintado a mano sobre lienzo años 1970.

Cuadro de flores pintado a mano sobre tela años 1970 en tonos amarillos.

Italian oil on canvas unfraimed painting featuring a resting farmer lying in the shade of a barn. Signed lower left Boccasile by Giorgio Boccasile Italian p...

1970s Jaime Parlade designer hand painting "Tigers" Oil on canvas.

Abstract Oil Painting on Canvas by Fausta Dossi (B 1936) Description This is an abstract oil painting on canvas created by Fausta Dossi, a renowned Italian artist from Milan, in 20...

1984 painting of male nude figures created with deep neutral tones, in a brass frame.

Superb painting by Daniel Van der Putten, depicting a wonderful rural snow scene, a snow-covered dirt road with a tall snow-covered towering tree on a hillside and alone peacock on t...

A large acrylic painting on canvas by Donatella Lopresti. Bold, colorful and full of life. unframed, a small discrete repair on lower left corner.

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood during the Second World War. During the end phase of the war, Keil's mother, also a...

1970s Jaime Parlade designer Hand Painting "Tigers" oil on canvas.

1970s Jaime Parlade designer Hand Painting "Tigers" oil on canvas.

1970s Jaime Parlade Designer Hand Painting "Tigers" Oil on Canvas.

1970s Jaime Parlade Designer hand painting "Elephants" oil on canvas.

Superb traditional oil painting by Daniel Van der Putten, depicting a wonderful Irish river and farmyard scene with wandering children and animals within the grounds. The remains of Ballycowan Castle in County Offaly are visible in the distance. Oil on board complete with its original exceptional traditional giltwood ornate frame. The Artist's majestic brush work captures with consummate finesse the magical colours of this rural Winter scene and his shadow and light work is superb. Signed lower left Daniel Van der Putten and titled at back. Condition: Perfect showroom condition with no imperfections. Height (entire including frame) 25" (65.5cm). Width: (entire including frame) 31” (79cm). Height (image only) 15.75" (40cm). Width: (image only) 21.5” (54.5cm). Location: Dublin City, Ireland. Van der Putten is Dutch born but resides and paints in England. Exhibited only in the finest Galleries, we are pleased to offer this exceptional Artist’s work on-line. Ballycowan Castle is an Irish castle...

Oil on canvas abstract by Lou Ann Reineke. Signed lower right, signed, titled on verso. Unframed. Painted black edge gallery wrap meant to hang without frame.

Very Beautiful water color of white Iris and beautiful green leafs setting a mood of clean floral elegance.  Helen Burkett FSWS, FWS, SWS, NWS is originally from Arlington, VA, moved to Sarasota, FL in 1974, where she maintains her studio. She attended the University of Maryland, the Corcoran School of Art, and various study groups.  She has studied with Frank Wright of Washington, DC, Valfred Thelin of Ogunquit, ME, William Packner of Woodstock, NY, and others.  Helen Burkett's paintings have won numerous awards and have been included in many exhibits including those sponsored by the American Watercolor Society, the National Watercolor Society, (awarded signature membership), the Midwest Watercolor Society, the Southeastern Watercolorists, the Transparent Watercolor Society of America, the Southern...

Midcentury abstract watercolors painting ,frame is not included. Signed by : Frances Desloge Actual painting size without the painting paper mat is :...

Superb painting by Daniel Van der Putten, depicting a wonderful rural snow scene, a snow-covered dirt road with a herd of sheep on the left and a view of Glenquin Castle Killeedy Cou...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to ensure the authenticity of our objects. Painting oil painting on canvas is made with mixed technique brush and spatula; the author used traditional brushes for a first draft giving shape to the whole drawing with an expert, loose wrist play and with sure and decisive brushstrokes; the representation, in this case, is not a pure exercise of virtuosity, in fact, the author communicates us his intimate essence manifesting it through the language of colors, shapes, and composition. The artist finished his work with the technique of spatula painting, named after the protagonist's instrument, redistributing the colors densely and consistently, making the painting take on a special body and depth. The painting is signed but we are unable to give definite information about the author, however, we confirm its extraordinary aesthetic and engaging vividness; the painting was made in 1989 in the author's studio in Paris whose intentions were to celebrate the 200th anniversary of the French Revolution (1789). The painter was inspired by both French Expressionism and Symbolism; Expressionism exalts the emotional value of art; it is the artist's desire to communicate inner feelings, while with Symbolism, painters tend to go beyond the objective representation of reality to focus instead on the subjective vision, in which inner feelings, emotions, and experiences are evoked above all. Our painting is overflowing with the symbolism of the French Revolution; it is practically an evocative essence of it. This important and overwhelming historical event is powerfully present in the soul of the artist who wanted to overbearingly communicate to us his deepest emotions by transposing them entirely in the painting with strong and vivid colors, he did not want to simply allude or hint but to express, indeed "shout" his own deep interiority. In his intentions, the painting schematically and symbolically represents a standard-bearer of the French Revolution wearing the classic "Phrygian" hat. The author used only the three colors white, red, and blue that characterized the flags of the French Revolution; they were the new banners, which opposed the traditional emblem of the monarchy, the lilies on a white field. Three were the colors because three were the goals of the Revolution: liberty, equality, and fraternity, and they represented the three classes into which French society of the time was divided: the clergy (blue), the nobility (white), and the third state (red). The "Phrygian" cap (Latin for pileus) painted in red in the painting also has a high symbolic value, In Roman times it was worn by the " freedmen" to show that they were now freed slaves but in the French Revolution it became the very symbol of Liberty; a similar cap was worn by the freed Marseilles convicts in 1792, and was the symbol of the Jacobins during the French Revolution. Due to this fact, in addition to its historical meaning of freedom, it was later adopted as a symbol of the revolution itself, a symbol immortalized on the "Marianne," the very emblem of France, in Eugène Delacroix's famous painting "Liberty Leading the People...

GEORGE SPECK - 'Woodland Symphony' - Expressionist collage with acrylic paint on panel - signed lower left - artist's label/titled verso - unframed - Cana...

Antoine Blanchard (France 1910 - 1988 ) Title: "Place de la Madeleine" (depuis de la Rue Royale) Signature: "Antoine Blanchard" lower right corner Period: mid 1960's Artwork: 90x60cm (36 x 24 IN.) Offered unframed Condition: Overall Excellent. No chips, flaking or missing material Great investment with hammer prices going up year after year. Rare find! ++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ Blanchard received his initial artistic training at the Beaux-Arts in Rennes, Brittany. He then moved to Paris in 1932 where he joined the Ecole des Beaux-Arts. He won the Prix de Rome. Like Édouard Cortès (1882–1969) and Eugène Galien-Laloue (1854–1941), Antoine Blanchard essentially painted Paris and the Parisians in bygone days, often from vintage postcards. The artist began painting his Paris street scenes in the late 1950s, and like Cortès, often painted the same Paris landmark many times, in different weather conditions or various seasons. The most recurrent topics were views of the capital city in cloudy or rainy days, showing streets busy with pedestrians in a rush to go home, and bright storefronts reflecting on wet streets. Many of the French Quarter art...

This unique oil on canvas unfraimed figurative Italian painting dipicts three resting Italian soldiers in the foreground, eating and resting in a desert landscape of North Africa during the Second World War. The three seated figures are depicted with undefined and dark faces. Signed lower left Boccasile. Giorgio Boccasile Italian painter and illustrator 1935-1983, sun of Gino Boccasile a well known painter famous for its II world war propaganda...

This is an Original Mark Dickson painting and can be described as nothing short of a revelation in the realm of contemporary art. As one navigates through his vibrant interplay of colors—pinks, purples, blues, and greens—it becomes evident that his works are a bridge between abstract expression and a deep-seated Coloradan sensibility. From afar, the paintings resonate with the raw energy and abstract impulsiveness reminiscent of Adolph Gottlieb or Mark Rothko. However, upon closer introspection, Dickson's canvas unfolds a symphony, harmoniously blending his intuitive understanding of the Colorado landscapes with an almost Rothkoesque play of color and form. His artistry is a culmination of his academic sojourns, from the bustling art scene of Brooklyn's Pratt Institute to the scholarly corridors of the University of Denver. Yet, what stands out is his capability to transcend these teachings and manifest a unique narrative—one that reflects both the external world and the myriad landscapes of the human psyche. The choice of medium, notably pastel mixed with watercolors, oil washes, and graphite pencil, demonstrates a tactile indulgence in his craft. It's as if he's chiseling his memories, experiences, and observations of the Coloradan terrains and skies into each canvas. For the discerning eye, his works might also evoke the expansive color fields of Milton Avery. Yet, Dickson’s approach, particularly his relationship with color, is refreshingly instinctual, almost challenging the viewer to feel rather than dissect. In Mark Dickson's work, we're treated to an exhilarating dance of abstract brilliance juxtaposed with the tangible and intangible memories of Colorado's landscapes. In a sense, each painting becomes an invitation—to wander, to wonder, and to immerse in the art of profound introspection. The majority medium is pastel and a mixed media of watercolors, oil washes, and graphite pencil. Color is of primary importance to his work. His work shows the influence of artists Milton Avery(who used large areas of color) and Mark Rothko and Adolph Gottlieb (known for their work in the variations of color). Mark is fascinated with color and explores every aspect of its relationships. He feels his use of color is more intuitive versus analytical. Mark Dickson’s paintings, prints and monotypes are represented in private, corporate and public art collections nationally. Pratt Institute, Graduate School of Fine Arts, Brooklyn, New York, 1970 University of Denver, Graduate School of Art, MFA, Denver, Brooklyn, New York, 1973 Denver Art Museum, Colorado Annual, 1967 National Academy of Design, National Audubon Exhibition, New York Joslin Art Museum Exhibition of Colorado artists, Omaha, Nebraska Included in Outstanding and Noteworthy Americans, Bicentennial Edition, New York Chicago Botanical Garden, solo exhibition, North Brook Illinois Colorado Symphony Orchestra Association, limited-edition lithograph commission Broadway South West department store Commission; shopping bag and print. Award of Merit from American Institute of graphic arts, and Award of Distinction: "Creativity 86" Art Direction Magazine, New York Stables Art Center, Taos New Mexico, Artist of Taos Who's Who in American Art, 1990, New York Arts Student's League of Denver, Board of Directors O'Sullivan Art Center, Regis University solo exhibition, Denver Britto Central Gallery, solo exhibition, São Paulo Brazil, 2003 Amarillo Art Museum, permanent collection Amoco Oil Company, Chicago Federal Reserve Bank, Denver University of Colorado, permanent collection, Boulder, Colorado Garnett Corporation headquarters, Arlington Virginia IBM Corporation Miami Florida Las Vegas Federal Medical Center Kirkland Art Museum, permanent collection, Denver Northern Trust Bank, Naples, Florida Planes Art...

Oil on canvas abstract by Lou Ann Reineke. Signed lower right, signed, titled on verso. Unframed. Painted black edge gallery wrap meant to hang without frame.

Framed oil painting on canvas by Omer Buyse dated 1981 presents an interesting palette with cool colors on an overcast day, depicting a quaint country church next to a creek. An inte...

Dove Peace and Arabic Calligraphy purple and yellow oil on canvas painting framed. Hand painted of a women made of writing in Arabic calligraphy style design following a dove. From an Art Gallery in Manhattan Beach...