1920s Wall Decorations

Erwin Waldow - Fox in the Snow 60 x 80 cm - canvas without frame 70 x 90 cm - frame included Oil painting on canvas, signed lower right. 1920s era.

Elegant Art Deco stained glass windows with geometric motifs and pebbled translucent glass. Nice specimens from the period. Sturdy frames...

Art Deco painting depicting panther in the wild. Unusual dimensional treatment with all the paint. Look closely at the texture of this piece. In an original frame that also has a pai...

Art Deco outdoor hook for shopping bags vienna around 1920s This kind of hook was mounted outside next to the front door, to hang shopping bags while lo...

Original antique poster advertising elegant afternoon tea at the Maximilian cafe restaurant with a dance band playing music in the afternoons and evenings - und dann ins Cafe Wein Re...

Coat rack mirror by Paul Kiss A silvered wrought iron hand chased and hammered with intricate and fine detail, having four hooks for coats and central mirror with shelf for hats or ...

Evans, C.S. (editor). Rackham, Arthur (illustrator). The Sleeping Beauty. London and Philadelphia: William Heinemann & J.B. Lippincott Co., 1920. F...

Unique and striking, this wall plate by the famed Lachenal ceramic works in France depicts two nude male figures harvesting lush, broad-leafed plants in the field. The artist was clearly a painter and signed the piece "Cochet," suggesting that the artist may have been Gerard-Paul Cochet, who often painted harvest and rural scenes during his career. The ceramic works were founded by Edmond Lachenal, who was well known for his Art Nouveau ceramics...

Currently on loan to The David Roche Foundation for their exhibition "Josiah Wedgwood - Master Potter to the Universe". Daisy Makeig Jones’ description relates this to Völuspá, a poem from the Poetic Edda, which is a collection of Old Norse poems. In Völuspá, it is said that the dwarves were created by the god Loki and the giantess Angrboda, and that they were condemned to live underground. The Light Elves are also mentioned in the poem as being allowed to live in the realm of Alfheim, which is a place of beauty and light. In Norse mythology...

Art Deco interior wall decoration in navy blue, aubergine, and metallic silver by Alphons Peerboom. Published in Germany by Christian Stoll, most li...

Superbly painted in a brilliant palette of gold, deep pink, green and gray, this quintessential Art Deco illustration depicts a golden female figure with a fashionable hat...

1930s colored drawing inscribed on the back "Promenade" This important drawing we can very likely attribute to the Italian master Carlo Carrà. The beauti...

DIMENSIONS: Height: 16.25 inches Width: 13.5 inches Depth: 2.25 inches Frame width: 2.5 inches ABOUT MODEL Encarnación López Júlvez, known as La Argentinita (Buenos Aires, March 3, 1898 – New York, September 24, 1945) was a Spanish-Argentine flamenco dancer (bailaora), choreographer and singer. La Argentinita was considered the highest expression of this art form during that time. López Júlvez was the daughter of Spanish immigrants in Argentina, where her father had a fabric business. While living there, two of her siblings died in a scarlet fever epidemic. Consequently, she was brought to the north coast of Spain in 1901, where she began to learn Spanish regional dances. When she was only four years old, she started learning flamenco from Julia Castelao. Her first public performance was at the age of eight at the Teatro-Circo de San Sebastián, in the Basque Country. She chose the name "La Argentinita" in deference to the famous flamenco dancer Antonia Mercé (La Argentina). After travelling throughout Spain as a child prodigy, she settled in Madrid to perform at Teatro La Latina, Teatro de la Comedia, Teatro de La Princesa, Teatro Apolo and Teatro Príncipe Alfonso. Her success led her to tour in Barcelona, Portugal and Paris, and then Latin America. In the early 1920s, she returned to Spain, where she worked in Madrid. Among her early performances was the 1920 premiere of Federico García Lorca's musical play El maleficio de la mariposa as "the Butterfly". She announced her retirement in 1926, but would quickly return to the show business as part of the artistic renewal that led her to the Generation of ‘27, in which she combined flamenco, tango, bulerías and boleros. She danced to the compositions of Manuel de Falla, Joaquín Turina, Isaac Albéniz, Enrique Granados and Maurice Ravel. She helped in the development of Ballet Español. Adapting pieces to popular tradition, she toured Europe, triumphing in Paris and Berlin and participating in the artistic movements of that time along with Spanish poets such as Rafael Alberti, Federico García Lorca, Edgar Neville and Ignacio Sanchez Mejias. Sánchez Mejías, an intellectual and bullfighter, was a married man and her lover. La Argentinita retired a second time to maintain her clandestine relationship with him. However, she would return to the stage with the aid of Sánchez Mejías, who participated in the search and employment of interpreters for her subsequent performances. In 1931, López Júlvez and García Lorca recorded five gramophone slate records, which were accompanied by García Lorca's piano. The selection of songs was prepared, adapted and titled Colección de Canciones Populares Españolas by García Lorca. Among the ten songs were "Los cuatro muleros", "Zorongo gitano", "Anda Jaleo" and "En el Café de Chinitas". With the beginning of the Second Spanish Republic, López Júlvez formed her own ballet company called Bailes Españoles de la Argentinita together with her sister, Pilar López Júlvez, and García Lorca. López Júlvez staged several flamenco theatrical shows, including an adaption of Falla's El amor brujo (Love, the Magician) in 1933, and Las Calles de Cádiz (The Streets of Cadiz) in 1933 and 1940.[7] She travelled through Spain and Paris, where she was recognized as one of the most important flamenco artists of her time. Her company included the flamenco figures Juana la Macarrona, La Malena, Fernanda Antúnez, Rafael Ortega and Antonio de Triana, who was her first dancing partner until the 1940s. At the end of her tour around Spain, her lover Sánchez Mejías was gored to death in 1934 in the Manzanares bullring. She sought refuge in her work and moved to Buenos Aires to dance at the Teatro Colón; from there she embarked on a long American tour. In 1936 she achieved success in New York. Afterwards, she returned to Spain but was forced to flee the country shortly before the outbreak of the Spanish Civil War. She travelled through Morocco, France, the UK, the Netherlands, Belgium and the USA, where she remained in exile in New York. From then until her death in 1945, she developed her career and became one of the biggest stars of international dance, and even participated in movies. In 1943, she presented the flamenco troupe El Café de Chinitas at the Metropolitan Opera House in New York, with her own choreography, texts by García Lorca, scenery by Salvador Dalí and the orchestra directed by José Iturbi. In addition, she performed at the Washington DC Watergate complex with her sister. On May 28, 1945, she gave her last performance at the Metropolitan of the orchestral work El Capricho Español, composed in 1887 by Nikolai Rimsky-Korsakov and based on Spanish melodies. At the end of the event, she had to be admitted to a hospital, where she died on September 24 from a tumor in her abdomen. She did not want to have it operated on because she did not wish to abandon dancing. Her body was repatriated to Spain in December and buried in the Spanish capital. That same year, the company of Bailes Españoles de la Argentinita was dissolved. Among the honors she received after her death was a plaque consecrated at the Metropolitan Opera House, positioned among the medals of Alfonso X El Sabio and La Orden de Isabel la Católica to honor her merits in the field of culture. ABOUT ARTIST Emmanuel Fougerat (French, 1869 – 1958) was a renowned French painter, museum curator and art historian. A former student of the Regional School of Fine Arts in Rennes, Fougerat studied in the studio of Albert Maignan and that of Jean-Paul Laurens in Paris. He was appointed director of the Nantes School of Fine Arts and was also the founder and curator of the Museum of Fine Arts in the same city. Emmanuel Fougerat was named Chevalier of the Legion of Honor in 1912. In 1923, he was placed on temporary leave from the French State in order to carry out a mandate as director of fine arts education in the Province of Quebec, Canada; where he served as an art teacher and director of the École des beaux-arts de Montréal from 1923 to 1925. Emmanuel Fougerat’s paintings are in the following public collections: • Nantes Museum of Fine Arts, France. • Museum of Modern Art in Paris, France. • Rennes Town Hall: permanent decorations. • Museum of Fine Arts of Saint-Nazaire (destroyed in 1944), France • National Museum of Fine Arts of Quebec, Canada. Emmanuel Fougerat is also the author of works on several French painters, including Albert Besnard, Paul Baudry...

Original vintage advertising poster - Alcohol COGNAC Albert ROBIN Leonetto Cappiello Year : 1920 Method of the print : Lithograph Signed in the pl...

Louis Icart (1888-1950). Young woman picking grapes. Number 232. Ca 1920. Etching on paper in a beautiful hand-carved Art Nouveau frame. Signed with pencil. In very good conditio...

1 of the 40 amazing set handmade tiles in rich brown green and bright blue colors. Each tile is divided into four faces. Manufactured around 1920 by Gilliot Frères, Hemiksem, Belgium...

Offered for sale is this fabulous Louis Icart (1888-1950) Etching of two women overlooking Paris. It has been signed. In very good condition. It has been re-framed. A larger than no...

Italian snowy landscape painting - Lonny von Plänckner (1863-1925) Measures: 50 x 65 cm - without frame 68 x 79 cm - with frame early 190...

French Majolica Starfish Oyster Plate signed Digoin Sarreguemines Circa 1920.

Highly rare and full of rich, dramatic color, this poster depicting three steelworkers, their bodies rosy from the glow of molten steel at their fingertips, was issued by the National Service...

Beautiful Stone Lithograph pencil titled ('Ivoire') and signed Walt Kuhn (Amer.1877-1949). Framed and Matted 23x29", matte opening 16x23". Paper size 19x25". Midtown Payson NYC gallery...

This superbly painted view of the mountains framing a river valley in northern New Mexico is attributed to Frank Guy Applegate, who lived and worked in the state during the 1920s, and is known for his watercolors -- such as this -- that present strong, abstracted views of the local landscapes, all in vivid colors and bold strokes of paint. Applegate was considered one of the New Mexico Modernists, and was accompanied on some of his painting forays by B.J.O. Nordfeldt, Andrew Dasburg and Josef Bakos. Applegate also had enormous respect for the culture and artistry of the native people, and encouraged a revival of the Pueblo style...

Alfred Schmidt (1876 ????- 1956) – Portrait of the concert singer Caroline Naase Oil on canvas circa 1920 60 x 47 cm – without frame 78 x 65 cm – frame included Signed center r...

Rare Art Deco hook beside the door for shopping bags Nickel-plated.

A large set of unique antique tiles, red brown colored with a beautiful Art Deco pattern, Societe Morialme circa 1920, Belgium The dimensions per tile are 5.9" (15 cm) x 5.9" (15 cm). Please note that the piece is for 1 piece! more pieces available. Also border tiles...

Louis Icart (1888-1950). Etching on paper. "Look". Dated 1928. Visible dimensions: 46 x 35 cm. Total dimensions incl. passepartout: 67 x 49 cm. The frame measures: 2 cm. In exc...

From a photography collection are two items included in this listing, for the collector of photographic memorabelia. In it's original tapered brown leather carry case is a miniature ...

Adrianus Marie van der Plas was borne in 1899 in Rotterdam and died in 1974 in Kerkrade. He was a painter, a sculptor and a graphic artist. “Het Rotterdams Nieuwsblad” wrote in 1969?...

Original vintage French Eastern Railway travel poster for Nancy featuring stunning artwork depicting a view of the 18th century Place Stanislas square from the back of the Fontaine d...

Rich with color -- including blood red, canary yellow and rich blue -- and full of astonishing detail, this crowded scene depicts a Medieval king on horseback expiring from an arrow to the chest, surrounding by a writhing crowd of knights in armor, many dead or dying, their faces contorted from the agony of the moment -- a testimony to the violence and tragedy of war. Above the scene, like the stage curtain of a theatre production, hangs three layers of Art Deco clouds in graduated shades of gray. The artist was Cesare Bentivoglio...

A set of unique antique tiles, with a beautiful Art Deco pattern, Hemiksem circa 1920, Belgium. In a warm red/brown color. The dimensions per tile are 5,9" (15 cm)× 5.9" (15 cm). The dimensions of the border tiles...

Louis Icart (1888-1950). Etching on paper. "Arrival". Approx. 1920 Visible dimensions: 42 x 30 cm. Total dimensions: 39 x 49 cm. The frame measures: 7 cm. Signed in pencil. In e...

Art Deco vintage wood inlaid picture or wall panel in the of style of Victor Lurje 1920s, Austria. A stunning wooden inlaid picture in the style of Victor Lurje 1920s with fairytale...

Bold and atmospheric, this ink drawing depicts a kneeling nude male figure, his bow arched and his arrow ready to spring forward, surrounded by a flower-bedecked landscape that clearly draws its inspiration from Gustav Klimt's work. To the left, silhouetted against the dark background, a pair of stylized geese -- evidently his target -- are shown flying upward. The sun which dapples the figure of the archer highlights his lithe musculature, and the artist -- Erwin Stolz -- gives the same close attention to the landscape behind. Stolz was well connected to the artistic elite of Vienna, and was friends with Alexander Rothaug...

Large and extremely rare, this substantial Art Deco bowl depicts the young Hercules performing one of his twelve labors: capturing the Hind of Ceryneia and bringing it alive to Eurys...

An Art Deco marquetry panel of a jaguar, of rectangular form depicting a snarling jaguar emerging from a wood, worked in exotic woods including waln...

Brilliantly glazed in a vivid, jade green glaze, this large and rare wall-mounted shallow bowl was designed by Waylande Gregory for Cowan Pottery at the height of its success during ...

Painted by Paul Colin, one of the artists who helped define the elegance of 1920s Paris, and in particular the rising prominence of jazz clubs which featured Josephine Baker and other Black performers, this piece features a couple dancing to a modern tune with high energy, their arms and legs at acute angles which echoed the geometries of high style Art Deco form. The Black male figure is the height of fashion in his tuxedo, and the female figure is wearing a thin, diaphanous, pale green dress...

Original Work of Art, Painting in Gouache, Pencil and Ink on Paper, "Maquette" or Study for a Poster for Studebaker Cars, by Leonetto Cappiello circa 19...

Louis Icart (1888-1950). Etching on paper. Women and buddha. 1920 / 30's. Signed with pencil. In very good condition. Measures: 52 x 41 cm. The frame measures: 3,5 cm.

Art Deco porcelain wall hook Vienna, circa 1920s It is not possible to attach on wall directly. It can only be mounted on a wooden plate or metal...

Very rare example of Cubist interior upholstery fabric design, by Madame de Andrada for Maison Paul Dumas. Examples of this fabric pattern are in the collec...

Five original photographs from live Broadway performances at the historic Strand Theater. The Strand Theatre was originally an early movie palace locate...

A large set of unique antique tiles, with a beautiful Art Deco pattern, Hemiksem circa 1940, Belgium. The dimensions per tile are 4,7 (12 cm)× 4,7" (12 c...

- 1926 - Original poster - Beautiful decoration - for the conditions see the photos jr.  

1 of the 79 pcs. exceptional antique greem wall tiles, Le Claive, Belgium circa 1920. With a wonderful rich pattern. The dimensions per tile are 4,7 inch (12 cm) × 4,7 inch (12 cm)....

Original vintage advertising poster - I buy all Freddy products The best the cheapest / J'Achete tous les produits Freddy. Les meilleurs, les moins chers -...

This remarkable and stunning set of six sensuous prints, highlighted in gold and silver ink, was published and bound by John Henry Nash in 1926 to honor the life of his frequent collaborator, Ray Frederick Coyle. Coyle had died an early death, prompting Nash to issue this volume in a limited edition of 210 (this example is number 54), dedicating it to Albert Maurice Bender and William Randolph Keltie Young. Nash had established his own press 10 years before, and was dubbed by one admirer "The Aldus of San Francisco." Coyle illustrated several books published by Nash, including "Jurgen: A Comedy of Justice" and "The Sermon on the Mount...

Louis Icart (1888-1950). Etching on paper. "Wishing Well". Dated 1925. Visible dimensions: 43 x 28 cm. Total dimensions: 54 x 40 cm. The frame measures: 2.5 cm. In excellent cond...

Louis Icart (1888-1950). Etching on paper. "Madame Butterfly". Dated 1927. Visible dimensions: 51 x 35 cm. Total dimensions incl. passepartout: 66 x 47 cm. The frame measures: 4 c...

This French Art Deco Charger, by Claudius Linossier, was created using the technique known as dinanderie, which involved decorating hammering out copper vessels to produce subtle but beautiful gradations of color. The charger features a Maenad, a female follower of Dionysus. During the orgiastic rites of Dionysus, maenads roamed the mountains possessed by the god, performing frenzied, ecstatic dances. These Maenads were often depicted on attic pottery...

Handmade technical drawing. Stamped in 1925 by Technical University in Brno. Ink on a paper. Newly framed in mat anthracite steel frame. Mat glass.

A superb Art Deco Crown Devon fieldings framed ceramic plaque depicting two sporting gun dogs by R Hinton and dating from around 1920. The plaque is well ...

A brilliant example of Cubist-influenced Art Deco painting, this view of a young flamenco dancer, with a wide-brimmed hat and roses on her hair, was painted by Jules Schyl, one of Sw...

Monumental oil on canvas by caricaturist Georges Goursat, also known as SEM. Georges Goursat - 23 November 1863 - 26 November 1934 - was a French caricaturist and portraitist famous during the Belle Époque and Art Deco periods. This painting greeted visitors to the cellars...

French Majolica starfish oyster plate signed Digoin Sarreguemines, Circa 1920.

Art Deco oil painting, Vienna, around 1920s. Polished brass parts.

Original fashion illustration from the 1920s in a set of three. Colored pencil drawings on paper. Ready to hang, framed with a passepartout in an ash wood picture frame behind anti-r...