Gered Mankowitz Photograph "Jimi Wood, " Edition of One
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Gered Mankowitz Photograph "Jimi Wood, " Edition of One
About the Item
- Creator:Gered Mankowitz (Photographer)
- Dimensions:Height: 94.49 in (240 cm)Width: 47.25 in (120 cm)Depth: 0.79 in (2 cm)
- Style:Mid-Century Modern (Of the Period)
- Place of Origin:
- Period:
- Date of Manufacture:c.2015
- Condition:In perfect original condition, direct from the artist. This piece is produced bespoke to order.
- Seller Location:London, GB
- Reference Number:1stDibs: LU96151684692
Gered Mankowitz
Gered Mankowitz is responsible for some of the most iconic images ever taken of music’s greatest performers. He began with the Rolling Stones in the mid-1960s and never looked back. Over the course of a career spanning more than five decades, he has strengthened the cultural impact of the photographic genre he practices.
Mankowitz’s work has been explored in numerous books and exhibitions and is a subject explored in 2020's docuseries Icon: Music Through The Lens, airing on British television channel Sky Arts and streaming online. But a fitting introduction to this firebrand photographer would start with an electric shock, of sorts.
In 1967, he was commissioned to photograph a 24-year-old music prodigy by the name of Jimi Hendrix. Mankowitz, three years his subject’s junior, wasn’t sure what to expect of the guitar sensation from Seattle, who had just settled in the United Kingdom and was already being hailed by his peers as an artistic genius. The pictures that came out of the session, along with those produced during a second shoot with Hendrix that same year, are the most widely known and regarded as the most important portraits of the seminal guitarist. They not only celebrated Hendrix’s revolutionary spirit and ineffable charisma but also helped define an entire era of musical creativity.
The assignments kept rolling in, and soon Mankowitz had established a reputation as a spirited rock ’n’ roll portraitist. Then came the dream job: In 1965, at just 19, he became the official photographer of the Rolling Stones, a position that he held for two and a half years and ushered him into adulthood. Mankowitz maintains that he kept a cool head on the job and a professional attitude. “The Stones and I were great friends, but I always knew my limits. I didn’t feel I had to hang out with the band in order to fit in,” he says, confiding, “To be honest, I had a pretty wild lifestyle without their help!” One of Mankowitz’s most famous images of the Stones became the cover for their 1967 album Between the Buttons.
On 1stDibs, shop an impressively wide selection of Gered Mankowitz's work, which features some of the most significant musical artists of all time.
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- Photograph Self-Portrait by Sam Taylor-WoodLocated in Atlanta, GAA framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame. Provenance: Matthew Marks Gallery, NYC (label verso). Artist Biography (courtesy of Guggenheim Musuem Collection) Sam Taylor-Wood B. 1967, LONDON Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store. Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...Category
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