Anthropomorphic Element by Renato Volpini, 1968

Original multiple, useless machine, anthropomorphic element and ufo in space, felt material contribution. Maple frame, signed, dated and described at the base. Detailed information o...

Machine useless1" one of a series of useless machines by Renato Volpini (Naples, December 10, 1934 - Milan, February 3, 2017). Textile screen printing w...

Machine useless2" one of a series of useless machines by Renato Volpini (Naples, December 10, 1934 - Milan, February 3, 2017) material screen printing w...

Original and definitive color proof for print by Renato Volpini, Milan, Italy, 70s. Detailed information on the Volpini Foundation website.

Original Lithograph Poster by Georges Braque, printed by Atelier Mourlot, created for the 1983 Braque exhibition at Musée d’Art Moderne in Céret, France. Georges Braque (1882-1963)...

Poster for the exhibition: "Les Essències de la Terra" and the presentation of the Book: "Joan Miró i Catalunya" by Juan Perucho in 1969 at Al Milione Gallery, Milan, Italy. Date:...

Large Scale, 15th Annual Community Holiday Festival Lincoln Center Framed Serigraph by American artist William Conlon. Dated 1985. Professionally framed and protected with plexiglass. In excellent original condition with very minor signs of wear and age. The frame shows some minor marking from normal wear and age. Please see close up pictures for more details Dimensions framed: H 69" x W 43" William Conlon is a New York artist known for large-scale paintings and prints to prominence in the 1980s. He is Professor of Visual Arts and the Director of Visual Arts Department at Fordham University...

This poster for an exhibition undertaken by the Smithsonian Institution and was produced as a Resident Associates Program Exhibit for the organizations 10th anniversary. The work is pencil signed and numbered 80 of 200. Davis was born in Washington DC in 1920 and died in the city he gave so much to in 1985. A major 20th-century figure in American painting Davis's contributions to Washington were invaluable in helping to establish DC as a center for contemporary art. Davis is also recognized as a prime mover in the national and international Color Abstract Movement and his ascendance to prominence started in the 1960s. He was never formally trained and learned his craft by constant gallery and museum visits and later said that this lack of boundaries from education freed him from any limitation on his work or process. Davis worked within the loosely formed Washington color school of painters which included other artists like Kenneth Nolan...