Piero Fornasetti 1992 Exhibition Poster, Limited Variant Run and Framed

Probably produced by Lane Furniture. Oak and Walnut; this mirror has never been hung and has no hardware for such. It is almost like new, but is probably produced in the 60s or 70s. ...

Designed by Ernest Swarts and O.B. Solie for Lane Furniture Produced 1960. Exceptional design kept in excellent condition by first owner. Model 228-7 Dresser with original Model 228-...

Modernist coat tree produced by Vogel-Peterson circa 1965. 71.5" tall, 21.25" wide and deep (stand) hanger section 17" wide. Holds hats and coats upon it's 6 removeable and full swivel hangers with chrome hat rack above. Perfect as an office valet...

Exceptional piece by Unagusta. 64.5" wide, 32.5" tall and 21.25" deep. The mirror is 55.5" wide, 35.75" tall and the special plinth used when mounted to the dresser adds 1.5" in height). A avant-garde company before a fire destroyed the factory in NC in 1955 although some operations kept going into the 60's. Their designs were intricate, modernist, leading and they were renown for high-end pieces. This triple dresser comes with an immense mirror that can be mounted on the dresser top or wall hung. It has a small plinth...

Serigraphic poster "Notte su Gerusalemme" from the 90s, originally designed by Piero Fornasetti in the 60s. This fabulous piece of Italian art captures the mysterious and evocative atmosphere of Jerusalem on a starry night...

Original vintage art exhibition advertising poster for Georges Braque at Galerie Maeght. Circa 1950s.

A framed lithograph poster promoting a George Braem exhibition at the Gallerie D’Art de la Place Beauvau in Paris, August to September 1977. Printed by Edi...

This poster for an exhibition undertaken by the Smithsonian Institution and was produced as a Resident Associates Program Exhibit for the organizations 10th anniversary. The work is pencil signed and numbered 80 of 200. Davis was born in Washington DC in 1920 and died in the city he gave so much to in 1985. A major 20th-century figure in American painting Davis's contributions to Washington were invaluable in helping to establish DC as a center for contemporary art. Davis is also recognized as a prime mover in the national and international Color Abstract Movement and his ascendance to prominence started in the 1960s. He was never formally trained and learned his craft by constant gallery and museum visits and later said that this lack of boundaries from education freed him from any limitation on his work or process. Davis worked within the loosely formed Washington color school of painters which included other artists like Kenneth Nolan...