Alberto Giacometti 'Annette De Face' Etching, 1955

A wonderful sketched lithograph by famed Swiss artists/sculptor Alberto Giacometti. The lithograph was printed in Paris by Mourlot Freres in 1964 and was issued in an edition of ...

A framed Alberto Giacometti double lithograph from the May 1961 edition of the French art periodical “Derriere Le Miroir." Giacometti’s studio was located in Paris at 46 rue Hippolyt...

James Brown Modern 4 Etching Faces in Black and White. Four framed Etchings each numbered 30/35 and signed. Circa 1985 creation. Good condition. The above art has been vetted by 1st Dibbs and guaranteed to be authentic. Image measures 19" W x 21" H; Overall dimensions with the frame are 27.50" W x 32" H. James Brown was born in Los Angeles, CA in 1951. He studied in Paris and took themes from Tribal Art to create Modern works. He was highly known for his face interpretations. He died due to a car accident...

Nicolas de Larmessin Etching – Habit de Ceinturier. 20th century print. Nicolas de Larmessin (1640-1725) was an enormously creative and productive artist. Nicolas was part of a long...

Nicolas de Larmessin Etching – Habit de Tabletier. 20th century print. Nicolas de Larmessin (1640-1725) was an enormously creative and productive artist. Nicolas was part of a long ...

FRAGMENTS DE CORPS DE FEMME (from Les Metamorphoses d'Ovide) Artwork Paper W 11 1/8 x H 10 1/8 in Rectangular shadow stain to top center of ...

Artists proof of an Opart inspired multi plate colour aquatint etching by the French artist Jacqueline de Butler, also know just as "Debutler" This proof ca...

Une des Faces de la Pyramide de Peunom – Peunom Pyramid Facade c.1873 This antique print presents a detailed architectural elevation of one of the faces of the Peunom pyramid. The e...

Artists proof of an Geometric Opart inspired multi plate colour aquatint etching by the French artist Jacqueline de Butler, also know just as "Debutler" Thi...

This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter), Maxime Lalanne in London in 1868. The etching depicts many boats in the busy harbor of Bordeaux, including small sailboats, as well as tall ships. Another harbor is seen in the distance across the river on the left. Snow covered buildings are on the left and extending long distances in the distant background. Many people occupy the road and ground centrally and on the left along with some horses or mules attached to carts. The sky is a wintery gray. It is signed in the plate in the lower left, the title and date are in the center and Bordeaux and the year are included in script along the top of a wall in the lower left of the engraving. This etching is held by many museums and institutions, including The National Gallery of Art, Washington, D.C. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching Revival, contributing to the establishment of etching as an original and major art medium. He was the editor of The Portfolio (1870-1893), a major arts publication dealing extensively with the art of etching. His most influential book was "Etching and Etchers", which detailed the creative and technical aspects of etching and engraving. The first edition was published in 1868 and included original etchings by Jongkind, Haden and Palmer, as well later states of 17th century Dutch masters. He published a second edition in 1876 without any original etchings. A third edition was published in 1880 in a large paper edition, limited to one thousand copies, which included twenty original etchings from contemporary artists Whistler, Haden, Palmer, Israels, Jacque, Jacquemart, Lalanne, Appian, Legros, Herkomer. including this original Lalanne etching...