Hieronymus Wierix, ‘the Holy Kinship’, Engraving, Prior to 1612

Claes Jansz. Visscher II (1586-1652) ‘catching pigeons’, copper engraving, after a design of Antonio Tempesta (1555-1630). It belongs to a series of hunting scenes by Visscher engra...

Pop Art Robert Indiana Yield Brother 1971 Screenprint Edition 230 Red Blue “Yield Brother”, from the “Decade” suite. Screenprint on heavy wove-paper, 1971. An impactful work where Indiana made use of military signage, stenciled letters and a palette of strong colours creating tension between it’s call for peace and the visual language of military posters. Signed and dated and numbered (46/200) in pencil by the artist. The print also bears the artist’s copyright ink stamp. Part of an edition of 230 total: 30 artist’s proof and a regular edition of 200. The edition was printed by Domberger, Stuttgart (Germany) and published by Multiples Inc. New York City. Professionally framed in a brushed aluminium frame. Museum-glass was used to minimize reflection. Ready to hang. About the artist Robert Indiana (pseudonym of Robert Clark) ( New Castle, USA 1928 – Vinalhaven, USA 2018) was an American painter, sculptor and poet. He was a leading representative of pop art and created the internationally famous LOVE symbol in 1964. A self-described American painter of signs”, Robert Indiana’s works explore visual culture, national identity and personal history through symbols and colours inspired by signage and graphic design. Indiana had his first solo exhibition in 1962 at Eleanor Ward’s Stable Gallery, which at that time also represented Cy Twombly and Robert Rauschenberg. In 1962 he participated with the work The Black American Dream #2 in the exhibition New Realists, organized in the gallery of Sidney Janis. It was here that pop art first announced itself as a new movement in visual art. In the following years, Indiana would participate in all the important group exhibitions of this movement. Although the Pop Art movement made Indiana famous, he was never fully comfortable with the consumerist nature of Pop Art as his work often was very politically outspoken. In 1978 Robert Indiana left New York City for good, moving to the remote island of Vinalhaven in Maine, close to where his hero, the painter Marsden Hartley had lived. Since then he rarely gave interviews or engaged in the art world, yet he continued to align himself with political causes, designing the official poster for Barack Obama’s Presidential campaign in 2008. During his lifetime Indiana had countless exhibitions all over the world, and his work is included in the collections of numerous international museums: among others Metropolitan Museum New York, Museum of Modern Art New York, Tate Modern London, Stedelijk Museum Amsterdam and Hara Museum of Contemporary Art, Tokyo. Signed Signed and numbered (46/200) by the artist in pencil. Condition Overall good condition. Full margins. Slight undulation on right side of the print. Slight moisture damage in upper left margin. Edition Part of an edition of 230 total: 30 artist's proof and a regular edition of 200. The edition was printed by Domberger, Stuttgart (Germany) and published by Multiples Inc. New York City. Literature Robert Indiana Prints...

Artist François Morellet (Cholet 1926 – Cholet 2016) was a French painter, sculptor, and light artist. His early work prefigured minimal art and conceptual art, and he played a prominent role in the development of geometrical abstract art. Morellet began his artistic career - still working in his parents' business - as a autodidact painter. His work was influenced by the work of the Dutch painter Piet Mondriaan and by the French painter Pierre Dmitrienko...

Victor Vasarely - "Venus", silkscreen on plexiglass 1987, edition 250, framed Artist Victor Vasarely (Pécs, Hungary 1906 – Paris, France 1997) is one of the founding fathers of the Op-Art movement in Europe. His brightly colored optical patterns introduced a visually kinetic aspect to the traditionally flat paintings...

André Lanskoy – Abstract composition, lithograph on Arches paper circa 1965, professionally framed museumglass. An abstract-expressionist composition, printed on Arches paper ca. 1...

Maurice Estève – Bank Street, 1967 – Lithograph on Arches paper, professionally framed, museum-glass “Bank Street”, 1967. Colour lithograph on Arches paper. Signed and numbered (76/...

Original antique print of the entrance to the Church of the Holy Sepulchre, Jerusalem. This print originates from 'Costume Antico e Moderno: Palestine, ...

Antique religion print titled 'Het Heilige der Heilige binnen den Tempel van Salomon'. This print depicts Solomon's Temple, the Holy of Holies, showing the Ark of the Covenant...

Antique print titled 'The Holy Sepulchre at Northwold in the County of Norfolk'. Antique print depicting the Holy Sepulchre, Northwold. Artists and Engr...

This charming engraving by Nicolas Perelle depicts a biblical scene surrounded by lush nature. In this space of nature lies an antiquisite ruin evoking the archaeological excavations...

"The Monument" W H Toms, scup (engraver) Plate size; 13.75 X 8.25 Frame size: 23.5 X 18 The print is hand colored, and framed with museum grade mat and carved frame.

The Holy Family by Matthias Oesterreich after Carlo Lotti. Matthias was a German Old Masters artist who lived 1716 - 1778. Measures: 20.25” x 2...