Linear Development 'A' by Victor Pasmore

Beautiful set of 4, 17th century botanical engravings by Jan and Caspar Commelin. Presented in silver frames with hessian mounts and AR70 Artglass for optimal clarity. Jan Commelin...

Beautiful set of six 17th century botanical engravings by Jan and Caspar Commelin. Presented in silver frames with hessian mounts and AR70 Art...

Collection of nine 18th Century Eisenberg horses from Baron Von Eisenberg L”Art de Monter a Chevalier, 1747. This work on horsemanship was based on th...

Beautiful set of nine 17th Century Dutch botanical engravings from Rheede's Hortus Indicus Malabaricus. Presented in hand painted faux bamboo frames with hessian mounts and Ar70 art ...

An etching and aquatint by Victor Pasmore from his portfolio titled "The Dance of Man in Modern Times". Victor Pasmore was one of the leading members of the English school of Abstract Expressionism. Please note this is one print from a larger portfolio. Other prints from this portfolio are available. A bit about Pasmore- Beginning in 1947, he developed a purely abstract style under the influence of Ben Nicholson and other artists associated with Circle, becoming a pioneering figure of the revival of interest in Constructivism in Britain following the War. [6] Pasmore's abstract work, often in collage and construction of reliefs, pioneered the use of new materials and was sometimes on a large architectural scale. Herbert Read described Pasmore's new style as "The most revolutionary event in post-war British art".[7] In 1950, he was commissioned to design an abstract mural for a bus depot in Kingston upon Thames[8] and the following year Pasmore contributed a mural to the Festival of Britain that promoted a number of the British Constructivists. Pasmore was a supporter of fellow artist Richard Hamilton, giving him a teaching job in Newcastle and contributing a constructivist structure to the exhibition "This Is Tomorrow" in collaboration with Erno Goldfinger and Helen Phillips...

Screenprint in colours, 1984, on white wove paper, initialled and dated in pencil, numbered 19/70 (there were also 20 artist's proofs), the full sheet, in excellent condition This w...

Screenprint in colors, on wove paper, signed in pencil, dated and numbered 24/70, published by Marlborough Graphics, Ltd., London, with the blind stamp of the printer Kelpra Studio, ...

The vintage pull-down traffic wall chart shows a pictorial representation of the development of land vehicles from early cargo transportation, an ox cart with disc wheels, medieval c...