Old Engraving of a Dutch Attack on the Portuguese Near Bantam, Indonesia, c.1644

Antique print titled 'Bantam'. Copper engraving of the Dutch attack on the Portuguese fleet off Bantam in 1601 depicted as the victory of Admiral Wolfert Harmensz and his 5 ships over 30 Portuguese ships. The ships in the battle include the Sultan of Bantam’s war galleys (ghali); ocean-going craft with sails, oars and a prow battering ram built according to Mediterranean standards learnt from Portuguese renegades and Turkish shipwrights. They were built to allow them to shoot the large cannon...

Antique print titled 'La Ville de Bantam capitale du Roiaume de meme nom'. A bird's eye view of the city Banten or Bantam near the western end of Java in Indonesia. Several tall ...

Decorative town-view of the town of Bantam (Banten). In lower margin key a-z to the principal places in town. The Banten Sultanate was founded in the 16th century and centred in ...

Two rare old miniature copper-engravings one one leaf. One showing the first arrival of the first Dutch in Indonesia, the so-called 'Houtman expedition' and on the reverse Portugese welcoming them with gifts. The First Dutch Expedition to Indonesia was an expedition that took place from 1595 to 1597. It was instrumental in the opening up of the Indonesian spice trade...

Antique print titled 'Gezigt van de Straat Sunda - Vue du Détroit de la Sonde'. Old print with a view of the Sunda straits with ships as seen from Anjer / Anyer on the Island of ...

Antique print Batavia titled 'De Reede van Batavia'. Beautiful view of the sea near Batavia (Jakarta, Indonesia), with several ships lying at anchor. Artists and Engravers: Ma...

Dutch golf engraving by J. Boydell, Winter. Rare 18th century Dutch golf engraving by J. Boydell depicting Dutchman playing the early form of golf on the ice, titled 'Winter'. The s...

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

By John Pine considered the foremost heraldic and decorative engraver of his generation. Depicting the defeat of the Spanish by the English Fleet in 1588. These are after a set of tapestries that hung in the House of Commons...

Print by engraving on copper plate Tav III TIX fig. 17-22 from the volume Navigazione; with frame 28 x 33. Some calculations are depicted. Very good condition. Shipping is insured by...

After Vander Smissen 'Mrs Sarah Porter, Queen of the Touters at Tunbridge Wells', a mezzotint, engraved by William Pether circa 1770, glazed in ebonised, ...