Cotton Tapestries

Large tapestry made of wool, wood and cotton, circa 1970-1980.

19th/20th c. Tabriz-style rug, finely woven, low pile wool-silk blend in nature inspired tones, central lozenge-shaped medallion, dark blue border. The color palette is a very attra...

Ugo La Pietra Artificial Nature #1 cotton silk virgin wool tapestry Ugo La Pietra presents his tapestries as a decorative exercise in homage to the “garden”; these works represent...

Enjoyable embroidered tissues, suitable as large cushions with cheerful bouquets of flowers - nr. 361 - 362.

Set apart from traditional wall hangings and tapestries, this work by Liberta Wilms is defined by volume. With cascading layers of woven cotton, the piece unfolds before the viewer. ...

Tapestry no.02 by Cappelen Dimyr Dimensions: D70 x H70 cm Materials: 85% wool 15% cotton Tapestry no.02 is the purest form of bold minimalism. The ...

Meridian by Natalie Van der Massen Limited Edition. Dimensions: 115 x H 150cm Materials: Paper, bio cotton. Color off white. Technique: Manually woven. Hand-crafted. Meridian is a beautifully textured tapestry suited...

Colourless sky by Nathalie Van der Massen Dimensions: 50 x H 150 cm Materials: Linen, bio cotton. Off white, grijs. Technique: Manually woven. Hand-crafted. Colorless Sky is a han...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of quilting, modern abstraction, and human interaction to re-imagine work of traditional sewing into a visual narrative on the collective experience. Spilka’s works bypass the purely domestic nature of typical quilting most remarkably for their color, scale, and movement. With some pieces as large as 95 inches, her works often have the presence of murals, or a modernist idea of a grand tapestry. While formally a structural component holding the layers together, the quilting stitches also establish subtle dimension and texture that can be transformed with the use of contrasting thread colors or directional shifts. Spilka hand dyes her fabrics in an antique ringer...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of quilting, modern abstraction, and human interaction to re-imagine work of traditional sewing into a visual narrative on the collective experience. Spilka’s works bypass the purely domestic nature of typical quilting most remarkably for their color, scale, and movement. With some pieces as large as 95 inches, her works often have the presence of murals, or a modernist idea of a grand tapestry. While formally a structural component holding the layers together, the quilting stitches also establish subtle dimension and texture that can be transformed with the use of contrasting thread colors or directional shifts. Spilka hand dyes her fabrics in an antique ringer...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of quilting, modern abstraction, and human interaction to re-imagine work of traditional sewing into a visual narrative on the collective experience. Spilka’s works bypass the purely domestic nature of typical quilting most remarkably for their color, scale, and movement. With some pieces as large as 95 inches, her works often have the presence of murals, or a modernist idea of a grand tapestry. While formally a structural component holding the layers together, the quilting stitches also establish subtle dimension and texture that can be transformed with the use of contrasting thread colors or directional shifts. Spilka hand dyes her fabrics in an antique ringer...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of quilting, modern abstraction, and human interaction to re-imagine work of traditional sewing into a visual narrative on the collective experience. Spilka’s works bypass the purely domestic nature of typical quilting most remarkably for their color, scale, and movement. With some pieces as large as 95 inches, her works often have the presence of murals, or a modernist idea of a grand tapestry. While formally a structural component holding the layers together, the quilting stitches also establish subtle dimension and texture that can be transformed with the use of contrasting thread colors or directional shifts. Spilka hand dyes her fabrics in an antique ringer...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of quilting, modern abstraction, and human interaction to re-imagine work of traditional sewing into a visual narrative on the collective experience. Spilka’s works bypass the purely domestic nature of typical quilting most remarkably for their color, scale, and movement. With some pieces as large as 95 inches, her works often have the presence of murals, or a modernist idea of a grand tapestry. While formally a structural component holding the layers together, the quilting stitches also establish subtle dimension and texture that can be transformed with the use of contrasting thread colors or directional shifts. Spilka hand dyes her fabrics in an antique ringer...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of quilting, modern abstraction, and human interaction to re-imagine work of traditional sewing into a visual narrative on the collective experience. Spilka’s works bypass the purely domestic nature of typical quilting most remarkably for their color, scale, and movement. With some pieces as large as 95 inches, her works often have the presence of murals, or a modernist idea of a grand tapestry. While formally a structural component holding the layers together, the quilting stitches also establish subtle dimension and texture that can be transformed with the use of contrasting thread colors or directional shifts. Spilka hand dyes her fabrics in an antique ringer...

By taking ordinary pieces of cotton and transforming them into forceful collages of luminous color, contemporary textile artist Gerri Spilka brings together disparate elements of quilting, modern abstraction, and human interaction to re-imagine work of traditional sewing into a visual narrative on the collective experience. Spilka’s works bypass the purely domestic nature of typical quilting most remarkably for their color, scale, and movement. With some pieces as large as 95 inches, her works often have the presence of murals, or a modernist idea of a grand tapestry. While formally a structural component holding the layers together, the quilting stitches also establish subtle dimension and texture that can be transformed with the use of contrasting thread colors or directional shifts. Spilka hand dyes her fabrics in an antique ringer...