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1965 Modernist Fiber Art Wall Sculpture From the Collection of Paul J. Smith
$2,350
£1,771.91
€2,041.88
CA$3,260.09
A$3,652.91
CHF 1,901.48
MX$44,687.71
NOK 24,135.74
SEK 22,795.92
DKK 15,243.05
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About the Item
Modernist Fiber Art Wall Sculpture “Untitled Abstract Construction,” Signed Lofo ’65 — From the Collection of Paul J. Smith
A striking and dimensional fiber art wall sculpture, signed “Lofo 65,” crafted in 1965 with meticulously sculpted silk thread on a channeled silk backing. The composition features rhythmic arrangements of jewel-toned crimson, magenta, sapphire, and turquoise silk thread, creating a vivid abstract geometry across the textile surface.
The panel is unframed and retains its original grommets for hanging, presenting as both painting and textile, with sculptural relief that invites close inspection. Its rich surface texture and interlocking patterns evoke a painterly sensibility rooted in midcentury modernist abstraction.
Klimt Influence:
The work recalls the mosaic-like compositions of Gustav Klimt, particularly in its interplay of color, ornament, and structure. Like Klimt, the artist transforms decorative geometry into an expressive visual language—layering richly colored forms with rhythmic precision to create a composition that is both opulent and architectural. The sheen of the silk threads and the sensuality of the surface enhance this parallel.
Dimensions:
19″ H × 16.5″ W
Medium:
Hand‑stitched silk thread on channeled silk backing
Signature:
“S. Lofo 65” (stitched inscription, lower right)
Condition:
Bright, vivid coloration preserved in excellent vintage condition. No visible repairs or damage. Ready to hang.
Provenance:
From the esteemed collection of Paul J. Smith (1931–2020), renowned director and curator of the Museum of Contemporary Crafts (later American Craft Museum, now Museum of Arts and Design), New York. Smith was a pivotal figure in legitimizing textile and fiber arts as fine art forms during the mid‑20th century through influential exhibitions and acquisitions. This panel likely entered his collection through relationships he cultivated with emerging fiber artists during the vibrant 1960s.
Artist Attribution & Research:
The stitched signature “Lofo” suggests a lesser-known or experimental fiber artist active circa 1965. Potential leads include:
Solo practitioner active in mid-’60s fiber art circles, possibly exhibiting in regional craft fairs or college galleries.
Craft school alumna/alumnus, perhaps under influential fiber artists such as Lenore Tawney, Dorothy Liebes, or Ed Rossbach, who encouraged innovative uses of silk and relief stitching.
“Lofo” may be an abbreviated signature (initials) or pseudonym—archival research into 1960s MFA theses, craft guild membership lists, Smithsonian/CAMD acquisition records, and American Crafts Council files may help illuminate their identity. With provenance tied to Paul J. Smith, institutional archive access could guide scholarly attribution.
Stylistic & Historical Significance:
This work exemplifies the transformative moment in fiber art—when artists redefined textiles through abstraction, sculptural texture, and painterly color. The panel occupies a compelling space between art and craft, making it a rare and expressive example of 1960s wall-mounted fiber sculpture.
- Similar to:(after) Gustav Klimt (Artist)
- Dimensions:Height: 19 in (48.26 cm)Width: 16.5 in (41.91 cm)Depth: 0.75 in (1.91 cm)
- Style:Mid-Century Modern (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1965
- Condition:Wear consistent with age and use.
- Seller Location:Morristown, NJ
- Reference Number:1stDibs: LU5990245974182
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