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Eroded Movie Poster Sculpture - Back to the Future by Daniel Arsham
About the Item
A captivating white cast resin and crushed crystal sculpture inspired by the iconic Back to the Future movie poster. This modern reinterpretation transforms the classic design into a three-dimensional work of art, blending nostalgia with contemporary aesthetics.
Measuring 32.68 cm in height and weighing 1.55 kg, this limited-edition piece is a must-have for film enthusiasts and art collectors alike. Part of an exclusive edition of 500, it combines premium craftsmanship with a tribute to cinematic history.
Each sculpture features a holographic label verifying its edition number and authenticity, ensuring its provenance and collectibility.
This sculpture is a perfect addition for collectors of film memorabilia or modern art. Its fusion of cinematic legacy and artistic innovation makes it a unique and timeless statement piece. Don’t miss your chance to own this extraordinary tribute to one of the greatest films of all time.
- Creator:Daniel Arsham (Artist)
- Dimensions:Height: 12.88 in (32.7 cm)Width: 8.63 in (21.9 cm)Depth: 0.87 in (2.2 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2023
- Condition:Wear consistent with age and use.
- Seller Location:Miami, US
- Reference Number:1stDibs: LU9868242920232
Daniel Arsham
Daniel Arsham lives and works in New York. Arsham has been exhibited worldwide, including at the Moco Museum, Amsterdam; the How Museum, Shanghai; High Museum of Art, Atlanta, GA and the Contemporary Art Center, Cincinnati, OH. His works are included in the permanent collections of the Pérez Art Museum, Miami, FL; the Walker Art Center in Minneapolis, MN and the Centre Pompidou, Paris. His artistic practice includes several high profile collaborations with choreographer Merce Cunningham, Producer Pharrell Williams and Designer Hedi Slimane and companies such as Dior and Rimowa. Arsham is the co-founder of Snarkitecture, a New York-based collaborative design practice established in 2007 to investigate the boundaries between disciplines of art, architecture and design. A component of Arsham’s iconic and immediately recognizable practice is the conception of his works as fossilized “future” relics that distort the viewer’s perception of space and time.
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