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Large Ceramic Wall Mount Sculptural Platter Peter Voulkos

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Australian Aboriginal Yawkyawk Fiber Sculpture
By Allison Guwanjguwanj
Located in Atlanta, GA
Fiber art by contemporary aboriginal artist Allison Guwanjguwanj. It depicts a dreamtime creature called "Yawkyawk" which is the ancestor of the cl...
Category

Early 2000s Australian Tribal Wall-mounted Sculptures

Materials

Natural Fiber

Australian Aboriginal Carved and Painted Spear from Melville Island
By Patrick Freddy Puruntatameri
Located in Atlanta, GA
Title: A ceremonial spear with clan design paint Artist: Patrick Freddy Puruntatameri DOB: 19/04/1973 Medium: Ocher paint on ironwood carving DOC:...
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Early 2000s Australian Folk Art Wall-mounted Sculptures

Materials

Wood

Australian Aboriginal Carved and Painted Spear from Melville Island
Located in Atlanta, GA
Title: A ceremonial spear with clan design paint Artist: John Martin Tipungwuti DOB: 18/01/1969 Medium: Ocher paint on wood carvin DOC: 2006 Provenance: COA from Jilamara Arts a...
Category

Early 2000s Australian Tribal Wall-mounted Sculptures

Materials

Wood

Sculptural Ceramic Handled Vase by Robert Turner
By Robert Turner
Located in Atlanta, GA
A glazed stoneware free form vase by American Ceramist Robert Chapman Turner (1913 - 2005) titled "Oshogbo Form III" circa 1970s. The piece was purchased in 1981 and held in the same collection since. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. The vessel features an irregular hand-built form with surface markings and overall red glaze, inspired by his trips to Africa. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. For another example of the form similar to this piece, see page 40 in "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn.
Category

Vintage 1970s American Modern Vases

Materials

Ceramic

Japanese Contemporary Ceramic Sculptural Slab Yoshikawa Masamichi
Located in Atlanta, GA
A richly glazed ceramic sculptural slab in the shape of a centerpiece plate by Japanese ceramic artist Yoshikawa Masamichi (1946-). The highly abst...
Category

Early 2000s Japanese Modern Ceramics

Materials

Ceramic

Sculptural Ceramic Funnel Vase by Robert Turner
By Robert Turner
Located in Atlanta, GA
A white stoneware vase by American Ceramist Robert Chapman Turner (1913 - 2005). Made between 1970-80s, the group of white-colored vessels with such a funnel form were called either Beach or Shore, obviously inspired by the ocean. Hand sculptured in a simple form with a neck opens to mouth that also can serve as a handle, the surface was always marked with artistic imperfection intended by the artist, such as incision and kiln bubble and burst. On this vase, the artist made several incision lines randomly, and also sparsely applied some tiny sand-like granules, adding a very subtle texture and allude to the scheme of the ocean. Incised signature "Turner" on the base. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. Several examples of this series are illustrated in the book "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn...
Category

Late 20th Century American Modern Vases

Materials

Ceramic

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Peter Voulkos American Studio Potter, Large Charger, circa 1950-1955
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Studio pottery charger by Peter Voulkos, circa 1950-1955. Two incised expressionist female figures with stylized bird and sun. Size: 18" W x 16 1/4" W x 1" H. In excellent condition. This charger is a recent purchase from the Louis Bunce...
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