Pair of Circa 1850 French Elliptical Reliefs, Scenes from the Life of St. Louis

Hand-carved in France during the early 1900s, this pair of hunt plaques feature raised game carvings on each panel, backed by luxurious reddish-brown burlwood with intense graining. ...

More information coming soon… The depth of the images of this pair of large hunt plaques is quite impressive. Signed “P LeCourtier”, these plaques feature cast bronze scenes in rel...

This dynamic pair of French bronze chenets with putti and sea dragons was crafted circa 1850. The dore Rococo bases are full of life, with golden ...

Nature morte (French for “still life”) paintings first became popular in the Netherlands in the 16th century. Assemblies of flowers, fruit, and dead game were the main subject matters, and hundreds of artists from Western Europe would eventually participate in the genre. French artists such as Jean-Baptiste Oudry painted some exquisite scenes, depictions of hunt motifs including game and dogs. These subjects remained highly popular and were used in hunt lodges throughout France. The pair of paintings seen here are very well done 19th century examples of such hunt scenes, each one measuring over 57 inches wide. Both of our paintings depict hunting trophies displayed on an outdoor veranda. The balcony is elaborately styled with cavetto molding, volute scrolls, and a shaped cartouche beneath a bulbous gadrooned finial. Both paintings contain half of the cartouche and most of the finial, as if they were a continuous panoramic scene, complete with a blue sky and large trees in the background The left painting features three felled birds piled on top of a deer carcass, with fruit scattered around them. Beneath the trophies is a coiled horn with a red tassel tied to it. A similar scene can be found on the right painting, with three birds displayed on the edge of the balcony. The birds lie on top of a pale green fabric with tassels that has been loosely folded. Under the textile is a hunting rifle and another horn. A garland of fruit is draped across the rifle’s stock, rising onto the balcony. A beige fabric matte board and molded giltwood frame surround this pair of 19th century nature morte hunt trophy...

Pair of engraved wood pictures showing eagle hunting scenes. The first one represents a rifle-armed hunter observing an eagle while is climbing a mountain. The second one shows an ea...

Each ebony tondo carved with Roman military scenes in low relief, set in gilt Florentine style frames. Formerly part of the front doors of a cabinet. With an old label at the back of the frame, Ernest Samson, Paris. 13 1/4in. diameter sight (the dimensions otherwise indicated include the frame). These beautifully carved panels would have been part of the doors of a cabinet made to impress in a grand room in an aristocratic or royal setting. They reflect the changing taste in the first half of the 17th century for large sumptuous pieces for grand galleries and grand state apartments in royal and courtly interiors. It was not until the 17th century that France began to import exotic timbers from the Far East and South America and ebony was one of the first of these woods to be employed in cabinet-making. However, due to its rarity and cost it was almost exclusively used for veneering. French cabinetmakers who worked with ebony became known as menuisiers en ébène and later ébénistes. The carved and engraved ornament and ripple mouldings reflect the light on the glossy ebony surface. The subject-matter of these bas-relief carvings was inspired by prints with religious, mythological or literary subjects and naturalistic engraved motifs. According to Alcouffe 'These cabinets represent the synthesis of foreign (especially German) influences and traditions expressed in French Renaissance furniture...

Pair of antique (late 19th century) neoclassical patinated bronze bas relief plaques, attributed to Christofle, allegorical of winter and autumn. Winter shown with three cherubs aro...

An impressive pair of early 20th century Siena marble reliefs encased in iron frames. Each relief features figural carvings of women draped in flowing robes in classical poses above ...