A gilt metal and glass cabuchon Moghul style 'butterfly' brooch, Trifari, 1950s.

A large and strong 'sunburst' brooch designed by Frank Hess, from Miriam Haskell's early days, in the 1930s. As with many pieces, this stylised dynamic flower design is unsigned, and...

Exquisitely sculpted, of the highest quality as is expected from Trifari is the magnificent 'swan' brooch, designed by the most famous of Trifari designers, Alfred Philippe, in the 1940s. The body is a beautifully cut piece of topaz glass, set in a silver gilt body, highlighted with clear pastes and finished with a single ruby glass cabuchon for the eye. the same design was made for their 'jellybelly' range, with a clear body. A real collector's piece, or the crowning glory to a coat or jacket! The firm of Trifari was founded in 1925 by Gustavo Trifari, Leo F...

Such a striking design, and a nod to the some of the most stylish designs by Van Cleef and Arpels. With a subtle mix of both clear baguette and round pastes, this beautiful brooch is...

A striking and highly decorative brooch , in the form of a Maltese Cross, designed and manufactured by Coro, in the 1950s. Composed of four large faceted and tapered topaz glass ston...

DETAILS • signed LILIEN • gold tone with rhinestones • vintage designer brooch MEASUREMENTS • CONDITION • very good vintage condition with minimal signs of wear Sku ...

A colorful butterfly pin brooch made of 18k gold, featuring various gemstones, and accented with colored enamel. The gems are mount-flush set in the gold “wings” and bezel set in the butterfly’s “body”. The “head” and “wings” feature rose cut diamonds. The butterfly’s body is made of fancy colored diamonds, orange brown, and brownish orange. This vibrant butterfly pin brooch is very cheerful and optimistic. Butterfly jewelry is often associated with freedom and joy. This delicate and whimsical jewel fully fits the description. Lovely colorful pin is made of 18 karat (stamped) yellow gold, set with white diamonds, fancy colored diamonds, rubies, sapphires and emeralds. The diamonds are rose cut, pear and round brilliant cut, H-I color VS clarity. The emeralds are pear, oval and round faceted cut. The rubies and sapphires are round faceted cut. The Victorian brooch measures 2 ¼” x 1 ¾” (5.7 x 4.2 cm) and weighs 18.6 grams. The butterfly brooch was created in the 1900s and stamped with a hallmark for 18 karat gold and unidentified maker's mark. History of Insect Jewelry: Insect jewelry carries a diverse symbolism and has deep historic roots. To us, these pieces serve as a reminder of the delicate beauty that designers found in nature. Scarab Beetles In ancient Egypt, scarab beetles were associated with the Sun God Ra. They symbolized regeneration and protection. Scarabs were often used in amulets, and seals to bring good luck and ward off evil. Bees and Butterflies Bees were revered in ancient Greece and Rome and seen as symbols of diligence and cooperation. Honey, a product of bees, was also associated with sweetness and fertility. Butterflies, with their transformation from caterpillar to butterfly, were seen as symbols of metamorphosis and the soul's journey. Insect Jewelry Resurgence In the 19th century, during the Victorian era, there was a resurgence of interest in nature-inspired jewelry. It often incorporated real insect specimens preserved in resin. This trend was influenced by the Victorian fascination with the natural world and scientific discoveries of the time. The Art Nouveau movement of the late 19th - early 20th centuries embraced organic forms and drew inspiration from nature. Insect motifs, such as dragonflies, butterflies, and beetles, were prominent in Art Nouveau jewelry. These pieces featured flowing lines and delicate designs. Today, insect jewelry continues to be equally loved by designers and jewelry buyers. For example, dragonflies are often associated with change and self-realization, while butterfly brooches symbolize transformation and beauty. Bees are still seen as symbols of hard work, community, and productivity. About Victorian Jewelry: Victorian jewelry is dated from 1837 to 1901. The era’s name was inherited from Queen Victoria who reigned during that time. Her significant input shaped the jewelry style of that time. To navigate in such a vast period, historians divide it into following parts: • The Early Victorian or Romantic • The Middle of Grand Victorian • The Late or Aesthetic Victorian Era Different materials, gemstones and techniques were popular specifically for each era. Some styles though remained in favor longer than during just one period. For instance, hair jewelry made its way from the Romantic to the Grand period. Snake and animal motifs were also in demand throughout the era. Early Victorian Jewelry As to the Queen influence, Romantic Period jewelry had well pronounced sentimental vibes. It was the time when young Queen Victoria was in love with her husband, Prince Albert. And the whole nation admired their relationship. Cameos, matching brooches, miniature portraits and lockets reflected the likeness of loved ones. After Albert’s passing in 1861, the Early Victorian Period ended, and The Grand era began. Grand Victorian Jewelry After the incandescent bulb invention in 1870s, diamond jewelry started thriving like never before. Diamonds, being placed under the electric light, revealed their dazzling nature and looked truly fascinating. Besides Victorian diamond jewelry...

Circa 1920 18K yellow Gold Butterfly Brooch, measuring 2 5/8 inches across X 1 5/8 Inch. Set with 4 large rose cut Diamonds totaling approximately 3 carats and further set with small...

DETAILS • unsigned • gold tone with rhinestones and enamel • vintage designer brooch MEASUREMENTS • CONDITION • very good vintage condition with minimal signs of wear ...