Mixed Metal Dangle Earrings

As though cast for good fortune, coins emerge from the depths of the deep blue sea, their surfaces polished by the relentless action of waves and the passage of time. These enchantin...

One of a Kind Oval Framed Stud Earrings handmade by award-winning jewelry maker Petra Class showcasing two gorgeous and fiery matched Australian opal doublets framed in the artist's ...

One of a Kind Linear Drop Earrings handmade in signature-finished 22k yellow gold by award-winning jewelry artist Petra Class showcasing a gorgeous, shimmering mix of faceted oval an...

Oscar de la Renta rainbow Swarovski crystal articulated linear post earrings. Contemporary luxury designer jewelry. 4" statement pieces. Made in USA. Oscar de la Renta rainbow Swaro...

One of a Kind Long Drop Earrings by award-winning maker Lola Brooks, hand-fabricated in signature-finished 22k yellow gold featuring a magnificent matched pair of rare Australian ult...

Vintage Poggi Paris Gold Tone With Large Crystals Dangling Earrings Circa 1990s. These spectacular earrings are both chic and classic at the same ...

Vintage Yves Saint Lauren YSL Couture Gold Tone with Large Blue Crystals. These are spectacular. The Couture pieces are not signed. If...

Vintage Pennino Rhinestone Diamante Dangling Earrings Circa 1960s. Baguette, Pear, and Pave. Not Real, but look close! Screw back to close. These ...

One of a Kind Drop Earrings handmade by award-winning jewelry artist Petra Class showcasing a gorgeous pair of freeform faceted rose-cut African rubies framed in the artist's signatu...

Vintage Yves Saint Laurent YSL Couture Sun Burst Long Dangling Earrings Circa 1980s. These features include faux turquoise, amber, and gold beads, as well as quartz beads. These wer...

The Meteorite collection by Alex Soldier embodies the enigma that the universe continually reveals in our surroundings, infusing our lives with delight, awe, and enchantment. Every e...

Turquoise is highlighted in these dramatic dangle earrings. The cabochons are copper bearing turquoise found in Arizona. The are well matched, cut and polished to a lustrous finish...

Mixed metal ojime beads are featured in these whimsical dangle earrings. The beads come in the form of owls and are formed from silver, copper and gold. They are complimented with ...

Oscar de la Renta gold jade tortoise drop earrings featuring hand-carved turtle motifs in antique gold frames. Authentic designer fashion jewelry, made in USA. Oscar de la Renta luxury designer jewelry demonstrates the house's mastery of nature-inspired artistry through these coveted jade tortoise drop earrings. Each Oscar de la Renta piece commands attention with vivid jade green resin cabochons hosting intricately carved golden tortoise figures—a testament to the brand's dedication to luxury animal motif jewelry. The designer fashion jewelry construction reveals Oscar de la Renta's commitment to superior craftsmanship. Antique gold plating creates depth through precisely executed rope-twist borders that frame the jade tortoise motifs with museum-quality detail. These vintage designer earrings possess the weight and presence collectors seek—measuring 1.5 inches by 1 inch at 16 grams per earring. Contemporary designer earrings rarely achieve this level of dimensional artistry. The tortoise shell jewelry motifs display anatomical accuracy that speaks to Oscar de la Renta's artistic heritage, while the secure clip-on mechanisms accommodate non-pierced ears without compromising comfort. Authentication proves provenance through clear "Oscar de la Renta" and "USA" stamps embedded in the luxury jewelry construction. The mixed metal framework ensures durability while maintaining the lustrous appearance that defines authentic designer jewelry of this caliber. For collectors of luxury costume jewelry, these Oscar de la Renta tortoise earrings...

One of a Kind Drop Earrings handmade in signature-finished 22k yellow gold by award-winning jewelry artist Petra Class showcasing a gorgeous, shimmering assemblage of pink tourmaline...

A miniature iteration of the signature poise earrings, available to purchase as a pair or as a single earring to mix and match the different gemstone options. *This listing is for t...

Hydrangea Dangle Drop Earrings intricately handmade by world-renowned master jewelry artist John Iversen in oxidized sterling silver featuring two 18k yellow gold petals flush-set wi...

Vintage Cadoro Gold Tone with Faux Turquoise Dangling Earrings Circa 1980s. These are in a front-facing mogul-inspired design of gold, faux turquoise, ...

Vintage Alexis Lahellec Gold Honeycomb Faux Pearl Dangling Earrings Circa 1980s. Each little piece of the honeycomb is at a different level ...

Vintage Yves Saint Lauren YSL Gold Tone Couture with Large Crystals Circa 1980s. Vintage French Gold Tone with Large Crystals. These are spectacular. Clip On. The Couture pieces...

Vintage Maison Goossens Yves Saint Laurent YSL Gold Tone Dangling Heart Textured Earrings. These have it all. Weighty, Textured, 3D. If I only had one pair of Heart earrings, I wo...

Vintage Isaky Paris Gold Tone Dangling Earrings Circa 1980s. Gold Tone with Frosted Resin and Garnet Middle Color and Faux Horn Dangling Pieces. These are ...

Oscar de la Renta gold-plated tiger eye drop earrings featuring hand-carved heart motifs. Vintage designer luxury jewelry with rope detail borders. Oscar de la Renta gold-plated tig...

Vintage Yves Saint Laurent YSL Haute Couture Gold Pearl Dangling Earrings. These were created for the Defile, also known as the runway. ...

Vintage French Gold with Green and Dangling Faux Pearl Earrings Circa 1980s. These earrings are entirely in the style of Chanel and are exceptionally well-made. The Green faceted stone is surrounded by a quilted, darker gold tone, reminiscent of the House of Chanel...

Geometric Link Drop Earrings by jewelry designer Lauren Harper, handfabricated in matte-finished 18k yellow gold and oxidized sterling silver featuring 48 flush-set round brilliant-cut white diamonds totaling 0.36 carats and finished on handmade 18k yellow gold ear wires. About the Maker - Lauren Harper has always had a strong creative spirit. As a child, she was a classical violinist. As a young adult, she painted and sang. Finally, Lauren found her calling in the art of jewelry design and metalsmithing. "I wanted to work with my hands”, she says. “It was important to me that I have something tangible at the end of a days work." Traveling to the exotic locales of Namibia, Botswana, South Africa, Cambodia, Thailand and Laos, Lauren searches the world for gemstones of perfect color and distinctiveness. She uses warm blends of 18k and 22k gold and studs them with brightly colored combinations of precious gemstones and brilliant diamonds. Lauren finds her inspiration by merging the individual characteristics of each stone with the art, architecture and culture of the places she visits. From ancient Egyptian and Byzantine designs, to Khmer ruins, her muse is the world at large. "The collection has its roots in the past,” she says, “so it is never off trend."

Vintage YSL Pink and Amber Color Dangling Earrings. They are two round discs on top of each other to form these earrings. You don't really see the amber color, but it's an offset th...

Oscar de la Renta silver-tone crystal pavé ball post drop earrings present a refined Contemporary statement in luxury fashion jewelry. Signed “Made in USA” and “Oscar de la Renta,” t...

These Vintage Abstract Mixed Metal Dangle Earrings are a striking blend of artistic expression and timeless style. Crafted with a combination of metals—typically brass, copper, and s...

One of a Kind Earrings hand-fabricated in Belgium by acclaimed jewelry maker Eva Steinberg showcasing a stunning matched pair of lustrous 10mm round peacock blue Tahitian pearls...

One of a Kind Balance Earrings by jewelry artist Lauren Harper hand-fabricated in 18k yellow gold featuring a matched pair of custom-cut and faceted hexagonal rainbow moonstones uniquely flush-set in hexagonal 18k white gold elements set with round brilliant-cut white diamonds. These six sided elements balance perfectly in place by way of six 18k yellow gold chains hanging from a single jump ring and finished on accented 18k yellow gold ear wires. About the designer - Lauren Harper has always had a strong creative spirit. As a child, she was a classical violinist. As a young adult, she painted and sang. Finally, Lauren found her calling in the art of jewelry design and metalsmithing. "I wanted to work with my hands”, she says. “It was important to me that I have something tangible at the end of a days work." Traveling to the exotic locales of Namibia, Botswana, South Africa, Cambodia, Thailand and Laos, Lauren searches the world for gemstones of perfect color and distinctiveness. She uses warm blends of 18k and 22k gold and studs them with brightly colored combinations of precious gemstones and brilliant diamonds. Lauren finds her inspiration by merging the individual characteristics of each stone with the art, architecture and culture of the places she visits. From ancient Egyptian and Byzantine designs, to Khmer ruins, her muse is the world at large. "The collection has its roots in the past,” she says, “so it is never off trend."

Vintage Philippe Ferrandis Dangling Gold-Tone Earrings, Circa 1980s. These are so chic. They resemble a plant with a tiny ladybug, although it is not immediately apparent. It's a spe...

Vintage Maison Goossens Yves Saint Laurent YSL Gold Tone Dangling Textured Earrings. Clip on. One of those that becomes magical when you see it on you. These are the types of earring...

Maison Gripoix Vintage Faux Pearl and Red Dangling Earrings. Wrapped in woven gold around the Pearl in the typical 1980s style of Chanel. Clip on. So classic, and you always look good no matter what you are wearing when you have these on. Clip on. Very much the colors of Chanel. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well-educated but poorly endowed bride who has to marry a petty official; thus, suffering from the limitations of living a life with a husband that lacked any exquisite qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began creating replicas of pearls and crystals, casting glass into various shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to create beautiful jewelry, and thus, Marquises, Duchesses, and Princesses queued up. Madame Gripoix would then create replicas of their jewelry in case of robbery or loss or unusual pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high fashion house of Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Maison Gripoix Vintage Red and Green Flower Dangling Earrings Set in Gold Tone. These are some of the most stunning earrings in my collection. The colors, of course, and the way they are made. They are just exceptional. They will always be relevant. They are well-made and make a statement. They are just classy and chic. Clip On. Always In Style. Clip on. I also have them in blue. Acquired in Paris. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well-educated, but poorly endowed bride who has to marry a petty official; thus, suffering from the limitations of living a life with a husband who lacks any exquisite qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman becomes mired in massive debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs-Élysées, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began creating replicas of pearls and crystals, casting glass into various shapes and colors and setting them in the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to create beautiful jewelry, and thus, Marquises, Duchesses, and Princesses queued up. Madame Gripoix would then create replicas of their jewelry in case of robbery, loss, or for unusual pieces to be used in their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high-fashion house, founded by Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet; however, the best relationship Gripoix had was with Gabrielle Chanel. It is well-known that Chanel, a fan of large jewelry with large stones, made bijouterie super fashionable. Chanel brought copies of Byzantine jewelry to Susanne Gripoix. She asked her to create the pieces in that same style, requesting, “Let everyone think that this jewelry is not new, but found somewhere on an excavation site nearby Rue Camborne.” She was so satisfied with the result of her order that she remained a faithful client of Gripoix for several decades. This was how the famous Byzantine style of Chanel jewelry was brought to life, featuring golden Maltese crosses with large multicolor stones and matching bracelets, cabochons, and massive brooches, all of which have become a part of the Gripoix . Chanel liked to combine both natural and imitation stones in a single item; for example, she would pair natural and imitation pearls in a single necklace. Gripoix made them in such a way that it was impossible to distinguish between them. Susanne Gripoix created exceptional, irregularly shaped pearls from glass for Chanel, imitating the baroque pearls. They were enameled in her workshops with mother-of-pearl to obtain some of the soft shine characteristic of natural pearls .. As the leading supplier to the couturier houses in Paris, Gripoix collaborated with many renowned designers, including Cristóbal Balenciaga, Pierre Balmain, and Christian Dior, as well as Yves Saint Laurent and, later, Christian Lacroix and Marc Jacobs. However, it was the cooperation with Chanel that was the most significant, both for Chanel and for Gripoix. Today, Gripoix is no longer a family-owned company, but the House continues to craft jewelry, although the style has undergone considerable changes over the last few years. The jewelry has become more straightforward, more graphical, and even minimalistic. In 2011, however, Gripoix and Catherine Baba...

Vintage Unsigned Claire Deve Gold Tone Long Dangling Earrings. They have rose-colored rhinestones and gold-toned beads with a faux pearl dangling at the end. Many dangling gold piece...

Vintage Yves Saint Laurent YSL Diamante Dome Like Pearl Earrings Circa 1980s. These are so gorgeous. Where do I even begin? The faux pearl is like a flower waking up under a dome of ...

Vintage St John Diamante Silver Tone Dangling Earrings Circa 1980s. These are so special. They are prong-set and made on both the front and the back. ...

Vintage Gold and Blue Enamel with Faux Dangling Pearl Earrings, Circa 1980s. These Earrings are so smashing and reminiscent of a Chanel brooch that is currently on display. They poss...

Vintage Maison Goossens Yves Saint Laurent YSL Gold Dangling Resin Earrings. Misshapen Pieces Form these Very Classy and Chic Earrings That are ...

Vintage Atalante Gold Tone with Red Crystal Fan Earrings Circa 1980s. These are so special. Truly very different. Clip On. Atalante used to manufacture jewelry for Yves Saint Laur...

Vintage Panetta Faux Turquoise Dangling Earrings Circa 1980s. These small and delicate earrings have a fine jewelry look. They are shown in gold metal...

Maison Gripoix Vintage Faux Turquoise and White Layered Dangling Earrings. There are three layers to this, all wrapped in an offset gold tone and then a long, dangling piece. These are so stunning and look good with many colors. Clip On. These are proper statement earrings in that they are so well-made. These can also be worn in the winter against dark colors. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, attractive, intelligent, well-educated, but under-endowed bride who must marry a petty official and thus suffers from the limitations of living with a husband who lacks refined qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success; she is the center of attention. However, when the woman returns home, she discovers she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals the entire story about the necklace to her friend, but her friend replies in amazement that the diamonds are fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. According to other sources, in 1869 (or a year earlier), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals, casting glass into different shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-color piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press molds, skipping the furnace step, allowing her to achieve purity of color, transparency, and shine. She found a simple method to make beautiful jewelry, and thus Marquises, Duchesses, and Princesses qued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for Charles Frederick Worth's first high-fashion house. Later, Paul Poiret, the leading couturier of the 1910s, contacted her, and she created sophisticated, Oriental-style jewelry to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in 1920, when Augustina’s daughter Susan became the head of the House, Gripoix's prospects became even more exciting—girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Vintage Gripoix Translucent Earrings with Pieces Of Gold. Dangling Earrings With Pieces of Gold and Stones. Long Necklace/Sautoir on Site to Match. So Gorgeous! Clip On. Guy de Maupassant wrote a famous story about a necklace. The story revolves around a young, attractive, and intelligent woman who struggles with the limitations of living with a husband who lacks exceptional qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman becomes mired in massive debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs-Élysées, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began making replicas of pearls and crystals, casting glass into various shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to make beautiful jewelry and thus Marquises, Duchesses, and Princesses queued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high-fashion house, founded by Charles Frederick Worth. Later, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Prism Facet Drop Earrings hand-fabricated by jewelry maker Elizabeth Garvin in oxidized sterling silver (on 18k yellow gold ear wires) featuring a mat...

Vintage Stanley Hagler Faux Turquoise and Dangling Crystal Piece Earrings Circa 1960s. Such an excellent piece from this era, and lovely when mixed with the real thing. This is set o...

Vintage Diamante Fringe Dangling Waterfall Earrings. Looks great with a t-shirt or for a night out. Clip On. These look so fun and so chic for the holidays or even for lunch out during the next few months. Throw on a white shirt, jeans, and a black jacket, and you're ready to go. Dazzle them. Easy and comfortable to wear. I can send you some Velcro dots to wear, and they will stay on comfortably for hours. You can go to the gym...

These clever mixed metal earrings look great for any occasion! The were made in Italy out of a combination of 14 karat yellow gold, white gold, and rose gold herringbone chain. The e...

Vintage Art Deco Diamante with Faux Pearl Dangling Earrings Circa 1980s. The earrings feature round, marquise, and baguette diamonds with a...

Collectible KJL Gold With Diamante Drop Red Resin Circa 2000s. These have quite the look—a great look for a great price. They're clip-on. Substantial and well-made. The red looks gre...

Vintage Diamante Fringe Dangling Long Waterfall Earrings Circa 1980s. Looks great with a t-shirt or for a night out. Clip On. Throw on a white shirt, jeans, and a black jacket, and you're ready to go. Dazzle them. Easy and comfortable to wear. You don't need an occasion to wear them! I can send you some Velcro dots to wear, and they will stay on comfortably for hours. You can go to the gym...

Vintage YSL Gold Tone with Varying Shades of Pink and Crystal. Clip On. Another YSL that is just magnificent. These are definitely from the 1980s, but they remain so relevant today and are not mass-market products. When you have these, you have them forever. These are actual collectibles to be handed down. They match anything. Wear a black outfit, a white outfit...

Vintage Carolee Gold and Faux Pearl Dangling Birdcage Earrings Circa 1980s. The earrings feature a gold bird with a pink cabochon and diamante face s...

Maison Gripoix Vintage White and Light Purple Dangling Earrings. These will always be in style. The Chanel look has never left. It is classic and timeless, conveying a sense of class. It is an elevated look. No matter what you wear, these will look right. A Chanel suit or jeans and a white t-shirt with a blazer. You look stunning and done. These are all you need. Clip on. This look will always walk down the Chanel runway in one form or another. I will send you Velcro dots to hold them on, and you can do cartwheels in these earrings. The models in Paris wear them, and you can quickly wear them for 20 hours. Please ask for them. Guy de Maupassant wrote a famous story about a necklace. The story is about a young, pretty, intelligent, well-educated but poorly endowed bride who has to marry a petty official; thus, suffering from the limitations of living a life with a husband that lacked any exquisite qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success, and she is the centre of attention. However, when the woman returns home, she discovers that she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals to her friend the entire story about the necklace, but her friend replies in amazement that the diamonds were fake and would “cost 500 francs at most.” Maison Gripoix starts out with a dramatic story. In 1869 (or a year earlier, according to other sources), Paris master glassmaker Augustina Gripoix began creating replicas of pearls and crystals, casting glass into various shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-colour piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press moulds, skipping the furnace step, allowing her to achieve the purity of colour, transparency, and shine. She found a simple method to create beautiful jewelry, and thus, Marquises, Duchesses, and Princesses queued up. Madame Gripoix would then create replicas of their own jewelry in case of robbery or loss, or unusual pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for the first high fashion house of Charles Frederick Worth. Later on, Paul Poiret, the leading couturier of 1910, contacted her, and she created sophisticated Oriental-style jewelry for him to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in the 1920s, when Augustina’s daughter Susan became the head of the House, Gripoix prospects became even more exciting. Girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet; however, the best relationship Gripoix had was with Gabrielle Chanel. It is well-known that Chanel, a fan of large jewelry with large stones, made bijouterie super fashionable. Chanel brought copies of Byzantine jewelry to Susanne Gripoix. She asked her to create the pieces in that same style, requesting, “Let everyone think that this jewelry is not new, but found somewhere on an excavation site nearby Rue Camborne.” She was so satisfied with the result of her order that she remained a faithful client of Gripoix for several decades. This was how the famous byzantine style of Chanel jewelry was brought to life, fancying golden Maltese crosses with large multicolor stones and matching bracelets, cabochons, and massive brooches, all of which have become a part of the Gripoix Chanel liked to combine both natural and imitation stones in a single item; for example, she would pair natural and imitation pearls in a single necklace. Gripoix made them in such a way that it was impossible to distinguish between them. Susanne Gripoix created unique, irregularly shaped glass pearls for Chanel, imitating baroque pearls. They were enameled in her workshops with mother-of-pearl to obtain some of the soft shine characteristic of natural pearls . As the leading supplier to the couturier houses in Paris, Gripoix collaborated with many renowned designers, including Cristóbal Balenciaga, Pierre Balmain, and Christian Dior, as well as Yves Saint Laurent and, later, Christian Lacroix and Marc Jacobs. However, it was the cooperation with Chanel that was the most significant, both for Chanel and for Gripoix. Today, Gripoix is no longer a family-owned company, but the House still crafts jewelry, although the style has undergone considerable changes over the last few years. The jewelry has become more straightforward, more graphical, and even minimalistic. In 2011, however, Gripoix and Catherine Baba...

Maison Gripoix Vintage Blue and Light Blue Flower Dangling Earrings Set in Gold Tone Clip On. Always In Style. Very Classic Chic. These are so spectacular. I have them in red as well. The prices differ because they were purchased at different exchange rates. These are stunning. They will never go out of style!! Guy de Maupassant wrote a famous story about a necklace. The story is about a young, attractive, intelligent, well-educated, but under-endowed bride who must marry a petty official and thus suffers from the limitations of living with a husband who lacks refined qualities. One day, to entertain his dejected spouse, her husband receives an invitation to a ball and gives his wife the 400 francs he had saved for a hunting rifle, so that she can order an appropriate dress. However, when the dress is ready, it becomes clear that it is lacking jewelry, and it would be impossible to attend the ball while looking so poor. The protagonist approaches her wealthy childhood friend, with whom she was raised at the monastery, and borrows a diamond necklace from her. The ball is a great success; she is the center of attention. However, when the woman returns home, she discovers she has lost the necklace. To conceal her faux pas from her friend, she buys a new necklace identical to the one she lost. To pay it off, the woman gets into a huge debt, which, over the years, gradually drags her down the social ladder from the bourgeoisie to poverty. Ten years later, having lost her good looks, the woman encounters her friend on the Champs Elysees, who still looks young, beautiful, and rich. The protagonist reveals the entire story about the necklace to her friend, but her friend replies in amazement that the diamonds are fake and would “cost 500 francs at most.” Maison Gripoix starts with a dramatic story. According to other sources, in 1869 (or a year earlier), Paris master glass-maker Augustina Gripoix began making replicas of pearls and crystals, casting glass into different shapes and colors and inserting them into the most sophisticated settings. She used the pâte de verre (glass paste) technique, whereby a traditional ceramic or gypsum form was filled with a multi-color piece of glass and special gluing substances and then baked in a furnace, resulting in objects featuring fantastical hues. Only Augustina made her crystals by pouring the melted glass paste into the press molds, skipping the furnace step, allowing her to achieve purity of color, transparency, and shine. She found a simple method to make beautiful jewelry, and thus Marquises, Duchesses, and Princesses qued up ... so Madame Gripoix would make them replicas of their jewelry in case of robbery or loss, or some unusual jewelry pieces for their new wraps, neckpieces, or boas. The so-called ‘costume jewelry’ emerged to a large extent thanks to the work of Maison Gripoix. Augustina Gripoix earned her fame in the 1890s when she began creating necklaces for Sarah Bernhardt to wear on stage and later designed costume jewelry for Charles Frederick Worth's first high-fashion house. Later, Paul Poiret, the leading couturier of the 1910s, contacted her, and she created sophisticated, Oriental-style jewelry to match his famous Oriental costumes, based on the aesthetic of Diaghilev’s initial Russian seasons. The value of costume jewelry was now being recognized in its own right and not just for imitation purposes. The taste of emancipated young girls, who were gaining more and more freedom and opportunities, was best met with bijouterie. So in 1920, when Augustina’s daughter Susan became the head of the House, Gripoix's prospects became even more exciting—girls with short-cropped hair in short dresses zoomed by in open-top cars wearing bijou rather than diamonds. Everyone ordered bijouterie from Madam Gripoix during this period, from Jeanne Lanvin to Jean Piguet...

Vintage D'Orlan Gold Tone Byzantine Drop Earrings. Large oval, highly detailed drop pieces hang down from a rope-like top piece. Clip on. You can wear the pl...

A stunning pair of earrings from the Victorian (ca1880s) era! Crafted in 18kt yellow gold and topped in sterling silver, these incredible earrings begin with an ornate surmount. Five...

Inspired by the S shaped chain link created for the poise necklace, the signature poise earrings featuring aventurine and white topaz transform the simple hook design into an elegant...

Rose quartz is featured in these delicate yet dramatic Mughal style dangle earrings. The rose quartz was melon carved and expertly finished in India. Complimenting the gems are bri...

A, lovely pair of dangle lever back earrings by Gurhan. These beautiful earrings are composed of 24k yellow gold and silver. These, beautiful earrings were inspired in a quilted pear...