MiriamHaskell c1930 Hess GoldGiltChain CappedAquaGlass ThumblessClasp Bib Choker

Featuring the earliest white-swirled glass and enameled faux-pearl round beads handcrafted by Parisian lampwork-master Louis Rousselet for American entrepreneur Miriam Haskell and he...

Most likely made in Germany during the Art Deco period, this vintage unsigned long heavy 12-pendant gold-gilt chain-link bib necklace features ball charms of gold-ringed emerald-green matte Bakelite. Hanging 13-inches from the back of the neck, the long necklace is constructed with elegant double-ring links, while it fastens with a large toggle and decorative bar. Each end of the toggle bar resembles stacked balls, recalling the oval-cartouche stacked-cannonball signature of German jewelry chain-specialist Jakob Bengel, who founded his business in Idar-Oberstein in 1873. Due to WWII, the Bengel factory, which is now a museum, permanently closed. His pre-1940 unsigned designs were largely overlooked until his factory catalogues were rediscovered decades later, which enabled 21st-Century books to be published about one of the leading manufacturers of Art Deco costume jewelry. Bengel pieces without the cartouche can be distinguished by thin metal chain links combined with single or bi-color Bakelite pendants in repeating geometric shapes like balls, semi-circles, rectangles, bars, rings or ribbed texture. As Germany was the first country to license Bakelite for factory production since the 1910s, during the next 20 years its costume-jewelry designers began to feature locally-produced colorful Bakelite instead of glass or early semi-synthetic plastics. Between the world wars during poor economic conditions in Germany, its jewelry producers who were manufacturing for export were not motivated to stamp their country on such products. The design of this Bakelite-charm necklace seems inspired by one-of-a-kind chunkier-chain charm necklaces commissioned for couture clothing ensembles by international fashion leader Parisian Gabrielle "Coco" Chanel. She only produced her trend-setting commissioned jewelry...

Featuring a relatively heavy fringe of dangling Russian-gilt brass bars and contrasting French-blue textural hand-pressed glass beads topped with filigree caps to resemble flower bud...

Featuring stamped-brass findings c1930, this Miriam Haskell collar necklace was made by her first designer Frank Hess in an Art-Nouveau style with ornate floral motifs for its 15 dangling bud-shaped or fluted-ball pendants, along with intricate textural patterns on the bands that link the oval-ring chain choker. Among the festoon of graduating charms, the largest centered pendant is 1.5 inches long and 0.75 inches in diameter. One of our photos show that the surprisingly light-weight pendants are hollow--some with a hole punched at the bottom. The distinct stamped brass, which include a fold-over clasp, are found in more obviously Haskell-Hess pre-WWII jewelry...

A gorgeous Brass chain and emerald color celluloid ball drop necklace. There are nine drops at the center front with 3 rows of 3 dangling balls flanked by 2 balls on either side foll...

A very interesting necklace by Miriam Haskell from the early 1950s. Consisting of larger and smaller agate balls and smaller glass balls. In the middle the...

Antique 19th century Austro Hungarian gilt metal , paste /glass stones choker necklace with small faux pearls . Larger faceted amethyst glass stones are set on an open-back setting ....

Inspired by the Glam of the 1920s, the antique chain is detailed with beautiful filigree. The chain is adorned with 3 vintage German glass beads that are edged with 24K gold and fres...