European Drop Necklaces

A beautiful documented Art Nouveau Peacock pendant by Charles Boutet de Monvel. The mirrored image of the bird creating a heat shaped pendant. Gilded ...

Silver and Amythest Edwardian Necklace of European origin. Lovely Neoclassical motifs are used throughout with navette and oval genuine amythests. Heavy quality construction with lov...

Alex Jona design collection, hand crafted in Italy, 18 karat rose gold irregular link necklace. Six links are heart shaped. Six links are heart shaped; two with white diamonds carats...

Italian, circa 1850s-1860s, probably made at Vatican workshops. The pendant is crafted in 18K gold. It is designed in Etruscan revival style, fashiona...

Antique long chain/necklace with tassel ended links featuring an unusual enamelled panel, made in rare 12-carat yellow gold, circa 1880. Beautiful w...

Belle Epoque pin designed by Cartier. Colorful and very rare stick pin made during the Edwardian-Belle Epoque period. This beautiful piece was created in Paris France by the jewelry house of Cartier, back in the 1900. Carefully crafted in two parts made up of solid platinum, yellow and white gold of 18 karats. Embellished with a central panel decorated with engine turned guilloche topped with purple glossy enamel. Accented with thirty-five natural earth mined rose cut diamonds and the settings are finished with millegrain. Diamonds: Mounted in millegrain settings, with 35 old rose cut diamonds, 0.30 carats, G/H color, SI-1 clarity. Weight: 2.35 Grams, (1.51 Dwt). Measurements: 70 mm by 12 mm (2.76 x 0.47 Inches). Hallmarks Stamped with French marks, the maker's maitre mark CA inside a lozange cartouche, the head of the eagle for the assay and warranty of the gold, the four digits serial numbers and signed, "CARTIER PARIS 3840". Cartier The move to the rue de la Paix coincided with a period of extraordinary economic growth and affluence in France and the world. Cartier was also growing and expanding and had started to shift their emphasis from retailing to design and manufacture. Although they produced a small number of pieces in the Art Nouveau style, Cartier paid scant attention to the movement. They made their distinguishing mark in pioneering the use of platinum in creating the delicate and graceful Garland style that came to be associated with the Belle Époque. The discovery of the great diamond deposits in South Africa in the late 1860’s engendered the popularity of extravagant diamond jewelry. The technical advances in the manufacturing of platinum enabled designs of great intricacy, strength and flexibility such as found in the spectacular résille designs of Cartier. (See Edwardian Jewelry: 1901-1915). Cartier marked the beginning of the twentieth century by opening branches in London and New York, where their wealthiest and most dedicated clientele resided. The 1902 coronation of Edward VII occasioned a large number of commissions from England’s leading families. Records indicate that Cartier produced twenty-seven tiaras alone for the coronation and the event was instrumental in convincing the firm to seek a permanent presence in London. Indeed, by 1904 they had achieved their first of fifteen royal warrants being appointed official purveyor to the court of King Edward VII. The London branch came to thrive under the tutelage of Alfred’s youngest son, Jacques Cartier, establishing London based design and manufacturing workshops. Opening a Cartier store in New York was a natural progression as many of America’s wealthiest families and business magnates had been traveling to Paris for some time to purchase their jewels from Cartier. By 1906 Alfred had largely retired and Louis and his brother Pierre operated the Cartier business jointly. One of their first major decisions was to establish a New York presence and workshop in 1909 under the skilled direction of Pierre. Indicative of his business skills, Pierre famously secured Cartier’s present location, an elegant Beaux-Arts mansion at 653 Fifth Avenue, from industrialist Morton F. Plant in 1917. The building changed hands in exchange for $100 and a double strand of natural pearls, admired by Plant’s wife and valued at one million dollars, the asking price for the mansion. While the Fifth Avenue location remains priceless to the firm, when the pearls came up for auction in 1957, they fetched a mere $170,000. (From Lang's with thanks). Edwardian Jewelry This Period was during the King Edward VII, after whom this period of jewelry history is named, reigned over England for only nine years, yet the style of jewelry known as “Edwardian” was created roughly between 1890 and 1920. Edwardian-era rings tend to be larger, opulent pieces, and stacked ring designs were popular. The metal surfaces of the rings were often diamond-encrusted for additional shimmer. Each of these rings is a work of art, showcasing a bygone era of grace, elegance and the royalty the Edwardian era is named for. Guilloché This term is used in fine jewelry or objects de Vertu to enhance the appearance of boxes, frames, brooches, rings or pendants. Guilloché enamel refers to metal pieces that have been given the Guilloché treatment and then covered with a translucent layer of enamel, giving the geometric patterns underneath the enamel a colorful hue. Millegrain This is a jewelry technique which refers to the textural effect of a close-set line of metal beads that are typically used as a border on the edges or bezels of jewelry. Literature: Sotheby's fine jewels, London September 17 1021, Lot 146 for an identical piece illustrated with the original box Collateral: It is accompanied by the original Cartier presentation green jewelry box...

Tiffany & Co. Paloma Picasso Melody Rose Gold Large Circle Pendant Drop Necklace Metal: 18k rose gold Weight: 15.88 grams Pendant diameter: 38mm Chain: 28 inches Retail: $5,030 USD

Unusual Givenchy Matte Gold Amphora Pendant on a long versatile chain. Set with a faux ivory bakelite body and faux pearl top with Givenchy Logo on fron...

TIMELESS Necklace cross in white gold 18Kt 6.70 gr with Diamond Cross Cut G Color VVS Clarity ink total 0.99 ct and Natural Diamonds G color VS clarity in total 0.69 ct. Timeless Col...

Christian Dior Vintage 1980s Unisex Sparkling Crystals Wide Woven Mesh Omega Collar Choker Chunky Modernist Necklace, Gold Plated Very good condition. Light scratches or colour loss...

This early French Paste necklace has a lovely design with bows either side of an intricately set collier a center pendant