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Bent Gabrielsen 1960 for Hans Hansen Denmark Geometric Peak Necklace 14k Gold

$5,988
$7,48520% Off
£4,561.94
£5,702.4320% Off
€5,260.10
€6,575.1320% Off
CA$8,380.08
CA$10,475.1120% Off
A$9,363.35
A$11,704.1920% Off
CHF 4,898.07
CHF 6,122.5920% Off
MX$114,824.67
MX$143,530.8320% Off
NOK 62,588.03
NOK 78,235.0420% Off
SEK 59,350.03
SEK 74,187.5420% Off
DKK 39,258.95
DKK 49,073.6920% Off
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About the Item

Geometric necklace designed by Bent Gabrielsen for Hans Hansen. Great sculptural necklace, created in Denmark by the designer Bent Gabrielsen for the jewelry house Hans Hansen Company, back in the 1960. This peak necklace is the model 196 crafted with elegant lines in solid yellow gold of 14 karats with high polished finish. The design is composed by 14 free forms peaks links and is fitted with a push lock and a hinged figure 8 for extra safety. Weight: 45.70 Grams, (29.30 Dwt). Size: Fit a neck up to 17 Inches, (43 Cm). Measurements: Each link is 32 mm by 9mm (1.26 x 0.35 Inches). Hallmarks Stamped with the maker's mark, the mark for the assay of the gold, the model number and signed, "HANS HANSEN .585 DENMARK 196". Bent Gabrielsen (1928-2014), qualified as a goldsmith in 1949 after serving his apprenticeship with the goldsmith Ejler Fangel in Copenhagen. He had planned to be a carpenter like his grandfather but since apprenticeships were scarce, the only available position was as a goldsmith's apprentice. Gabrielsen was among the first group of students at the Goldsmith's Academy from where he graduated with top grades in 1953. He was immediately hired by the Hans Hansen Solvsmedie and worked there until 1969. By the time he left he was responsible for the firm's entire production. After leaving the Hans Hansen company, Gabrielsen set up his own workshop called "Gabrielsen's Guldsmedie". He kept his business small with he and his wife the only employees. A large part of his production was sold in Japan. Bent Gabrielsen won the Lunning Prize in 1964. As Erik Bohr, Chairman of the Lunning Committee wrote, " Bent Gabrielsen's jewelry carries absolute conviction as to its function; his handling of materials is so restrained and well considered that one feels this could hardly be otherwise. His jewelry is simple and clearly constructed, often with links connecting naturally with each other so that the complete piece makes up a beautiful whole. Every single detail of his things is worked out. There are no false effects. He does not take the easy way out.". From, Bent Gabrielsen, 40 years with jewelry at the Trapholt Museum of Modern Art, Kolding, Denmark 1994. Hans Hansen (1884-1940) opened a goldsmith shop and smithy in Kolding, Denmark about 1906. Kolding was already well known for its silver and in particular for the well known Goldsmith Holger Kyster and the silverware he produced designed by famous silversmiths Th. Bindesboll, Joakim Skovgaard and Svend Hammershøj. By the 1920s Hansen was producing his own line based on his and H.F. Gross' designs. Initially the company produced flatware. Once that was successful they started with jewelry. The first pieces were designed by Hansen himself around 1931 but production of jewelry really began in 1932 with a collection designed by Hansen's son Karl Gustav Hansen. Karl Gustav Hansen was born in Kolding on December 10, 1914. The younger Hansen showed an early aptitude for his craft and left school at 16 to become an apprentice to Einar Olsen a hollowware smith. In 1934, KGH presented his test piece, a teapot on a chafing dish and received the silver medal, the highest distinction in the Danish apprenticeship system. Shortly afterwards he enrolled at the School of Sculpture at the Art Academy but continued to work with silver. After travelling in Europe KGH opened up a workshop with his father in Copenhagen where passers-by could watch KGH and three other craftsmen at work through a large window. KGH had his first larger exhibition of works in Copenhagen in May 1940. The next month, his father died at only 56 years old. KGH was 25 and he took over the Hans Hansen Silversmithy. This collection was called "Future" and comprised about 50 pieces, including brooches, rings, clasps, earrings, etc. Other designers such as Bent Gabrielsen Pedersen and Bent Knudsen also worked for Hansen and by the 1980s Allan Scharff was the leading designer. In 1992 the firm joined with the Georg Jensen company. Collateral: It is accompanied by a presentation jewelry box. Condition: The overall condition of this ring is excellent. Beside the little normal wear, there is no damage to the gold. All gemstones, are secured in the settings. This piece has been carefully inspected to guarantee the condition and the authenticity. INVENTORY REF: N050623AAEM/.8568
  • Creator:
    Bent Gabrielsen for Hans Hansen
  • Metal:
  • Weight:
    46 g
  • Dimensions:
    Width: 0.35 in (8.89 mm)Length: 17 in (431.8 mm)
  • Style:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1960
  • Condition:
    Wear consistent with age and use. The overall condition of this ring is excellent. Beside the little normal wear, there is no damage to the gold. All gemstones, are secured in the settings. This piece has been carefully inspected to guarantee the condition and the authenticity.
  • Seller Location:
    Miami, FL
  • Reference Number:
    Seller: N050623AAEM/.85681stDibs: LU2690219212122

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Geometric necklace designed by Nanna Ditzel (1923-2005) for Georg Jensen. Very rare geometric piece from the Scandinavian design, created in Denmark, by Nanna Ditzel back in the 1960's. Crafted with beautiful precision in solid .925 sterling silver with a 18 kt gold vermeil. This geometric sculptural necklace is composed by 15 semicircular curved elements attached with circled links and suited with a discrete push lock with a hinged safety figure 8 for extra security, Has a total weight of 273.5 grams, and an inside measure of 18 inches 45.75 Cm). The width measure is 30 mm (1.19 inches). Stamped, with the post 1945 Georg Jensen cartouche, the assay hallmark and signed, "GEORG JENSEN NJ 925S 129". Nanna Ditzel, born in 1923. Was a Danish designer graduated from the furniture department of the School of Arts and Crafts in Copenhagen. Has been studying under prof. Kaare Klint at the Royal Academy of Copenhagen. Nanna Ditzel is working with experimental and industrial design furniture, textiles, silver, faience and glass. Has experimented with the use of split-level living for indoors and outdoors. The ideas have been carried through in playgrounds, children libraries and showrooms. Freelance designer, she has a design office and showrooms in London. Nanna Ditzel started independent design office in 1946 together with Jorgen Ditzel. The co-operation lasted until the death of Jorge Ditzel in 1961. Nanna Ditzel created many designs for Georg Jensen, mostly jewelry although she also created some hollowware. The relationship between the couple and the Silversmith began when Nanna decided to start designing jewelry as something she could do at home while her children slept. Soon after, a jewelry competition sponsored by A. Michelsen arose, and her designs had won first prize. Later on, in 1954, Finn Juhl, who was developing the 50th anniversary exhibition, passed the design work off for the exhibition to the Ditzels. Five pieces of jewelry were created for this exhibit, which were very well received. Further jewelry designs were created, and many of these pieces would go on to win various awards and prizes. In 1968, Nanna Ditzel remarried to Kurt Heide and relocated to London where they continued to work in the realm of design, establishing their own company Nanna Ditzel Productions Ltd. In 1986, her second husband passed away, and she moved back to Denmark, continuing her work. In recent years, Ditzel has focused mainly on furniture design, such as the Trinidad chair in 1993, however this design has also led to the further refinement for her jewelry pieces such as the bracelet #389 in 1994. Ditzel has won many major awards during her long career and has had her work exhibited all over the world. She received the silver and gold medals at the Milan Tirennale (1954 and 1960), the Lunning Prize (with Jorgen Ditzel in 1954) and a gold medal at the International Furniture Design Competition in 1990, and the Thorvald Bindesboll Medal in 1999. She has also taken on the title of Knight of the Order of the Dannebrog, Honorable Royal Designer ( 1996). From Georg Jensen Hollowware...
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