Ruby, Pearl, Diamond Victorian Pendant, circa 1850

18ct gold & silver set Art Nouveau Diamond Opal Pendant/Brooch dated circa 1900 Five round opals with an articulated pear shaped opal drop, very well matched with lively play of colours and iridescence in reds, greens, blues and gold. Set in 18 carat yellow gold claw collets Two main transitional cut (old mine) diamonds 0.70ct. Mix of old mine and rose cut diamonds in an 18 carat yellow gold with “silver Set” channel setting , approx 1 ct total. G/H/I, VS2-SI2. Total diamond weight: approx 1.7carats Setting diamonds in gold with a thin layer of silver, “silver set”, was a technique used in the Georgian/Victorian/Art Nouveau period as white coloured gold and platinum were not yet available. A very thin layer of silver was applied to the gold, on which the diamonds were set, to show them off to their best advantage (as the yellow would reflect and distort the white colour of the diamonds). The Art Nouveau period was a short lived but worldwide movement which reached its peak at the end of the 19th Century and the first decade of the 20th Century. It had its roots in the Pre Raphaelite and Arts and Crafts movements in Britain in the 1860’s. Artists, such as William Morris, took their inspiration from the flora and fauna of nature and rejected the mass industrialisation and mechanisation of the Victorian age. Art Nouveau continued with this theme and has a distinctive appearance with soft, curved shapes and lines and often depicted natural designs such as flowers, birds and the female form. Before the Art Nouveau period, the emphasis had been to design pieces with an emphasis on gem stones, diamonds, rubies emeralds etc. However, during the Art Nouveau period, jewellers adopted the idea of using other semi–precious stones “from nature” such as agate, garnet opal, moonstone, aquamarine and experimented with a wide variety of new techniques e.g. enamelling. The “New Art” style became a worldwide movement encompassing all disciplines of the arts, and world class artists as far afield as Gaudi with his “modernisme” architecture in Spain, Louis Comfort Tiffany in New York with objects, Galle Glass in France and the Liberty & Co Archibald Knox designs in Britain, Jugendstil in Northern Europe and Faberge in Russia. The movement flared brightly but briefly and by 1910 it was already going out of style to be replaced by Art Deco. In fitted period box. Detachable 18ct brooch...

An exquisite, rare and fine Art Nouveau pendant in 18 carat gold, Circa 1900. 18 carat gold set with translucent varicoloured Guilloché enamel with a natural salt water pearl drop. Eight principle diamonds, Georgian Table Cut...

8ct gold and silver set Victorian, Diamond and Emerald Pendant or Brooch circa 1860 Floral and scroll motif design in 18ct yellow gold with emerald tips to the flowers with an articulated pear shaped diamond drop of approx 1.0ct. Very well matched Emeralds with large central stone. Three main transitional cut (old mine) diamonds of approx 0.25ct each (0.75cts in total). Mix of old mine and rose cut diamonds in an 18 carat yellow gold with “silver Set” channel setting , approx 3.0ct total. Total diamond weight: approx 4.75 ct, G/H/I, VS2-SI2. Setting diamonds in gold with a thin layer of silver, “silver set”, was a technique used in the Georgian/Victorian/Art Nouveau period as white coloured gold and platinum were not yet available. A very thin layer of silver was applied to the gold, on which the diamonds were set, to show them off to their best advantage (as the yellow would reflect and distort the white colour of the diamonds). In fitted period box, by Hunt and Roskell, Jewellers to Her Majesty Queen Victoria. Detachable 18ct brooch...

An exceptional, exquisite and well preserved Victorian brooch in the form of a bee with ruby eyes, sapphire and diamond wings, natural pearl and cabochon natural untreated Burma Sapp...

An important Victorian pendant with a ruby, diamond and a pearl, 1880s. The big centre stone is a rare natural and not heat treated Burmese ruby weighing 4.32 carats, certified by a ...

A Victorian garnet, pearl and diamond brooch/pendant, set to the centre with four triangular cabochon-cut garnets between rose-cut diamond-set cross and natural pearl surround, with ...

This is a spectacular antique Victorian - Belle Epoque Butterfly Pendant or Brooch set throughout with Rose Cut Diamonds, Pearls and Rubies in a gorgeous open work design in Silver atop 14 Karat Yellow Gold. This is one of the most beautiful Butterfly Insect jewels we have seen. The Butterfly has a detachable brooch pin on the reverse which can be easily unscrewed to convert the jewel to a pendant necklace. The Butterfly is set throughout its wings with Rose Cut Diamonds. Each diamond is set within its own open work section. The sections are then combined into a fully three dimensional butterfly with exquisite craftsmanship and artistry. In the center of the body are four stunning silvery white pearls which may be natural. The eyes of the insect are two round Ruby cabochons. The diamonds and pearls are set in silver as was the custom of the period in order to show off the diamonds to greater brilliance. The butterfly wings are masterworks of jewelry making and diamond setting. The extraordinary jewels are all set "a jour" - open backed - so that the light is allowed to filter through the gems and make them sparkle with the wonderful quality we love in the antique jewels. This whimsical butterfly dances delightfully around the neck or across the body and creates a conversation piece to be passed on for generations. And insect inspired jewels are all the rage today. And here we have the magnificent butterfly with the exquisite gems and delicate design - how rare! The Victorians were absolutely enamored with nature and insects and created jewels as well as sculptures of the fascinating creatures. These antique butterfly gems...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). PS: THIS POLICY IS NOT APPLICABLE ...