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An Imperial Mughal Gold Jade Box Set With Diamonds and Semi Precious Stones
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
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About the Item
An Exquisite Masterpiece of Mughal Splendor: A Rare Gold-Mounted Jade Box with Diamonds and Semi-Precious Stones
Introduction to a Regal Artifact:
This exceptional jade box, hailing from the storied Mughal Dynasty, is an unparalleled exemplar of imperial artistry and luxury. Acquired from the prestigious Spink & Son of London, this artifact transcends its material beauty to stand as a significant piece of historical and cultural importance. With its rich provenance and intricate craftsmanship, this jade box embodies the opulence and refined tastes of one of history’s most powerful and influential empires.
Craftsmanship: The Art of Mughal Luxury:
At the heart of this piece lies a finely carved jade box, crafted from the most esteemed jade, a material revered for its spiritual and physical properties. The jade’s soft green hue, polished to a lustrous finish, provides the perfect canvas for the intricate artistry that adorns its surface. The craftsmanship displayed here is nothing short of extraordinary, reflecting the meticulous skill and dedication of the artisans who worked under the patronage of the Mughal emperors.
Gold Mounts: Symbols of Power and Prestige:
The jade box is further enhanced by its sumptuous gold mounts, which frame the piece with regal elegance. Gold, a symbol of wealth, power, and divine favor, was extensively used in Mughal art to signify the emperor’s supreme authority. The gold mounts on this box are intricately designed, featuring delicate filigree work and ornamental motifs that highlight the exquisite level of detail typical of Mughal luxury objects. The use of gold not only adds to the visual splendor of the box but also signifies its importance as a royal collectible.
Diamonds and Semi-Precious Stones: Embellishments of Imperial Grandeur:
Adorning the box are a carefully selected array of diamonds and semi-precious stones, each meticulously set into the gold mounts with precision and artistry. The diamonds, symbolizing purity and invincibility, are complemented by vibrant semi-precious stones that add a dynamic interplay of color and texture. These embellishments were not chosen solely for their beauty; they were also deeply symbolic, representing various virtues, celestial powers, and the emperor’s divine right to rule. The harmonious arrangement of these stones demonstrates the Mughal court’s appreciation for both aesthetic beauty and symbolic meaning.
Cultural Significance: A Connection to Mughal Heritage
This jade box is more than just an object of beauty; it is a tangible link to the cultural and historical legacy of the Mughal Empire. The Mughal Dynasty, renowned for its patronage of the arts, produced some of the most magnificent and culturally significant objects in history. This box, with its intricate design and rich symbolism, offers insight into the values, beliefs, and artistic achievements of the Mughal court. As a museum-quality artifact, it holds immense scholarly value, providing a rare glimpse into the world of Mughal royalty.
Provenance: A Piece with Esteemed Origins
The provenance of this jade box further enhances its significance. Acquired from the renowned Spink & Son of London, a name synonymous with the highest standards of quality and authenticity in the art world, this piece carries with it a legacy of careful curation and historical importance. The association with Spink & Son not only attests to the box’s authenticity but also underscores its status as a highly collectible and valuable artifact.
A Once-in-a-Lifetime Acquisition:
For the discerning collector or institution, this jade box represents a once-in-a-lifetime opportunity to acquire a piece of unparalleled historical and artistic significance. It is more than a decorative object; it is a profound connection to the grandeur and sophistication of the Mughal Empire. As a royal collectible, this box stands as a testament to the enduring legacy of Mughal artistry, offering both aesthetic pleasure and scholarly insight. This exceptional piece, with its intricate details, rich symbolism, and impeccable provenance, is truly a treasure worthy of the most prestigious collections.
1.3" high x 3.3" wide x 2.5" deep
Very good condition.
- Metal:
- Stone:
- Stone Cut:
- Dimensions:Height: 1.3 in (33.02 mm)Width: 2.5 in (63.5 mm)Length: 3.3 in (83.82 mm)
- Place of Origin:
- Period:
- Date of Manufacture:18th Century
- Condition:
- Seller Location:New York, NY
- Reference Number:1stDibs: LU1494224028252
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The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece.
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Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland.
Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection.
Today, Mellerio has stores in Paris, Japan and Hong Kong.
July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy.
The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia.
From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles.
This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850).
The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress.
We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time.
The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix.
1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court.
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