Asia - More Art

My work touches on the importance of home and a sense of security. I believe it is a basic human need to feel like someone is waiting for you. I depict not only my homeland, but also...

Amitava Dhar - Untitled Oil on Canvas 46 x 58 inches, 1994 ( Unframed & Delivered ) Amitava Dhar graduated from Government College of Arts & Crafts, Kolkata, following which he did...

Rabin Mondal - Face 17 x 14 Inches Acrylic on Paper 2016 Mondal was a clear observant of the various migrant workers who lived along his house in the conjected Howrah Area. They ca...

N190, 100x100cm, oil/canvas The work is sold without a frame.

F. N. Souza - Untitled Marker on Paper, 11 x 8.5 inches Marker on Tracing Paper Pasted on Board, 12.5 x 9 inches ( Set of 2 works ) (Unframed Delivered) Francis Newton Souza was born in 1924 in Saligao, Goa. After losing his father at a very young age and being afflicted by a serious bout of small pox, he vowed to go about life his own way. Souza was expelled for participating in the Quit India Movement while studying at the Sir J J School of Art in Mumbai. In 1947, he founded the Progressive Artists' Group along with S H Raza...

Open 29.7 x 21 cm, Paper/Printing ink Edition 1 piece

Striped 29.7 x 21 cm, Paper/Printing ink Edition 1 piece

Sad 29.7 x 21 cm, Paper/Printing ink Edition 1 piece

Embossed, 42 x 29.7 cm, Paper/Printing ink Edition 1 piece

Acute, 29.7 x 21 cm, Paper/Printing ink Edition 1 piece

Lying down, 21 x 29.7 cm, Paper/Printing ink Edition 1 piece

Big woman, 29 x 21 cm, Paper/Stamp ink Edition 1 piece

Confident, 29.7 x 21 cm, Paper/Printing ink Edition 1 piece

Up, 41 x 30 cm, Paper/Stamp ink Edition 1 piece

Rest, 28.5 x 21 cm, Paper/Pastel

Shipra Bhattacharya - She-I, Oil on Canvas 30 x 34 inches , 2008 (unframed size) ( Framed & Delivered ) Style : Shipra , is a leading contemporary mid career artist of India. Shipr...

Rabin Mondal - Face 14 x 10 Inches Acrylic on Paper 2018 Mondal was a clear observant of the various migrant workers who lived along his house in the conjected Howrah Area. They c...

Rabin Mondal - Face 24 x 21 Inches Acrylic on Canvas 2018 Mondal was a clear observant of the various migrant workers who lived along his house in the conjected Howrah Area. They c...

70x70cm, print on canvas Edition 20 pcs.

Castle 40x30 cm, Watercolor, paper, pencil

The fresco is small, 40x30 cm, Watercolor, paper, pencil

Tushar Kanti Das Roy The green Tree Bronze Hight- 34 inch, length- 24 inch, Depth- 14 inch About the Artist & his work : Born : 1968. Education : He has completed his education from...

Vernika Singh Dynamics- 2 16w x 16h x 9d ( Inches ) SS & Aluminiam Interested in human figures and the movements which are encountered by the body. It is the most beautiful sight t...

Suhas Roy - Untitled Watercolour on Paper, 11 x 15 inches, 1954 ( Unframed & Delivered ) Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored past...

Selfie, 100x100 cm, acrylic on canvas

The era of change, 150x100cm, acrylic/canvas The work is sold without a frame and mat

Jogen Chowdhury Untitled Charcoal & Dry Pastel on Brown Paper Pasted on Board 10 x 8 inches 2021 Style : He has immense contribution in inspiring young artists of India. Jogen Cho...

Vintage In the center of Mumbai city is an unorganised labyrinthine bazaar of streets trading in commodities right from gold and silver to utensils to costume jewellery, the list i...

Prakash Karmakar - Beach Series 14.5 x 11 inches (unframed size) Ink on Paper 2006 ( Framed and Delivered ) Style : Legendary master artist Lt. Prokash Karmakar from Bengal was sole...

Confusion, 110x100cm , oil\canvas

Autumn evening, 40x40 cm, acrylic, canvas

May, 40x40 cm, acrylic, cardboard

70x70cm, print on canvas Edition 20 pcs.

70x70cm, print on canvas Edition 20 pcs.

70x70cm, print on canvas Edition 20 pcs.

Gobardhan Ash - Untitled - Gouache on Paper 10 x 15 inches (unframed size) Style : Regarded as a pioneer of modern Indian art, Ash’s contribution at the time when India witnessed the advent of Western modernism is significant and colossal. His work was exploratory, visionary and inspiring. He printed with bold courage and a free spirit, never yielding to the rules set by official art. He rejected the preconceived notions of how an artist ought to render his subjects and inevitably rebelled against the academic rules “ If we look at nature in the open, we do not see individual objects each with its own colors but rather a bright medley of tints which blend in our eyes, in our minds.” – Gobardhan Ash (The Statesman, April 24, 1994). His verbal imagery alluded to what was real and relevant in India yet transcended to communicate a deeper, universal message about the human spirit. Disillusioned with the limits and constraints he faced, Ash withdrew into his private introspective world to explore his own mode of artistic expression. And although it was the convention then to paint divinities or exotic female figures on their way to the temple, Ash embarked on a new approach altogether to paint farmers toiling in the fields, workers engaged in intense labor to earn their living, thereby setting a new trend of socio-realistic art in India. In 1945, Ash was brought into the public eye when the progressive writers Association discovered his series of paintings on the Bengal famine. The paintings depict, if not document, the ravages of the 1943 catastrophe. In juxtaposition to the famine series, his impressionist and post impressionist gouaches during the late 40s come as an interesting antithesis. Colors, rich and vibrant, come alive in a pulsating tone to dominate the entire painting. Ash never subscribed to a stringent artistic form or technique. Rather, his works from the 80s display yet another intriguing and jarringly different style in his treatment of portraiture. His colors, with the exception of the apparent outlines, are reduced to smudges and smears so that the painting appear to originate from stained canvas. His subjects, spectral figures that engage and draw us within their profound state of despair and helplessness. To characterize the life works of Gobardhan Ash is to recognize the complexity and spontaneity of his ideas and the enormous richness of his style. An artist who devoted his entire life to art, his paintings have transited and evolved from monochromatic sketches and landscape to portraiture; from naturalistic real-life depictions to abstract expressionism. Whatever the genre style-Ash has demonstrated an eloquent mastery over the diverse style, techniques and medias employed, as evident in the vast retrospective collection. His paintings are conceptual and purposeful, displaying a unique individuality. His art expounds a frank desire to convey the value of uncompromising artistic sincerity. Gobardhan Ash remains today a prolific artist of his time. About the Artist & his works : Born : Regarded as a pioneer of modern Indian art, Gobardhan Ash (1907-1996) was born at the village of Begampur in Hoogly district of West Bengal.. Family : His father was Haricharan Ash and mother Gouri Devi. He spent all his life in this village and died here in 1996 at the matured age...

Lalu Prasad Shaw - Biwi - 12 x 9 inches Ink on Canvas Board, 2022 ( Unframed & Delivered ) Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu...

Rajib Bhattacharjee - Untitled Acrylic on Canvas, 24 x 24 inches Rajib Bhattacharjee passed preparatory painting in 1991 from Govt. College of Art...

N7, 2021, 42x29,7 cm

K.S. Radhakrishnan - Ramp Figure Bronze Sculpture H 12.25 x W 8 x D 6.5 inches K.S. Radhakrishnan working with Musui & Maiya, Musui potraits has a hand Rickshaw puller as is still prevalent in few parts of Bengal. The bronze figures are elfin, mischievous, airy, acrobatic, and archaic, delicately balancing on one hand or leg. He renders a sensuous quality to his works by deploying extraordinary body movements of his figures. Radhakrishnan is a distinctive and appealing presence on the modern Indian sculpture scene. He says: “For me bronze works best because it is strong, and brings out the character of my sculptures. Although it takes time, the process also becomes a part of my art form.” Style : K.S Radhakrishnan is one of the most notable among the new generation of sculptors. Like many of his contempories he is a figurative sculptor, but his preference for modelling and bronze casting sets him apart from the rest of them. Recharging age old sculptural processes with a new sensibility, thus is the singular challenge he brings to modern Indian sculpture. And this makes him a modernist - who approaches his work with discernible ambition and considerable aplomb while steering clear of brinkmanship. Radhakrishnan's works often drawn from the emotions and myths of the Hindu gods, such as Shiva, Kali and Radha. His sculptures are often larger than life-sized; placed in the outdoors, they evoke a superhuman atmosphere. Over the years, Radhakrishnan has experienced with alternate sculpting mediums, working in molten bronze, beeswax and Plaster of Paris.The physical process of working with the materials becomes a performance in itself. The sculpture is the product of a tactile engagement with his medium. With celebration of sensuality as one of its running themes, his works is at once both intimate and universal in its appeal. A personal commemorative sculpture, with a scale and presence that holds well in natural settings, his work has found permanent home in a number of public collections all over the world. About the Artist and his work : Born : Born 1956, Kerala. Education : 1979 : B.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal 1981 : M.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal. Solo exhibitions : 2006 : ’Freehold’ at Museum Gallery, Mumbai ‘Freehold’ at Artalive Gallery, New Delhi 2005 : ’The Ramp’ at Tao Art Gallery, Mumbai ‘Unbearable Lightness of being’ at India International Centre, New Delhi 2004 : ’The Ramp’ at Sridharani Art Gallery, New Delhi ‘The Ramp’ at Bayer ABS Limited Gallery, Vadodara 2000 : ’Musui Maiya’ sponsored by Vadehra Art Gallery, New Delhi 1998 : ’Song of the Road’ – sponsored by International Travel House, ITC, New Delhi ‘Portal’ – Apeejay Lawns, Calcutta, sponsored by Apeejay Surendra, Group, Calcutta 1993 : Centre des Bonds de Marne, LePerreux-Bry sur-Marne, Paris, France. 1987 : Jehangir Art Gallery, Mumbai. Participated Exhibitions : 2007 : ’Darpan’ an exhibition sponsored by Nvya Gallery, New Delhi Travel to Moscow and St. Petersburg, Russia – sponsored by Nvya Gallery. 2006 : Travel to U.S.A, sponsored by Arts India, New York Travel to Russia, sponsored by Art Resource Trust, Mumbai Travel to Morocco, sponsored by Popular Prakashan, Mumbai. 2005 : Travel to Istanbul, Turkey to attend artists workshop Travel to China (Silk Route) sponsored by Uttarayan, Baroda Travel to South Africa organised by Gallery Navya, New Delhi. 2003 : Travel to Cairo and other cities in Egypt to attend an artists workshop Travel to France and Italy sponsored by TMI Foundation France Exhibition titled ‘Can’ curated by Johny M.L Exhibition ‘Only connect’ at India Habitat Centre, New Delhi Exhibition ‘Nayika’ by Ganesha Art...

Jaali: Jaali' of Urdu origin meaning netting, is an ornamental open work originally crafted on wood, metal and stone for interiors. A significant feature of Indo-Islamic art, the Jaali is an intricate pattern ranging from delicate trellises to complex floral layouts. The wall panels depict the interlacing design of the Jaali in mid earth tones on silk. The compositions of flowers and the paisley are embroidered in thread with subtle highlightes of shine. A note on handmade: A handmade product is always appealing due to the irregularities in its workmanship. This is what sets it apart from machine made or computerized; the perfection they offer feels synthetic or artificial. Especially when one speaks of art and craft. These wall panels are works of hand worked embroideries. Imperfections such as an occasional puckering of the base material are expected with the kind of embroidery stitches used. You are assured these artworks are embroidered by highly skilled artisans (it is not possible for craftsmen of lesser experience to create these pieces) The materials used for the embroideries are of superior quality only. About: Shabbir Merchant...

K.S. Radhakrishnan - Ramp Figure Bronze Sculpture H 12.75 x W 7 x D 6 inches K.S. Radhakrishnan working with Musui & Maiya, Musui potraits has a hand Rickshaw puller as is still prevalent in few parts of Bengal. The bronze figures are elfin, mischievous, airy, acrobatic, and archaic, delicately balancing on one hand or leg. He renders a sensuous quality to his works by deploying extraordinary body movements of his figures. Radhakrishnan is a distinctive and appealing presence on the modern Indian sculpture scene. He says: “For me bronze works best because it is strong, and brings out the character of my sculptures. Although it takes time, the process also becomes a part of my art form.” Style : K.S Radhakrishnan is one of the most notable among the new generation of sculptors. Like many of his contempories he is a figurative sculptor, but his preference for modelling and bronze casting sets him apart from the rest of them. Recharging age old sculptural processes with a new sensibility, thus is the singular challenge he brings to modern Indian sculpture. And this makes him a modernist - who approaches his work with discernible ambition and considerable aplomb while steering clear of brinkmanship. Radhakrishnan's works often drawn from the emotions and myths of the Hindu gods, such as Shiva, Kali and Radha. His sculptures are often larger than life-sized; placed in the outdoors, they evoke a superhuman atmosphere. Over the years, Radhakrishnan has experienced with alternate sculpting mediums, working in molten bronze, beeswax and Plaster of Paris.The physical process of working with the materials becomes a performance in itself. The sculpture is the product of a tactile engagement with his medium. With celebration of sensuality as one of its running themes, his works is at once both intimate and universal in its appeal. A personal commemorative sculpture, with a scale and presence that holds well in natural settings, his work has found permanent home in a number of public collections all over the world. About the Artist and his work : Born : Born 1956, Kerala. Education : 1979 : B.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal 1981 : M.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal. Solo exhibitions : 2006 : ’Freehold’ at Museum Gallery, Mumbai ‘Freehold’ at Artalive Gallery, New Delhi 2005 : ’The Ramp’ at Tao Art Gallery, Mumbai ‘Unbearable Lightness of being’ at India International Centre, New Delhi 2004 : ’The Ramp’ at Sridharani Art Gallery, New Delhi ‘The Ramp’ at Bayer ABS Limited Gallery, Vadodara 2000 : ’Musui Maiya’ sponsored by Vadehra Art Gallery, New Delhi 1998 : ’Song of the Road’ – sponsored by International Travel House, ITC, New Delhi ‘Portal’ – Apeejay Lawns, Calcutta, sponsored by Apeejay Surendra, Group, Calcutta 1993 : Centre des Bonds de Marne, LePerreux-Bry sur-Marne, Paris, France. 1987 : Jehangir Art Gallery, Mumbai. Participated Exhibitions : 2007 : ’Darpan’ an exhibition sponsored by Nvya Gallery, New Delhi Travel to Moscow and St. Petersburg, Russia – sponsored by Nvya Gallery. 2006 : Travel to U.S.A, sponsored by Arts India, New York Travel to Russia, sponsored by Art Resource Trust, Mumbai Travel to Morocco, sponsored by Popular Prakashan, Mumbai. 2005 : Travel to Istanbul, Turkey to attend artists workshop Travel to China (Silk Route) sponsored by Uttarayan, Baroda Travel to South Africa organised by Gallery Navya, New Delhi. 2003 : Travel to Cairo and other cities in Egypt to attend an artists workshop Travel to France and Italy sponsored by TMI Foundation France Exhibition titled ‘Can’ curated by Johny M.L Exhibition ‘Only connect’ at India Habitat Centre, New Delhi Exhibition ‘Nayika’ by Ganesha Art...

Samir Sarkar - The Sound - 120 x 42 inches (unframed size) Acrylic on Canvas (Diptych) Style : He says, “All my paintings have people wearing some headgear that has a face painted...

Lalu Prasad Shaw - Bouthakurani - H 44 x W 18 x D 13.5 inches Bronze, Edition of 5 + AP ( Delivered ) Style : Known widely for his highly stylized portraits of Bengali women and cou...

70x70cm, print on canvas Edition 20 pcs.

Rakesh Sadhak - Metamorphosis Wood & Metal, H 32 x W 21 x D 16 inches Born : 1970 Qualification: B.V.A. in Sculpture from Govt. College of Art & Craft 2012 M.F.A. in Sculpture from ...

Ganesh Haloi - Khoai Santiniketan 11 x 15 inches (unframed size) Ink on Paper, 2021 (Unframed & Delivered) Born : In 1936 Ganesh Haloi born in Jamalpur, Mymensingh, now in Banglade...

DVS Krishna - Amused Orange, Painted on Fiber Glass - H 30 x W 19 x D 15 inches, 2017 * Delivery will take upto 30 days after placing the order. Born in 1973 @ Nellore Town Andhra p...

"Before bedtime", paper/oil, 70x50 cm.

Rakesh Sadhak - Pandemic Panel Wood & Metal, H 42 x W 54 x D 12 inches, 2020 Born : 1970 Qualification: B.V.A. in Sculpture from Govt. College of Art & Craft 2012 M.F.A. in Sculptur...

"Red sofa", paper/oil, 70x50 cm.

Shells , 2021, 50x35 cm, acrylic on cardboard

70x70cm, print on canvas Edition 20 pcs.

Paris, 70x70cm, print on canvas Edition 20 pcs.

Subrata Paul - Power Bronze, H 21 x W 34 x D 10 inches About : Subrata Paul ( b 1972) is one of the empanelled sculptors of Abundant Art Gallery. Subrata Paul’s favoured materials are bronze embellished with wood. His signature fusion of the two different materials with his stitching style lends an unique texture to his sculptures. Our collection, includes some of his remarkable creations including “Fish”, “Goat” and “Bull”.Paul’s ‘Fish’ represents contrasting characteristics. The Buddha like drooping eyes of the ‘Fish’ is contrasted paradoxically against the frenzied fins, reminding us of Medusa’s dishevelled hair. Calmness and restlessness in one form, the ‘Fish’ resembles the life force.It is a metaphor for the inner human strength to swim against the tide of adversities. His ‘The King’ represents an imperial image. The statute is looking towards heaven, as if seeking some inspiration to perform his royal duties. His crown is like a crown of thorns. It is not a pleasant task but it has to be performed. His attire declares he has to modify his own life into the straightjacket of his royal duties. Another creation of his, ‘Bull’ recalls the interpretation of a bison of the Altamira cave paintings. Paul’s ‘Meditation’ series defines peace in different perspectives through various aspects of Buddha figures. Inspired by sculptors such as Sunil Kumar Das...

In crowd, 2023, 78x54 cm

Haren Das - Dream Woodcut Edition 12/15 10.6 x 11.6 inches, 1976 ( Unframed & Delivered ) Born in Dinajpur in present day Bangladesh on 1 February 1921, Das took a diploma in fine a...

Steven Gandhi - Journey's-2 - 24 x 24 inches (unframed size) Acrylic on Canvas, 2019 Free shipment in a roll form all over the world. Style : This series of works are reflection of ...