Asia - Paintings

The captain of a sailing vessel is up early to have a cup of coffee and to see the weather signs in the sunrise remembering the warning, Red sky at morn...

A young girl is sitting on the front fender of a classic yellow convertible. This painting is an analogy of youth. So many things have now come to the end of the road such as school ...

Two greyhounds, 60x80cm, acrylic on canvas

Three angels, 100x80cm

Suhas Roy Radha Soft Pastel & Acrylic on Paper 14 x 18 inches 35.6 x 45.7 cm 2004 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel ...

Early Autumn. Countryside. Diptych, 60 x 40 cm(×2)

Inspired by the story of Phoenix Rebirth, I made this Flying Phoenix I as my expression of the story. Flying Phoenix I is made on a canvas board. The artwork on canvas board is fix...

I capture the enchanting essence of spring's golden hour, filled with blossoms, vitality, and energy. By wielding brushes and blending bronze dips into rich black fluids, I've crafted a tropical scene set against a natural ecru background. The ecru canvas adds a warm, foundational element, allowing the painting's timeless beauty to shine in any environment. This artwork, titled "Golden Hour IX" and created in 2021, features metallique acrylic paint that gives it a gentle luster, enhancing its overall visual charm. Golden Hour IX (2021) is signed on the back and comes with a Certificate of Authenticity, affirming its provenance and value. © 2019-2024 Fuen Chin...

Morph IV is an Abstract Expressionism painting made by mixed-media, such as the up-cycled yarn, ink and acrylic paint. I collected the off-cut fabric from the cutting table and yar...

The era of change, 150x100cm, acrylic/canvas The work is sold without a frame and mat

Rabin Mondal King Acrylic on Paper 22 x 15 inches 55.8 x 38.1 cm 2018 ( Unframed & Delivered ) Mondal was a clear observant of the various migrant workers who lived along his h...

Women's Fiction IV is a figurative painting. This is a self-portrait of mine, I made this back in year 2013. The weather was so hot back then. Though, flowers in the garden were bloo...

Women's Fiction III is a figurative painting. This is a self-portrait of mine, I made this back in year 2013. I was running away with a bunch of plum flowers and a bunny rabbit. It i...

Perfect Coincidence 22 (Abstract painting) Acrylic on canvas — Unframed. The Perfect Coincidence series by the artist emerges as a contemporary homage to the whims of chance reminis...

Letter From The Past 82 (Abstract painting) Acrylic on canvas — Unframed. This artwork features an intriguing composition of horizontal lines in varying heights and vibrant colours....

Rabin Mondal - Face 14 x 10 Inches Acrylic on Paper 2018 Mondal was a clear observant of the various migrant workers who lived along his house in the conjected Howrah Area. They c...

Introducing "Golden Days 01" - a geometric abstract painting on round canvas inspired by the luxurious gold gilding of Chinoiserie tableware. Embrace the essence of summer with delicate leaf patterns and heart shapes intricately woven into the design. Radiating beauty at 20cm in diameter and 1.5cm in depth, this piece is crafted with acrylics on round canvas, exuding elegance and charm. As Jenny Uglow once said, "We might think we are nurturing our garden, but of course it’s our garden that is really nurturing us." Reflect on the splendour of summer, with blooming gardens and nature's golden touch encapsulated in this artwork. Experience the allure of metallique acrylic paint, infusing this piece with a soft luster that captivates the eye. Dive into the world of "Golden Days 01" and let the beauty of nature's embrace inspire you. Golden Days 01 (2022) is signed on the back and includes my Certificate of Authenticity . Art © 2019-2028 Fuen Chin...

Jogen Chowdhury Untitled Charcoal & Dry Pastel on Brown Paper Pasted on Board 10 x 8 inches 2021 Style : He has immense contribution in inspiring young artists of India. Jogen Cho...

Abstract: Winter Solstice I, Abstract Impressionism, Pink, Plum Blossoms, Flowers, Florals Winter Solstice I has a pair sister piece - Winter Solstice II. The pair are abstractive i...

Hypermorph Garden 6.0 is a figurative landscape painting about the mangrove forests and the creatures: fishes, shells, monkeys, birds and many more. Inspired by the historical rema...

"Bukhara (Family)" Abstract Oil Painting 59" x 59" in by Muzaffar Abdullaev ABOUT: He was born in 1953 in Bukhara, where he lives and works. Boasting forty years of experience, th...

Hypermorphing I is an abstract painting. The calligraphy brushstrokes in mixed-media, such as: the black ink and the metallique acrylics merged to perform a metaphorical movements. ...

Zhang Lili oil paint on canvas 30 x 40cm dated 2019 Zhang lili was born in Hunan, China. She received her MA from Central Academy of Fine Arts in China in 1996.

Ganesh Haloi - Untitled Pen & Ink on Paper 7.5 x 5.2 inches, 2018 ( Unframed & Delivered ) Born : In 1936 Ganesh Haloi born in Jamalpur, Mymensingh, now in Bangladesh. Education : ...

Walked into the Fall I landscape, I filled the Fall II with a lot of tiny gold leaves. In this figurative painting, I focus on small leaves of the Mangrove Orange trees to shine in g...

Women's Fiction I is a figurative painting. This is a self-portrait of mine. I completed making this painting back in year 2021. About the Packaging: Women's Fiction I will be ship...

Walk In Ginza (Abstract painting) Acrylic and oil pastel on canvas — Unframed. Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. This met...

Suhas Roy - Untitled Charcoal on Paper, 12 x 16 inches, 2014 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a se...

Suhas Roy - Untitled Charcoal on Paper, 11 x 16 inches, 2014 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a se...

Suhas Roy - Untitled Charcoal on Paper, 10 x 12 inches, 2014 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a se...

Suhas Roy - Untitled Charcoal on Paper, 10 x 13 inches, 2007 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a se...

Rabin Mondal - Untitled ; Ink on Paper 15 x 22 inches (unframed size) 1993 ( Unframed & Delivered ) Mondal was a clear observant of the various migrant workers who lived along his house in the conjected Howrah Area. They came from far to work and earn their livelihood. He would observe them and was deeply moved by the labour and low rung working class who carried all the heavy load oriented work. He would paint the men and the women , some distressed , some gloomy but with a force that would uplift them to be the heros of the society. Surprisingly Mondal was never depressed himself although he painted people in hard labour and poverty . Style : Mondal`s works are mainly figurative. He paints in bold strokes and creates tableaux, whose themes are universal. The faces of his figures stare at you out of the canvas, strange and pensive, but also strong and defiant. Not yet beaten, surviving by sheer force of spirit. He mostly uses dense pigments in blacks and reds, with only occasional moss green and turquoise colors seeping through. About the Artist & his works : Born : Rabin Mondal (1929 – 2019) was born in Howrah, Kolkata. Education : 1959 : Completed his Art Appreciation Course, Ashutosh Museum, Kolkata University, Kolkata. 1956-58 : Attended Evening Classes, Indian College of Art and Draughtmanship, Kolkata. 1952 : Bachelor of Commerce, Vidyasagar College, Kolkata University, Kolkata. Art Career : The industrial belt of Howrah, with its inherent tendency towards violence, anguish and suffering influenced him deeply, and found its way into his works. So did ugly street battles fought by political parties. Mondal discovered that his artistic temperament was out of keeping with the hostile environment and situation. Besides a debilitating knee injury in his childhood created a sense of isolation in the artist, which also finds expression in his canvas. He says what saved him from sheer madness was his talent in art. In 1949, he joined the Vidyasagar College of Art in Kolkata. At that time, a festival of French artists was being held in the city. It exposed him to the works of French modernist artists. Prior to this, he had no exposure to the international art world. He was only familiar with different schools of Indian art, particularly the Bengal school. As a young painter, Mondal was attracted by Jamini Roy`s folk style and Rabindranath Tagore`s disquieting paintings and drawings. But the show by French artists was virtually a turning point in his artistic career. "This was like opening a window to an astounding, astonishing, unsuspected world," he says. This encounter with avant-garde Western art helped him to later incorporate elements from it in his own work. Art Works : Mondal worked out of his Howrah studio, churning out a series of "kings" and "queens" painted with oil on canvas. These are perhaps Mondal’s best known works, depicting tragic looking figures, seemingly suffering from paranoia and fear, yet ironically termed kings and queens. Some of the highlights of this series were the works Man Acting as King, King Being Appeased, King Making Confession, and King and his Assassin. Mondal also produced a series of "deities", which sometimes seem to merge thematically with his "queens". The artist’s deities are generally depicted with radiate crowns, whereas his kings and queens are not. Other favorite subjects of the artist were the brothel and the harem, which he depicted in canvases such as Event in Red Light Area and Orgy. For someone who hates all forms of pretentiousness, he has done a series of painting on queens and empresses. "Though they belong to the past, queens live in virtual isolation, and I feel sorry for them," he says. "It is this isolation that makes the queen, for me, a fascinating subject." One of the criticisms leveled against him is that his works are not pleasing to the eye. To which he replies, "Painting is for communication and not for decoration." Solo Exhibitions : Rabin has had several solo exhibitions:
 From 1961 - 1973, 1976, 1987, 1993 and 1999 he exhibited solo at various places in Kolkata. In 1974, 1977, 1982, 1983, 1987 and 1991 he showcased solo in several place in New Delhi. From 1978 - 1980 and in 1984 he had solo exhibitions at Birla Academy of Art and Culture in Kolkata. In 1980 he had a solo show at Max Mueller Bhavan, Mumbai. In 1989 and 1990 he exhibited solo in Mumbai. In 1993 he had a solo show at Jehangir Art Gallery, Mumbai. In 2014 - 2015 and 2016 he exhibited 'Kingdom of Exile: A Retrospective' at Delhi Art Gallery, Mumbai and at DAG Modern, New York. Group Exhibitions : He has participated in several group exhibitions:
 In 1955, 1969, 1970 - 1972, 1975, 1976, 1978, 1983, 1988, 1995, 1998 - 2002 and 2010 he participated in various group exhibitions in Kolkata. From 1963 - 1965, 1971, 1973, 1980 - 1982 and 1985 he exhibited in group shows at Lalit Kala Akademi in New Delhi. In 1964, 1969, 1994 and 1996 he took part in group exhibitions at All India Fine Arts and Crafts Society (AIFACS) and LTG Gallery in New Delhi. In 1968 and 1972 he participated in group exhibitions at Kala Bhavan, Santiniketan. In 1972, 1974, 1976, 1978 - 1980 and 1983 he took part in several group shows at Jehangir Art Gallery, Mumbai. From 1975, 1979, 1988, 1989, 1992, 1998, 2001, 2002, 2009 and 2010 he participated in multiple group shows in New Delhi, Mumbai, Kolkata, Bangladesh and Bangalore. In 1975 he took part in the 3rd Triennale in New Delhi. In 1984 he participated in the Tokyo Biennale, Japan. From 2003 - 2005, 2010 and 2011 he took aprt in Manifestations I - VI’ at...

A classic Bi-plane rigged as a seaplane buzzes a lighthouse as it takes to the early dawn sky. This painting has been created using professional grade acrylics on archival quality c...

This is an exhilirating scene. The red,gong buoy indicates that the ship is heading out to sea though a storm is raging and the sea state is at seven on the Beaufort scale. These sea...

When I was growing up my father always had Pontiac's. We kids loved to see the Indian head glow when the headlights came on. I have done this hood ornament in a more abstracted style...

The thrill of watching a pair of tall ships make for sea has never diminished. These ships are under full sail as they pass close under the cliffside to catch the off shore breeze to...

This delightful summer scene shows three sisters at the beach. They are searching for treasures such as shells and starfish. With the falling tide they can find many new and interest...

A classic convertible known as a Woody sits on a tropical beach at sunset as the honeymoon couple wait on the pier for the boat to take them to their paradise retreat. This paintin...

This is a binnacle which was used onboard ships to house the ships compass. Over the years other gear such as the declinometer has been added. The red and green balls are used to cal...

A two-masted topsail schooner under a spanker and sailing full appears to be rising out of the sea itself. The wind and waves are an exhilarating experience! This seascape has be...

In an ancient ceremony a young Hawaiian man offer homage to the gods through a dance of fire. This cultural painting has been created using only professio...

A young lady is searching for her husband in the 1930s and with the help of a boy she finds him in a roadside bar known as a Honky Tonk or Juke Joint. This humorous painting has been...

Three boats from the fishing fleet are ashore for winter repairs and painting. These hard-working vessels are refurbished during the long, cold months of winter in preparation for th...

A seaman is depicted in this painting working aloft at the top of the mast as the sails fill with the wind. A fine view of the sea and other vessels. This sea painting has been creat...

As the sea rolls into the beach bar older couples enjoy drinking in the daytime on their tropical vacation. This seaside painting has been created using all professional grade acryli...

Somnath Hore - Untitled Pen & Ink on Paper, 7 x 5 inches ; dated 07-10-86 Inclusive of shipment mounted not framed, Should you wish to receive the same framed and shipped kindly con...

Partha Shaw - Untitled - Acrylic on Paper. 20 x 30 inches This work will be shipped flat without frame. Style : Shaw works mainly with landscapes, but handles them in a very cont...

Kamal Mitra - Untitled - 70 x 50 inches (unframed size) Mixed Media Inclusive of shipment in a roll form. About Kamal Mitra’s Works : While pursuing his Bachelors (Painting) at the ...

Amitava Dhar - Untitled Oil on Canvas 60 x 48 inches, 2000 ( Unframed & Delivered ) Amitava Dhar graduated from Government College of Arts & Crafts, Kolkata, following which he did...

Prasanta Sahu - The Empathatic Viewer Seragraph on Paper 20 x 14 inches, 2009 ( Unframed & Delivered ) Prasanta’s inventiveness in his works lies as much in the selection and juxta...

Prakash Karmakar – Beach Series, 16 x 23 inches (unframed size) Mixed Media on Paper, 2004 ( Unframed & Delivered ) Karmakar is best known for his landscapes and nudes, whi...

Morph III is an Abstract Expressionism painting made by mixed-media, such as the up-cycled yarn, ink and acrylic paint. I collected the off-cut fabric from the cutting table and ya...

Senkichiro Nasaka (1923-2014) WORK Mixed media on paper 34 x 22 cm (13.4 x 8.7 in) not considering the frame Executed in 1962 The present work is one of the few paintings pre-dating Senkichiro Nasaka’s affiliation to the Gutai Group. The particular choice of means and technique, inspired by Senkichiro Nasaka’s mastery of both Japanese and Western painting, conveys the semblance of geological accretions, and clearly adheres to Jiro Yoshihara’s motto: “create what has never been done before” About the Artist: Born in Osaka Prefecture in 1923, in 1942 Senkichiro Nasaka entered the Kyoto City Painting University. where he was a contemporary of Kazuo Shiraga. In 1960s he made a career switch from Japanese traditional painting to Western style oil painting, creating works under the influence of the informel style. In 1965 Nasaka presented his work to the 15th Gutai Art...

Narrative in this abstract landscape - Hypermorphing 2.8, I continue playing with the Chinoiserie lines. Look at the black leaves in rough brushstrokes harmonious with the gold bron...

Hypermorphing 2.3 is an abstract landscape with dimming details, such as the gold bronze leaves shines on the ecru base. Liked the fine line on the Chinoiserie art, I used ink and acrylics to create this abstract calligraphic landscape. The leaves in light gold and bronze tones are my expressions of the lush woods on the Yellow Mountain...

Atul Bose - Royal Academy Series-4 Conte on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Hypermorphing 2.7 is an abstract landscape painting about the monsoon. Inspired by the Chinoiserie fine line depiction, I used the finest calligraphic brush to depict the bronze leav...

Morph I is an Abstract Expressionism painting made by mixed-media, such as the up-cycled yarn, ink and acrylic paint. I collected the off-cut fabric from the cutting table and yarn...

Rahim Mirza - Untitled Acrylic on Canvas, 12 x 12 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi, in 2006; 'Anadi' at the Lalit Kala Akademi, New Delhi, in 2000; and 'Vibgyor' at the Lalit Kala Akademi, New Delhi, also in 2000. Mirza has also participated in 'Samvet', the Madhya Pradesh exhibition at the Lalit Kala Akademi, New Delhi, in 1999; the Tokyo International Print Triennial in 1998; the 8th All India Art...

Rahim Mirza - Untitled Acrylic on Canvas, 12 x 12 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi...