Asia - Paintings

Suhas Roy - Untitled Charcoal on Paper, 11 x 13 inches, 2007 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a se...

Suhas Roy - Untitled Charcoal on Paper, 10 x 13 inches, 2007 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a se...

Suhas Roy - Untitled Charcoal on Paper, 10 x 13 inches, 2007 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a se...

Suhas Roy - Untitled Charcoal on Paper, 10 x 12 inches, 2014 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are a se...

Rabin Mondal - Untitled ; Ink on Paper 15 x 22 inches (unframed size) 1993 ( Unframed & Delivered ) Mondal was a clear observant of the various migrant workers who lived along his house in the conjected Howrah Area. They came from far to work and earn their livelihood. He would observe them and was deeply moved by the labour and low rung working class who carried all the heavy load oriented work. He would paint the men and the women , some distressed , some gloomy but with a force that would uplift them to be the heros of the society. Surprisingly Mondal was never depressed himself although he painted people in hard labour and poverty . Style : Mondal`s works are mainly figurative. He paints in bold strokes and creates tableaux, whose themes are universal. The faces of his figures stare at you out of the canvas, strange and pensive, but also strong and defiant. Not yet beaten, surviving by sheer force of spirit. He mostly uses dense pigments in blacks and reds, with only occasional moss green and turquoise colors seeping through. About the Artist & his works : Born : Rabin Mondal (1929 – 2019) was born in Howrah, Kolkata. Education : 1959 : Completed his Art Appreciation Course, Ashutosh Museum, Kolkata University, Kolkata. 1956-58 : Attended Evening Classes, Indian College of Art and Draughtmanship, Kolkata. 1952 : Bachelor of Commerce, Vidyasagar College, Kolkata University, Kolkata. Art Career : The industrial belt of Howrah, with its inherent tendency towards violence, anguish and suffering influenced him deeply, and found its way into his works. So did ugly street battles fought by political parties. Mondal discovered that his artistic temperament was out of keeping with the hostile environment and situation. Besides a debilitating knee injury in his childhood created a sense of isolation in the artist, which also finds expression in his canvas. He says what saved him from sheer madness was his talent in art. In 1949, he joined the Vidyasagar College of Art in Kolkata. At that time, a festival of French artists was being held in the city. It exposed him to the works of French modernist artists. Prior to this, he had no exposure to the international art world. He was only familiar with different schools of Indian art, particularly the Bengal school. As a young painter, Mondal was attracted by Jamini Roy`s folk style and Rabindranath Tagore`s disquieting paintings and drawings. But the show by French artists was virtually a turning point in his artistic career. "This was like opening a window to an astounding, astonishing, unsuspected world," he says. This encounter with avant-garde Western art helped him to later incorporate elements from it in his own work. Art Works : Mondal worked out of his Howrah studio, churning out a series of "kings" and "queens" painted with oil on canvas. These are perhaps Mondal’s best known works, depicting tragic looking figures, seemingly suffering from paranoia and fear, yet ironically termed kings and queens. Some of the highlights of this series were the works Man Acting as King, King Being Appeased, King Making Confession, and King and his Assassin. Mondal also produced a series of "deities", which sometimes seem to merge thematically with his "queens". The artist’s deities are generally depicted with radiate crowns, whereas his kings and queens are not. Other favorite subjects of the artist were the brothel and the harem, which he depicted in canvases such as Event in Red Light Area and Orgy. For someone who hates all forms of pretentiousness, he has done a series of painting on queens and empresses. "Though they belong to the past, queens live in virtual isolation, and I feel sorry for them," he says. "It is this isolation that makes the queen, for me, a fascinating subject." One of the criticisms leveled against him is that his works are not pleasing to the eye. To which he replies, "Painting is for communication and not for decoration." Solo Exhibitions : Rabin has had several solo exhibitions:
 From 1961 - 1973, 1976, 1987, 1993 and 1999 he exhibited solo at various places in Kolkata. In 1974, 1977, 1982, 1983, 1987 and 1991 he showcased solo in several place in New Delhi. From 1978 - 1980 and in 1984 he had solo exhibitions at Birla Academy of Art and Culture in Kolkata. In 1980 he had a solo show at Max Mueller Bhavan, Mumbai. In 1989 and 1990 he exhibited solo in Mumbai. In 1993 he had a solo show at Jehangir Art Gallery, Mumbai. In 2014 - 2015 and 2016 he exhibited 'Kingdom of Exile: A Retrospective' at Delhi Art Gallery, Mumbai and at DAG Modern, New York. Group Exhibitions : He has participated in several group exhibitions:
 In 1955, 1969, 1970 - 1972, 1975, 1976, 1978, 1983, 1988, 1995, 1998 - 2002 and 2010 he participated in various group exhibitions in Kolkata. From 1963 - 1965, 1971, 1973, 1980 - 1982 and 1985 he exhibited in group shows at Lalit Kala Akademi in New Delhi. In 1964, 1969, 1994 and 1996 he took part in group exhibitions at All India Fine Arts and Crafts Society (AIFACS) and LTG Gallery in New Delhi. In 1968 and 1972 he participated in group exhibitions at Kala Bhavan, Santiniketan. In 1972, 1974, 1976, 1978 - 1980 and 1983 he took part in several group shows at Jehangir Art Gallery, Mumbai. From 1975, 1979, 1988, 1989, 1992, 1998, 2001, 2002, 2009 and 2010 he participated in multiple group shows in New Delhi, Mumbai, Kolkata, Bangladesh and Bangalore. In 1975 he took part in the 3rd Triennale in New Delhi. In 1984 he participated in the Tokyo Biennale, Japan. From 2003 - 2005, 2010 and 2011 he took aprt in Manifestations I - VI’ at...

Dai Xiangwen was born in Hunan in 1991 and graduated from the Academy of Fine Arts of Jianghan University, He is a member of China Artists Association, China Designers Association, a painter of Li Keran...

Somnath Hore - Untitled Pen & Ink on Paper, 7 x 10 inches ; 1980 Inclusive of shipment mounted not framed, Should you wish to receive the same framed and shipped kindly contact us. ...

Somnath Hore - Untitled Pen & Ink on Paper, 7 x 5 inches ; dated 07-10-86 Inclusive of shipment mounted not framed, Should you wish to receive the same framed and shipped kindly con...

Zhang Lili oil paint on canvas 30 x 40cm dated 2019 Zhang lili was born in Hunan, China. She received her MA from Central Academy of Fine Arts in China in 1996.

Harisadhan Dey - Smrit - Oil on Canvas 40 x 40 inches ( Rolled & Delivered ) B. 1982 As a young boy of an interior village, Hari Sadhan Dey used to draw the colourful open air dram...

Partha Shaw - Untitled - Acrylic on Paper. 20 x 30 inches This work will be shipped flat without frame. Style : Shaw works mainly with landscapes, but handles them in a very cont...

Shipra Bhattacharya - Fisherman-3 Oil on Canvas 35 x 40 inches (unframed size) , 1989 ( Framed & Delivered ) Style : Shipra , is a leading contemporary mid career artist of India....

Kamal Mitra - Untitled - 70 x 50 inches (unframed size) Mixed Media Inclusive of shipment in a roll form. About Kamal Mitra’s Works : While pursuing his Bachelors (Painting) at the ...

Prasanta Sahu - The Empathatic Viewer Seragraph on Paper 20 x 14 inches, 2009 ( Unframed & Delivered ) Prasanta’s inventiveness in his works lies as much in the selection and juxta...

Prakash Karmakar – Beach Series, 16 x 23 inches (unframed size) Mixed Media on Paper, 2004 ( Unframed & Delivered ) Karmakar is best known for his landscapes and nudes, whi...

Kartick Chandra Pyne - Laxmi's Consort 19 x 14.5 inches (unframed size) Watercolour on Thick Imported Paper, 2003 ( Unframed & Delivered ) Style : After graduating from the Government College of Art and Crafts, Calcutta in 1955 Pyne began to move away from the tenets of both classical Indian and Western art to respond to the beckoning of his own artistic impulses. Landscapes fascinated him initially. But along with the world of nature and flora emerged his own reconstructed images of fauna that often signified as metaphors of human passion and energy, and his paean to the elemental magic of women. This transition may have risen from his penchant for human psychology and observing the intricacies of human behavior. An inveterate introvert, the world of workaday reality does not attract Pyne as much as lower depths of psyche and the transformed world out of his fancy. Adherents of Surrealism thought that the horrors of World War I were the culmination of the Industrial Revolution and the result of the rational mind. Consequently, however, irrational thought and dream-states were viewed as the natural antidote to those social problems. The Surrealist diagnosis of the ‘problem’ of the realism and capitalist civilisation is a restrictive overlay of false rationality, including social and academic convention, on the free functioning of the instinctual urges of the human mind. The Surrealist ethos also connected itself with the theories of Sigmund Freud who asserted that unconscious thoughts do motivate human behaviour while advocating free association and dream analysis to reveal subterranean thoughts. In the case of Pyne too, his artistic vision does not adhere to logic because he does not see with his eyes but rather through his subconscious mind -- in an act of surrender to the liberty of his dreamy vision -- with little control over the wanton caprice of his depictions. So, in this distinctive vein, he is perhaps the most seminal surrealist of the contemporary Indian art. About the Artist and his work : Born : 1937 in Calcutta, West Bengal. Education : 1955 Diploma in Fine Arts, Govt. College of Art and Craft, Calcutta. Exhibitions : 1961 : AIFACS, New Delhi. 1967, 80, 82 : Academy of Fine Arts, Calcutta. 1968-87 : Lalit Kala Akademi, New Delhi. 1968 : Jehangir Art exhibition, Bombay. 1979 : 100 Years of Modern Indian Art...

Gurucharan Singh - Untitled - 29.5 x 22.5 inches (Unframed Size ) Acrylic on Fabriano Paper ( Framed & Delivered ) Born 1949 Exhibitions : Sele...

Women's Fiction I is a figurative painting. This is a self-portrait of mine. I completed making this painting back in year 2021. About the Packaging: Women's Fiction I will be ship...

Emotional Color Change 17 (Abstract painting) Acrylic on canvas - Unframed. Kyong Lee's series combines colour and language to visually represent the external environment. The proce...

Emotional Color Change 24 (Abstract painting) Acrylic on canvas - Unframed. Kyong Lee's series combines colour and language to visually represent the ext...

Emotional Color Chart 178 (Abstract painting) Pencil and Acrylic on Fabriano-Pittura paper - Unframed. This series, started in 2016 conveys a color and emotional language and is ins...

Emotional Color Chart 164 (Abstract painting) Pencil and Acrylic on Fabriano-Pittura paper - Unframed. This series, started in 2016 conveys a color and emotional language and is ins...

Two Stories (Abstract painting) Acrylic, charcoal and graphite on canvas — Unframed. Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. Th...

Two Stories (Abstract painting) Acrylic, charcoal and graphite on canvas — Unframed. Artwork exclusive to IdeelArt. This artwork will be shipped rolled in ...

Atul Bose - Royal Academy Series-6 Pencil on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Atul Bose - Royal Academy Series-4 Conte on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Atul Bose - Royal Academy Series-3 Pen & Ink on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Acrylic, charcoal and graphite on canvas - Unframed. Artwork exclusive to IdeelArt. Adrienn Krahl’s paintings express a profound sense of drama and em...

Rahim Mirza - Untitled Acrylic on Canvas, 12 x 12 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi, in 2006; 'Anadi' at the Lalit Kala Akademi, New Delhi, in 2000; and 'Vibgyor' at the Lalit Kala Akademi, New Delhi, also in 2000. Mirza has also participated in 'Samvet', the Madhya Pradesh exhibition at the Lalit Kala Akademi, New Delhi, in 1999; the Tokyo International Print Triennial in 1998; the 8th All India Art...

Rahim Mirza - Untitled Acrylic on Canvas, 12 x 12 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaki...

Rahim Mirza - Untitled Acrylic on Canvas, 12 x 12 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaki...

Rahim Mirza - Untitled Acrylic on Canvas, 12 x 12 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi, in 2006; 'Anadi' at the Lalit Kala Akademi, New Delhi, in 2000; and 'Vibgyor' at the Lalit Kala Akademi, New Delhi, also in 2000. Mirza has also participated in 'Samvet', the Madhya Pradesh exhibition at the Lalit Kala Akademi, New Delhi, in 1999; the Tokyo International Print Triennial in 1998; the 8th All India Art...

Rahim Mirza - Untitled Acrylic on Canvas, 18 x 18 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaki...

Rahim Mirza - Untitled Acrylic on Canvas, 18 x 18 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaki...

Rahim Mirza - Untitled Acrylic on Canvas, 21 x 21 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi, in 2006; 'Anadi' at the Lalit Kala Akademi, New Delhi, in 2000; and 'Vibgyor' at the Lalit Kala Akademi, New Delhi, also in 2000. Mirza has also participated in 'Samvet', the Madhya Pradesh exhibition at the Lalit Kala Akademi, New Delhi, in 1999; the Tokyo International Print Triennial in 1998; the 8th All India Art...

Rahim Mirza - Untitled Acrylic on Canvas, 21 x 21 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi, in 2006; 'Anadi' at the Lalit Kala Akademi, New Delhi, in 2000; and 'Vibgyor' at the Lalit Kala Akademi, New Delhi, also in 2000. Mirza has also participated in 'Samvet', the Madhya Pradesh exhibition at the Lalit Kala Akademi, New Delhi, in 1999; the Tokyo International Print Triennial in 1998; the 8th All India Art...

Rahim Mirza - Untitled Acrylic on Canvas, 18 x 18 inches (unframed size) Born in 1969, Rahim Mirza completed his art education at Bharat Bhavan in Bhopal, where he studied printmaking. Mirza’s current body of work however, is largely made up of acrylics on canvas. The leaf occupies a central motif in much of his work, representing, perhaps, a multiplicity of emotions; while the appearance of the first leaf signifies Spring and renewal, the shedding of the brown leaves in Autumn heralds the onset of winter. It is these subtleties and the complexity of the simple motif that intrigue the artist. While Mirza focuses on the leaf, he chooses to remove it from its natural environment. Thus while the leaf is a prominent symbol in his work, there generally is no sign of a tree or any context beyond its form. In its multiplicity, the artist creates rhythm and meaning that is far beyond its reach. Mirza had his first solo exhibition at Crimson Art Gallery, Mumbai, in 2000. This was followed by others at Archer Art Gallery, Ahmedabad, in 2001; and Diara art Gallery in 2002. His work has also been a part of group shows like 'Collective Spaces' at M.E.C. Art Gallery, New Delhi, in 2006; 'Anadi' at the Lalit Kala Akademi, New Delhi, in 2000; and 'Vibgyor' at the Lalit Kala Akademi, New Delhi, also in 2000. Mirza has also participated in 'Samvet', the Madhya Pradesh exhibition at the Lalit Kala Akademi, New Delhi, in 1999; the Tokyo International Print Triennial in 1998; the 8th All India Art...

Gong Jianyu, (1990-), China,graduated from Jilin Normal University, graduated from the Department of Watercolor University of Northeast Normal University, and Professor Wang Huiyu. H...

30 years of light (Abstract painting) Acrylic, oil pastel and charcoal on canvas Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. This method is especially safe for large works, and provides lower shipping costs as well. Rolled works can be easily stretched (for canvas works, i.e. placed onto wooden stretcher bars) and/or framed by a local framer upon arrival. Adrienn Krahl...

Ocean view (Abstract painting) Acrylic, oil pastel and charcoal on canvas Artwork exclusive to IdeelArt. This artwork will be shipped rolled in a dent-resistant tube. This method is especially safe for large works, and provides lower shipping costs as well. Rolled works can be easily stretched (for canvas works, i.e. placed onto wooden stretcher bars) and/or framed by a local framer upon arrival. Adrienn Krahl...

Emotional Color Chart 153 (Abstract painting) Acrylic on Fabriano-Terra paper - Unframed. This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings...

Drawing For Color As Adjective-noun 8 (Sky Blue) (Abstract painting) Acrylic on Fabriano-Terra paper - Unframed. This work derives from the series Color as Adjective, a series of drawings...

Drawing For Color As Adjective-noun 8 (Sky Blue) (Abstract painting) Acrylic on Fabriano-Terra paper - Unframed. "This work derives from the series Color as Adjective, a series of drawings...

Emotional Color Chart 156 (Abstract painting) Acrylic on Fabriano-Terra paper - Unframed. This series, started in 2016 conveys a color and emotional language and is inspired by the series Color as Adjective, a series of drawings...

Drawing For 3 Horizontal Configurations 22 (Abstract painting) Acrylic on Fabriano-Terra paper - Unframed. "This work is part of a series titled ""Drawing for 3 configurations', em...

Drawing For 3 Horizontal Configurations 11 (Abstract painting) Acrylic on Fabriano-Terra paper - Unframed. "This work is part of a series titled ""Drawing for 3 configurations', em...

Drawing For 3 Horizontal Configurations 15 (Abstract painting) Acrylic on Fabriano-Terra paper - Unframed. "This work is part of a series titled ""Drawing for 3 configurations', em...

Drawing For 3 Vertical Configurations For Horizontal 13 (Abstract painting) Acrylic on Fabriano-Terra paper - Unframed. "This work is part of a series titled ""Drawing for 3 configurations', emphasising 3 colours. It derives from the series Color as Adjective, a series of drawings...

Sadamasa Motonaga (1922-2011) LIKE A STAIRWAY Executed in 1985 Acrylic on canvas 31.8 x 40.9 cm (12 1/2 x 16 1/8 in) not considering the frame Si...

Artist statement Each ray a promise, each beam a guide, Through every trial and every stride. In this luminous glow, we find our way, Shine, achieve our dreams, toward an everlasti...

Gurucharan Singh - Future Present - 21.5 x 29.5 inches ( Unframed Size ) Acrylic on Fabriano Paper Born 1949 Exhibitions : Selected Solo Exhibitions 2012 'Twilight Tales', The Viewing Room, Mumbai 2008 Jehangir Art Gallery, Mumbai 1989,86 Gallery 7...

Gurucharan Singh - The Community of Abundance-II, 22 x 30 inches ( Unframed Size ) Acrylic on Fabriano Paper Born 1949 Exhibitions : Selected Solo Exhibitions 2012 'Twilight Tales', The Viewing Room, Mumbai 2008 Jehangir Art Gallery, Mumbai 1989,86 Gallery 7...

Jogen Chowdhury With Smiling Teeth, Dry Pastel on Paper 7 x 9.25 inches , 2022 (unframed Size ) The framed size of the work is approx . 17 x 20 inches The work will be shipped inclusive of framing. Signed in Bengali Style : He has immense contribution in inspiring young artists of India. Jogen Chowdhury had developed his individual style after his return from Paris. His most famous paintings are in ink, watercolor and pastel. He has painted in oil medium as well. In Chowdhury’s more recent works the sensory experiences of cloth, bolsters, sofas and the human body are cross-projected to produce an uncanny world of tran-substantiated tumescence and flaccidness. Jogen Chowdhury has been widely acknowledged to be, the master of the unbroken line. Like Léger, Chowdhury has been stirred by the linear Kalighat pat tradition, but his lines are emotive and used to express and suggest the character of a person. This is done by, distorting the form without breaking the line and in the world of young, contemporary art; distortion has been Jogen Chowdhury’s most significant impact. Perhaps, because of this, a common observation of his work is that his “people” are caricatures. The person feels familiar to the viewer but it is far more individualised – the face is imaginary but the psyche or characteristics are real. The power and beauty of his technique and line is this play between the known and unknown. In Jogen Chowdhury’s work, the figure is always in the foreground, it is primary, it conveys everything. He uses colour to give volume to his figures and the fluidity of his lines bring a sensual aspect to his forms. About the Artist and his work : Born : Born 1939 in Daharpara Village, Faridpur, Bangladesh. Jogen Chowdhury is an eminent Indian painter and considered an important painter of 21st century India. Family Background : His father Pramatnath Chowdhury was a Brahmin zamindar. Both his parents took interest in art, Jogen Chowdhury’s father Pramatnath Chowdhury painted several mythological scenes from the village theatres and also sculpted various Hindu icons. Whereas his mother was an expert in Alpana drawings. 1939-47 Jogen Chowdhury lived in a village atmosphere. And after partition in 1948, the whole family shifted. Till 1951 the whole family stayed at the police department quarter of his uncle, where on the walls Jogen Chowdhury painted his first painting, 1962 Jogen Chowdhury was employed as Designer in the Handloom Board. Education : 1955-60: Studied at the Government College of Art and Crafts, Kolkata. 1965 : He went to paris to study in Ecole des Beaux Arts, in William Hayter’s Atelier 17. Professional Experience : 1968-72 : He worked as an Art-Designer, Madras Handloom Board, Madras. 1970 : A collection of his poems were published, titled ‘Hridoy Train Beje Othey’. 1987 : Joined Kala Bhavan , Santiniketan as a professor of painting. Selected Exhibitions : 1972, 1975 & 1978 respectively : I, III, IV Triennales at New Delhi. 1979: The Sao Paolo Biennale. 1980: The exhibitions at the Fukuoka Museum, Japan. 1982: The Royal Academy, London. 1982: The Hirschhorn Museum, Washington D.C. 1986: The II Havana Biennale. 1989: ‘Festival of India’, in Geneva. 2002: Saffron art...

Sunil Das - Untitled, (30 x 38.5 inches) Mixed Media, 2007 Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. Extremely successful right from his college days, Sunil Das has been extremely well lauded by art critics, the press, artists and the art and culture glitterati across the world. Sunil das was the youngest artist to have won the National Award - The Taj Shiromani Kala Puraskar Recipient of the much coveted Govt. of India's 4th Highest Civilian Award: The PadmaShree (2014). Highly talented Sunil Das has done shows all across the world, got fame as early as while he was still in college, youngest recipient of the Lalit Kala Academy Awards and received a scholarship to study at L’Ecole Nationale Superior des Beaux arts, Paris. “There are painters who transform the Sun to a yellow spot, but there are others who, with the help of their art and intelligence, transform a yellow spot into Sun" - Pablo Picasso. Sunil Das was exactly one such artist. Style : Sunil Das' style of work is very original and shows no specific influence. He had risen to fame like MF...

Prakash Karmakar – Landscape – 52 x 46 inches (unframed size) Acrylic on Canvas, 2007 Inclusive of shipment in roll form. Karmakar is best known for his landscapes and nudes, which are generally painted in vibrant colors with bold lines and intricate textures. His paintings reflect his perception and interpretation of nature (both orderly and chaotic), life (both rural and urban), and form (from soft to sharp), without reference to religion. The Master artist drew inspiration from life that was close to him. The fish sellers in the market, the many beaches he visited, the Digha beach in Bengal being most frequented, the sundar bans . Truely an ecelectic artist, son of the very famous artist Prahalad Kormakar. Prokash Karmakar was a very important pillar in the Bengal Art...

Prakash Karmakar – Landscape – 52 x 46 inches (unframed size) Acrylic on Canvas, 2007 Inclusive of shipment in roll form. Karmakar is best known for his landscapes and nudes, which are generally painted in vibrant colors with bold lines and intricate textures. His paintings reflect his perception and interpretation of nature (both orderly and chaotic), life (both rural and urban), and form (from soft to sharp), without reference to religion. The Master artist drew inspiration from life that was close to him. The fish sellers in the market, the many beaches he visited, the Digha beach in Bengal being most frequented, the sundar bans . Truely an ecelectic artist, son of the very famous artist Prahalad Kormakar. Prokash Karmakar was a very important pillar in the Bengal Art...

Paritosh Sen - Untitled - 12 x 18 inches (unframed size) Mixed Media on Paper , 2002, Set of 2 works An illustrator and a painter, Paritosh Sen is one of the most celebrated painte...

Dai Xiangwen was born in Hunan in 1991 and graduated from the Academy of Fine Arts of Jianghan University, He is a member of China Artists Association, China Designers Association, a painter of Li Keran...

Designed by Mahesh sharma Year: 2022 Material: Metal, Resin, acrylic color, Indian bangles Artist uses mix of techniques to create a beautiful piece of art with blend of Indian handc...

Designed by Mahesh sharma Year: 2022 Material: Metal, Resin, acrylic color, Indian bangles Artist uses mix of techniques to create a beautiful piece of art with blend of Indian handc...