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Item Ships From: Bay Area
Francis Bacon 'Three Studies for Self Portrait' Limited Edition Signed Print
By Francis Bacon
Located in San Rafael, CA
Francis Bacon (British, 1909-1992)
Three Studies for Self Portrait, c. 1981
Lithograph in colors on Arches wove paper
Edition 81/150 with Arabic numbering. There were also 25 H.C. (...
Category
1980s Contemporary Bay Area - Portrait Prints
Materials
Lithograph
David Hockney 'The Tate Gallery - Celia in a Black Dress' Exhibition Print
By David Hockney
Located in San Rafael, CA
David Hockney (British, b. 1937),
'David Hockney -The Tate Gallery - Travels with Pen, Pencil and Ink, Drawings and Prints, but no paintings, 1961 - 1979'...
Category
1980s Contemporary Bay Area - Portrait Prints
Materials
Lithograph
Tah-Chee, Cherokee Chief: 19th C. Folio Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored folio-sized lithographic portrait of a Native American entitled "Tah-Chee, A Cherokee Chief", from McKenney and Hall's 'History of the Indian Tribes of North America'. It was lithographed by J. T. Bowen after a painting by Charles Bird King and published by E. C. Biddle in Philadelphia in 1838.
Tahchee's name translates to Dutch in Cherokee, and he became known as William Dutch. He was born in 1790 in the Cherokee Nation, which is now in a portion of Alabama. Tahchee became known as a skilled warrior and leader among his people, and he was eventually appointed as a chief of the Cherokee Nation "Old Settlers". During his time as chief, Tahchee was a rival of the Osage people and he worked to protect the Cherokee people and their land from encroachment by white settlers. He was a strong advocate for maintaining Cherokee sovereignty and cultural traditions, even as pressure mounted from the United States government to remove the Cherokee from their ancestral lands. In 1838, Tahchee and many other Cherokee people were forcibly removed from their homes in what is known as the Trail of Tears...
Category
Mid-19th Century Naturalistic Bay Area - Portrait Prints
Materials
Lithograph
Hoo-Wan-Ne-Ka, Winnebago Chief: Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Hoo-Wan-Ne-Ka, A Winnebago Chief", lithographed by J. T. Bowen after a paint...
Category
Mid-19th Century Naturalistic Bay Area - Portrait Prints
Materials
Lithograph
18th C. Bartolozzi Portrait of Brooke Cobham from a 16th Century Holbein Drawing
By Hans Holbein
Located in Alamo, CA
This is an 18th century engraved portrait of Brooke Cobham, a nobleman in King Henry VIII's court, created by Francesco Bartolozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497- 1543) in the 16th century. Holbein was the official artist in the court of King Henry VIII. Bartolozzi used both etching and stipple engraving techniques to create the work which was then was printed in color on pink paper and hand finished with watercolor. It was published by John Chamberlaine in London in 1793 in "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty".
Sir George Brooke, Baron Cobham (1497-1558) was a prominent member of King Henry VIII's royal court. He became a member of parliament in 1529 and served as a peer in the trial of Queen Anne Boleyn, which resulted in her beheading. He was rewarded for his political and military service to King Henry and Britain with land, castles and former monasteries and was made a Knight of the Garter, a prestigious membership limited to the king and a very limited number of prominent British subjects. As a member of the Privy Council following the death of young King Edward VI (Henry VIII's son), he fell out of favor when he signed a ruling disinheriting both of Henry VIII's daughters, Mary and Elizabeth, in favor of Lady Jane Grey...
Category
Late 18th Century Old Masters Bay Area - Portrait Prints
Materials
Engraving, Etching
Cairo with Murad Bey's Palace: A Hand-colored Aquatint & Engraving by L. Mayer
By Luigi Mayer
Located in Alamo, CA
This is a hand-colored aquatint and engraving entitled "Principal Square in Grand Cairo, with Murad Bey's Palace", published in London by R. Bowyer in 1801. The print was created by ...
Category
Early 19th Century Romantic Bay Area - Portrait Prints
Materials
Engraving, Aquatint
Marquis de Marigny: An 18th C. Wille Engraved Portrait after a Tocque Painting
By Louis Tocqué
Located in Alamo, CA
This is a mid 18th century engraved portrait of Abel François Poisson de Vandières, Marquis de Marigny by Jean Georges Wille after a painting by Louis Tocque...
Category
Mid-18th Century Bay Area - Portrait Prints
Materials
Engraving
Pool of Bethesda, Jerusalem: A Hand-colored Aquatint & Engraving by L. Mayer
By Luigi Mayer
Located in Alamo, CA
This is a hand-colored aquatint and engraving entitled "Pool of Bethesda, Jerusalem", published in London by R. Bowyer in 1804. The print was created by Thomas Milton (1743-1827) from drawings by Luigi Mayer.
This beautiful, detailed, original engraving is printed on deluxe J. Whatman paper with very wide left and right margins. There is a watermark "1801" indicating the year the paper was made. The sheet measures 11.25" high and 16" wide. There is a small faint spot in the upper margin on the left and a tiny faint spot in the right upper corner and another in the left lower corner. The engraving is otherwise in excellent condition with vibrant colors throughout the image.
"The Pool of Bethesda...
Category
Early 19th Century Romantic Bay Area - Portrait Prints
Materials
Engraving, Aquatint
Silvery Marmoset Amazon Monkey: Framed Audebert 18th C. Hand-colored Engraving
Located in Alamo, CA
This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Mico. Buff, Simia Argentata. Linn", which was drawn and engraved by Jean Baptiste Audebert...
Category
Late 18th Century Bay Area - Portrait Prints
Materials
Engraving
Mono distraído (Distracted Monkey) (28/100)
By Rafael Coronel
Located in San Francisco, CA
Serigraph by Mexican painter Rafael Coronel. Edition 28 of 100. Certificate of authenticity included.
Category
Late 20th Century Contemporary Bay Area - Portrait Prints
Materials
Screen
Martin Luther King Jr.
By Joan Baez
Located in Mill Valley, CA
In her first solo exhibition, Joan Baez celebrates the “Mischief Makers" - portraits of people who have brought about social change through nonviolent action - the risk-taking vision...
Category
2010s Contemporary Bay Area - Portrait Prints
Materials
Archival Pigment
White-throated Capuchin Monkey: Framed Audebert 18th C. Hand-colored Engraving
Located in Alamo, CA
This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Sai a gorge blanche. Variete A. Buff. Simia capucina. v.a.", which was drawn and engraved by Jean Baptiste Audebert...
Category
Late 18th Century Bay Area - Portrait Prints
Materials
Engraving
Tom Sawyer Detective by Mark Twain: 19th C. Framed Colored Poster
By Edward Penfield
Located in Alamo, CA
This lithographic colored advertising poster entitled "Tom Sawyer Detective, A New Story by Mark Twain" was created by Edward Penfield in 1897 for Harper & Brothers. The artist's signature appears in the plate in the lower left. The poster depicts a man in a long black bathing suit sitting with his knees up, aimlessly smoking a cigarette, but looking out of the corner of his eyes at a woman in a olive green dress and tan blouse and a black hat, who sits to his left with her head propped in her left hand and a bored or concerned look on her face. The look on the faces of the couple creates an air of mystery. The title of the book is printed in red in the upper left and the issue "Harper's August" in bold letters in the lower poster.
The poster promotes a new book by Mark Twain that was published initially in two issues of Harper's Monthly and also in book form by Harper & Brothers in 1896. It is a sequel to "The Adventures of Tom Sawyer", published in 1876, "The Adventures of Huckleberry Finn", published in 1884, and "Tom Sawyer Abroad", also published in 1894. The plot of the book involves Tom Sawyer attempting to solve a mysterious murder. The story is told using the first-person narrative voice of his friend Huck Finn...
Category
1890s Art Deco Bay Area - Portrait Prints
Materials
Lithograph
La Maga (The Sorceress)
By José Luis Cuevas
Located in San Francisco, CA
José Luis Cuevas
La Maga (The Sorceress), 1972
Color lithograph
Unframed dimensions: 22.50 x 30 inches
Framed dimensions: 28 x 34 inches
From The Mexican Masters suite
Edition 99/100...
Category
1970s Contemporary Bay Area - Portrait Prints
Materials
Paper, Lithograph
18th C. Portrait of Edward Stanley from Henry VIII's Court after Holbein Drawing
By Hans Holbein
Located in Alamo, CA
This is an 18th century engraved portrait of "Edward Stanley" created by Francesco Bartolozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497- 1543) in the 16th century. Holbein was the official artist in the court of King Henry VIII. Bartolozzi used both etching and stipple engraving techniques to create the work which was published by John Chamberlaine in London in 1793 in "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty".
Edward Stanley, 3rd Earl of Derby...
Category
Late 18th Century Old Masters Bay Area - Portrait Prints
Materials
Engraving, Etching
Grace Kelly, 1984
By Andy Warhol
Located in Palo Alto, CA
Created in 1984, Grace Kelly is a color screenprint on Lenox Museum Board hand-signed by Andy Warhol (Pennsylvania, 1928 - New York, 1987) in pencil in lower right. This work is numbered from the edition of 225 in pencil in lower right apart from the edition of: 30 Artist's Proofs, 8 Printer's Proofs, 2 Hors Commerce, 50 numbered in Roman numerals, 20 Trial Proofs; printed by Rupert Jasen Smith, New York; and published by Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, with the consent of the Princess Grace Foundation.
Andy Warhol Grace Kelly...
Category
1980s Pop Art Bay Area - Portrait Prints
Materials
Board, Screen
Gilbert & Sullivan: Framed Pair of 19th C. Vanity Fair Portraits
By Sir Leslie Ward
Located in Alamo, CA
This is a pair of Vanity Fair color chromolithograph caricatures of the famous and beloved English musical composers and playwrights Gilbert and Sullivan by Sir Leslie Ward (Spy) (1851-1922) and Carlo Pellegini (Ape) (1839-1889). The portrait of Arthur Sullivan entitled "English Music" was published in Vanity Fair on March 14, 1874 and W. S. Gilbert entitled "Patience" was published in the Men of the Day portion of Vanity Fair on May 21, 1881.
Sir Arthur Seymour Sullivan (1842-1900) is regarded as the finest British composer of the 19th century. He is best known for his series of 14 operatic collaborations with the dramatist W. S. Gilbert, including such enduring works as H.M.S. Pinafore, The Pirates of Penzance and The Mikado. Sullivan composed 23 operas, 13 major orchestral works, eight choral works and oratorios, two ballets, incidental music to several plays, and numerous hymns and other church pieces, songs, and piano and chamber pieces. The best known of his hymns and songs include "Onward Christian Soldiers" and "The Lost Chord".
Sir William Schwenck (WS) Gilbert (1836-1911) was an English dramatist, librettist, poet and illustrator best known for his collaboration with composer Arthur Sullivan. Gilbert's creative output included over 75 plays and libretti, and numerous short stories, poems and lyrics, both comic and serious.
These Vanity Fair portraits of Gilbert and Sullivan are presented in identical ornate black wood frames and cream-colored French mats with grey inner mats. The frames each measure 21.75" x 16" x .88". The frames and prints are in excellent condition.
From 1868 until February 5, 1914, Vanity Fair, a weekly magazine of social, literary and political content, was very popular in Victorian and later, Edwardian England. The most popular of its features were the full page caricatures of famous men and women of the day which included their biographies, which remains the magazines lasting legacy. Vanity Fair's most famous artists were Carlo Pellegrini who signed his works “Ape” and Leslie Ward, known as “Spy”, but many other artists and writers contributed caricatures and prose to the publication, including Lewis Carroll, Willie Wilde, P. G. Wodehouse, Jessie Pope and Bertram Fletcher Robinson.
Thomas Gibson...
Category
Late 19th Century Other Art Style Bay Area - Portrait Prints
Materials
Lithograph
Not-Chi-Mi-Ne, An ioway Chief: Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief ",...
Category
Mid-19th Century Naturalistic Bay Area - Portrait Prints
Materials
Lithograph
Alex Katz 'Vincent' Limited Edition Signed Lithograph Print
By Alex Katz
Located in San Rafael, CA
Alex Katz (born 1927)
Vincent, 1972
From the Prints for Phoenix House portfolio
Chalk lithograph in two gray colors on Arches paper
Signed in pencil and numbered 93/120
Printed by Pa...
Category
1970s Contemporary Bay Area - Portrait Prints
Materials
Lithograph
"A Great Man on The Turf": A 19th Century James Gillray Hand-colored Etching
By James Gillray
Located in Alamo, CA
This framed hand-colored etching and aquatint entitled "A Great Man on The Turf or Sir Solomon in all his Glory" by James Gillray was published in London by Hanna Humphrey, 27 St. James Street on July 7th 1803. The print is signed in the plate in the lower right. It depicts a man, possibly a caricature of the racehorse breeder Sir Solomon. However, there has been some controversy about the identity of the central figure on the mound. Traditionally the man has been thought to represent John Russell, 6th Duke of Bedford...
Category
Early 1800s Bay Area - Portrait Prints
Materials
Etching
Portrait of William Pitt, Earl of Chatham: Rare Framed Mezzotint after Brompton
By Edward Fisher
Located in Alamo, CA
This is a large framed very rare hand-colored copperplate mezzotint engraved portrait of William Pitt, the Elder, 1st Earl of Chatham by Edward Fisher, published in London in 1779 after a painting by Richard Brompton. Pitt is depicted attired in a flowing regal appearing cape, standing in an ornate room with his left hand outstretched over a serious of manuscripts and scrolls that are laying on a table or desk to his left. The table is covered by a beautiful oriental carpet. The manuscripts include the Magna Carta, a map of the colonies, including Long Island and Staten Island, and papers entitled "A Plan for the Reconciliation between Great Britain and the Colonies", "A Motion Made in 1775 for the Recall of Troops from Boston", "A Provisional Act for Settling the Troubles in America Offered to the House of Lords in 1775", and "It is doing Nothing to repeal a few Scraps of Paper or Pieces of Parchment called Acts of Parliament. But our Business is to repeal the Ill-Will and the Animosity unfortunately now subsisting between Great Britain and North America". This engraving is held by the British Museum and the British Royal Collection Trust.
This large framed mezzotint engraving is presented in a brown wood frame with gold-colored beaded inner and outer trim, and a cream-colored French mat. The frame measures 31.63" high by 26.63" wide by 0.75" deep. There are three short tears along the right edge and mild creasing in the left upper, left lower and right lower corners. It is otherwise in very good condition.
William Pitt (1708-1778) was a member of the British parliament from 1735 to 1761 and prime minister from 1766 to 1768. Pitt was an advocate for the American colonies leading up to the War of Independence. He called for an amiable relationship between Great Britain and the colonies and opposed the Stamp Act and military action in America. He advocated for a withdrawal of English troops from Boston in 1775 and the settling of troubles in America, as two of his manuscripts on the table outline. Pitt's colleague, Lord Shelburne (later the Marquess of Lansdowne) shared his sympathies and after Pitt's death, signed a peace treaty with the United States in 1782.
The American city of Pittsburgh, Pennsylvania is named for William Pitt, the Elder. The name originated when the conflict between the British and French over territorial claims in the Northeast were settled in 1758. General John Forbes and his British army, supported by the American colonial troops, expelled the French from Fort Duquesne (which had been constructed by the French in 1754). Forbes re-named the site for William Pitt the Elder, who at the time was a British statesman. The earliest known reference to the new name, Pittsburgh, is in a letter sent from General John Forbes to Pitt, dated November 27, 1758. Pitt's son, William Pitt, the Younger, like his father, also served as British Prime Minister.
Edward Fisher (1730-1785) was born in Ireland in 1730. He was originally a hatter, but learned engraving in London. He became a member of the Incorporated Society of Artists in 1766, and exhibited there fourteen times between 1761 and 1776. He engraved more than sixty portraits. In addition to this portrait of William Pitt, Earl of Chatham, after Richard Brompton he engraved several portraits after Brompton, including George, Earl of Albemarle, as well as engraved portraits after paintings by Joshua Reynolds, including the Shakespearean actor David Garrick, Hugh, Earl of Northumberland, and Elizabeth, Countess of Northumberland and Laurence Sterne, and Hope Nursing Love, as well as Robert Brown, after Mason Chamberlin, Colley Cibber, after Jean-Baptiste van Loo, Christian VII of Denmark, after Nathaniel Dance, Simon, Earl Harcourt, after Hunter, Roger Long, after Benjamin Wilson...
Category
Late 18th Century Old Masters Bay Area - Portrait Prints
Materials
Mezzotint
Hand-Colored Houbraken Portrait of "Henry, Prince of Wales, Son of James"
By Jacobus Houbraken
Located in Alamo, CA
A hand-colored portrait of Henry Prince of Wales, Son of James, engraved and etched by the Dutch master of portraits Jacobus Houbraken (1698-1780...
Category
Mid-18th Century Naturalistic Bay Area - Portrait Prints
Materials
Engraving, Etching
Marco
By Nicola Simbari
Located in San Francisco, CA
Artist: Nicola Simbari – Italian (1927-2012)
Title: Marco
Year: 1978
Medium: Screen Print
Image size: 28.5 x 31.75 inches.
Sheet size: 35 x 37.5 inches.
Signature: Signed lower ri...
Category
1970s Modern Bay Area - Portrait Prints
Materials
Paper, Screen
Crucifixion: 18th Century Etching by Conrad Metz after Daniele da Volterra
Located in Alamo, CA
"Crucifixion" is an etching and aquatint, printed in brown ink by Conrad M. Metz after a painting by Daniele da Volterra. It was published in London in 1789 in 'Imitations Of Ancient...
Category
Late 18th Century Old Masters Bay Area - Portrait Prints
Materials
Etching, Aquatint
A Portrait of a Pensive Woman in a Head Scarf: An Etching by George Rhead
Located in Alamo, CA
This is an etched portrait of a pensive woman wearing a detailed cloth head scarf by George Woolliscroft Rhead (1854-1920). It may be entitled "A Fisher Wife", but this can not be co...
Category
Late 19th Century Old Masters Bay Area - Portrait Prints
Materials
Etching
Amos
By Leonard Baskin
Located in San Francisco, CA
This artwork titled "Amos" 1960 is an original woodcut on paper by noted American artist Leonard Baskin, 1922-2000. It is hand signed, titled and numbered 35/50in pencil by the artis...
Category
Mid-20th Century American Modern Bay Area - Portrait Prints
Materials
Woodcut
Parmigiani Amica: An 18th Century Engraving and Etching by Strange After Mazzola
Located in Alamo, CA
This is an 18th century engraving and etching entitled "Parmigiani Amica" by Robert Strange after a painting by Girolamo Francesco Maria Mazzola, better known as Parmigianino, who lived during the Renaissance period. It was published in London in 1774. As the inscription states, the painting was in the collection of the King of Naples at the time the engraving was made. The engraving depicts a half-length portrait of a young woman, known as Parmigiani's Amica (meaning "female friend" in Italian). She is depicted wearing a simple but elegant dress with a low-cut neckline, which reveals her delicate features and graceful neck. Her hair is arranged in a simple yet stylish manner. She is turning to the right to look lovingly at her infant, which she is holding with her right arm. She is touching the baby's mouth with her left hand. The background of the engraving is plain and unadorned, allowing the viewer to focus entirely on the subject of the portrait. The result is a beautiful and timeless image that captures the essence of Renaissance portraiture.
The engraving is printed on watermarked paper. The sheet measures 16.25" high and 12' wide. The sheet is adhered to paper in its upper corners and it has been removed from the paper in its lower corners. There is some mild discoloration and some wrinkling in the margins, including the lower inscription area, and a small dark spot in the upper margin, which may represent a drop of ink occuring at the time of printing. These issues do not involve the image, which is in very good condition. The print is held by several museums and institutions, including: The Metropolitan Museum of Art in New York, The British Museum in London, The Royal Museums of the UK, The British National Trust...
Category
Late 18th Century Bay Area - Portrait Prints
Materials
Engraving, Etching
Tah-Ro-Hon, An Ioway Warrior: Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Tah-Ro-Hon, An Ioway Warrior", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart & Co. in Philadelphia in 1848. For his portrait Tah-Ro-Hon is wearing a feathered multicolored headdress, long ornamental earrings, a chain necklace, a presidential piece medal on a ribbon necklace and he holds a multicolored staff with feathers.
This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10" high and 7" wide. There is a tiny spot of red paint adjacent to a red feather hanging...
Category
Mid-19th Century Naturalistic Bay Area - Portrait Prints
Materials
Lithograph
Sir. John Powell, Knight: Early 18th C. Engraved Portrait After William Sherwin
Located in Alamo, CA
This is an early 18th century portrait of Sir John Powell entitled "The Honorable Sr. John Powell, Knight. one of the Justices of her Majesties' Court of Common Pleas. Ano. D 1711". It was engraved and published by John King in London in 1711, after an earlier work by William Sherwin. The engraving depicts a bust length portrait of Powell wearing an elaborate fir-trimmed robe and collar. The portrait is encompassed in an ornate oval frame, sitting on a pedestal with an impressive coat-of-arms below.
This engraved portrait is printed on laid, chain-linked watermarked cream-colored paper The sheet measures 15.25" high and 11.38" wide. It is adhered to an archival thick card at the upper corners, There is a 1/8" tear at the lower edge of the sheet, but the print is otherwise in very good condition. This engraving is held by museums and institutions, including the British Museum and the Harvard University Art Museum.
Sir John Powell (1632-1696) was an English lawyer and judge who served as a justice of the King's Bench from 1683 until his death. He was born in Glamorganshire, Wales, and studied at Jesus College, Oxford, before being called to the bar at the Middle Temple in 1656. Powell was known for his staunch support of the monarchy and the Church of England, and he played a prominent role in the trial of the Whig leader Lord William Russell in 1683, which resulted in Russell's execution for his alleged involvement in a plot to assassinate King Charles II. Powell was also involved in the trials of several other prominent Whig politicians, including Algernon Sidney and Titus Oates. In addition to his work as a judge, Powell was also a member of Parliament for various constituencies throughout his career, and he served as Solicitor General and Attorney General for Wales under King James II. However, he opposed James's efforts to promote Catholicism and supported the Glorious Revolution of 1688, which led to James's overthrow and the installation of William and Mary as joint monarchs.
Powell was known for his intellectual rigor and his legal expertise, and he authored several influential legal treatises during his lifetime. He was widely respected by his peers and by the legal community as a whole, and his legacy as a jurist and judge continues to be celebrated today.
William Sherwin (1645-1709) was an English engraver who worked during the late 17th and early 18th centuries. He was born in Chesterfield, Derbyshire, and is known for his high-quality engravings of various subjects, including portraits, landscapes, and architectural views. Sherwin was trained as an engraver and worked as an apprentice to the renowned engraver Robert White. After completing his training, he went on to establish his own studio in London, where he produced a significant body of work over the course of his career. One of Sherwin's most famous works is his engraving of the portrait of John Locke...
Category
Early 18th Century Old Masters Bay Area - Portrait Prints
Materials
Engraving
"Earl Sandwich Refusing to Leave His Ship": An 18th Century Etching/Engraving
By Robert Smirke
Located in Alamo, CA
An 18th century etching and engraving entitled "Earl Sandwich Refusing to Leave His Ship While on Fire in the Battle of Sole Bay" by William Byrne (1743-1805), after a painting by Robert Smirke (1753-1845). It was published in London in 1798.
The print is presented in a cream-colored mat. The mat measures 17.13" in height and 13" in width. The print is in excellent condition.
Edward Montagu, the 1st Earl of Sandwich...
Category
1790s Bay Area - Portrait Prints
Materials
Engraving, Etching
A Pair of 19th C. Engravings Depicting the Costumes and Weapons of Afghani Men
Located in Alamo, CA
These hand-colored lithographs are from "Character and Costumes of Afghanistan", written by Lockyer Willis Hart (of the 22nd Bombay Native Infantry). The lithographs were created by ...
Category
1840s Realist Bay Area - Portrait Prints
Materials
Lithograph
Santiago (A/P)
By Rafael Coronel
Located in San Francisco, CA
Serigraph by Mexican painter Rafael Coronel. Edition of 100. Certificate of authenticity included.
Category
Late 20th Century Contemporary Bay Area - Portrait Prints
Materials
Screen
Sir Francis Drake: 18th C. Portrait of 16th C. Navigator, Privateer, Politician
By Jacobus Houbraken
Located in Alamo, CA
This an 18th century copper plate engraved portrait of Sir Francis Drake by Jacobus Houbraken, after a painting by Sir Godfrey Kneller, from "The Hea...
Category
1740s Bay Area - Portrait Prints
Materials
Engraving
Don Quixote de La Mancha: Signed Limited Edition Woodcut Portrait by De Groat
Located in Alamo, CA
A limited edition woodcut portrait of Don Quixote de la Marcha by George De Groat (1917-1995). Don Quixote is instantly recognizable due to his thin fa...
Category
Late 20th Century American Modern Bay Area - Portrait Prints
Materials
Woodcut
Femme au Collant Noir, 1969, (4/150)
By Rufino Tamayo
Located in San Francisco, CA
Rufino Tamayo
Femme au Collant Noir, 1969
Color lithograph
Unframed dimensions: 27.50 x 21 in
Framed dimensions: 37.625 x 30.75
Edition 4/150
This limited edition color lithograph i...
Category
1960s Abstract Bay Area - Portrait Prints
Materials
Color, Lithograph
Prefab77 'Heavy Crown' Signed, Limited Edition Print
By Prefab77
Located in San Rafael, CA
Prefab77 (British, 20th c.)
Heavy Crown
Archival pigment print on luxuriant 300gsm Somerset art paper
Edition of 100
Signed in plate lower left. Signed by artist in white ink with embossed artist's stamp lower right
Unframed: 29. 3/4in H x 22in L
*Framed image is for inspirational purposes only
Prefab77 a.k.a. Peter Manning...
Category
21st Century and Contemporary Street Art Bay Area - Portrait Prints
Materials
Archival Paper, Screen
Hand Colored 19th c. Vanity Fair Caricature of an Opera Singer, "Polish Tenor"
By Sir Leslie Ward
Located in Alamo, CA
A hand colored Vanity Fair caricature of a 19th century opera singer, M Jean de Reszke, entitled 'Polish Tenor'. The print was created by the most famou...
Category
1890s Victorian Bay Area - Portrait Prints
Materials
Lithograph
Soledad Acostada
By Francisco Zúñiga
Located in San Francisco, CA
Pencil signed lithograph by Costa Rican Master Francisco Zuniga (1921-1998)
Works by Zuniga are instantly recognizable. He is mostly known for his paintings of rural indigenous wome...
Category
Mid-20th Century Impressionist Bay Area - Portrait Prints
Materials
Lithograph
Araf Omne Vivium
Located in San Francisco, CA
Arturo Rivera
Araf Omne Vivium
Serigraph
36.61 x 22.44 in
Edition 5 of 100
Serigraph by Mexican artist Arturo Rivera. Edition 5 of 100. Certificate of authenticity included. This pr...
Category
21st Century and Contemporary Contemporary Bay Area - Portrait Prints
Materials
Paper, Screen
Mildred Dienstag "She & He" Original Mid Century Framed Serigraphs c.1975
Located in San Francisco, CA
Mildred Dienstag "She & He" Original Mid Century Framed Serigraphs c.1975
Vintage mid 1970s abstract portraits of a man and woman by noted artist Mil...
Category
Mid-20th Century Bay Area - Portrait Prints
Materials
Screen
"Two Women" Pair Etchings
By Marie Laurencin
Located in Rio Vista, CA
Elegant pair of etchings by Marie Laurencin (French 1883-1956) from the "Poemes de Sapho" published in 1950 ref. 273. Each beautifully mounted in fram...
Category
20th Century Modern Bay Area - Portrait Prints
Materials
Etching
$2,000 Sale Price
20% Off
Young Mahaskah, An Ioway Chief: Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This an original 19th century hand colored McKenney and Hall engraving of a Native American entitled "Young Mahaskah, An Ioway Chief, No. 80", published by Rice, Rutter & Co. in 1865...
Category
Mid-19th Century Naturalistic Bay Area - Portrait Prints
Materials
Lithograph
La jineta (The Jockey)
Located in San Francisco, CA
Arturo Rivera
La jineta (The Jockey)
Serigraph
33.46 x 29.52 in
Edition 96 of 100
Serigraph by Mexican artist Arturo Rivera. Edition 96 of 100. Certificate of authenticity included....
Category
21st Century and Contemporary Contemporary Bay Area - Portrait Prints
Materials
Paper, Screen
Le-Soldat-Du, An Osage Chief: Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Le Soldat-Du-Chene, An Osage Chief", lithographed by J. T. Bowen after a pai...
Category
Mid-19th Century Naturalistic Bay Area - Portrait Prints
Materials
Lithograph
The Duchess of St. Albans: A 17th C. Portrait After a Kneller Painting
By (After) Sir Godfrey Kneller
Located in Alamo, CA
This is a 17th century engraved mezzotint portrait of the Duchess of St. Albans by John Smith, after a painting by Sir Godfrey Kneller. It was published in London by John Boydell in 1694.
The Duchess of St. Albans (1642-1712) was a woman named Diana de Vere. She was born in 1642, the daughter of Aubrey de Vere, the 20th Earl of Oxford. In 1662, she married Charles Beauclerk, the illegitimate son of King Charles II and his mistress, Nell Gwyn. As a result of her marriage, Diana became the Duchess of St. Albans, and she and Charles had several children together. Diana was known for her beauty and charm, and she was a prominent figure in the court of King Charles II. Despite her husband's illegitimate birth, Diana was highly respected in the royal court and was known for her intelligence and wit. She was a patron of the arts and supported many artists and writers of the time. Diana lived through a tumultuous period of English history, including the Great Fire of London and the Glorious Revolution, which saw King James II replaced by William of Orange. She died in 1712 at the age of 70 and was buried in Westminster Abbey. Descendants of Diana and her husband, who was an illegitimate son of King Charles II, include Diana, Princess of Wales and her son William, Duke of Cambridge.
An author wrote of her: "The line of Vere, so long renown’d in arms,
Concludes with luster in St. Albans’s charms;
Her conquering eyes have made their race complete,
It rose in valor, and in beauty set."
This striking mezzotint engraving depicts Diana, Duchess of St Albans in a three-quarter length pose, standing, wearing loose flowing dress and a wrap. She has a very serene, calm appearance as she is looking straight at the viewer. There is a landscape of trees in the background. The print is adhered in the corners to an archival backing, which is itself adhered in the upper corners to a larger backing. The print is trimmed to just beyond the plate mark. There are areas of discoloration in the margins and in the inscription area, but the print is otherwise in very good condition. The sheet measures 14.5" high and 10" wide. This mezzotint is held by multiple museums and institutions, including The British Museum, The National Portrait Gallery London, The Fine Arts Museum of Boston, The Lewis Walpole Library at Yale, The Yale Center for British Art, The Fitzwilliam Museum at Cambridge and The National Galleries of Scotland. The original Kneller painting is part of the British Royal Collection Trust and hangs in the King's Private Dining Room at Hampton Court Palace.
Sir Godfrey Kneller (1646-1723) was a leading portrait painter of his time, particularly renowned for his depictions of the British aristocracy and royalty. He was born in Lübeck, Germany, and trained in Amsterdam under the painter Ferdinand Bol...
Category
Late 17th Century Bay Area - Portrait Prints
Materials
Mezzotint
Antique European School Engraving Portrait of a Woman with Water Jug
Located in San Francisco, CA
Antique European School Engraving Portrait of a Woman with Water Jug
A beautiful young woman taking a break from collecting water
Original antiq...
Category
Early 20th Century Impressionist Bay Area - Portrait Prints
Materials
Engraving
Wa-Bish-Kee-Pe-Nas, A Chippewa: Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This an original 19th century hand colored McKenney and Hall lithograph of a Native American entitled "Wa-Bish-Kee-Pe-Nas, A Chippewa, No. 85", published by Rice, Rutter & Co. in 186...
Category
Mid-19th Century Naturalistic Bay Area - Portrait Prints
Materials
Lithograph
Andre Minaux "Tete de Femme" Original Lithograph c.1960s
By Andre Minaux
Located in San Francisco, CA
Andre Minaux "Tete de Femme" Original Lithograph c.1960s
From a limited edition of only 90. This lithograph is pencil signed and numbered by the artist.
Dimensions 22" x 29 1/2". T...
Category
Mid-20th Century Impressionist Bay Area - Portrait Prints
Materials
Lithograph
Colibrí (Hummingbird) (P/E)
By Rafael Coronel
Located in San Francisco, CA
Serigraph by Mexican painter Rafael Coronel. The artist made 100 signed and numbered editions. This is a signed Artist Proof edition (handwritten as "P/E" on the lower left corner wh...
Category
Late 20th Century Contemporary Bay Area - Portrait Prints
Materials
Screen
A Chippeway Widow: An Original 19th C. Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This an original 19th century hand colored McKenney and Hall Lithograph of a Native American entitled "A Chippeway Widow, No. 64", published by Rice, Rutter & Co. in 1865.
Her name ...
Category
Mid-19th Century Naturalistic Bay Area - Portrait Prints
Materials
Lithograph
Stand Strong- Digital Illustration of a Woman Pink+Blue+Teal (1/20)
Located in Gilroy, CA
"Stand Strong" is a digital illustration by Samantha Viotty, a Washington DC-based artist. This piece, similar to her others, is an exploration into ac...
Category
2010s Contemporary Bay Area - Portrait Prints
Materials
Digital
Holbein Hand-colored Portrait of Warham, Archbishop of Canterbury for Henry VIII
By (After) Hans Holbein The Younger
Located in Alamo, CA
This framed hand colored stipple engraving and etching portrait of William Warham, Archbishop of Canterbury under King Henry VII and his son King Henry VIII was created by Francesco Bartolozzi (1728–1815) after a drawing and a painting by Hans Holbein (1497-1543), who was Henry VIII's court painter. The print was published in London by John Chamberlaine in 1795. The print was created utilizing stipple engraving and etching techniques by the Italian artist Francesco Bartolozzi, who was employed as the royal engraver by King George III of England. The publisher, John Chamberlaine, was Keeper of the King's Drawings and Medals. The inscription beneath the portrait reads" "In His Majesty's Collection", "Engraved by F. Bartolozzi R A Historical Engraver to His Majesty'' in the lower right, and ''From an original drawing by Hans Holbien'' in the lower left. The original painting by Holbein is displayed at Lambeth Castle and the original drawing is in the art collection at Windsor Castle. The engraving is held by many museums, including: The British Museum, The Metropolitan Museum of Art, The National Portrait Gallery, The Chicago Art Institute and The Fine Arts Museums of San Francisco.
This portrait depicts Archbishop William Warham facing to his right, wearing a black cap covering his ears and fur trimmed clerical robes. The print is presented in a decorative gold-colored wood frame with a blue-grey fabric mat. The frame measures 26.5" x 20.13" x 1". The print is in excellent condition.
William Warham (1450-1532) was the last of the pre-Reformation archbishops of Canterbury, serving under King Henry VII and then under King Henry VIII. He was a quiet, unassuming intellectual whose career ended with a strong and brave stance against the divorce of King Henry VIII and the king's resultant withdrawal of England from the Catholic church and his draconian actions against the clergy. As Lord Chancellor...
Category
Late 18th Century Bay Area - Portrait Prints
Materials
Engraving, Etching
Shau-Hau-Napo-Tinia, Ioway Chief: A 19th C. Hand-colored McKenney & Hall Litho
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Shau-Hau-Napo-Tinia, An Ioway Chief", lithographed by J. T. Bowen after a pa...
Category
Mid-19th Century Naturalistic Bay Area - Portrait Prints
Materials
Lithograph
Giacometti 'Nu Aux Fleurs' (Nude With Flowers) Limited Edition, Signed Print
By Alberto Giacometti
Located in San Rafael, CA
Alberto Giacometti (1901-1966)
Nu Aux Fleurs (Nude with Flowers), 1960
Lithograph on B.F.K. Rives paper (water marked)
Signed in pencil by the artist lower right
Editioned in penci...
Category
1960s Bay Area - Portrait Prints
Materials
Lithograph
Chess Game (15/100)
By Gustavo Montoya
Located in San Francisco, CA
A Mahatma Gandhi-like person is seating over a chess game and the reflection is seen on the individual’s reading glasses. This color lithograph by Mexican artist Gustavo Montoya was ...
Category
1980s Contemporary Bay Area - Portrait Prints
Materials
Lithograph
$1,760 Sale Price
20% Off
Shar-I-Tar-Ish, A Pawnee Chief: Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century 1st edition octavo hand-colored McKenney and Hall lithograph of a Native American entitled " Shar-I-Tar-Ish, A Pawnee Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. Shar-I-Tar-Ish's portrait has a reddish hue from the feathers in his headdress and amulet chain, with a brownish taupe color of the upper trim of his costume. He is wearing his presidential peace medal. He has a very serious and thoughtful expression.
This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10.38" high and 7" wide. There are faint smudges in the margins. The print is otherwise in very good condition. The original descriptive text pages, 33-34, from McKenney and Hall's 19th century publication are included.
A famous Pawnee chief, Shar-I-Tar-Ish led his people during the early part of the 19th century. He was descended from a line of chiefs. Shar-i-tar-ish was a young man when he went to Washington in 1822 at the invitation of President James Monroe...
Category
Mid-19th Century Naturalistic Bay Area - Portrait Prints
Materials
Lithograph
Po-Ca-Hon-Tas: Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Po-Ca-Hon-Tas", lithographed by J. T. Bowen after a painting by Charles Bird...
Category
Mid-19th Century Naturalistic Bay Area - Portrait Prints
Materials
Lithograph
Ap-Pa-Noo-Se, A Saukie Chief: Original Hand-colored McKenney & Hall Lithograph
By McKenney & Hall
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Ap-Pa-Noo-Se, A Saukie Chief", lithographed by J. T. Bowen after a painting ...
Category
Mid-19th Century Naturalistic Bay Area - Portrait Prints
Materials
Lithograph
Shahrit
By Guillaume Azoulay
Located in San Francisco, CA
Artist: Guillaume Azoulay - Moroccan (1949- )
Title: Shahrit
Year: 1982
Medium: sepia colored etching
Sight size: 16 inches in diameter (plate mark).
Sheet size: 30 x 22 inches
Pu...
Category
1980s Modern Bay Area - Portrait Prints
Materials
Paper, Etching
Le Mangabey Monkey: Framed Audebert 18th C. Hand-colored Engraving
Located in Alamo, CA
This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Mangabey, Buff, Simia Aethiops, Linne", which was drawn and engraved by Jean Baptiste Audebert...
Category
Late 18th Century Bay Area - Portrait Prints
Materials
Engraving
