Belgium - Furniture

This mid-century set of six dining chairs exemplifies timeless design with its teak wood construction and unique arched backs. Each chair boasts a rich, warm hue that highlights the ...

Early edition Pierre Chapo T21A round dining table in solid elm wood, featuring a thick top with natural veining and three crossed legs. This table bears the marks of history with a ...

Metalic Modular Bar from the 1980s Belgium

Earth's Collection: I make the form, color and texture all natural. It is the growth rings that determine the form of the work. Tree rings are created by various environmental facto...

Jung Jisook wanted to express the lives of atoms that constantly move between life or matter that constantly change while alive. They don't know where the destination is, resemble a ...

This very elegant bar cart was made in the 1960s by Rama Mobili and has a glass shelf and a cabinet underneath with a little light bulb on the inside. When you open the cabinet door ...

A French six-light painted wood and metal chandelier. This mid-20th century French chandelier features a carved wood column with fluid s-shaped swooping arms lifting up and out from...

Normally, calm is the default. Then, when I am stimulated, my emotions and senses are agitated, and when I am, I feel alive... Jung Jisook (1987) is a South Korean artist based in S...

Normally, calm is the default. Then, when I am stimulated, my emotions and senses are agitated, and when I am, I feel alive... Jung Jisook (1987) is a South Korean artist based in S...

Jung Jisook wanted to express the lives of atoms that constantly move between life or matter that constantly change while alive. They don't know where the destination is, resemble a ...

Designer - Marco Seveso & Gigi Trezzi Producer - Felicerossi Model - Topolino Armchair Design Period - 1982 Measurements - Width 105 cm x Depth 90 cm x Height 75 cm x Seat Height 40...

Contemporary Belgian design / Handcrafted / Organic shape / Ecological material / Natural lime plaster / Concrete look / Made on demand Latin adjective “columna” /koˈlum. na/: colum...

Mid-century dining chairs designed by Louis van Teeffelen. Beautifully crafted curved teak frames with a black leatherette upholstery. The chairs are in a good original conditi...

Formidable kitchen rack, with no less than 18 drawers, and a small manual coffee grinder. The rack also has four hooks on either side of the beautifully carved centerpiece, which can hold on to pots...

Three seater sofa with orange leather footing and white "bouclé" upholstery. The sofa was designed by Mario Schenchenbauer, the designer of the iconic Yeti rocking chair...

Venetian Chandelier In Pink Murano Glass New electrification Three points of light Circa 1950

Wall hanging: serigraphy on wool - Terre de Feu - signed Jean-Michel Lartigaud (1949) “Terre de Feu” decorative hanging tapestry by Jean-Michel Lartigaud depicting a landscape scene...

Matching set of 6 vintage Dialogo armchairs with structure in black lacquered wood. Seat and back in burgundy/brown original leather. Designed by Tobia & Afra Scarpa and produced by...

Earth's Collection: I make the form, color and texture all natural. It is the growth rings that determine the form of the work. Tree rings are created by various environmental facto...

1960s Belgium Wenge and chrome 232cm/172cm wide, 90cm deep, 76cm high Alfred Hendrickx (b.1931, Mechelen) emerged as a prominent designer during the dynamic period of the 1950s and 1960s. Celebrated for his influential contributions to the world of design, Hendrickx left an indelible mark, earning him the title of one of Europe’s most important post-war designers. Hendrickx gained widespread recognition for his work with Belform, showcased at the Expo '58. Alongside renowned contemporaries such as Willy Van Der Meeren, Jos De Mey, and Lucien Engels, he stood out as one of the era's preeminent designers. His initial foray into furniture design commenced at the Van Fleteren company, founded by his grandfather Eugéne van Fleteren. Hendrickx's career took root at De Coene Frères, where he crafted modern, functional furniture before moving on to Belform. It was at Belform that he achieved great success, creating a collection of furniture in exotic woods that garnered widespread acclaim. In the 1950s and 1960s, Hendrickx lent his creative prowess to Belgian Bovenkamp, where he designed numerous pieces in teak and mahogany. His signature style was characterized by elegant simplicity, meticulous attention to detail, and the use of high-quality materials. Hendrickx's designs found a wide audience in Belgium, the Netherlands, and Germany, solidifying his influence on the European design scene. The legacy of Alfred Hendrickx endures through the timeless appeal of his creations. His furniture, known for its sleek lines and modernist aesthetic, has transcended its era, making it highly sought after by collectors and enthusiasts of retro design. Today, Hendrickx's works, showcased prominently in the Design Museum Ghent, stand as emblematic examples of the Belgian modernist style, serving as a testament to his enduring impact on the world of design. In 2000, Mil De Kooning further immortalized Hendrickx's contributions with the publication of "Contemporary Design - Alfred Hendrickx and the Fifties Furniture...

Base of a carved wooden candelabrum, polychrome and gilded; cross painted on both sides. Umbria or Tuscany, 16th century 136 x 43,5 x 30 cm (The cross and the base of the candelabrum were later assembled) The base of the candelabrum is intricately carved and adorned with polychrome and gilded finishes. The shafts take on the shape of balusters reminiscent of ancient columns, feature ornate foliage decorations, garlands and winged cherub faces. The feet are crafted in the likeness of lion paws. The base is further embellished with depictions of four saint martyrs, among them Saint Barbara and Saint Catherine of Alexandria. The plasticity of the figures, outlined with strong contour lines, the clear and vibrant colors, are stylistic elements linked to the Umbrian tradition of the sixteenth century.The precisely defined and elegant drawing, along with the clear color palette applied with refined chiaroscuro modulations, became the signature of a style that would leave a lasting mark on the era to come. This is exemplified by a preference for vibrant, multicolored images, accentuated in this case by the use of red and pink in the saint's attire. A notable addition, introduced later, is a polylobed cross painted on both sides. On one side, the Crucifixion is vividly portrayed:The treatment of the corpus itself is in line with High Medieval practice, emphasizing pathos by showing Jesus dead, his arms sagging from the weight of the body. The upper section displaying a pelican pecks at her breast to feed her young with her own blood; a symbol of the sacrifice of Christ on the cross whose body and blood similarly nourishes the celebrant during Mass. The lower part depicts Golgotha. On the reverse side, the Resurrection is artistically presented in a Renaissance iconography, reminiscent of the renowned composition painted by Piero della Francesca, now housed in the Civic Museum of Sansepolcro. In terms of composition, with the frontal depiction of Christ holding the banner, this motif became particularly widespread in central Italy, spanning from Tuscany to Umbria throughout the 16th century.. The double-sided construction suggests that it may also have been carried in liturgical processions. In Umbria from the 14th century, the use of portable crosses painted on both sides had become a widespread practice, aimed at satisfying the monastic clientele that had significantly increased following the establishment of new religious communities. The earliest surviving Tuscan painted crucifix represent Christ as Christus Triumphans, or the “Triumphant Christ” with his head up and eyes open. This form was supplanted in the 13th century with the Christus Patiens, or “Suffering Christ” type who is shown often with his head fallen on his shoulder and his eyes closed, as In our cross. The iconography of the suffering Christ appears to have developed out of a new interest in Christ’s human nature, the development of the feast of Corpus Christi and with increased importance given to the Eucharist. The process of humanizing the figure of Christ reaches its peak with the abandonment of all the previous expressive conventions in favor of more realistic details we can observe in this Crucifix, such as the swollen belly, the arms stretched to the limit of muscle tearing, the body falling heavily forward, the abundant blood on the wounds, and the cross firmly embedded in the rock of Calvary. It's worth noting that Renaissance candelabra...

Stunning mid century murano glass chandelier. It consists of 6 arms with candelabra lights. The chandelier looks very elegant and has beautiful hand made flower and leafs. Complet...

Earth's Collection: I make the form, color and texture all natural. It is the growth rings that determine the form of the work. Tree rings are created by various environmental facto...

The Rock Sofa by FRED RIGBY as part of the 5/5/5 Collection. An assemblage of 5 objects by 5 designers, celebrating 5 years of St. Vincents. With complete freedom and over a year in the making, the result is an original and inspiring assemblage of objects that eschew trends and reflect the unique narratives of their makers. The Rock Sofa, exclusively made for St. Vincents, is inspired by the stone clusters and rock formations seen on beaches. Asymmetric and informal, like rocks jutting out the earth, it invites the sitter to relax without imposing a fixed seating position. The tactile Pierre Frey fabric gives it a light and soft quality matching its intended use as a lounge chair. FRED RIGBY is a London-based furniture and interior design practice founded by Fred Rigby in 2008. The independent studio works across scales from complete interiors to sculptural yet functional furniture that adds playfulness, presence and comfort to everyday life. Fred Rigby Studio has designed interiors for Villa Lena in Tuscany, Francis Gallery...

Set of postmodern adjustable lounge chairs designed in 1985 by Tittina Ammannati & Giampiero Vitteli. The seats are upholstered in stitched black leather with a sturdy metal structur...

Hallway coat rack shaped like a bamboo tree mae of cast-iron. Made in France in early 20th century.

Mid-Century Modern Coffee Table by Carlo Hauner for Forma Italy, 1960s

Mid-Century Set of 6 Chairs Model 316 by Peter Hvidt & Orla Mølgaard Nielsen for Søborg Møbelfabrik, Denmark, 1950s

Beautiful oil on panel painting of Madonna with her child by the Belgian painter Julien van Gaubergen.(1921-1984) Juliaan Van Gaubergen belongs to the select group of excellent pain...

Earth's Collection: I make the form, color and texture all natural. It is the growth rings that determine the form of the work. Tree rings are created by various environmental facto...

Earth's Collection: I make the form, color and texture all natural. It is the growth rings that determine the form of the work. Tree rings are created by various environmental facto...

Earth's Collection: I make the form, color and texture all natural. It is the growth rings that determine the form of the work. Tree rings are created by various environmental facto...

Rare brutalist coffee table by Lothar Klute consisting of a Sculptural gold iron base and a special glass top. Glass and base are all made by hand. Very good condition 1970s- Ger...

Victor Horta Side Table, Art Nouveau, 1900s

The Erato Pendant by GARNIER ET LINKER belongs to the ERATO collection, a contemporary reinterpretation of the candelabra bracket: the alabaster replaces the candle inside a patinate...

Mid-Century Sideboard in the style of Hiroshi Fukuoh for Gavina, 1960s

We found this organic piece with another wooden sculpture from the same maker in a house on the countryside in Holland. The maker is unknown to us, but it’s a elegantly made with ver...

wonderful patina on this Spanish ebonised and guilt pearwood framed mirror, lovely foxed mirror glass ... chic, elegant, timeless ...

Set of two 1960s Italian table lamps in porcelain ceramics with painted leaves by Bassano. Diameter 8.2" - 21 cm. Height without socket is 7" - 18 cm. The lamp has one socket for sm...

1970s USA Shedua wood 40.5cm high, 76.5cm long, 76cm wide Born in Long Beach, California, in 1927, Gerald McCabe's journey towards becoming a celebrated furniture maker and desi...

Elegant set of three large Globe Wernicke London mahogany bookcases from the end of the 19th century - Early 20th century from England The three bookcases are made up of 6 elements....

Mid-Century Pair of Foldable Armchairs Nena by Richard Sapper for B&B Italia, 1984

Arch 01.1 is a stool or a side table with a clear design language. What looks like a static element quickly becomes much more dynamic when in use by someone sitting on it. The curve ...

Pianura Armchair in Black Leather by Mario Bellini for Cassina, 1970s Designer - Mario Bellini Producer - Cassina Model - Pianura Armchairs Design Period - Seventies Measurements - W...

Mid-Century Modern Armchair by Carlo Hauner and Martin Eisler, 1955

This unusual Chokwe mask is probably Katoyo, representing non-Chokwe individuals. The deviation of the mask from the more common Chokwe masks is mainly because they represent Portugu...

Mid-Century Dining Table in the style of Eero Saarinen for Knoll International, 1960s

Venetian Chandelier In Mordore Murano Glass Highlighted With Black lining Circa 1950 New electrification 5 points of light

Postmodern Italian sideboard crafted from canaletto walnut and designed in the style of Mario Marenco. In addition to the enchanting beauty of the canaletto walnut patterns, this stu...

Mid-Century Modern Coffee Table by Guiseppe Rivadossi, Wood and Glass, Italy, 1970s

Floor lamp ‘Polifemo’, designed by Carlo Forcolini for the production company Artemide in Italy in 1983. The name for this lamp came from Polifemo, a musical opera about the mythical...

Iron Sculpture By Robert Michiels, Belgium, 1960s

Octogonal mirror designed ans signed by French Designer Jean Claude Mahey. The frame of the mirror alternates between black and golden straps for a stately look.

An amazing Mid-Century period faience bowl, made in France by the Emaux de Longwy art pottery workshop. Made and signed by the ceramic artist Lea Valenti. The decoration consists ...

Fauteuil décoratif en acajou réalisé par Fritz Hansen et vendu par illums bolighus un grand magasin réputé. Il porte la plaque de l'enseigne au dessous du siège. Il a été complètemen...

A hand-woven abstract fantasy wall-hanging with a sensational color combination.

An elegant large decorative fruit dish "Grapevine" Belgium made of brass in gold color will be a magnificent decoration for your dining table, dining room, or coffee table. Decorati...

lovely cherry wood chest of drawers from the second part of the 19th century Elegant chest of drawers made up of 3 drawers each decorated with a pear wood fillet and which have thei...