Europe

Portapaz. Silver in its color and gilded. Century XVI. Portapaz made of silver that has a handle (decorated with delicate plant motifs similar to those of the pilasters) and a female and a male bust at the bottom, as well as other architectural elements on the back, and, on the front, an architectural composition classicist basement (with busts flanking a flower and a cross), two pilasters (vegetal decoration and capital recalling the composite order) with entablature (flowers flanking an angel's head; moldings), and a semicircular arch finish with elements veined in relief under cross and flanked by two architectural motifs in the upper part. This composition frames and enhances a gilt silver relief where you can see the Lament or Cry over the Body of Christ, with the Virgin holding the head of Jesus, Saint John at her side, the Magdalene and other characters, a cross following the group and a landscape background with houses and plant elements. This architectural structure mentioned is similar to the one present in other 16th century portapaces, such as that of the Magdalena de Dos Hermanas parish (Hernando de Ballesteros el Mozo, around 1575); or that of the Galaroza parish (same author and date); or that of the portapaz of San Miguel de Jerez de los Caballeros (in some details); etc. As for the relief, it is possible to clearly see a strong Italian influence, and the similarity between it and important pieces such as the Portapaz known as “de Cisneros by Juan de Burgos (1493-1497; MuseoCatedralicio de Alcalá de Henares), as well as in paintings and reliefs. Also noteworthy are both the male and female busts in the lower area and the Maltese cross (or Saint John's) that appears in this area. This symbol was used since the 12th century as an insignia by the Knights Hospitallers of the Order of Saint John of Jerusalem, also known as the Order of Malta...

Jacopo da Empoli (Florence, Italy, 1551 – 1640) Title: Temperance Medium: Oil on canvas Dimensions: without frame 101.5 x 75.7 cm – with frame 140 x 115.3 x 10.50 cm Expertise by Al...

Portrait Of Lucas Cranach The Elder (1472-1553), 16th Century German Renaissance School Large 16th Century German School portrait identified as Lucas Cranach The Elder, oil on canv...

Italian school circa 1560, circle of Bernardino Campi Portrait of a woman with a book Oil on panel H. 78 cm ; L. 57cm

The Return Of King Agamemnon, 16th Century circle of Frans I FLORIS (1516-1570) Large 16th Century Flemish Old Master depicting the return of King Agamemnon from the Trojan War, o...

RARE RENAISSANCE FLORENTINE WALNUT CABINET WITH CERTOSINA DECORATION ORIGIN: FLORENCE, ITALY PERIOD: END OF 15th CENTURY – BEGINNING OF 16th CENTURY Height: 129 cm Length: 107 cm...

Rich Renaiscance period half-columns in Belgian Saint-Remy Marble for eclectic interior design. These 2 original antique, 16th century period, columns are mounted on a stand and has ...

16th Century Spanish Terracotta Vase Hand made marks around the vase.

Early Arista y cuenca tile fragment made in Toledo. Tile decorated in renaissance with stylized flowers was probably made between 1550 and 1575. Losses and wear.

Provenance: Oudenaarde manufacture, Flanders, Mid-16th Century Tapestry wool and silk texture Dimensions 340/330 x 340/338cm Extremely rare piece In good condition Washed and lined It is a typical Flemish tapestry "with large leaves", well preserved, woven with green, yellow and brown yarns whose colors have remained fresh and intense. The market and collectors in recent decades have greatly re-evaluated tapestries with "large leaves", appreciating their high decorative value and ability to blend in with modern furnishings. Our tapestry belongs to a very particular subcategory of the "feuille de...

Saint Jerome. Oil on slatted panel. Surroundings of KEY, Willem. 16th century. With monogram (illegible) and dated (right ear of the saint). Oil on oak panel showing a thin, elderl...

Antique map titled 'Tabula V Asiae'. Important early woodcut map of Persia, depicting the area of Mesopotamia, Armenia and the Gulf, to the Caspian and Carmania (Iran). Includes name...

In Medieval Europe and even more during the early 16th century fantastic beasts could be found in Bestiaries, a literary genre close to poetry. A bestiary used the characteristics of...

The antique bronze Thai Buddha statue is a captivating and historically significant artifact. Crafted from bronze and bearing traces of 24-karat gold gilding, this statue stands at 2...

A 16th-century Henry VIII English Oak Linenfold Chest, circa 1540, is a rare example. Made from solid oak boards, the chest features a four-panel lid r...

Portable temple custody. Gilded silver, glass. 16th century, possible restorations. Custody made of gilded silver (the finish has been lost in some points) composed of a base, an ax...

Peacekeeper. Bronze. Century XVI. Bronze purse with a handle on the back in the shape of an esse in the same material and a decoration in light relief on the front that shows, unde...

This is an absolutely outstanding and extremely expressive sculpture of Crucified Jesus Christ in carved polychrome wood, on the background of a 16th century Silk Florentine fine fab...

Early Arista y Cuenca tile, most likely made in Sevilla. Azulejo tile decorated with a gemetric pattern with 4 central leafs within a cirlce. Mid 16th century In very good conditi...

Early Arista y Cuenca tile made in Toledo. Azulejo Toledano. Alhambra tile decorated in renaissance mudejar style geometrical design. Probably made between 1550 and 1575. In very g...

Superb Italian Renaissance bronze mortar with his pestle - 16th century Very beautiful model with AN in its center surmounted by a cross below . The mortar is decorated with several...

Rare, small, late-Renaissance, Nuremberg, iron, 'armada box', strongbox or travelling safe with its original, naïve, painted decoration This is a rare, s...

Sacred Conversation: Madonna with child with St. John with idealized landscape background with mountains. Early XVI century. Oil on wooden panel of Venetian conifers. Marco Bello, attributed. (Venezia, 1470 - 1523, Udine), pupil and follower of Giovanni Bellini. Venetian school. Madonna with child with St. John with idealized landscape background with mountains. Dimentions: 57cm x 68cm x 6cm Beautiful late Renaissance frame...

A Very Large Virgin and Child in walnut wood, carved in the round, trampling on Eve biting into the apple. The theme of the Virgin and Child is the most represented in all Christian...

Bernardino Detti (Pistoia, Italy, 1498 - 1572) Title: Face of Christ Medium: Oil on canvas Dimensions: without frame 41 x 32 cm - with frame 47 x 55.5 cm Antique box frame made of solid wood and walnut burl. Publications: unpublished The painting by Bernardino Detti (1498 - 1572) depicts the face of Jesus...

Large Chinese Blue and White "Grape Dish", Ming Dynasty, Jiajing Period, 16th Century Large blue and white "Grape Dish". Ming dynasty (1368-1644), Jiaj...

Venetian-Cretan master of the early 16th century, icon of Christ the Bridegroom (or Nymphios). Tempera on gold ground on panel. Measure 41 x 29 cm Holy Week, in Eastern tradition an...

Its devotional pinjante votive offering which origin is Spanish, of Canarian manufacture. The piece represents a salamander crafted in solid gold, richly adorned with emeralds, rub...

This rare Renaissance cabinet is richly decorated on the doors and drawers with carvings depicting the four seasons, and on the uprights and the entablature, alternating flower bouquets inlaid with mother of pearl. This is a beautifully conceived piece of furniture, representing a crowned portico with its entablature and cornice. The upper body Articulated separately in a ternary rhythm, as with the lower body, the upper part opens with two carved doors. The doors are framed by both the lateral uprights and the casing. There are cartouches carved into the casing in which mythological figures are depicted with flower bouquets. On the doors: On the right: Spring, a female figure crowned with a wreath of leaves, holding a basket full of flowers. She is wearing necklaces and bracelets on each arm, with drapery discretely wrapped around her body and is standing on a winged putti’s head. On each side are depicted a tree and a village with a steepled church. Above her head floats the three signs of the zodiac corresponding to the season: Aries, Taurus and Gemini. On the left: Summer, a bearded man crowned with ears of corn and bearing armfuls of corn. He is standing on a similar winged putti, flanked by a tree and an ear of corn. The following three signs of the zodiac appear: Cancer, Leo and Virgo. On the uprights and the central casing a number of smaller figures seem to represent virtues and vices that newly wedded couples should aspire to and avoid. On each side, at the bottom of the uprights, there is a dog representing fidelity. Above, a lion embodies power, wisdom, and justice. In between, on the left upright, there is a figure of noncombatant Athena wearing a helmet and holding a spear, an arrow pointing down and in her left hand, a shield, symbol of protective power. On the right upright, the goddess Venus controls the arrow of Cupid. The iconography here acts as a clear reminder of the required virtues that both parts of a young couple need to fulfill: fidelity, power, wisdom and justice. For him, the goddess Athena focuses on the power. Whereas for her, it is Venus who shows how to control Cupid’s arrow. On the central casing at the bottom, by way of contrast, there is a peacock, a symbol of pride and at the top, a monkey representing lust and mischief. In between, a woman holding a chain and a cup full of precious stones while on the floor sits a half empty opened casket. This can be interpreted as a symbol of extravagance. Above, the entablature, decorated with male figures resting on leaking urns, may symbolize the passing of time. They are flanked by two consoles decorated with acanthus leaves and separated by flower bouquets (inlaid with mother of pearl). Finally on top, a cornice acts as a crown for the piece of furniture. The lower body The moulded base stands on four round, flattened feet. Represented on the doors: On the left: Autumn, a stocky, naked man crowned with vine leaves, holding fruits in his right hand and with his left, picking a bunch of grapes from a climbing vine. Standing on a mound, he is surrounded by a vine and a hill, at the foot of which a man presses the grapes in a big vat after the harvest. Above the climbing vine appear the signs of Libra, Scorpio and Sagittarius. On the right: Winter, an elderly man wearing a fur cloak...

This print depicts the Antwerp warship Fin de la guerre, a massive vessel constructed during the Siege of Antwerp (1584-1585). It is a copperplate-engraved oblique profile of the D...

Unique and extremely rare medieval wooden Madonna with traces of her original color Original period piece, South of France, circa 1500 or older Weathered, small losses and old repair...

Italy / 16th century / Venetian chest or Cassone / oak, polychroom / antique / renaissance A large carved and gilt painted Venetian marriage chest made in oak in the 16th century i...

A quite large 16th century Italian so called 'coffre fort' . Coffers or chest like these were specifically made for cities or large villages to safegueard the gold and valuables. The...

PORTRAIT HEAD OF BEARDED MAN Central Italy, 16th/17th Century marble with traces of polychromy height 39 cm height 15 1/4 in

This 16th century hand-carved wooden Virgin Mary polychrome statue comes from a church in Sint-Niklaas, Belgium (Europe), and was bought directly fr...

Monumental 16th century painting depicting the scene of the Visitation of Mary. Anonymous painter of the Lombard school. Coeval copy after Federico Bar...

Italian painter (16th century) - Christ mocked. 18 x 28 cm. Antique oil painting on canvas glued on board, without frame. Condition report: Good state of conservation of the picto...

The relief was probably a door of the Sagrario. The piece follows a customary decoration in the tabernacles of the Renaissance and the Baroque. Compare, for example, with the sevente...

After Raphael Conestabile Madonna 1483 - 1520 Oil on canvas Image size: 8 x 8 inches (20.5 x 20.5 cm) Original ornate hand carved gilt frame Conestabile Madonna Made in compositiona...

Tempera on wood depicting a half-length female figure; she wears a red dress over a light-colored tunic, while a green drape rests on her right shoulder. The red hair is tied up with a central parting and is partly covered by a white headdress; the full face has an absorbed expression: a thoughtful gaze, arched eyebrows and slightly furrowed lips. Presented in a frame made with parts of an ancient larger frame. Historical-critical analysis: Our table in question is one of the numerous derivations from a lost fresco by Andrea del Sarto...

1625 Petrus Plancius / Johannes Cloppenburg Map of the Holy Land with Biblical Vignettes This exquisite 1625 map by Petrus Plancius and Johannes Cloppenburg represents the Holy Lan...

Original antique map titled "Graecia Sophiani." This is a very detailed and decorative engraved map, with two decorative cartouches and a hand-colored initial on the verso, from Abra...

SWISS CHEST RICHLY CARVED WITH THE COAT OF ARMS OF THE RIEDMATTEN FAMILY FRAMED BY TWO HOLY CONVERSATIONS ORIGIN : SWITZERLAND, VALAIS CANTON PERIOD : END OF 16th CENTURY – EARLY 17...

Description of the Engraving: Braun & Hogenberg’s "S. Galli Opp. et Monasterium Heluetiorum" from Civitates Orbis Terrarum (1575) This is an original, hand-colored copper engraving ...

Beautiful Renaissance two-body buffet with four doors and six drawers. On the upper part of the buffet, who hide two secrets drawers, an alternating band of three masks, represents a mythological scene: Zeus changed into a swan seduces Leda on the banks of the Eurotas. The sides of the buffet are decorated with foliage and vines. The doors cornices...

Child Jesus Polychrome and gilded wood Umbria, first half of the 16th century H 40 cm Entirely naked, the Child is standing, leaning on his left leg, his right leg forward; he keep...

A verry rare and quite large Gothic chest in untouched condition. Strongbox like these where made for the safekeeping of money, important documents and pr...

Portrait Of An Architect & Dog, 16th Century circle of TINTORETTO (1518-1594) Huge 16th Century Italian Old Master portrait of an architect and dog, oil on canvas. Exceptional earl...

Antique Religious Relief Sculpture, Poor Souls in Purgatory Sculpture, Sinners in Hell Sculpture, Antique Religious Carving, Antique Church Plaque, Antique Religious Panel, Antique P...

The Plitman banquet chair is a mahogany dining chair hand carved in the Chippendale style and upholstered with client’s own fabric. Bespoke sizing, d...

This engraving illustrates the capture of Limburg by Spanish forces under the command of Alexander Farnese, Duke of Parma, in 1578 during the Eighty Years' War. The scene vividly dep...

Map of Wiflispurgergov by Gerardus Mercator, Avenches Region, 1585 This rare and finely engraved map, titled *Das Wiflispurgergov*, was produced by Gerardus Mercator and published i...

XVI Century, Italian Renaissance wood chest. This important noble chest of the Tuscan Renaissance was built towards the end of the sixteenth centur...

An authentic, ancient and exceptional Three Jina Shrine. For it’s age the altarpiece is in a very good condition and rather large. The image of three standing, nude Jinas flanked by the other 21 seated Jinas is rare. The lintel of the shrine is showing the nine comets and three seated figures...

An Unusual and Rare English ‘Memento Mori’ Carved Shrine with Two Human Skulls to the underside, a carved ‘Dragonfly’ Marble 16th / 17th Century England Size: 36cm high, 28cm w...

500-600 year old sandstone carving. The sculpture is depicting 'Two demons riding on elephants'. From Buddha pagoda / temple in Arakan, Burma, 1400-1500. Untouched and in original condition with great patina. Mounted on light sandstone plinth...

An exceptional Indo-Portuguese colonial mother-of-pearl veneered casket with silver mounts India, Gujarat, 2nd half of the 16th century, the silver mounts Goa or probably Lisbon Measures: H. 16 x W. 24.6 x D. 16.1 cm An exceptional Gujarati casket with a rectangular box and truncated pyramidal lid (with slopes on each side and a flat top) made from exotic wood, probably teak (Tectona grandis), covered with a mother-of-pearl mosaic. The tesserae, cut from the shell of the green turban sea snail (Turbo marmoratus, a marine gastropod) in the shape of fish scales, are pinned to the wooden structure with silver ball-headed nails. The casket is set on bracket feet on the corners. The masterfully engraved decoration of the silver mounts follows the most refined and erudite Mannerist repertoire of rinceaux and ferroneries dating from the mid-16th century. The high quality and refinement of the silver mounts and, likewise, the silver nails that replaced the original brass pins used to hold the mother-of-pearl tesserae in place indicate the work of a silversmith probably working in Lisbon in the second half of the 16th century. The Indian origin of this production, namely from Cambay (Khambhat) and Surat in the present state of Gujarat in north India, is, as for the last three decades, consensual and fully demonstrated, not only by documentary and literary evidence - such as descriptions, travelogues and contemporary archival documentation - but also by the survival in situ of 16th-century wooden structures covered in mother-of-pearl tesserae. A fine example is a canopy decorating the tomb (dargah) of the Sufi saint, Sheik Salim Chisti (1478-1572) in Fatehpur Sikri in Agra district in the state of Uttar Pradesh, north India. This is an artistic production, geometric in character and Islamic in nature, where usually the mother-of-pearl tesserae form complex designs of fish scales or, similar to the dishes also made using the same technique, with the thin brass sheets and pins, stylized lotus flowers. The truncated pyramidal shape corresponds, like their contemporary tortoiseshell counterparts also made in Gujarat, to a piece of furniture used in the Indian subcontinent within the Islamic world prior to the arrival of the first Portuguese. This shape, in fact, is very old and peculiar to East-Asian caskets, chests or boxes used to contain and protect Buddhist texts, the sutras. A similar chest is the famous and large reliquary chest from Lisbon cathedral that once contained the relics of the city's patron saint, Saint Vincent. Both match in shape, having the same kind of socle or pedestal and bracket feet, and in their engraved silver mountings, featuring the same type of refined, erudite decoration. Their differences lie in the silver borders that frame the entire length of the edges of the chest (both the box and the lid), pinned with silver nails, and on the lock plate, shaped like a coat of arms in the Lisbon example. Given the exceptional dimensions of the reliquary casket...

Post Medieval gold posy ring 'BE x TRV x TIL x DEATHE x AND x SO // SHAL x I' ('be true till death and so shall I'). A D-shape band decorated on the exterior with five rectangular pa...

The painting features the enthroned Madonna and Child, two praying angels, and Saints Nicholas of Tolentino, Augustine, Luke the Evangelist, and Monica, below an elegant canopy. The ...

Old Master Drawing by the Circle of Lambert Lombard. Drawing/ Study of a Man in Renaissance Style, later signed "F. Floris". Study of a Man Lombard li...