Europe

This map is titled "St. Domingue (Partie Française)" and is part of the France Militaire series. It focuses on the French portion of Saint-Domingue, which corresponds to modern-day H...

Circa 1659 Johannes Blaeu Map: Ducatus Silesiae Ligniciensis, Legnica Region This hand-colored map from circa 1659 by Johannes Blaeu, titled "Ducatus Silesiae Ligniciensis," depicts the region centered around Legnica (Lignitz) in southwestern Poland. It extends to include the cities of Lublin, Jawor, and Lwówek Śląski. The map features decorative elements such as a title cartouche adorned with a putto, garlands of fruit, and birds, and a distance scale cartouche that includes a hunter with his dogs. This map is dedicated to Georgius Rodulfus, the Duke of Silesia, by Ionas Scultetus, reflecting the map's historical context and noble patronage. It includes Spanish text on the verso, indicating publication between 1659 and 1672. Measuring 20.9 inches wide by 16.3 inches high, the map is in excellent condition with a sharp impression, full contemporary color, and a large watermark of the god Atlas. Minor details include a bit of printer's ink residue at the right and slight marginal soiling. Keywords: - Johannes Blaeu map - Silesia historical map - Legnica (Lignitz) map - 17th-century Poland map...

Knight of the Golden Stole in Ceremonial Robe, from "Illustrations of All Spiritual and Secular Orders" (1779–1791) This finely hand-colored engraving depicts a Knight of the Golden...

Ecclesiastical Knight of the Order of Our Lady of Mount Carmel and St. Lazarus This exquisite hand-colored engraving showcases an ecclesiastical knight from the illustrious Order of...

Knight of the Order of the Redeemer or Precious Blood, 18th-Century Engraving This exquisite 18th-century hand-colored engraving portrays a Knight of the Order of the Redeemer (or...

Title: Knight of the Order of the Bath: 18th-Century Engraving by Schwan Description: This striking hand-colored engraving features the "Ritter des Ordens vom Bade" (Knight of the...

Grand Master of the Teutonic Order: 1791 Hand-Colored Engraving in Ceremonial Robes This exquisite hand-colored engraving, titled "Hochmeister des deutschen Ordens" (Grand Master ...

Knight of the Order of the Elephant: 18th-Century Danish Chivalric Elegance This captivating hand-colored engraving illustrates a "Ritter Elephanten-Orden des weißen in Dänemark" ...

Knight of the Seraphim Order: Rare 18th-Century Engraving of Swedish Nobility This hand-colored engraving showcases a "Ritter des Seraphinen Ordens" (Knight of the Seraphim Order)...

Ecclesiastical Grand Master of St. Michael, Protector of Divine Honor, c.1790 This exquisite hand-colored engraving illustrates the Ecclesiastical Grand Master of the Order of St. M...

Grand Cross of the Order of St. George in Bavaria: 1791 Hand-Colored Engraving This striking hand-colored engraving, titled "Grosskreuz des St. Georgen Ordens in Bayern" (Grand Cr...

Pre-Rhodes Hospitaller Nun: 1791 Hand-Colored Engraving of Historic Ceremonial Dress This vibrant hand-colored engraving, titled "Ehemalige Kleidung der Johanniterinnen vor Erober...

Hallmarked in London in 1798 by John Emes, this attractive, George III, Antique Sterling Silver Teapot, is 'Drum' shaped, and features engraved decoration throughout, and a wooden ha...

Antique landscape with figures from the 17th century. Oil on canvas painting depicting a splendid Flemish landscape that frames a famous episode of the New Testament, the appearance ...

Circa 1659 Willem Blaeu Map: Southwestern Switzerland with Geneva & Lakes This detailed map from circa 1659 by Willem Blaeu, titled "Das Wiflispurgergow," highlights the southwestern region of Switzerland. It features significant landmarks such as Geneva, Lake Geneva (Lacus Lemannus), Lake Neuchatel, Lake Biel, Bern, Freiburg, and Lake Thuner. Based on the work of Gerard Mercator, this map is published with Spanish text on the verso, dating from the period between 1659 and 1672. Measuring 19.9 inches wide by 15.1 inches high, the map is rendered in full contemporary color on a bright sheet that bears a large watermark of the god Atlas. The condition is excellent, with a sharp impression, short centerfold separations at the top and bottom margins, and an archivally repaired tear in the right margin. Keywords: - Willem Blaeu map - Gerard Mercator - 17th-century Switzerland map...

This is a pair of cache pots made by the Derby Porcelain Company in 1795. The pair is decorated in bright canary or "Scarsdale" yellow and a white band with large flowers painted by ...

This original antique map titled "Le Gouvernement de l'Isle de France" represents the Île-de-France region, which historically was one of the provinces of France and contained the ci...

Oval clasp for a bracelet or a necklace with a miniature showing two little girls. The girls have short hair, typical for the post revolutionary fashion. The bigger child is holding ...

Antique Botanical Engraving of Vallisneria (Tape Grass) - 1803 Aquatic Plant Print by Samuel Curtis This engraving is from "The Botanical Magazine," publ...

A pair of George III Irish silver Celtic point pattern basting spoons. The spoons are engraved with a family crest. Hallmarked with the date letter...

1798 Hand-Coloured Engraving - Caves of Mt. St. Peter and Mosasaur Discovery This 1798 hand-coloured copperplate engraving from Johann Ludwig Bertuch's "Bilderbuch für Kinder" ("Pic...

Title: "Title-Page to a Book of Prospects of London, Published by R. Butter (1785-1799)" This etching, serving as the title-page to a 'Book of Prospects of London', was published by...

This is an antique map of Nürnberg, titled "Territorium Norimbergense," created by Johannes Janssonius and published between 1645 and 1658. It is a copperplate engraving printed on p...

This engraving is titled "Habits of a Young Woman of Otaheite", and it was produced as part of Bankes's New System of Geography, which was a popular geographical work published in th...

Step back in time with this exceptional Swedish Folk Art Cabinet from the late 18th century. Crafted circa 1790, this piece showcases the exquisite craftsmanship and rich cultural he...

This hand-colored copperplate engraving by Robert Benard, part of the *Histoire Naturelle* from the *Encyclopédie Méthodique*, circa 1790, depicts four distinct species of birds labe...

This engraving depicts a historical battle scene between Dutch forces and a party of Spaniards, as noted by the inscription at the bottom of the image. The scene shows armed soldiers...

Antique map titled 'Presqu'Isle de l'Inde deca le Gange (..)'. Old map showing the southern part of India, including the northern part of Sri Lanka. With inset map of Southern India (Malabar). This map covers the subcontinent from the Bay of Bengal and the Gulf of Cambay to Ceylon. The Mogul Empire can be found in the north. Further south...

William Bunbury, engraved by James Bretherton The Hopes of the Family Hand coloured engraving 26 x 36 cm c.1790 This engraving, titled "The Hopes of the Family – An Admission at the University", is satirical work by William Bunbury. The scene portrays a young man being presented for admission to the University of Cambridge. Although the title suggests that the boy is expected to achieve great things, his appearance and and general demeanour hint at incompetence or lack of enthusiasm, thus introducing an ironic paradox. This caricatural scene dates from the late 18th century, a period when William Bunbury, alongside James Gillray, Thomas Rowlandson, and Isaac Cruikshank...

This is a very rare oval lobed dish from the famous "Earl of Camden" service made by the Derby Porcelain Company in 1795. The service was painted with typical English roses by William Billingsley, one of Britain's most famous painters, and responsible for exactly this type of rose painting on British porcelain. There are more items available in this pattern, see separate listings. To keep these items together we'd be happy to offer a discount on multiple purchases - please ask! The Derby Porcelain Company, later called Royal Crown Derby, is currently the oldest British porcelain factory still in production. The Derby pottery was one of the most prominent potteries right from the start of English porcelain production in the mid 1700s to today, and the factory went through many iterations. In the 1820s, it was called "Bloor Derby" as it came under the ownership of Robert Bloor; this factory later closed but its legacy was continued under the ownership of a group of employees, and later this was merged into a new factory called Royal Crown Derby, which is still in operation today and still carries forward some of the oldest patterns that have made it famous over the centuries. William Billingsley was a brilliant but notoriously difficult man who left behind a trail of debts, broken hearts and mystery - but he was also one of the most important people in the history British porcelain. Billingsley revolutionised the way British decorators painted flowers; he added a freedom and artistry that now singles out British flower painting, and he created a new technique for painting roses, which you can see in this design. Billingsley worked at Derby, Worcester and Mansfield. He also set up his own potteries in Pinxton and Nantgarw and created some of the best porcelain ever made, but racking up great debts, before running off in the dead of night and ending his days at Coalport painting flowers. Items painted by William Billingsley are rare and very much in demand - together with Thomas Baxter's work they are probably among the most desired pieces of British porcelain. The Earl of Camden service was a huge service ordered by Lady Camden in 1795. It had to be produced under great, and unrealistic, time pressure and was notoriously late, much to Lady Camden's chagrin. She wanted the service to be produced by only the best artisans and therefore William Billingsley was tasked with painting all items - but it is thought that when it was clear the deadline was impossible to make, he enlisted the help of John Brewer for some of the last items, such as the ice pails. This plate shows the typical "Billingsley" roses: a beautiful naturally flowing garland of English roses interspersed with buds, trailing around a crisp gilt ribbon. The way the roses link into each other, the way each individual one is completely different, the light effects achieved by rubbing out some of the pink paint, and the very fine buds and foliage all point to these being from Billingsley's hand. This dish came together with a plate that bears labels that point to a rich provenance: the Doris Wheatley Collection, the Daniel Collection, Derek Gardner...

This copper engraving, titled "Mode of Baptism, Practised at Rhineburg in Germany", was created around 1790 and engraved for "Portlock's New Collection of Voyages and Travels." The...

Heading : Derby Porcelain botanical comport pattern 216 Date : c1795 Period : George III Marks :Double China Hollyhock above Derby Crown and Crossed Swords and pattern number 216 Ori...

Original engraving titled "Saturiova," also known as "Saturione." The artwork was created by Teodoro Viero, an Italian engraver, painter, and publisher born on March 19, 1740, in Bas...

This is an hand-colored copperplate engraving by Robert Benard, part of the *Histoire Naturelle* from the *Encyclopédie Méthodique*, circa 1790. The illustration features four exotic...

This antique engraving is an illustration from the monumental work of the "Encyclopédie Méthodique" published by Charles-Joseph Panckoucke in 1793. The image is an antique plate il...

Allà Và Eso from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aquat...

Antique print titled 'View of the City of Ten-Tchoo-Foo from the Anchorage of the Hindostan in the Strait of Mi-a-Tau Bearing South-West'. Together on a sheet with 'Cape Maccartney and Cape Gower'. The top two views depict coastal profile views of local islands named after important people in the Embassy, including Macartney, Staunton, and Gower. Below, a view of the city of Ten-Tchoo-Foo taken from aboard the Hindostan, one of the ships on the mission. These land approach views appeared in the account of George Macartney's travels to China, published by George Nicol. Macartney was Britain's first envoy to China, and was tasked with convincing Emperor Qianlong to ease restrictions on trade between Great Britain and China by allowing the British to have a permanent embassy in the country. Sir George Staunton prepared the official report, 'An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China', which included charts and views based on manuscript sketches and drawings by Sir John Barrow...

Magnificent print by Robert John Thornton. Aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First state. Thornton was a prolific medical author and Doctor of Medicine, practicing at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the Sexual system of Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle and others as painters; Francesco Bartolozzi, Richard Earlom and John Landseer. Most of the images were painted by Peter Charles Henderson and Philip Reinagle. These botanical illustrations are unique as they were the first flower prints with landscape backgrounds, depicting the natural habitat of the plant. The life-size flowers stand out dramatically and the whole effect is startlingly modern. Thornton's announced intention was to make this work the most magnificent tribute ever paid to the famous Swedish botanist Linnaeus by illustrating his Sexual System with the finest possible prints. All these were engraved on a larger scale than anything which had hitherto appeared and then were printed in colour, an expensive and uncommon method in England at this time. A brilliant effect. This rare and celebrated plate of the Roses...

Untitled antique botany print of Lilium orengiaco (the orange lily) and Digitalis ferruginea angustifolia. This print originates from 'Nederlandsch Bloemwerk' by J.B. Elwe. This ...

Antique Purple Jacob's Ladder, Golden Monkeyflower, and Red Kangaroo Paw Prints, 1796 This captivating collection features three antique botanical prints from 1796: Purple Jacob's L...

Antique George 111 Silver Bright Cut Sugar Basket 1794 Henry Chawner London Beautiful example of Geo 111 Craftsmanship with superb bright cut hand engraving with bat-wing fluting i...

This beautiful mid-18th century piece of jewellery has been executed in 14 carat gold and is set with facetted onyx .

A France Mid-Century Modern design vase model “Cardinale” in silvered metal designed by Italian artist Lino Sabattini for Christofle France in 1956,...

From: ‘Luz da Liberal e Nobre Arte da Cavallaria’, by Manoel Carlos de Andrade, Lisbon, Regia Officina Typographica, 1790. This work on riding and horsemanship was the first book on ...

Antique Prints of Red Gladiolus, Purple Gerbera Daisy, and Pink Canna Lily, 1799 This exquisite collection of handcolored copperplate engravings from 1799 features three vibrant bot...

Wir bieten einen wunderschönen Esstisch vermutlich hergestellt von J.O. Carlsson aus den 1950er Jahren zum Verkauf an. Das Design stammt von Karl Erik Ekselius und ist ein zeitloses ...

This engraving is a hand-colored copperplate print by Robert Benard from the *Histoire Naturelle*, part of the *Encyclopédie Méthodique*, circa 1790. It depicts various species of ge...

Boats in this engraving are intended to represent Japanese ships, particularly ceremonial or diplomatic vessels from the Edo period—but as interpreted by European artists of the late...

"Vivid Elegance: The Blue-Headed Parrot" Description: This hand-colored copperplate engraving from the late 18th century showcases the vibrant beauty of the Blue-Headed Parrot. Cr...

This fine hardstone cameo depicts a woman or men wearing a wreath of ivy. In Greek and Roman mythology the ivy wreath worn around head was the attribute of a followers of Dyonisos a...

This hand-colored copperplate engraving by Robert Benard, part of the *Histoire Naturelle* from the *Encyclopédie Méthodique*, circa 1790, showcases four striking bird species. Each ...

Antique map of France titled 'Territorium Metense'. Old map focusing on the wine region surrounding Metz, in the Moselle region of France. This map originates from 'Atlas Novus, ...

Attributed to Francesco Casanova (1727-1803), A Mamluk fighting on his horse, watercolor and ink on paper 35 x 26 cm Framed 54 x 44 cm (vintage frame, the mount and the back have b...

A smart and very interesting antique Georgian period writing / side table. This was made in England, it dates from around the 1790-1810 period. It is of very fine quality, the recta...

This beautiful hand-colored engraving is a work by Robert Benard (1734-1786), published around 1790, and was part of the *Encyclopédie Méthodique*, a monumental work of the Enlightenment period. The engraving is a study of exotic parrots, showcasing fine details with the scientific curiosity of the time. Each bird is numbered and named in French, revealing their interest as species from various regions of the world. Birds Depicted (Translation and Descriptions): 1. Fig. 1: Le Kakatave des Philippines...

Antique painted fir table Measurements: H. 78 cm - Top 150 cm x 90 cm Era: Late 18th century Origin: Tyrol Wood: Fir Description Rustic table in fir wood. The legs have the charact...

Antique print titled 'Serpens Marinus Mari Norvegico - Serpens Marinus flavi coloris Maris Suedici Aldro - Scolopendra Marina aldro - Scolopendra Marina amethystini Coloris - Serpens Americana Indicus'. Old print of various sea snakes. This print originates from 'Historiae Naturalis De Piscibus Et Cetis Libri V' by J. Johnston. Artists and Engravers: Published by M. Merian. John Johnston (or Johnstone, 1603-1675) was a descendant of a Scottish family...

Antique print of various mammals; porcupine, capybara, otter, monkey etc. This print originates from 'Historiae Naturalis De Piscibus Et Cetis Libri V' by John Johnston, published by Matthias Merian in 1657. Artists and Engravers: John Johnston (or Johnstone, 1603-1675) was a descendant of a Scottish family...

A Chinese tulipiere of bulbous form in hand painted blue and white porcelain. the underside has a four-character Qianlong mark in the Kaishu script.

This hand-colored copperplate engraving by Robert Benard, part of the *Histoire Naturelle* from the *Encyclopédie Méthodique* (circa 1790), showcases four species of blackbirds or th...