Europe - Portrait Paintings

A delightful Victorian oil study of a young boy selling fruit on a street corner. The basket of fruit has been painted with fine attention to detail and the child's face is almost an...

'Portrait of a Young Woman', oil on board, by Anna Costa (circa 1960s). This is a beautifully expressive portrait painted by the artist using vibrant colour...

This fine Biedermeier period portrait depicts an arresting sitter, adorned with a substantial choker of pearls. No detail of the woman's fashionable dress goes unnoticed by the artis...

'Grand Prix Racer', French School, oil on board (circa 1960s). The 'good ole' days' of Formula One racing are depicted in this thrilling mid-century...

Joseph-Désiré COURT (Rouen, 1797 – Paris, 1865) Woman nestled in an armchair Oil on canvas Signed and dated lower left 81 x 65 cm 1834 Exhibition: in all likelihood, number 50 of ...

Portrait of a Bavarian Gentleman with Pipe by Theodor Recknagl (1865-1945) German signed oil on board, framed board : 7 x 5.5 inches Provenance: private collection, UK Condition: som...

Artist/ School: Italian School, 19th century Title: Classical nude draped in robes with dancing dog. The work looks as though it might have been a ceiling...

Portrait of a Gentleman French School, mid 19th century signed to the letter and dated oil on canvas, framed framed: 36 x 28 inches canvas: 29 x 20 inches Provenance: private collect...

A copy of the self portrait of William Hogarth with his dog, called Trump. A fantastic quality image possibly from Hogarth's original school of art. This piece is titled, dated and monogrammed. It is in an antique, period Louis XIV style frame. The painting measures 36 x 28" (92 x 72cm) Outside Frame Size: 45 x 37" (104 x 94cm) Hogarth began this self-portrait in the mid-1730s. Initially Hogarth painted himself wearing a formal coat...

Lady Sewing French Impressionist, late 19th century indistinctly signed lower front corner oil on canvas, unframed canvas : 29 x 36 inches Provenance: private collection, Northern F...

A fine French academic study sketch on paper of a classical head. The work is unsigned but very much in the style of the period and its early exponents such as Jacques-Louis David. ...

On Wimbledon Common, dated 1861 by Sidney Richard Percy (1821-1886) Large 19th Century landscape view overlooking Wimbledon Common, oil on canvas by Sidney Richard Percy. Excellent quality and condition example of the artists work and a rare early view of his of Wimbledon Common. Signed, inscribed and framed. "signed and dated 'SRPercy.1861' (lower left); further signed verso before reline: titled and inscribed 'No2 On Wimbledon Common/Sidney R Percy...

Oil on plywood realized by Martin Bradley in 1974.  Hand signed and dated in top right corner; hand signed and titled on rear. Very good condition.

A fine 19th century Continental School portrait depicting a distinguished lady, set against a dark background with a floral arrangement adding colour and depth. The portrait is beaut...

The Madonna in Pensive Thought English 19th Century, Pre-Raphaelite artist Oil painting on board, framed Framed: 15 x 10.5 inches Board: 13 x 9 inches Condition: The painting is in o...

Artist/ School: J. Langlois, British 1855-1904, signed lower corner Title: Chasing the Mouse! Medium: oil on board, framed framed: 6 x 7.5 inches board: 4.75 x 6.75 inches Proven...

A portrait of two young girls by the Royal Portraitist Chen Yanning. Both the artist as well as the sitters of this magnificent portrait are from racial...

19th century English school Portrait of a young gentleman (a scholar?) in dress suit oil on canvas, framed framed: 21 x 19.5 inches canvas: 14 x 1...

A very engaging portrait of a pretty young girl holding a posy of flowers. On a large scale, this impressive piece would add grandeur to a hall or drawing room. William Edwards Mill...

Arthur William Devis. English ( b.1762 - d.1822 ). Portrait Of Charlotte Shore, Daughter Of The Governor General Of India, The 1st Lord Teignmouth. Oil On Canvas. Oval Image size 26.2 inches x 20.5 inches ( 66.5cm x 62cm ). Frame size 34.6 inches x 28.7 inches ( 88cm x 73cm ). Available for sale; this original oil painting is by Arthur William Devis and dates from around 1792 to 1795. This painting was created when the sitter and the artist were both in India, the sitter's father being the Governor General of India from 1793 to 1798. The painting is presented and supplied in a 19th century decorative frame. The painted surfaces and the frame have benefitted from some restoration, cleaning and conservation, which was performed on our instruction, supervision and approval. The canvas is lined. This antique painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. Provenance: By descent in the family of the sitter. Exhibited: Preston, Harris Museum and Art Gallery, 2000, Arthur William Devis, no.52. Charlotte was the eldest child of the first Baron Teignmouth, a title that was created in 1798 for Sir John Shore. The title became extinct in 1981 on the death of the seventh Baron. This portrait was almost certainly painted by Devis in India at a time when the sitter’s father was Governor General. As such, this is a historically significant piece. John Shore was an anti-slavery campaigner, born in London but brought up in Romford. In 1769 he went to work in Bengal where he was one of the first to learn a number of local languages. In 1785 he returned to England and on 14 February 1786 he married Charlotte, the only daughter of James Cornish, a medical practitioner at Teignmouth. The couple’s first child, Charlotte, the subject of this painting, was born the following year, on January 26, 1787. The family quickly returned to India, where John Shore served as Governor from 1793 to 1798. John and his wife had three sons and six daughters over the following fifteen years. Sir John Shore left Calcutta for the final time in March 1798, sailing back to England with his wife and young family. The family settled in Clapham and Sir John became the first president of the British and Foreign Bible Society. He was involved with the Clapham Sect and their anti-slavery campaign. This adorable original oil on canvas depicts Charlotte, the eldest child and first daughter of the first Lord Teignmouth, aged around five to seven years old. (On the basis that the family returned to England in 1798 when Charlotte would have been 11 years old, this painting was almost certainly created in India, during the time when her father was the Governor General of India. We also know that the artist was painting portraits in India the decade up to 1795, when he returned to England.) Charlotte is an attractive child, with thick dark brown curly hair framing her beautiful angelic features. She has fair skin, rosy cheeks and rosebud lips. Her dark eyes are wide and engaging. She has the sweetest expression on her face and we feel that she is kind and good natured. She is wearing a simple white gown, typical of the day, with a low neckline and three- quarter length sleeves and a pale blue sash around her waist. Arthur William Devis was one of the major English artists of the early nineteenth century, noted particularly for his portraits. His life was dynamic and engaging and he produced some of the definitive images of his generation. Devis was born in London on 10 August 1763, the nineteenth child of the artist Arthur Devis and his wife Elizabeth Faulkner. There were several artists in the family and Devis showed an early genius for art. He received some artistic training from his father and then studied at the Royal Academy Schools where he received a Silver Medal, and the good opinion of Sir Joshua Reynolds. Devis became extremely well-travelled, and even circumnavigated the world; when he was about twenty, he was appointed draughtsman on the British East India Company's ship Antelope in a voyage to the East Indies, under Captain Henry Wilson. The vessel was wrecked off the Pelew Islands, on which the crew took refuge. The island was uninhabited, but the sailors formed a friendly alliance with neighboroughing islanders and took part in the wars of the natives. The crew then built themselves a small vessel and sailed for Macao. During this voyage Devis received two wounds from arrows shot from the coast, one in his body, the other in his check, which caused a permanent injury to his jaw. Devis left the rest of the crew at Macao, spent a year in China, then proceeded to Bengal. He settled in India for ten years, establishing a modestly successful practice and receiving several lucrative commissions from British colonialists, of which this painting of young Charlotte is likely to be one. In 1795 he returned to England and worked with great zeal, earning himself a reputation as a serious artist. He painted a number of important historical pieces, including “The Conspiracy of Babington in the reign of Queen Elizabeth” and “Cardinal Langton and the Barons forcing King John to sign Magna”. He soon became established as one of the most talented British artists of his day. It is known that Devis created other portraits of the Shore family between 1797 and 1817. Devis is particularly noted for being involved in the creation of the posthumous cult of Horatio Nelson. After the battle of Trafalgar, he went out to meet the Victory, and painted the acclaimed piece ‘The Death of Vice-Admiral Lord Viscount Nelson, K.B., in the cockpit of H.M.S. Victory, 21 Oct. 1805.’ For this work Devis made various sketches on board HMS Victory, including of Nelson’s body during the autopsy by Dr. Beatty, the ship’s surgeon. The completed picture has become the definitive image of Nelson’s heroic end; it was engraved by W. Bromley (1812), and presented by the Right Hon. Lord Bexley to the gallery of Greenwich Hospital in 1825. At 8 feet 7 inches by 6 feet 4 inches it is of stunning proportions. Devis’ large oil sketch for the piece was purchased by Queen Victoria, December 1852 Devis was also commissioned by Dr. Beatty to produce a half-length painting of Nelson as Vice Admiral, which was lent to Emma Hamilton, who later lost it whilst travelling. Either the original or a copy of this portrait was exhibited at the Royal Academy two years after the Battle and many copies were made of it, including one in the National Maritime Museum. Devis exhibited a total of sixty-five pictures at the Royal Academy between 1779 and 1821. His equestrian portrait of ‘Alexander Sinclair Gordon, Esq.’, was engraved by Anthony Cardon in 1805; ‘The Battle of Waterloo,’ engraved by John Burnet in 1819; ‘An Indian Interior,’ by P. W. Tomkins in 1797; ‘The Little Mountaineer,’ by E. Scriven in 1809, who also engraved Devis's illustrations to J. J. Howard's translation of the ‘Metamorphoses of Ovid,’ London, 1807. Thus images of Devis’ work have become well known through the years. Today there is a portrait of Arra Kovger by Devis in the British Museum, and a portrait of Governor Herbert (painted in Calcutta in 1791) in the National Portrait Museum. Despite his artistic talent, Devis was seemingly completely incapable of managing his financial affairs. He therefore failed to maintain the status in society that his talent deserved. Where money was concerned, he was generous beyond his means and was sadly declared bankrupt in 1800. In 1804 he was imprisoned for debt. Between 1802 and 1810 he received continual assistance from John Biddulph of Ledbury, but these well-intentioned interventions did not produce the results hoped for, and Devis continued to be hopelessly unreliable. Towards the end of his career he at last began to receive Royal patronage, but it came too late. When he died suddenly from apoplexy in 1822 he left his second wife and young children penniless. He was buried in St. Giles’s churchyard. Works by Arthur Devis are now very much in demand; his depiction of Bengali weavers made an eyecatching £130,000 in a UK auction...

19th Century oil on canvas portrait of a cavalier. The painting is signed or annotated top right. There is a supplier's trade stamp to the back of the canvas. A wonderful jewel of a...

Portrait of a Young Man French School, late 19th century indistinctly signed top right, 'Valadon'? oil on canvas, framed framed: 30 x 28 inches canvas: 26 x 21 inches private collect...

Artist/ School: English School, late 19th/ early 20th century. The painting came from a large collection of works by one artist. A very few of them are signed what looks to be 'F. Wa...

Portrait of a Country Lady English artist, mid 19th century oil on canvas, unframed canvas: 30 x 25 inches provenance: private collection, UK condition: some former restoration and s...

A wonderful depiction of a dapper Parisian dandy, dating from 1848. I love his air of decadence! It is a work by F de Korff, a mysterious French aristocratic portrait artist who had ...

The deposition of Atala Follower of Anne-Louis Girodet de Roussy-Trioson (Montargis, 1767 - Paris, 1824) 19th-20th century Oil on canvas 47 x 65 cm. - Framed 67 x 84 cm The propos...

Playful Terriers English dog artist, early 20th century Oil painting on board, framed Framed: 16 x 19.5 inches Board: 11.5 x 14.5 inches Condition: The painting is in excellent condi...

Dapper Gentleman in the London Park by Philip Henry Rideout (British, late 19th century) signed & dated 1895 oil on canvas, framed Framed: 17.5 x 14.5 inches Canvas : 12 x 10 inches ...

Description: "Day Dreams" is a captivating painting by the English artist Richard Willes Maddox. The artwork depicts a young woman seated thoughtfully on a blue wooden bench, set aga...

A fine 19th century oil depicting a young girl skilfully knitting using the double pointed technique. The artist has rendered the girl in impressive detail as she stands out illumina...

A fine large and stunning Scottish Old Master portrait oil painting on canvas portrait in good condition which depicts Lady Eleanor Dundas in a white dress set against an open landsc...

A charismatic study depicting a peasant father and child in a rural landscape. The artist captures the figures in a soft manner with a focus on light, showing influence from Barbizon and pre-Raphaelite contemporaries of the time. At the girl's feet is a small dog symbolising patience and loyalty. Paying close attention to the figures' clothing and faces, the artist displays an expert hand in portraying expression and lifelike details. Titled 'Donnez Moi Un Sou!' translating to 'Give me a penny...

Antoni Vila Arrufat (1894-1989) - Baby - Oil on burlap Oil size 55x46 cm. Frameless.

A dramatic, one of a kind oil study. Certainly not your run of the mill 19th Century portait! Depicted is a young man, whose face is brightly lit from what is likely is an open fire....

A finely detailed silhouette of a Victorian young lady. Attributed to Hinton Gibbs (1783-1839) Portrait of a young lady, bust length, turned to the right watercolour, reverse painte...

AMERICAN SCHOOL (CIRCA 1840) A Gentleman with Groom, Horse and Greyhounds outside a Country House Oil on canvas Framed 75 by 99 cm., 29 ½ by 39 in. (frame size 87 by 113 cm., 34 ¼...

Portrait of Berthe Thorwaldsen with Bust of Horace Vernet is an original modern artwork realized by the Circle of Horace Vernet (30 June 1789 – 17 Januar...

Albert MANTELET (1858-1958) A charming portrait of a young woman resplendent in her finest Sunday bonnet. Albert Goguet Mantelet was considered to be one of the most accomplished pupils of Ernest Hébert and Heinrich Lehmann. He painted fashionably attired women from French society. His style achieved critical acclaim and he quickly became an established artist. Throughout his long career he specialised in genre painting. His work can be found in the collections of Musees de Chateau Thierry...

This striking portrait depicts a Victorian gentleman in formal 19th-century attire. The composition is classic and dignified, with the subject's upper body and face occupying most of...

Artist/ School: Continental School (19th Century) Title: Cherubs In Garden Setting Medium: oil on canvas, framed in beautiful gilt frame. Frame...

Abstract Figure is an original contemporary artwork realized by the artist Behçet Safa (1934-2018). Mixed colored oil on canvas. Hand signed and dated on the back.

A charming study of a gentleman in his finery. Signed illegibly and dated '1882' to the lower right. On canvas.

Work on canvas Original frame This portrait of a woman with a cameo is a beautiful example of 19th-century classical painting, showcasing the refinement and elegance of its time. The...

Fine 19th Century Oil on Canvas Portrait of a Young Woman in large gilt gesso frame Identity of the sitter as yet unknown. The artist has managed to capture her ethereal beauty perfe...

After Bartolomeo Schedoni (1578-1615). Italian School, Portrait study of a boy from the 1611 painting 'The Charity'. Oil on canvas. Well presented in a gilt effect frame with lambs t...

‘Melancholic Sappho’ by Arthur Hill RBA (1841-1908). The painting – which depicts the celebrated poet of Ancient Greece appealing to the Goddess Aphrodite, with the Parthenon on the...

Portrait of an Elegant Lady by Victor Charles GUÉRIN (1815-1881) signed oil on canvas, unframed Canvas : 25.5 x 21.5 inches Provenance: private collection, France Condition: very good condition Description: This enchanting 19th century painting by the elegance of a lady dressed in lavish Rococo-style attire. Set against the backdrop of grand European architecture, the woman is depicted in a voluminous blue and gold gown...

A study of the bust of Ferdinand Bol's 'Portrait of A Mathematician' which is currently part of the Louvre Collection in Paris. Unsigned. Presented in a gilt frame. On canvas.

Portrait of a Fisherman with a Pipe Newlyn (Cornish) School, 19th century oil painting on canvas, unframed canvas : 20 x 16 inches provenance: ...

This beautiful late 19th century portrait oil painting is attributed to circle of Walter Langley. It has the hallmarks of the Newlyn School of artists such as the subject matter, com...

A charming 19th-century portrait depicting a solitary female figure standing in a pastoral landscape. The artist has captured their subject gazing into the distance with a hand raise...

Self Portrait of the Artist French Impressionist painter of the late 19th century oil on canvas canvas: 11 x 9 inches provenance: private collection, France condition: very good and ...

Work on cardboard Golden wooden frame 39 x 33 x 5 cm

After a Good Hunt Kremer Petrus Antwerp 1801 – 1888 Belgian Painter Signature: Signed bottom left Dimensions: Image size 49,50 x 44 cm, frame size 63,50 x 58,50 cm Medium: Oil on panel Biography: Kremer Petrus was born on May 9 in 1801 in Antwerp. He was a Belgian painter of genre scenes with religious and historic context, still lifes and portraits. He studied at the Antwerp Academy of Fine Art, with master teachers and artists Guillaume Herreyns (1743 – 1827) and Mattheus van Bree (1773 – 1839). He perfected himself in Paris, travelled in 1838 Germany, France and Italy where he studied in the museums the pictures of the Dutch and Flemish masters. He excelled in the representation of flowers, poultry and game. Some of his paintings were engraved by English engraver Joseph Brown (1809 – 1887) and other artists. Belgian painter Gustaaf Wappers (1803 – 1874) painted his portrait. Kremer was honoured with several medals at various exhibitions, notably in London in 1929. He exhibited at the Brussels National Exhibition of 1842 “Examination of Don Carlos...

Work on cardboard Golden molded wooden frame 60 x 50 x 4.5 cm

Picking Roses French School, late 19th century oil on canvas, unframed canvas: 22 x 18 inches provenance: private collection, France condition: good and sound condition

Spanish School of the 19th Century Santa Justa and Santa Rufina Oil on canvas 40 x 27 cm In quite good condition, the paint surface presents numerous crack...

Thomas Phillips R.A. 1770-1845, was an English portrait painter and he painted many of the greatest people of the day including , artists, poets, writers, scientists and many other p...