Europe - Animal Prints

Lemur is an original etching realized by Leo Guida in 1970. Good condition. Mounted on a white cardboard passpartout (50x35). Dated and signed by the author. Artist proof. Leo G...

The Mouse is an original etching and aquatint realized by Leo Guida in the 1970s. Good condition. Mounted on a white cardboard passpartout (70 x 50 cm). Leo Guida (1992 - 2017)....

The Flight is an original etching and aquatint realized by Leo Guida in 1970. Good condition. Mounted on a white cardboard passpartout (50x35). Artist proof. Dated and signed by ...

The Border is an original etching and aquatint realized by Leo Guida in 1972. Good condition. Mounted on a white cardboard passpartout (50x35). Artist proof. Dated and signed by ...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Di...

Marino Marini - Knight - Original Lithograph 1970 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Jean Arp - Original Lithograph 1962 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Border 3 is an original Contemporary artwork realized in 1972 by the italian artist Leo Guida (1992 - 2017). Original Etching. Hand-signed, Dated and titled in pencil on the lower ...

Homo Ludens is an original hand-colored etching realized by the Italian artist Sergio Barletta (Bologna, 1934). Hand-signed in pencil on the lower right margin, titled "homo ludens"...

Fish is an original Contemporary artwork realized in Italy in the 1970s by the italian artist Leo Guida. Etching on paper. Not signed. Mint conditions. Leo Guida. Sensitive to c...

The Bird is an original Contemporary artwork realized in the 1972 by the italian artist Leo Guida. Original Etching and Burin on paper. Hand-signed and dated on the lower right co...

Pair of antique color lithographs, birds, ornithology, zoology, nature. Dimensions WITH frame in cm EACH Work: 36 x 45

Bird is an original Contemporary artwork realized in 1970 by the italian artist Leo Guida. Original Etching on paper. Titled, hand-signed and dated in pencil on the lower margin: ...

Monkey on the Chair is an original Contemporary artwork realized in 1972 by the italian artist Leo Guida. Original Etching on paper. Numbered, Titled, Hand-signed and Dated in pen...

Mamma Roma is an original modern artwork realized by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original woodcut on Ivory paper.. Hand-signed in pencil n by the a...

Shadow of Camels is original etching realized by Tullio Diamanti in 1980. Hand-signed. Artist's proof. Sheet dimension: 70 x 0,1 x 50 cm. Image dimension: 39 x 39 cm. In perfec...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Dimensions: ...

Buffalo is a wonderful brown burnt sienna ink linoleum original print on paper, realized in 1971 by the Italian master Aldo Pagliacci (1913-1991). Hand-signed, dated and numbered in...

Homo Ludens is an original etching realized by Sergio Barletta in 1991. Hand-signed lower right in pencil, and titled lower center "Homo Ludens". Numbered lower left, from the editi...

Homo Ludens is an original etching realized by Sergio Barletta in 1991. Hand-signed lower right in pencil, and titled lower center "Homo Ludens". Numbered lower left, from the editi...

Marc's Dogs, from IAA, Lithograph in Colours on Wove Paper Painting by Harvey Daniels 1936-2013, 1975 Additional information: Medium: Lithograph in colours on wove paper 26 3/4 x 18...

Diana is an original black and white etching realized by Leo Guida. Hand-signed and dated in pencil, on the lower right. Title on the bottom center. The state of preservation is...

Il Filo Si Spezza is an original black and white etching realized by Leo Guida. Not signed. Title on the bottom center. The state of preservation is good. "INV.C. 149B", on the ...

Mantis religiosa is a colored screen print on paper realized by the French artist Félix Labisse. Hand-signed in pencil on the lower right margin. Numbered in pencil on the lower le...

Homo Ludens is an original etching artwork, realized by Sergio Barletta in 1991. Hand-signed on the lower right in pencil, and titled on the lower center "Homo Ludens". Numbered on ...

The Frogs is an enchanting lithograph realized by Fabrizio Clerici (1913-1993). Hand-signed, written in pencil, on the lower right. Acronyms "P.A", on the lower left. Image Dimensi...

Lunch is an original contemporary artwork realized by the French artist Jean Boudal. Original etching on ivory paper. Mint conditions. With the stamp of the artist on the lower r...

The sow and her calves is an original drawing in etching technique on paper glued on ivory-colored cardboard, signed by Laurenzio Laurenzi (Assisi 1878 - Rom...

Tamer of Lion is an original xilography artwork realized by Mino Maccari. Included a white Passepartout: 49 x 34 cm. The state of preservation is very good. The artwork represents...

Dromedary is an original lithograph, Hand-colored on paper realized by an Anonymous artist of the XIX century, Titled on the lower center. In very good condition. The artwork repre...

Hand signed, dated and numbered by the artist with pencil on the bottom. Etching, burin and black ink. Edition of 30 prints. Very good condition.

Bird is an original etching artwork, realized in 1959 by Marcel Guillard ( 1896-?). Hand-signed and dated in blue color pencil on the lower. The state of preservation is very good. ...

Stag in the Foothills, 2025 Tom Hammick Reduction woodcut in colours On Saunders Waterford wove Signed, titled, dated, numbered and inscribed 'E.V.' (edition variable) From the edit...

Hydra is an original etching artwork by Marcel Chirnoaga (Romanian, 1930–2008) one of the most important artists of fantasy painting and mythology subjects in the XX century. The ar...

Fishes is an original mixed colored etching realized by Nino Cordio in 1965. Hand signed and dated on the lower right margin. Artist's proof. Hand-written dedication on the lower margin. Nino Cordio (Santa Ninfa, 10 July 1937 - Rome, 24 April 2000...

Small Rodents is a color lithograph realized by an anonymous artist in the late19th century. Good conditions, except for usual signs of aging. The artwork shows four small rodents,...

A Gnu is a color lithograph realized by an anonymous artist in the late 19th century. Original Title: Das Gnu. On the top of the illustration: 4 ter Jahrgang, Tab. XXXVII. Good co...

Addax is a color lithograph realized by an anonymous artist in the late 19th century. Original Title: 774. Der Addax. Bottom right: 11 VII. Name of the lithograph printing company H...

Image dimensions: 18.5 x 15 cm. Couple of Sloths is an original black and white lithograph realized by an anonymous artist in 1828. Dated 1828 and titled Gemeines Faulthier. On t...

Image dimensions: 39 x 39 cm. Shadow of Camels is original etching realized by Tullio Diamanti in 1980, Hand signed and numbered, edition of VI/ XXV prints. Image dimension: 39 x 3...

Image dimensions: 24.7 x 32 cm Etching, ink and aquatint. Not signed. Leo Guida: Artist sensitive to current issues, artistic movements and historical techniques, Leo Guida has bee...

New Moon by Keith Purser, 2020 Additional information: Medium: monoprint 22.9 x 17.8 cm 9 x 7 in signed with initials, titled and dated Keith Purser lives and works on the edge of ...

Beautiful Artist's Proof. Hand signed, dated and titled. by the Artist with pencil on the bottom. Etching, aquatint. IV state. Leo Guida: Artist sensitive to current issues, artisti...

Etching, aquatint, black ink realized by Leo Guida in 1970. Not signed. Very good condition. Leo Guida: Artist sensitive to current issues, artistic movements and historical techniq...

Horse Pulling Hay Cart by Félix Pissarro (1874-1897) Etching 19.5 x 15 cm (7 ⅝ x 5 ⅞ inches) Exhibition London, Stern Pissarro Gallery, Camille Pissarro & his Descendants - A Tradit...

Magpie by Georges Manzana Pissarro (1871-1961) Pochoir 26.5 x 45 cm (10 ³/₈ x 17 ³/₄ inches) Signed lower right manzana - Pissarro and numbered 2/100 Artist biograpraphy: Like all s...

Image dimensions: 11.3 x 15.2 cm. Lo Scarabeo d'oro ("The Golden Beetle") is a beautiful etching realized by Luigi Bartolini in 1936. Titled in pencil on the lower left: Lo scara...

After Marc Chagall - Lithograph From the deluxe art review, Derrière le Mirroir, printed by Charles Sorlier 1964 Printed signature Dimensions: 38 x...

Fishes by Anthony Gross, 1951 Additional information: Medium: etching 24 x 34 cm 9 1/2 x 13 3/8 in signed, titled and numbered in pencil English painter and printmaker. He trained ...

Hand signed, dated and numbered by the artist with pencil on the bottom. Etching, burin and black ink. Edition of 30 prints. Very good condition.

Max Ernst (1891-1976) Georges Ribemont-Dessaignes, La Ballade du Soldat, Pierre Chave, Vence, 1972 Colour lithographs on Arches paper 1972 Dimensions: 40 x 30 cm Reference: Spies &...

Hand signed photolithograph, 2008. This work is from the portfolio The Unique Collection for the Olympic Fine Arts 2008 presented during the Olympic Games and produced in 260 copies as the only official artistic product of the 2008 Beijing Olympics. Each work of this portfolio is recognizable by the official stamp of the Olympic Organizing Committee. William Sweetlove, born in Ostend, Belgium, in 1949, unites dadaism with surrealism and pop art in humoristic sculptures and prints. He exhibited at art fairs, galleries and museums all over the world. His works are found in several private art collections. He has also participated in different art manifestations worldwide together with the Italian Cracking Art...

Original Lithograph by Jean Cocteau Title: The Elegant Toreador 1961 Dimensions: 28 x 38 cm Lithograph made for the portfolio "Gitans et Corridas" published by Société de D...

Includes a Certificate of Authenticity

César Baldaccini Original Etching Dimensions: 56.5 x 40 cm Signed and Numbered Edition of 99 It is the only original etching ever made by César. César Baldaccini was born in Marseille in 1921. At the age of 12, he left the school to help his father, cooper. At 15 years old, he studied at the Art college of Marseille. He took evening drawing teachings, and then was interested in sculpture until 1939. In 1942, César received a scholarship and went to Paris. He studied ten years at the School of Beaux-Arts; he worked in the studios of Gaumont and Alfred Jeanniot and was named “Grand Massier” (teacher) of this school. At that time, he was living in the same house as Alberto Giacometti. In 1944, short of resources, he went to Marseille, then return to Paris, next year. With the 50s, he made discovered his work through his first exhibitions. One of its works (« The fish ») obtained a place in the Museum of Modern Art in Paris (1955). Henceforth, he exhibited ceaselessly, participating in numerous “Salons” in France and abroad. César received numerous prices there. He got personal exhibitions everywhere (Japan, the United States, Holland, France, Italy, etc.). Important retrospectives came, later. In 1970, he was named professor a foreman to the School of Beaux-Arts in Paris. During his all life, Caesar was stimulated by « the love of the profession » and by an extraordinary will to innovate. The humor of the man did not miss and was noticed through his work. Pablo Picasso was his major reference, also Alberto Giacometti, Germaine Richier, Pablo Gargallo and Julio Gonzales...

Lithograph after Georges Braque. Signed in the plate Edition of 150 Dimensions: 76 x 117 cm Bibliography: « Les Métamorphoses de Braque» of Heger de Loewenfeld and Raphaël de Cuttoli , Editions FAC, Paris, 1989. In 1961 Georges Braque decided with his laidary friend Heger de Loewenfeld to pick up certain of his works to in order to create artworks, this beautiful litograph is one of them. Héméra in the Mythology: In Greek mythology Hemera was the personification of day and one of the Greek primordial deities. She is the goddess of the daytime and, according to Hesiod, the daughter of Erebus and Nyx (the goddess of night). Hemera is remarked upon in Cicero's De Natura Deorum, where it is logically determined that Dies (Hemera) must be a god, if Uranus is a god. The poet Bacchylides states that Nyx and Chronos are the parents, but Hyginus in his preface to the Fabulae mentions Chaos as the mother/father and Nyx as her sister. She was the female counterpart of her brother and consort, Aether (Light), but neither of them figured actively in myth or cult. Hyginus lists their children as Uranus, Gaia, and Thalassa (the primordial sea goddess), while Hesiod only lists Thalassa as their child. The father of Cubism Three Cubist that distinguishes art historian periods were initiated and developed by Georges Braque: The Cubist Cézanne (1907-1909), Executive (1909-1912) and synthetic (1912-1922). Post-Impressionist and fawn, Braque no longer adheres to the contingency of a decorative way or the other. Cézanne’s paintings exhibited at the Grand Palais during the retrospective of 1907 are a revelation: Cézanne sought and invented a pictorial language. In his footsteps, Braque went to the South with the reasons of the Master. He returned with Estaque landscapes and surprising Ciotat it keeps Cezanne geometric model and retains the “passages” continuity from one surface to another to create the sensation of “turning around” of the object represented. But he wants to go after the consequences of the vision of Cezanne. In his paintings Houses in L’Estaque (1908) it simplifies the volumes of houses, neglects detail by removing doors and windows: the plastic rhythm that builds the table. Large Nude , a masterpiece of the period, can be considered the first work of Cézanne cubism . Systematizing and deepening Braque discoveries open the door analytical cubism. In 1909, his painting became more cerebral than sensual. The pattern is recreated in the two-dimensionality of the canvas, leaving aside any illusionistic perspective. In Still Life with Violin, objects are analyzed facets according to their characteristic elements, each facet referring to a particular view of the object. There are so many facets of points selected view: Table reflects the knowledge of the object and the ubiquity of the eye. Moreover, Braque is looking for the essence of the objects in the world rather than their contingency, which explains the absence of light source and use of muted colors (gray, ocher), contingent aspects of the object . But formal logic has stepped facets, erased any anecdote to the object and ultimately led to his painting a hermetic more marked on the edge of abstraction (see the series of Castle Roche-Guyon ). Braque, anxious to keep the concrete and refusing at all costs that the logic of Cubism takes the paintings to abstract, reintroduced signs of reality in his paintings in 1912 marks the beginning of Synthetic Cubism. Historians speak of “signs of real” rather than reality because what interests Braque, this is not to put reality into a table, but to create a painting which, by its language, refers to the real. To do this, he invented two major techniques XX th century inclusions and contributions. The inclusions consist of painting objects that have no real depth, materials (wallpaper in Nature morte aux playing cards faux wood is a pictorial inclusion) or letters (calligraphic inclusion in Portuguese ), made first brush and a few months later stencil. Contributions are defined in contrast with the collage on canvas of foreign materials: glued or sand paper, sawdust, etc.. Regarding the collages, Braque used for the first time in September 1912 a piece of adhesive paper imitating faux wood Compote...

(after) Jacques Villon Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature...

Engraving after Paul Jouve From the work of Terrasse in 1948 490 copies Size etching: 23 x 18 cm Frame: 45 x 49 cm

Woodcut, 2019. Signed in pencil and numbered from the edition of 15.

After Pablo Picasso The Human Comedy - Lithograph after an original drawing, as published in the journal "Verve" Printed signature and date Dimensi...