Manhattan - Landscape Prints

Malinda Beeman Steven's Carnage, from the Art Against AIDS Portfolio, 1988 Lithograph on paper with deckled edges. Hand signed. Numbered. Titled. Printer's and Publisher's Blind Stam...

An abstract black and white shadowbox drawing of a Greek column, with a unique handmade, hand printed, leather brown wood grain frame. According to Roberta Smith, Michael Hurson "......

One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from t...

This is a modernist view of a New York City park. It's interesting because we're given so much detail and yet it's drawing style also keep things hidden. Really I think it's about Cu...

Risaburo Kimura ( Japanese, 1924 - ), "City 371", Abstract Color Screen Print Serigraph, 22.50 x 19, Late 20th Century Colors: Purple, Blue, Orange

The title appears in pencil at the left bottom margin, in another hand. The print is monogrammed in the plate at the lower right. A Buffalo native, Kevin O'Callahan studied at the C...

Donald Shaw MacLaughlin (1876-1938), Doorway of the Doges, Venice, etching with plate tone, 1909, signed bottom right [also signed and dated in the plate]. Reference: Marie Bruette 1...

Set of six plates Edition of 500 This set contains these editions numbers: 148,249,250,252,302,303 plates are manufactured at Bryan Pottery, Pennsylvania or New Jersey

A glowing lemon-yellow wash of color floods this erotic beach landscape with light. Hidden in the dappled shadow of a tree, a nude woman glances downward as she applies sunscreen. A ...

Clayton Knight drew a careful rendering of the plane -- even showing how it would look in the air as it banked. Edward Stinson was an accomplished, eve...

Unknown/Unidentified Artist, "Untitled" Edition 80/120, Abstract Lithograph signed and numbered in pencil, 22 x 30, Late 20th Century Colors: Red, Green, Yellow, Black, White, Brown...

Cynthia MacCollum is a painter, printmaker, and photographer who lives and works in New Canaan, CT. Her work has been shown online at ODETTA, NYC, and in person at the Center for Contemporary Printmaking...

Jack Bilander (Polish/Amercan 1919-2008) , "View From Bridge" , Abstract Colored Etching/ Aquatint, 19.25 x 10.75, Mid-Late 20th Century, 1958 Colors: Black, White, Red Jack Biland...

Robert Irwin Being and Circumstance Notes Toward a Conditional Art, 1985 Hardback monograph with dust jacket (hand signed and dated 2015 by Robert Irwin) Boldly signed and dated May...

Bernard Charoy (French b. 1931 ) , "Untitled Winter Landscape," Edition 85/150, Abstract Lithograph signed and numbered in Pencil, 22 x 30, Late 20th Century Colors: Green, White, G...

More a wood engraving rather than a woodcut, Glintenkamp's Farmyard scene was given all the care and detail of the artist's more complex images. It is signed and numbered in pencil. ...

Ray Smith's aptitude for the surreal is apparent in this portfolio of six drypoint prints, presented in a portfolio case. Each image depicts an intriguing, fantastic landscape populated with chimeric nudes. Each one is carefully printed to appear as if doodled on lined notebook paper with ballpoint pen: Japanese letter paper chine-colle on Kizuki Hosho paper. Translated as "Letters from Japan," Cartas de Japon plays on tropes of an exotic, faraway land. The series of prints perhaps pictures Japan in the imagination of westerners, who for centuries speculated that those from other continents had wildly different bodies and customs. The title may be a reference to iconic Mexican director Carlos Velo's 1973 film Letters from Japan. Cartas del Japon, 1988-89 Portfolio of 6 drypoint prints printed on Japanese letter paper mounted on Kizuki Hosho paper Plate 6 x 7.8 in. Paper 18 x 23.4 in. Ed. 30 with three artist proofs. Printed by Hideharu Mishio, Norimasa Mizutani, and Marie Okada at Woodblock Workshop. Published by AC&T CORPORATION, Tokyo, 1989. Per the Broad: "Ray Smith’s paintings incorporate surrealistic and animistic tendencies informed by his Latin heritage as well as deep study of the history of modern art. Smith was born near the Texas/Mexico border...

Montparnasse Street– 1931, Etching Duffy 128. Edition 50, only 25 printed. Signed, dated, and annotated imp and 50 in pencil. Image size 4 7/8 x 9 7/8 inches (124 x 251 mm); sh...

John D. Muench (American 1914-1992) "February" Edition 13/40, Landscape Lithograph Print signed and numbered in Pencil, 14 x 18 (Plate Size, 8.50 x 13, Late 20th Century Colors: Bla...

Marta Villoslada (Spanish 1973 - ) "Untitled: Green Country Landscape" Edition 1/100, Abstract Serigraph signed and numbered in Pencil, 19 x 23.25, Late...

Lyonel Feininger, “Kreuzende Segelschiffe 2 (Cruising Sailing Ships 2)” 1919, Woodcut. Prasse W175. Edition 275 unsigned for portfolio Die tunlte Jahresgabe des Kreises graphischer ...

James Penney was widely known for his New Yorker covers as well as his paintings and prints. Penney was from Saint Joseph, Missouri. He trained in NYC at the Art Students League. The New-York Historical Society and the Library of Congress both have collections of his work. Signed, titled, and dated, and annotated 'Test #1' in pencil. Note entirely sure what's going on here...

Signed, numbered, and with extensive dedication to the artist Norman Kent. Titled in lower margin in another hand. Really, no one could draw on a lithograp...

Terence La Noue New Monuments of Quetzalcoatl, 1976 Offset lithograph on wove paper Signed, dated and numbered 1/500 by the artist on the lower right front (although the stated editi...

Color cityscape and landscape with swimmers bathing with friends in a large sapphire blue pool or body of water. This monotype -- a unique painting in ink -- presents an atmospheric scene of European leisure and sports. Turquoise water contrasts with the swimmer's bodies, painted with shades of peach, with black outlines. Paper 35 x 26 in. / 90 x 66 cm. Monotype on white MBM Ingres d'Arches paper. Signed by the artist, annotated "IIC", and dated 1990 lower right in pencil. This large, multi-color monotype depicts a group of young men swimming...

Boyd was a master printmaker. This wood engraving is a marvel of open space. There may have been a horizontal crack in the block. There's a disconnect running across the center. At...

Both the natural world and architectural grit have a place in Lisa Breslow's work, highlighting the pull of New York City that is created by these opposing forces side-by-side. She ...

Clearly a view from New York City across the Hudson River to the New Jersey Palisades, this small format packs a wallop! Construction of the bridge was begun in 1927 and this scene i...

Artist Unidentified /Unknown, "Untitled: Purple, Blue & Gold" Edition 39/200, 19.75 x 25.50, Late 20th Century Colors: Purple, Blue, Brown, Yellow, Gold Note* Unidentified Artist si...

Ann Aspinwall’s Helios is a striking large-scale work that exemplifies her mastery of minimal color and intricate mark-making. Known for her precise printmaking and deep understandin...

Moses Oley drew an industrial scene, but one very much in isolation. The quarry equipment looks both imposing and busy. There appears to be smoke coming fro...

This print is signed and titled in pencil. A native of Tennessee and a physician, Pittman began to make prints in 1936 in Trenton, New Jersey. However, scene of his home state remain...

Beach Scene with Parasailor 1998 Lithograph on Rives BFK Mould-Made Paper (Edition of 60) 39.5 x 49.75 inches $6,500 This work is offered by ClampArt in New York City.

Maya Lin: Systematic Landscapes poster (hand signed and dated), 2006 Offset lithograph poster Hand signed and dated 2006 in black marker by Maya Lin on the front 16 1/2 × 26 inches U...

Shelly (Sheldon) Fink (American, 1925-2002), "Hot Dog Man" Edition 67/150, Figurative/Landscape Lithograph signed on Paper, 17 x 14, Late 20th Century, 1968 Color: Black and White Sheldon Fink was born in 1925 in Brooklyn, NY. He attended the High School of Music and Art in Manhattan, and won Tiffany Foundation grants in 1957 and 1963. Shelly's work has appeared at the Albany Art Institute, the Berkshire Art...

Rachel Burgess' landscapes are explorations of memory and the resonance of nature's forms. She begins her artistic process with plein air paintings and drawings which she completes i...

Massachusetts-born Fred Nagler studied at the Art Students League from 1914 to 1917, with George Bridgeman and Robert Henri, and eventually became a member of the Board of Control. He taught at the Connecticut College for Women, and after the death of Grant Wood, the University of Iowa State...

Thelma Appel Meeting Plaza, 2018 25 Color Silkscreen on 320 Gram Coventry paper with full margins and deckled edges. Accompanied by ARTIST SIGNED, gallery issued Certificate of Authenticity (COA) - hand signed by BOTH the artist and gallery director 23.5" (vertical) x 29.25" (horizontal) Hand signed, titled, annotated & dated on the lower right front - a rare Artists Proof, aside from the limited edition of 75 Unframed This magnificent silkscreen, Meeting Plaza is signed, dated and numbered in graphite pencil on the front from the limited edition of 75. Other examples of this work were exhibited in the 2021 show "New York and No Place Else: Art that Celebrates New York" at the Chashama Foundation, New York, and it was also featured in the invitational exhibition "Women on Paper" in April, 2021 at the Sager Reeves Gallery in Columbia, Missouri. "Meeting Plaza" is a place where people from all over the world are always welcome to meet in peace and enjoyment; an exquisite 25-color limited edition silkscreen done in collaboration with master printer Gary Lichtenstein. The work is evocative of New York's Rockefeller Center and the United Nations, but the flags are abstracted, to emphasize international unity, rather than single out any individual country. The artist explained: "I wanted to convey a city that welcomed all nationalities and all people… The flags for me are a counterpoint to the city’s geometric architecture, and their suggested movement and irregular shapes echo the organic morphology of the people below. I painted an evening sky. It is dusk. Nobody is rushing. People are conversing with each other, walking slowly or gathering in small groups enjoying a calm evening in the New York City…I, too, am one of the people converging at the 'Meeting Plaza' ...” Other examples of "Meeting Plaza" were exhibited in the 2021 show "New York and No Place Else: Art that Celebrates New York" at the Chashama Foundation, New York, and the print was featured in the invitational exhibition "Women on Paper" in April, 2021 at the Sager Reeves Gallery in Columbia, Missouri. Thelma Appel biography A co-founder of the Bennington College Summer Painting Workshop, Thelma Appel is a representational and abstract painter who has been working and teaching for more than six decades. Most recently, she was subject of a 50-year career survey (October, 2019 -February 2020) at the Brattleboro Museum in Vermont, entitled Thelma Appel: Abstract/Observed curated by Mara Williams, and she exhibited at the Mattatuck Museum in Connecticut which acquired one of her fabric collages for their permanent collection. Thelma Appel was raised in Darjeeling, India and educated in London, England, at St. Martin's School of Art (now Central St. Martins) and Hornsey College of Art before emigrating to the United States in the 1960s. Her work has been exhibited in numerous venues, including the Bennington Museum, the Berkshire Museum in North Adams, Mass., the Children's Museum of the Arts in New York City, the Mattatuck Museum, the Brattleboro Museum, the Milwaukee Art Museum, the Robert Hull Fleming Museum at the University of Vermont and the University of Pennsylvania Fine Arts Gallery. In 1974 she was awarded a YADDO Fellowship, and in 1975, Thelma Appel, along with the painter Carol Haerer, co-founded the Bennington College Summer Painting Workshop, where many distinguished painters of the day, both abstract and representational, conducted master classes. Among them were Neil Welliver, John Button, Alice Neel, Larry Poons, Friedel Dzubas, Stanley Boxer, Elizabeth Murray and Doug Ohlson – a program that continued until 1980. She has also taught drawing at Parsons School of Design, painting at Southern Vermont College and at the University of Connecticut. Appel’s work has been presented at Art on Paper, Texas Contemporary, Market Art & Design and Art New York art fairs and has been exhibited at Alpha 137...

Larry Rivers Happy 20th Birthday Lincoln Center, 1979 Lithograph on wove paper Hand signed, numbered 80 from the limited edition of 108 and dated on the front by Larry Rivers 26 × 35 inches Unframed This hand signed and numbered limited edition lithograph was commissioned by the prestigious Vera List print program in NYC which invited artists to create works that would help fundraise for Lincoln Center, which many New Yorkers consider the cultural center of the city. This is Larry Rivers' clever homage to...

This original, limited edition etching, was realized by the esteemed American artist John E. Costigan, who is represented in the collections of the Metropolitan Museum, the Philips M...

Gary Hume Grey Leaves 2004 Screen print in 4 colours with one glaze, printed on 400gsm Somerset Tub Sheet: 28 x 23 inches; 71 x 59 cm Frame: 30 3/8 x 25 1/...

Christian Ludwig Martin worked in Vienna. He was an artist, illustrator, and art teacher. 'Geese' is titled in German, and titled and signed in pencil. It is on a large sheet. While ...

One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from t...

This lithograph is signed and titled in pencil.

There's so often a mysterious or evocative atmosphere that permeates Sander's work. Signed in pencil; titled in lower margin in pencil.

Really a wood engraving rather than a woodcut, Henry R. Diamond's Whaler is majestic. It is signed and titled in pencil.

C-print on Endura metallic paper (Edition of 3 + 1 AP) Signed and numbered on label, verso This artwork is offered by ClampArt, located in New York City. Begun in 2003, the series ...

Mario Grenville made this print for the publishing program of Associated American Artists. It was issued in 1945 making it a calm antidote to the ending of World War II, although it ...

"Kiosk in Paris" British Linocut 1/50 European Modernism Swiss Vorticism Deco Lill Tschudi (Swiss, 1911-2004) Kiosk in Paris (Coppel LT 29) Linocut...

This impression of "Here They Come !" is from the fourth state of eight. There are six known impressions of the fourth state. Edition 150 (final state). It is signed in pencil in the lower left and inscribed "D-1". The image size 13 7/8 x 11 3/4" (34.6 x 28.8 cm) and sheet size 16 3/4 x 14 5/8" (42.8 x 37.1 cm). FRANK W. BENSON (1862-1951) Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life. His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years. During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...

Mid Century Modern Palm Springs Architecture. Steve McQueen vintage car photographed for the first time at his home in Palm Desert. Archival...

A contemporary of David Hockney and Peter Blake, Colin Self is an important British printmaker whose innovative etching techniques and novel use of found materials have defined his diverse oeuvre. Yet unlike most artists associated with Pop Art, Self eschewed glossy, colorful bombast for nuanced drawings in a limited palette. Self's imagery has ranged from the geopolitical -- nuclear bombers, fallout shelters; to American icons -- hot dogs, Coca Cola cans; to the everyday -- intimate scenes of animals and plants, and whimsical figure drawings as seen here. The title of this print, Microwave Oven...

Cynthia MacCollum is a painter, printmaker, and photographer who lives and works in New Canaan, CT. Her work has been shown online at ODETTA, NYC, and in person at the Center for Contemporary Printmaking...

Paper 44 x 30 in. / Paper 112 x 76 cm Monotype on white paper. Signed by the artist and dated 1989 lower right in pencil. Annotated G verso. Condition is as new except for a small ...

Frederick Kiesler "Frederick Kiesler: An Exhibition of Architecture and Sculpture (Endless House, Model)" Yale University School of Art and Architecture, New Haven, c. 1967 Exhibitio...

This lithograph by Oyvind Fahlstrom, produced in an edition of 100, is offered by CLAMP in New York City.

“LA CASA VIVENDA” Emilio Sanchez (1921-1999) created this color lithograph entitled “La Casa Vivenda” circa 1991. Image size 18.38 x 25 inches and the paper size 21.75 x 29.38 inches. Printed in an edition of 100 this impression is inscribed “70/100” - the 70th impression of 100. This impression is pencil signed in the lower right and inscribed in the lower left. “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...

"Sunny Day" Color Nature Photography by Shooting Star Designs Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered ...