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Item Ships From: Manhattan
California Coast
By Ludwig Favre
Located in New York, NY
ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...
Category
2010s Manhattan - Landscape Prints
Materials
Photographic Paper
Puck Corner, SOHO, New York signed & numbered 10/100 by top architectural artist
By Richard Haas
Located in New York, NY
Richard Haas
Puck Corner, SOHO, New York, 1971
Etching and Aquatint (affixed to white matting)
Hand signed and numbered 10/100 by the artist on the lower front
19 3/5 × 16 1/2 inches...
Category
1970s Realist Manhattan - Landscape Prints
Materials
Pencil, Etching, Aquatint
Kevin B. O'Callahan, (Exotic Temple)
By Kevin B. O'Callahan
Located in New York, NY
This (Exotic Temple) is monogrammed in the plate at the lower right.
A Buffalo, New York native, Kevin O'Callahan studied at the Carnegie Institute and worked on the WPA. He is kno...
Category
1920s Aesthetic Movement Manhattan - Landscape Prints
Materials
Intaglio
Blanche Grambs, Unemployed
Located in New York, NY
Blanche Grambs, known to friends as 'Grambs' (1916-2010) was born in China. She came to New York as a very young woman to study at the Art Students Leag...
Category
1930s Ashcan School Manhattan - Landscape Prints
Materials
Etching
Ann Nooney, (New York City Scene)
By Ann Nooney
Located in New York, NY
The dimensions are for the image; there are large margins. This lithograph is signed in pencil.
A native New Yorker, Ann Nooney (1900-1970) recorded the urban scene while on the Works Progress...
Category
1930s Ashcan School Manhattan - Landscape Prints
Materials
Lithograph
Sid Gotcliffe, Tompkins Square Park, about 1940
By Sid Gotcliffe
Located in New York, NY
British-born Sid Gotcliffe has made a powerfully poignant image in the lithograph Tompkins Square Park.
At the center sit three men dressed in black. Their clothes suggest they bel...
Category
Mid-20th Century Ashcan School Manhattan - Landscape Prints
Materials
Lithograph
Alfred Bendiner, Rue des Matrys (Paris)
By Alfred Bendiner
Located in New York, NY
World traveler that he was, Bendiner was clearly at home in Paris. He found everyone fascinating and has made this print a compendium of local characters and types. Nothing escapes h...
Category
1950s American Modern Manhattan - Landscape Prints
Materials
Lithograph
Bay with Boats Color Monotype unique signed abstract color field landscape frame
By Wolf Kahn
Located in New York, NY
Wolf Kahn
Bay with Boats, 1987
Color monotype on Somerset white wove paper
Hand signed and dated by Wolf Kahn on the lower right front, bears labels on the back
Frame Included: matte...
Category
1980s Color-Field Manhattan - Landscape Prints
Materials
Lithograph, Monotype
Untitled (Chamber Music Society) by Jennifer Bartlett
By Jennifer Bartlett
Located in New York, NY
This screen print was commissioned by Lincoln Center in 1981 to celebrate the Chamber Music Society in a signed and numbered edition of 144.
Born in 1941, Long Beach, CA, Jennifer B...
Category
Late 20th Century Contemporary Manhattan - Landscape Prints
Materials
Screen
UK exhibition poster of Grimms' Fairy Tales (Hand signed by David Hockney)
By David Hockney
Located in New York, NY
David Hockney
Grimms' Fairy Tales (Hand Signed), 1996
Offset Lithograph Poster
Boldly signed in ink marker on the top front
16 1/2 × 11 1/2 inches
Unframed
This signed offset lithograph poster was created on the occasion of the David Hockney: Grimms' Fairy Tales exhibition at the Farnham Maltings SC...
Category
1990s Pop Art Manhattan - Landscape Prints
Materials
Lithograph, Offset
Old Putney Bridge
By James Abbott McNeill Whistler
Located in New York, NY
James Whistler (1834-1903), Old Putney Bridge, 1879, etching and drypoint, signed in pencil with a large, elaborate shaded butterfly, lower right and inscribed imp (also signed with the butterfly in the plate), printed in dark-brown/black ink on laid paper, watermark ProPatria, an impression in Glasgow’s seventh (final) state, published by The Fine Art Society, probably printed in 1881, 8x 11 3/4 inches, sheet 12 1/8 x 16 1/8 inches. Reference: Kennedy 178; Glasgow 185.
Provenance: Kraushaar Gallery, New York
A fine impression, with wide margins.
The Fine Art Societys relationship with Whistler began with the new etchings of the Thames he made in 1879, following a visit from Ernest Brown who had joined the staff of the gallery. The plate is on a large scale and shows the change in the artists approach to the Thames since the etchings he had made in Wapping and the docks in the summer of 1859. The central motif is the old bridge, by this stage somewhat dilapidated. It was shortly to be demolished and replaced by the new bridge of Cornish granite...
Category
Late 19th Century Impressionist Manhattan - Landscape Prints
Materials
Drypoint, Etching
Alexander Kachinsky, Uptown, NYC
Located in New York, NY
Russian-born and European-educated Alexander Kachinsky was a designer of stage sets (for the Ballet Russe), furniture, and commercial interiors. His prints are in the collection of t...
Category
Mid-20th Century Ashcan School Manhattan - Landscape Prints
Materials
Etching
Harold E. Keeler, Water Fall
Located in New York, NY
Harold E. Keeler worked in Hollywood as a set designer. That seems especially important here because the Water Fall looks a little as though it could be a w...
Category
1930s American Modern Manhattan - Landscape Prints
Materials
Linocut
Woodland
Located in New York, NY
Adams Wirt Garrett was a Texas native who was raised in Oklahoma and came to New York City. He earned a Masters Degree in Art from Columbia University and attend the Art Students Lea...
Category
1930s Abstract Impressionist Manhattan - Landscape Prints
Materials
Drypoint
Home 3
Located in New York, NY
ABOUT THIS ARTIST: Ana Popescu is a French visual artist born in Romania. Her work has a modern charm, celebrating interior and exterior spaces with color ...
Category
2010s Manhattan - Landscape Prints
Materials
Photographic Paper
Wrapped Trees, Switzerland poster (Hand Signed by Christo and Jeanne-Claude)
By Christo
Located in New York, NY
Christo and Jeanne-Claude, Christo, Javacheff Christo
Wrapped Trees, Switzerland poster (Hand Signed by Christo and Jeanne-Claude), 1998
Offset lithograph (hand signed)
Signed Christ...
Category
1990s Pop Art Manhattan - Landscape Prints
Materials
Lithograph, Offset
Paris Review (Lt. Ed. S/N) 1960s print by renowned Pop Artist abstract landscape
Located in New York, NY
Allan D'Arcangelo
Paris Review, 1964-5
Silkscreen
32 × 26 inches
Signed and numbered from the limited Edition of 150
pencil signed, numbered and dated on the front
Unframed
Published by the Paris Review, Printed by Steven Poleskie at Chiron Press, New York
Allan D'Arcangelo created this work in 1964 as a benefit print for the eponymous Paris Review magazine which invited some of the most famous artists of the era to contribute. Over the next decade, D'Arcangelo would continue to receive significant recognition in the art world - exhibiting at Fischbach and then Marlborough Galleries in Manhattan. He was well known for his paintings of the iconic American highway, along with his depictions of desolate, industrial landscapes. In her essay "Ghost on the Highway: Allan D'arcangelo's Haunting Americana", Alice Bucknell writes, "A born-and-bred New Yorker, D’Arcangelo spent his due time trawling through the Bible Belt of the Deep South and the dizzying expanse of the Southwest desert as well as the more expected outposts of New York and L.A. Taking a particular favor to the way acrylic interacts with light — how it avoids the glistening sheen of oil, and how the flatness of the medium masks the presence of the artist’s hand — D’Arcangelo teases out complex ideas of the highway’s reality and representation, its rampant commercialization and maddening isolation, as well as escapism and entrapment as two split personalities of American infrastructure space through his signature flattening one-point perspective. “My most profound experiences of landscape were looking through the windshield,” D’Arcangelo explained to Marco Livingstone in the spring of 1988 while the two drove from New York City to the artist’s studio in upstate New York: an idiosyncratic interview included in the exhibition catalogue. “The sky, the tree line and the pavement all have the same quality, and it has to do with our separation from the natural world.” Far from the sugar...
Category
1960s Pop Art Manhattan - Landscape Prints
Materials
Pencil, Screen
Donald Shaw MacLaughlan, A Tuscan Farm
By Donald Shaw MacLaughlan
Located in New York, NY
Donald Shaw MacLaughlan's small, even 'miniaturist' etching, 'A Tuscan Farm,' features an idyllic view of a scene he would have encountered on his European...
Category
Early 1900s American Modern Manhattan - Landscape Prints
Materials
Etching
New York Scenic
By Caitlin McGauley
Located in New York, NY
THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information.
ABOUT THIS PIECE: Based in New York, Caitlin McGauley is an artist and illustrator with...
Category
2010s Manhattan - Landscape Prints
Materials
Plexiglass
Ramshackle Barn (de-accessioned from the Denver Art Museum)
By Asa Cheffetz
Located in New York, NY
Asa Cheffetz
Ramshackle Barn (de-accessioned from the Denver Art Museum), ca. 1929
Wood-engraving
Pencil signed, numbered 27/100 and titled by the artist on the front
13 × 10 1/4 inches
Unframed - affixed to matting
De-accessioned from the collection of the Denver Art Museum
Asa Chaffetz, "the engraver's engraver"
This is the original numbered wood engraving from 1929; not a later re-print
This print was honorable mention in the International Exhibition of prints, Art Institute of Chicago, 1929
Exhibited: New England engraved: The prints of Asa Cheffetz: An Exhibition of his wood engraving & an exploration of his life as an artist. Springfield, MA: Museum of Fine Arts, 1984 (A different example)
Asa Cheffetz Biography:
Born in Buffalo, New York, Cheffetz studied at the School Of The Museum Of Fine Arts in Boston under Philip Leslie Hale...
Category
1920s Realist Manhattan - Landscape Prints
Materials
Engraving
S. L Margolies, Silent Symphony
Located in New York, NY
S. L Margolies (Samuel L.) made dynamic urban views and calm country scenes. This peaceful subject, with snow-covered hills and tidy cabin, Silent Symphony, 1946, marks an end to the...
Category
Mid-20th Century American Modern Manhattan - Landscape Prints
Materials
Etching
Illuminated Dendrology - Tunneling 2
By Linda Westin
Located in New York, NY
Linda Westin, based in Stockholm, left photography and became a Ph.D. in neuroscience specialized in super-resolution fluorescence microscopy. Then she turned back to photography. No...
Category
2010s Manhattan - Landscape Prints
Materials
Photographic Paper
Big Bambu, signed & numbered print based upon Metropolitan Museum installation
Located in New York, NY
Doug & Mike Starn
Big Bambu, BBMet 03.15.2010 K441f, 2010-2011
Epson K3 Ultrachrome inkjet print on gelatin-coated Zerkall paper. Signed. Numbered
Signed and numbered from the limited edition of 40.
14 × 14 inches
Provenance
Acquired from ACRIA, a charitable foundation
Donated directly by the artist to the above
Unframed
Signed and numbered verso (back) from the limited edition of only 40. This archival inkjet print depicts the Starn brothers...
Category
2010s Contemporary Manhattan - Landscape Prints
Materials
Ink, Inkjet
John Taylor Arms, Le Collegiate, Toro, also known at 'Collegiate Church'
By John Taylor Arms
Located in New York, NY
John Taylor Arms was known for making such finely drawn etchings that commercial tools were not good enough: He regularly used sewing needles with corks for handles. Fletcher 284. Ed...
Category
Mid-20th Century American Realist Manhattan - Landscape Prints
Materials
Etching
Untitled: Horse Show (Edition D'Artiste)
By Urbain Huchet
Located in New York, NY
Urbaine Huchet (French, b. 1930) "Untitled: Horse Show" Edition D'Artiste, Abstract Impressionist Lithograph signed and numbered in Pencil, 28.25 x 20.63,...
Category
Late 20th Century Abstract Impressionist Manhattan - Landscape Prints
Materials
Lithograph
John W. Gregory, Aquarium
By John W. Gregory
Located in New York, NY
Gregory often worked in lithography, probably learned at the Art Students League in New York City. In all likelihood this is a New York scene but he also often drew New England subje...
Category
1930s Ashcan School Manhattan - Landscape Prints
Materials
Lithograph
On the Kedgwick
By Frank Benson
Located in New York, NY
Frank Benson created the etching "On the Kedgwick" in 1923, in an edition of 150. This impression is the second state of four. There are five known impressions of the second state. It is signed in pencil and inscribed "B-1" and "1 or 5" at the lower left paper edge (pencil). The image size 7 13/16 x 11 7/8" (19.9 x 30.2 cm) and sheet size 15 3/8 x 11 1/2" )29.3 x 39 cm). It is listed in the Frank W. Benson catalogue raisonne by Paff #222.
FRANK W. BENSON (1862-1951)
Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
1920s Impressionist Manhattan - Landscape Prints
Materials
Etching
Kent Hagerman, (United States Air Force, Fairchild XC-120 Packplane)
By Kent Hagerman
Located in New York, NY
Kent Hagerman was an amazing draftsman who managed to get fantastic detail into his work while showing the environment and atmosphere.
This print captures the moment a 'pod' is bein...
Category
Mid-20th Century American Modern Manhattan - Landscape Prints
Materials
Etching
Chelsea Hotel, Sunset
By Richard Haas
Located in New York, NY
Richard Haas
Chelsea Hotel, Sunset, 1980
Offset Lithograph poster on paper
Pencil signed on the front
23 1/4 × 21 1/2 inches
Unframed
This striking offset lithograph poster by the world's top architectural muralist Richard Haas presents a detailed portrait of the historic New York City landmark - the legendary Chelsea Hotel. Many famous people stayed at this storied hotel. Nancy Spungen...
Category
1980s Realist Manhattan - Landscape Prints
Materials
Offset
Limited Edition Color Print, Watch Us: Together We Can Do It, I
Located in New york, NY
Watch Us: Together We Can Do It, I 2019 by Chin Chih Yang is a signed limited edition digitally created print on archival paper: 27/75 - edition number, date of creation, and artist'...
Category
2010s Abstract Manhattan - Landscape Prints
Materials
Pigment, Archival Pigment, Digital
Diner
By Noel Kerns
Located in New York, NY
ABOUT THIS PIECE: This photograph is of a movie set diner and Joshua tree lost in the desert near a place called Lake Los Angeles, California.
ABOUT THIS ARTIST: Noel Kerns is a Tex...
Category
Early 2000s Manhattan - Landscape Prints
Materials
Photographic Paper
Bernard Sanders, Sledding in Central Park, NYC
Located in New York, NY
Signed in pencil. This scene is a hundred years old but if we have snow this year it can easily be recreated.
Category
Early 20th Century American Modern Manhattan - Landscape Prints
Materials
Drypoint
Windswept Landscape Henry Moore drawing of Scottish landscape for W.H. Auden
By Henry Moore
Located in New York, NY
One of a series of 18 lithographs drawn by the artist fo¬r the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from the portfolio (edition of 75) and the book. Signed by the artist lower right in pencil; numbered lower left in pencil.
Printed in inky black, this print features a shadowy landscape. Brush sweeps to the left, and the sky is drawn with long horizontal lines. In the bottom half of the composition, the ground looks rocky, perhaps dotted with shrubs.
Windswept Landscape displays Moore’s fascination with light and dark – what he called a “…bias towards the blackness and mysterious depths.” Moore was inspired by the prints of Rembrandt and the drawings of Seurat, and even drew on his memories of viewing the Altamira cave paintings, recalling how some of the images used the shadow of candlelight on the rough surface of the rock to model light. Shortly before starting work on this series of lithographs, Moore had fallen ill, leaving him aware of his own mortality. His mood pervaded these prints with a sense of danger and foreboding.
The Auden/Moore limited edition book and portfolio were exhibited on publication at the British Museum, London, with an accompanying catalogue.
Windswept Landscape is one of a group of lithographs...
Category
Late 20th Century Modern Manhattan - Landscape Prints
Materials
Lithograph
Marsha Feigin, Slam, 1977, photo-etching of tennis player
Located in New York, NY
Marsha Feigin's print Slam, brings home the drama we all love about tennis. She GETS IT!
There's something about the energy and maybe torque of the body here that makes us think "I ...
Category
1970s Realist Manhattan - Landscape Prints
Materials
Intaglio
Icelandic Surfing
By Ludwig Favre
Located in New York, NY
ABOUT THIS PIECE: French photographer Ludwig Favre recently traveled to Iceland. Favre is know for his soft Palette, interesting crops and large scale photographs.
ABOUT THIS ARTIST...
Category
2010s Manhattan - Landscape Prints
Materials
Photographic Paper
La Casita Azul
By Emilio Sanchez
Located in New York, NY
“LA CASITA AZUL”
Emilio Sanchez (1921-1999) created this color lithograph entitled “La Casita Azul” circa 1970. The image size is 21.50 x 31.25 inches and the paper size 23.13 x 33 inches. Printed in an edition of 100 this impression is inscribed “91/100” - the 54th impression of 100. Pencil signed in the lower right and inscribed in the lower left.
“Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category
Late 20th Century Modern Manhattan - Landscape Prints
Materials
Lithograph
United Nations
By Bernard Buffet
Located in New York, NY
This is number #16 in the catalogue on the etchings of Bernard Buffet in a limited. The above size is the paper size and it is also framed. There is no fading or foxing in and on th...
Category
1950s French School Manhattan - Landscape Prints
Materials
Faience, Etching
Thin-lipped Armourer I: W. H. Auden poetry with Henry Moore, Yorkshire landscape
By Henry Moore
Located in New York, NY
This darkly-shaded portrait of two figures is one of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from the portfolio (edition of 75) and the book. Signed by the artist lower right in pencil; numbered lower left in pencil.
Printed in inky black, Thin-lipped Armourer features two figures subsumed in crosshatched shadow. The figure on the left can barely be seen, and the hollows of his eyes recall a skull. Numerous Moore prints from this series include two heads, perhaps relating to the first lines of Auden’s poem Lullaby. Lullaby was the first poem Moore read for this project, which begins:
“Lay your sleeping head, my love / Human on my faithless arm; / Time and fevers burn away Individual beauty from / Thoughtful children, and the grave / Proves the child ephemeral: / But in my arms till break of day / Let the living creature lie, / Mortal, guilty, but to me / The entirely beautiful.”
This print evinces Moore’s fascination with light and dark – what he called a “…bias towards the blackness and mysterious depths.” Moore was inspired by the prints of Rembrandt and the drawings of Seurat, and even drew on his memories of viewing the Altamira cave paintings, recalling how some of the images used the shadow of candlelight on the rough surface of the rock to model light. Shortly before starting work on this series of lithographs, Moore had fallen ill, leaving him aware of his own mortality. His mood pervaded these prints with a sense of danger and foreboding.
The Auden/Moore limited edition book and portfolio were exhibited on publication at the British Museum, London, with an accompanying catalogue. Thin-lipped Armourer I is one of a group of lithographs...
Category
Late 20th Century Modern Manhattan - Landscape Prints
Materials
Lithograph
Alfred Bendiner, Place St. Andre des Arts (Paris)
By Alfred Bendiner
Located in New York, NY
The Place St. Andre des Arts, on the Left Bank in Paris, would have been a natural environment for Bendiner. It was the Latin Quarter, just south of the Louvre and near everything im...
Category
1950s American Modern Manhattan - Landscape Prints
Materials
Lithograph
July, Landscape silkscreen signed 6/14, Memorial Sloan Kettering Art Coll Framed
Located in New York, NY
William Waitzman
July (from the Memorial Sloan Kettering Art Collection), 2016
Hand made color silkscreen on wove paper
Pencil signed and numbered 6/14 on the front
Frame included:
M...
Category
2010s Contemporary Manhattan - Landscape Prints
Materials
Screen
Cynthia MacCollum, Disco, 2020, Hand-Altered Monotype, Naturalistic
By Cynthia MacCollum
Located in Darien, CT
Cynthia MacCollum is a painter, printmaker, and photographer who lives and works in New Canaan, CT. Her work has been shown online at ODETTA, NYC, and in person at the Center for Contemporary Printmaking...
Category
2010s Naturalistic Manhattan - Landscape Prints
Materials
Printer's Ink, Acrylic, Rag Paper
Sparire 2, Enzo Cucchi dream scape surreal etching, aquatint and silkscreen
By Enzo Cucchi
Located in New York, NY
Sparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet.
Enzo Cucchi
Sparire II, 1988
Color etching, aquatint and silkscreen
30 1/2 × 118 in...
Category
1980s Manhattan - Landscape Prints
Materials
Etching, Aquatint, Screen
August Lake, Memorial Sloan Kettering Art Collection signed landscape silkscreen
Located in New York, NY
William Waitzman
August Lake (from the Memorial Sloan Kettering Art Collection), 2016
Hand printed color silkscreen on wove paper
Pencil signed and numbered 4/14 on the front
Frame i...
Category
2010s Realist Manhattan - Landscape Prints
Materials
Screen
Limited Edition Print by Taiwanese Artist, Watch Us: Together We Can Do It, II
Located in New york, NY
Watch Us: Together We Can Do It, II 2020 by Chin Chih Yang is a signed limited edition print on archival paper: 29/75 - edition number, date of creation, and artist's signature on re...
Category
2010s Abstract Manhattan - Landscape Prints
Materials
Pigment, Archival Pigment
Stow Wengenroth, Friendly Neighbors (Birds)
By Stow Wengenroth
Located in New York, NY
Edition of 80. Signed and numbered in pencil. Really, no one could draw on a lithographic stone like Stow Wengenroth. He drew many animals and birds...
Category
Mid-20th Century Naturalistic Manhattan - Landscape Prints
Materials
Lithograph
I'll take my life monotonous from "Some Poems of Jules Laforgue" graphic pop art
By Patrick Caulfield
Located in New York, NY
Printed in glossy purple, lavender, and bright yellow, I'll take my life monotonous by Patrick Caulfield depicts a lattice outlined in black, with three small dots of yellow. A garden lattice...
Category
Late 20th Century Pop Art Manhattan - Landscape Prints
Materials
Screen
Kevin B. O'Callahan, Alabaster
By Kevin B. O'Callahan
Located in New York, NY
A Buffalo, New York native, Kevin O'Callahan studied at the Carnegie Institute and worked on the WPA. He is known for his Arts and Crafts period woodcuts and his later industrial sce...
Category
1920s Aesthetic Movement Manhattan - Landscape Prints
Materials
Woodcut
Ross Bleckner, Water Lilies (C.M.)
By Ross Bleckner
Located in New York, NY
Ross Bleckner
THE WATER LILIES (C.M.)
Year: 2019
Medium: Archival pigment print on Innova Etching Cotton Rag 315 gsm fine art paper
Size: 42 x 70 inches (107 x 178 cm)
Edition: 30
Price: $7,000
Also sold as a set with Floating Red
Glowing and contemplative, Ross Bleckner’s work blends abstraction with recognizable symbols to create meditations on perception, transcendence and loss.
Ross Bleckner was born in 1949 in New York and grew up in the prosperous town of Hewlett Harbor on Long Island. The first art exhibition he saw—The Responsive Eye, a show of Op art on view at the Museum of Modern Art in New York in 1965—had a strong impact on him. He decided to become an artist when he was in college, studying with Sol LeWitt and Chuck Close at New York University, where he earned a BA in 1971. Two years later, he completed an MFA at the California Institute of the Arts in Valencia, where he met David Salle.
After moving back to New York, Bleckner purchased and moved into a Tribeca loft building in 1974. Painter Julian Schnabel rented three floors of the building, and the Mudd Club, a nightclub frequented by musicians and artists, occupied space there from 1977 to 1983. Bleckner sold the building in 2004. His first solo exhibition was held in 1975 at Cunningham Ward Gallery in New York. In 1979 he began his long association with Mary Boone Gallery in New York, which championed several of the so-called art stars of the 1980s. In 1981 Bleckner met Thomas Ammann, an important Swiss art dealer who went on to collect his work.
Bleckner’s early 1980s Stripe...
Category
1990s Manhattan - Landscape Prints
Materials
Archival Pigment
El Santuario de Chimayó, large lithograph, signed, numbered 1/40 renowned artist
By Gregory Amenoff
Located in New York, NY
GREGORY AMENOFF
El Santuario de Chimayó, 1986
Lithograph in Colors on wove paper
37 × 38 inches
Edition 1/40
Hand Signed, titled, dated, and numbered in pencil 1 from the edition of ...
Category
1880s Abstract Expressionist Manhattan - Landscape Prints
Materials
Lithograph
Los Angeles Basketball
By Ludwig Favre
Located in New York, NY
THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information.
ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California....
Category
2010s Manhattan - Landscape Prints
Materials
Photographic Paper
Tilted Arc Defense Fund (Hand signed by Richard Serra from his own collection)
By Richard Serra
Located in New York, NY
Richard Serra
Historic Tilted Arc Defense Fund (Hand signed by Richard Serra), 1985
Offset lithograph poster from the artist's private collection
Boldly signed in black marker on the...
Category
1980s Minimalist Manhattan - Landscape Prints
Materials
Permanent Marker, Lithograph, Offset
Illuminated Dendrology - Lunar Introspection
By Linda Westin
Located in New York, NY
ABOUT THIS ARTIST: Linda Westin, based in Stockholm, left photography and became a Ph.D. in neuroscience specialized in super-resolution fluorescence microscopy.
Then she turned bac...
Category
2010s Manhattan - Landscape Prints
Materials
Photographic Paper
Alfred Bendiner, Flic et Bonne (Gendarme and Nursemaid)
By Alfred Bendiner
Located in New York, NY
The world was Bendiner's oyster, but here he shows us a all we need in a small corner of Paris. It's charming and safe: the 'Flic et Bonne' (gendarme and nursemaid) are together, goi...
Category
1950s American Modern Manhattan - Landscape Prints
Materials
Lithograph
John Taylor Arms, Battle Wagon
By John Taylor Arms
Located in New York, NY
John Taylor Arms was known for making such finely drawn etchings that commercial tools were not good enough: He regularly used sewing needles with corks for handles. Made during Worl...
Category
Mid-20th Century American Realist Manhattan - Landscape Prints
Materials
Etching
Hyman J. Warsager, Canarsie Meadows, 1936-39, WPA lithograph
Located in New York, NY
An amazing New York City subject, Canarsie Meadows, is a lithograph by New York native Hyman J. Warsager (1909-1974). He was a painter and printmaker, technical innovator, and song w...
Category
1930s American Modern Manhattan - Landscape Prints
Materials
Lithograph
A, Felip, Desolation
Located in New York, NY
the artist, A. Felip is a mystery. The title, Desolation, says it all. Further, this very compelling, post-war subject is so well drawn it has be be by an experienced artist. And th...
Category
1950s Surrealist Manhattan - Landscape Prints
Materials
Lithograph
Lisa Breslow "Lake Reflections 15" Monotype on Paper
By Lisa Breslow
Located in New York, NY
Both the natural world and architectural grit have a place in Lisa Breslow's work, highlighting the pull of New York City that is created by these opposing forces side-by-side. She ...
Category
2010s Contemporary Manhattan - Landscape Prints
Materials
Monoprint
Illuminated Dendrology - Pink Matter
By Linda Westin
Located in New York, NY
ABOUT THIS ARTIST: Linda Westin, based in Stockholm, left photography and became a Ph.D. in neuroscience specialized in super-resolution fluorescence microscopy.
Then she turned bac...
Category
2010s Manhattan - Landscape Prints
Materials
Photographic Paper
