Miami - Figurative Sculptures

Sculpture, bronze and stainless, figurative Edition of 6 Measurement includes stainless base and bronze sculpture

We have 3 Cast Iron Roundels from the Old West Side Highway in Manhattan. This sale is for one of them. Each retains its original industrial paint. If the paint is removed, the clear shape of the iron cast will be removed. Each roundel has a different image and story. They were designed in 1928 by Rene Paul Chambellan...

Rhinozebros is a resin sculpture made by Patrick Schumacher, a French contemporary artist. This sculpture represents a rhinoceros adorned with a zebra skin. "Through my artistic work, I try to highlight the possible parallels between animals and human beings, at the crossroads of humor and mockery." P. Schumacher Classically trained, Schumacher further specializes in restoring art antiquities, with a particular interest in Asiatic art...

Limited edition encased glass Art Deco vase with raised and etched design in frosted and cobalt blue glass colors. Holds Erte signature to lower right of figure. Stamp numbered with ...

Original palm leaf sculpture with acrylic. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be consi...

Bellino’s Cocatrix is a unique contemporary bronze sculpture representing a gold dragon made of antique bronze ornaments that are welded together in a meticulous fashion. With heav...

Bronze sculpture. Incised signature by the artist and numbered. Artwork is in excellent condition. Edition of 10. Certificate of authenticity included. All reasonable offers will be ...

Kinetic Bronze sculpture Size US: 40 1/5 × 13 4/5 × 13 4/5 in Size Europe: 102 × 35 × 35 cm Edition 1/6

Rhinoceros adorned with a zebra skin - Rhinozebros is a resin sculpture made by Patrick Schumacher, a French contemporary artist. This sculpture represents a rhinoceros adorned with a zebra skin. "Through my artistic work, I try to highlight the possible parallels between animals and human beings, at the crossroads of humor and mockery." P. Schumacher Enlargements or reductions - Edition of 8 Equipped with a portfolio of internationally renowned artists, Gauchet Fine Art...

Twin Bird V is a resin sculpture made by Patrice Breteau, a French contemporary artist. This piece is available in eight different colors, all resistant to ...

In the Greek mythology, Pegasus was a handsome white winged horse. He was in charge by Zeus to bring thunderstorms and lightenings upon the Olympus Mount, known to be the Home of the Gods. In more recent times, Pigasus turned into a 145 pounds domestic pig, nominated for President in the 1960's by the Youth International Party the Yippies. This movement became popular for their stands against war and political establishment. Patrick Schumacher was inspired by this symbolic animal as a memorial of the Peace and Love era. Born in 1953, Patrick Schumacher is a German contemporary sculptor based in Nice, France. Classically trained in the foundation of Art in Strasbourg, France, he specialises in restoring art antiquities. As a result of his training, Schumacher acquired an extensive range of technical knowledge which he applies to a broad spectrum of materials. Finding inspiration in cultural origins combined with his interests in both classical and Asiatic art...

The Panda (WWF logo) on a can of nuclear waste subtitled “You want to fuck my life”. While remaining humorous and aesthetically attractive, his messages become more powerful reflecting current environmental and humanitarian issues. Born in 1953, Patrick Schumacher is a German contemporary sculptor based in Nice, France. Classically trained in the foundation of Art in Strasbourg, France, he specialises in restoring art antiquities. As a result of his training, Schumacher acquired an extensive range of technical knowledge which he applies to a broad spectrum of materials. Finding inspiration in cultural origins combined with his interests in both classical and Asiatic art...

Wonderful deep rich green patina, signed and dated on base lower right Alexia Rudier Foundry

Arabesques Horse is a resin sculpture made by Patrick Schumacher, a French contemporary artist. This white Horse sculpture with blue "arabesques...

Mariko’s Contrebasse is a contemporary bronze sculpture with a black patina color in reference to ebony. This balanced construction is a harmony between the double bass shape and the...

Mariko’s Sentinelle is an unique contemporary sandstone sculpture painted with orange, red, purple, black and white enamel. The geishas collection of the artist expresses the vario...

Atlantis Egg "Zen" is a resin sculpture made by Patrice Breteau, a French contemporary artist. This piece is available in eight different colors, all resistant to UV exposure and out...

Mariko’s Fat Lady is an unique contemporary dark brown sandstone sculpture. The geishas collection of the artist expresses the various faces of the femininity...

Mariko’s Geisha Memories is an unique contemporary dark brown sandstone sculpture. The geishas collection of the artist expresses the various faces of the femininity. Mariko gre...

Mariko’s Eiffel is an unique contemporary sandstone sculpture painted with orange, red, purple, black and white enamel. The geishas collection of the artist expresses the various f...

Mariko’s Gouvernante is an unique contemporary sandstone sculpture painted with red, purple, black and white enamel. The geishas collection of the artist expresses the various faces ...

Christopher Schulz Great Hammerhead Marine-grade stainless steel Edition of 38

Painted aluminum sculpture. Measures 36 x 36 x 18 inches. Stamped 'R. Indiana' with edition and date. Edition VIII/VIII. Artwork is in excellent condition. All reasonable offe...

Paul Rousso The Gold Standard Mixed media on hand-sculpted acrylic Piece unique

Paul Rousso Pool Party Mixed media on hand-sculpted acrylic Piece unique

Paul Rousso The Devil's Handkerchief Mixed media on hand-sculpted acrylic Piece unique

Paul Rousso The Rippling Water Mixed media on hand-sculpted acrylic Piece unique

Version sobre un caballo de tropa mongol No 4. sin cresta, 2013 Edition 6/8 Bronze 52 x 74 x 19 cm 20.4 x 29.1 x 7.4 in About The Artist Alirio Palacios (1928-2015) was one of the ...

Escena de recolección de frutas BRY-002, 1937 Edition 1/8 Bronze 200 x 113 x 11.5 cm 78.7 x 44.4 x 4.5 in. ABOUT THE ARTIST Narváez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narváez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narváez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narváez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narváez’s public output continued with works such as the statue of Fermín Toro, La Educación, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narváez, Maderas, Piedras y Bronces” (Francisco Narváez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narváez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narváez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narváez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narváez is a path: the path that Venezuelan sculpture...

Resin sculpture. Edition #8/8.

Resin sculpture with smooth metallic matte finish. Edition #8/8.

Resin sculpture. Unique 1/1

resin sculpture

Carole A. Feuerman (born 1945) is an American sculptor and author working in Hyperrealism. She is one of the three major artists credited with starting the movement in the late 1970s...

Idan Zareski is a French-Israeli artist born in Haifa, Israel. Life would take him through many countries, bearing witness to diverse cultures, which are now a fundamental element in...

Idan Zareski is a French-Israeli artist born in Haifa, Israel. Life would take him through many countries, bearing witness to diverse cultures, which are now a fundamental element in...

Idan Zareski is a French-Israeli artist born in Haifa, Israel. Life would take him through many countries, bearing witness to diverse cultures, which are now a fundamental element in...

Idan Zareski is a French-Israeli artist born in Haifa, Israel. Life would take him through many countries, bearing witness to diverse cultures, which are now a fundamental element in...

Nnumber 2/4 Black Anthracite (60 cm sold out edition)

Variant 5 of 398, Indoor sculpture.

Felipe Castañeda Mujer con Flores, 1982 Black Marble 52 x 32 x 35 cm 20.4 x 12.5 x 13.7 in. Felipe Castañeda (Mexican, b.1933) began his artistic ca...

Agustín Cárdenas El Violinista, 1989 Bronze. Ed. 4/6 54 x 36 x 22 cm 21.2 x 14.1 x 8.6 in. AGUSTIN CARDENAS (b. 1927, Matanzas, Cuba; d. 2001 Havana,...

James Mathison Cabeza grande con huecos, 2011 Bronze 76 x 50 x 57 cm 29.9 x 19.6 x 22.4 in. Following the humanist tradition of sculpture, Mathison creates from diminutive to large scale pieces assessing the character, nature and qualities of different parts of the male figure and ascertaining his exact size and proportions with the use of solid materials, to render expressive and emotional works. "Having explored the visual and practical use of resin and bronze, Mathison registers his signature mark that as imprints or fingerprints, show that the passage of time has left on its surface," said Venezuelan art...

Cornelis Zitman Divertimiento, 1973 Bronze, AP 72 x 34 x 45 cm 28.3 x 13.3 x 17.7 in. Cornelis Zitman (1926-2016) Born in Leiden in a family of builders, he enters the Fine Arts ...

Mixed media. Unique piece, 1 of 1. Sylvain Tremblay was born in 1966 in Quebec City, Quebec, Canada. After earning a degree in graphic design, he worked as an illustrator for a nu...

Carved stainless steel sculpture.

Red resin sculpture, edition 1/8

Agustín Cárdenas Le Repos Passionné, 1989 Bronze. Ed. 7/7 60 x 145 x 51.5 cm 23.6 x 57 x 20.2 in. The artwork is accompanied by a certificate of aut...

Agustín Cárdenas El Violinista, 1989 Bronze. Ed. 3/3 177 x 120 x 61 cm 69.6 x 47.2 x 24 in. AGUSTIN CARDENAS (b. 1927, Matanzas, Cuba; d. 2001 Havan...

Incised signature by the artist and stamp numbered with foundry and date. Additional images are available upon request. Certificate of Authenticity is included. Please do not hesitat...

TECHNICAL INFORMATION: Julian Opie Walking Statuettes, full set of 7 2017 Hand-painted statuettes Sizes vary Edition of 30 Signed and numbered Accompanied with COA by Gregg Shienba...

Dr. Seuss Turtle-Necked Sea Turtle 12 x 22 x 16.5 inches Hand Painted Cast Resin sculpture Adapted posthumously from the original 1930s plaster, turtle shell, and oil on wood mount...

Dr. Seuss Mulberry Street Unicorn Hand Painted Cast Resin Sculpture 14 x 7 x 9.5 inches Adapted posthumously from the original 1930s plaster, horn, and oil on wood mount sculpture...

Dr. Seuss Green Eggs and Ham - Maquette Bronze sculpture 19 x 9 x 8 inches Inspired by Dr. Seuss’s character and created by artist Leo Rijn. Green Eggs an...

Dr. Seuss Two Horned Drouberhannis Hand Painted Cast Resin Sculpture 27 x 17.5 x 12 Ready to hang Adapted posthumously from the original 1930s plaster, horn, and oil on wood mount s...

Dr. Seuss Semi Normal Green Lidded Fawn Hand Painted cast resin sculpture Ready to hang Adapted posthumously from the original 1930s plaster, horn, and oil on wood mount sculpture...

Twin Bird V is a resin sculpture made by Patrice Breteau, a French contemporary artist. This piece is available in eight different colors, all resistant to ...