Michigan - Prints and Multiples

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 168, 1967. Published by Aimé Maeght, Éditeur, Paris; pr...

Etching on vélin Johannot d’Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Paroles peintes I, 1962. Published by Éditions O. La...

"Jimi Hendrix Mugshot" Print 39 x 36 inch Ed. of 75 by Gerard Marti Giclee print on paper Not Stretched. Ships rolled in tube. Signed and numbered by the artist. On May 3, 1969,...

"Elvis Nixon Mugshot" Print 39 x 36 inch Ed. of 75 by Gerard Marti Giclee print on paper Not Stretched. Ships rolled in tube. Signed and numbered by the artist. Mugshot of Elvis ...

Lithograph on English cartridge paper. Inscription: Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: Published by School Prints Ltd., London; Printe...

"Blue Skull Small" Print 18 x 20 inch Edition of 400 by Steven Tyler Limited edition of 400 Plate signed by Steven Tyler ABOUT: As the lead singer of Aerosmith, Steven Tyler is con...

Linocut on vélin vergé ancien paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Pougny, dix linogravures originales, 1964. Published by Au Vent d'Arle...

Lithograph and stencil on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Pablo Picasso, 1930. Published by Éditions des Chroniques du Jour, P...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, Hommage à Dorothea Tanning, 1977. Published and printe...

"Sid Vicious Mugshot" Print 39 x 36 inch Edition of 75 by Gerard Marti Giclee print on canvas Stretched on wooden bars. Signed and numbered by the artist. NEW YORK - DECEMBER 8: Bassist Sid Vicious of the rock band "The Sex Pistols" poses for his mugshot after being arrested by New York City police for allegedly murdering his girlfriend Nancy Spungen on December 8, 1978 in New York City, New York. "If Johnny Rotten is the voice of punk, then [Sid] Vicious is the attitude," proclaimed manager of the Sex Pistols, Malcolm McLaren. Simon John Ritchie...

Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Voyages fantastiques ...

Etching, Engraving, Drypoint on vélin du Lana Papiers Spéciaux pure rag paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, Du Cubisme, 1947. Published ...

Wassily Kandinsky - Composition 1916 Lithograph in colors on Arches paper, 1990 Paper size 24" x 28" inches Image size 20" x 22" inches Stamped signature (16) Blindstamps of the Russ...

Alistair Grant Wailing Women - 1968 Print - etching, with Aquatint   16'' x 24'' inches Edition: signed and marked in pencil 36/50 image size = 8.75 x 13.5" Unframed in Excellent Con...

Etching on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis B...

Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Parallèlement, Illustré ...

Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, André Beaudin, Verve: Revue Artistique et...

Lithograph and stencil on vélin Foreign Affairs paper mounted on Foreign Affairs museum board, as issued . Unsigned and unnumbered, as issued. Good Condition. Notes: From the folio, ...

Woodcut on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 174, 1968. Published by Aimé M...

Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacré au Blau...

Lithograph on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Une Étoile de Craie, seize lithographies originales par An...

Lithograph on Arches wove paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Pablo Picasso, Toros y Toreros, 1961. Published by aux Éditions Cercle d'...

Lithograph and stencil on papier a la cuve du moulin Richard de Bas paper, spécialement filigrané pour cette édition. Unsigned and unnumbered, as issued. Good condition. Notes: From ...

Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, L'Art Cubiste, Théories et Réalisations, Etude Critique...

Lithograph on vélin de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, tête edition, Consacre aux Pap...

Lithograph and Stencil on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Vins, Fleurs et Flammes, 1956. Published by ...

Artist Name: Julian Trevelyan Title:Richmond Year: 1969 Medium Type: Etching, with Aquatint Size-Width Size-Height: 22'' x 29'' inches Signed Edition Size: Signed in pencil, title...

"Two Reclining Nudes" is an exceptional Lithograph of Pearlstein's Realistic style. The nudes are posed reclining, neither engaged with either each other or the viewer, and give the atmosphere of being in a dream state. It is an intimate scene without intimacy. Their full-figured bodies exude power and strength which is reinforced by not fitting within the frame. This Lithograph is #42 of an edition of 100 with one blind stamp, and signed by the artist all located in the upper left corner. Philip Pearlstein is an American painter born in Pittsburgh, PA, and best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums. In 1941, his junior year in high school, he received his first recognition when awarded first and third prizes in Scholastic Magazine’s 14th National High School Art Exhibition. Upon graduation from high school in 1942, he enrolled in the Carnegie Institute of Technology but the draft limited his attendance to one year. After discharge from the army in 1946, he returned to Carnegie Tech where he received his BFA in 1949. Upon graduation, he moved to New York City where he pursued work in graphic design and received a Master’s degree in art history from New York University in 1955. Pearlstein worked as a graphic designer for Life Magazine before becoming an instructor at the Pratt Institute, and then a professor at Brooklyn College; he has also served as a visiting artist at several prestigious institutions throughout the country. His work has been exhibited in several solo exhibitions throughout the United States with paintings in the collections of over 70 public art museums. Pearlstein served as a President of the American Academy of Arts and Letters from 2003-2006 and currently lives and works in New York. “It is what is painted between the outlines that makes the difference between merely competent painting and really meaningful art.” —Philip Pearlstein In spring of 1946 he becomes assistant to Robert Lepper, head of the Design Program at Carnegie Institute of Technology, at the firm of Altenhof and Bown, Architects, and designs catalogs for building products through 1949. Meanwhile he enrolled at Carnegie Institute of Technology and studied with Robert Lepper, Balcomb Green, and Samuel Rosenberg. Meets Dorothy Cantor, George Klauber, and Andy Warhol (Warhola), fellow students at Carnegie Institute of Technology. Serves as art editor of the Carnegie Technical, the student publication of the Engineering School, through 1949 when he received his BFA and moved to New York to live with Andy Warhol. A few months later he worked with graphic designer Ladislav Sutnar in design and production of catalogs of plumbing fixtures and ventilators for the next eight years. He graduated from the Institute of Fine Arts, New York University where he studied with Karl Lehmann, Craig Smith and Jose Lopez-Rey. In 1954 Clement Greenberg selectd Pearlstein to be in “Emerging Talent” show at Kootz Gallery, New York. Torso is shown. Show includes Herman Cherry, Paul Freeley, Paul Georges, Cornelia Langer, Saul Leiter, Morris Louis, Anthony Louvis, Sue Mitchell, Kenneth Noland, and Theophil Groell. He received his M.A. in Art History from Institute of Fine Arts, New York University. His thesis on Francis Picabia with Jose Lopez-Rey and H.W. Janson as advisors. In September of 1958 he received a Fulbright Grant for Painting in Italy and traveled to Rome, Florence, Venice, Amalfi Coast and Sicily. Back in New York his drawing group includes at various times during the following thirteen years: Ann Arnold, Rudolph Burkhardt, Charles Cajori, Gretna Campbell, Lois Dodd, Louis Finkelstein, Joe Fiore, Sideo and Nora Fromboluti, Mary Frank, Stephen Greene, Theophil Groell (Repke), Philip Guston, Yvonne Jacquette, Diana Kurtz, Alex Katz, Gabriel Laberman, Mercedes Matter, George McNeil, Sidney Tillim, Jack Tworkov and William White. Meets initially in Mercedes Matter’s studio. Continues to meet with group at various locations, including his own studio through 1972. In 1969 and 1971 he received the John Simon Guggenheim Memorial Foundation grant. In 1982 he served as the Artist in Residence at the American Academy of Art, Rome. In addition to other numerous awards and honors he received an Honorary Doctorate Degree from the Center for Creative Studies and the College of Art & Design, Detroit, Michigan in 2000. Other known CCS faculty and graduates are Susan Aaron-Taylor, Richard Jerzy, Harry Bertoia, Doug Chaing, Stephen Dinehart, Tyree Guyton, Renee Radell, Herb Babcock, Jerome Ferretti...

Lithograph on vélin d'Arches Arjomari paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Lettre à mon peintre Raoul Dufy, 1965. Published by Librairie ...

Lithograph on vélin d'Arches Arjomari paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Lettre à mon peintre Raoul Dufy, 1965. Published by Librairie ...

Héliogravure on vélin pur fil du Marais paper, archivally hinged on a vélin pur fil du Marais backing sheet, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: Fro...

Lithograph on vélin paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the album, Les Cavaliers d'Ombre; Sous le Manteau de Feu, 1956. Pub...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Verve: Revue Artistique et Littéraire, Vol. IX, N° 35-36...

Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Éloge de Gromaire, 1958. Publ...

"Butterfly Monarch #4" Print on Canvas 40x40 in Ed. of 75 by Mick Fleetwood Digital print on canvas Not framed Mick Fleetwood, the legendary drummer and founding member of Fleetwo...

Lithograph on vélin d’Arches paper. Signed in the plate, as issued. Good condition. Notes: From the folio, La mélodie acide, 14 lithographies originales de Joan Miró, 1980. Published...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Derrière le miroir, N° 139-140, 1963. Published by Aimé Maeght, Éd...

Linocut on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Pablo Picasso: Grabados al linóleo. Published by Gustavo Gili, S.A., Barcelona, and...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Peintres mes amis, 1965. Published by Éditions d'art Les Heures Cla...

Héliogravure on vélin pur fil du Marais paper, archivally hinged on a vélin pur fil du Marais backing sheet, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: Fro...

Engraving on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Portrait de A. Decaris, 1953. Published by Editions d'Art ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Joan Miró Lithographs, Volume III, 1977. Published by Maeght Édite...

Warrington Colescott Music  Medicine and Sport- 1966 Print - etching  18'' x 17½'' inches Paper Size 30" x 22" inches Edition: signed in pencil, titled and numbered 2/30

Lithograph on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Taureaux, Lithographies de Jean Cocteau, 1965. ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Joan Miró Lithographs, Volume II, 1975. Published by Leon Amiel pu...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Chagall Lithographe 1957-1962, 1963; published by André Sauret, éditeur, Monte Carlo; printed by Mourlot Frères, Paris. Excerpted from the volume (translated from French), It was pulled, 150 examples on Grand Vélin d'Arches, numbered on the colophon from 1 to 150, signed by the artist and the publisher. Also included are two original lithographs specially made for this separate draw. MARC CHAGALL (1897-1985) Russian-Jewish painter...

"Butterfly Monarch #2" Print on Canvas 40x40 in Ed. of 75 by Mick Fleetwood Digital print on canvas Not framed Mick Fleetwood, the legendary drummer and founding member of Fleetwo...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

Howard Kanovitz American, 1929–2009 1980 Visible Difference Lithograph Paper Size 33 × 24 in (82.6 × 61 cm) Marked pp Printers Proof Howard Kanovitz was a pioneering painter in the...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...

Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Parallèlement, Illustré de lithographies originales ...

Lithograph on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Divertissement, 1943. Published by Tériade, éditeur, Édit...

Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, L'Art Cubiste, Théories et Réalisations, Etude Critique...

Lithograph on papier vélin teinté, fait a la main paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Illuminations, 1949. Published by...

Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Parallèlement, Illustré de lithographies originales ...

Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré à Jean-Paul Riopelle, Derrière le mi...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 142, 1964. Published by Aimé Maeght, Éditeur, Paris; pr...