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Item Ships From: Montreal
Human Tides (Conflicts II) #15
By Renato Garza Cervera
Located in Montreal, Quebec
When does a line on a page become figurative? The series of drawings by Mexican artist Renato Garza Cervera entitled Mareas Humanas (Conflictos II) / Human Tides (Conflicts II) satis...
Category
2010s Contemporary Montreal - Art
Materials
India Ink, Archival Paper
Human Tides (Conflicts II) #22
By Renato Garza Cervera
Located in Montreal, Quebec
When does a line on a page become figurative? The series of drawings by Mexican artist Renato Garza Cervera entitled Mareas Humanas (Conflictos II) / Human Tides (Conflicts II) satis...
Category
2010s Contemporary Montreal - Art
Materials
India Ink, Archival Paper
Horizon #3
By Michel Piquette
Located in Montreal, Quebec
Through photography, Michel Piquette creates captures of time, animated by a paradoxical quest for an image preceding any technique. By weaving together aspects of geometry and abstr...
Category
2010s Contemporary Montreal - Art
Materials
Digital
Œillet 04 (diptych)
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category
2010s Abstract Montreal - Art
Materials
Canvas, Oil
Horizon #1
By Michel Piquette
Located in Montreal, Quebec
Through photography, Michel Piquette creates captures of time, animated by a paradoxical quest for an image preceding any technique. By weaving together aspects of geometry and abstr...
Category
2010s Contemporary Montreal - Art
Materials
Digital
Bird Watcher
Located in Montreal, Quebec
Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...
Category
2010s Contemporary Montreal - Art
Materials
Plaster
Œillet 02
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category
2010s Abstract Montreal - Art
Materials
Canvas, Oil
Tilleul 03
By Hédy Gobaa
Located in Montreal, Quebec
Hédy Gobaa uses his immediate surroundings as his subject matter. Gobaa presents recognizable flora in a disembodied context, and the result is at once familiar and jarring. As of la...
Category
2010s Abstract Montreal - Art
Materials
Canvas, Oil
Still life #5
By Holly King
Located in Montreal, Quebec
Holly King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed r...
Category
2010s Contemporary Montreal - Art
Materials
C Print
The paradise Syndrome, Voyage #9
By Sonny Assu
Located in Montreal, Quebec
Titled after an episode of Star Trek, The Paradise Syndrome features new work by Sonny Assu. Combining Indigenous content with appropriated images and text from marine chart...
Category
2010s Abstract Montreal - Art
Materials
Archival Pigment
The paradise Syndrome, Voyage #37
By Sonny Assu
Located in Montreal, Quebec
Titled after an episode of Star Trek, The Paradise Syndrome features new work by Sonny Assu. Combining Indigenous content with appropriated images and text from marine chart maps, covers from Choose Your Own Adventure gamebooks, and science fiction television programs, this exhibition continues Assu’s exploration around the intersection of Indigenous Peoples and North American pop culture.
In the Star Trek episode The Paradise Syndrome, Captain Kirk suffers from amnesia when he arrives on an alien planet, which is inhabited by a society of people who resemble Indigenous Peoples in North America. Kirk is found by a group of women who believe that he is a god and then take him back to their community. At the end of the episode, he is attacked when they realize he is not a god. Spock and McCoy are transported to his rescue, but in the midst of the conflict, a tribal priestess who Kirk developed a relationship with, is killed.
In this exhibition, Assu presents two series of digitally altered prints inspired by fact and fiction. The first series depicts ovoids superimposed onto digital scans of paintings by Emily Carr and A.Y. Jackson, framed by gamebook covers. The prints feature alien forms descending, referencing a Star Trek: Voyager episode titled Tattoo.
In this episode, Chakotay meets the Sky Spirits, aliens who visited Earth thousands of years ago. They met nomadic humans who had great respect for the land and other animals. The Sky Spirits were so impressed that they gifted the nomads with an inheritance that would allow them to thrive and protect their world.
When the Sky Spirits returned thousands of years later, they found that the weapons and diseases of invaders from other lands had decimated the nomadic ‘Inheritors’. Chakotay’s tattoo was the mark of an Inheritor and signaled to the Sky Spirits that some of the Inheritors had survived.
Assu’s gamebook prints expand on this fictional story, incorporating aspects of our colonial history in the Pacific Northwest. This exhibition is a playful investigation of challenging issues. By incorporating nostalgic gamebooks from the 1980s, Assu alludes to the discovery of his Kwawaka’wakw heritage, which has recently led him back to living in his ancestral land.
The second series of Assu’s prints in this exhibition depict digital illustrations, inspired by Indigenous copper shield symbols, that are superimposed onto navigational marine maps...
Category
2010s Abstract Montreal - Art
Materials
Archival Pigment
Alter / Altered
By Henri Venne
Located in Montreal, Quebec
It is within the locality of the dream where we are at once sentient of ourselves within a multitude of reflections. The momentary awareness of self reveals transitions between those...
Category
21st Century and Contemporary Abstract Montreal - Art
Materials
Metal
Human Tides (Conflicts II) #6
By Renato Garza Cervera
Located in Montreal, Quebec
When does a line on a page become figurative? The series of drawings by Mexican artist Renato Garza Cervera entitled Mareas Humanas (Conflictos II) / Human Tides (Conflicts II) satis...
Category
2010s Contemporary Montreal - Art
Materials
India Ink, Archival Paper
The Place Of Many Fish
By Jessica Houston
Located in Montreal, Quebec
In Jessica Houston’s Afterward, Silence (Franklin’s Crewmen’s Grave, Beechey Island) a single pale gravestone stands on an otherwise desolate ashen shore – a relic of Sir John Frankl...
Category
2010s Montreal - Art
Materials
Photographic Film
How To Make Them Believable (diptych)
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Plexiglass, Digital
Strangely Prescient
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Abstract Montreal - Art
Materials
Oil, Wood Panel
Leave It Be
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper, a rusted stove—is juxtaposed with the soft glow of a yellow circle. This continues Houston’s ongoing use of colour to question the particulars of perception.
Heritage of All, White with Greed and Iron, and The Spaces we Breath, Houston’s titles read like lines of a haiku. Composed as prose, they are also confrontational, mapping out the cultural and environmental impacts of the extraction of resources in the Arctic. We witness scenes of violent decay, and yet simply carry on, like Business As Usual. In What Nations Come and Go a pale purple oval nearly fills the frame, revealing only in the very far right a simple cabin in front of a rocky incline. A similar imposing cloud of colour, this time blue, dominates the landscape in Mapped, Claimed, and Evaluated.
The north is just as much an idea as it is a place, and is one that looms large in the Canadian imagination. There are few better examples than Glenn Gould...
Category
2010s Abstract Montreal - Art
Materials
Oil, Wood Panel
Scorch
By Jessica Houston
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Abstract Montreal - Art
Materials
Oil, Wood Panel
Human Tides (Conflicts II) #23
By Renato Garza Cervera
Located in Montreal, Quebec
When does a line on a page become figurative? The series of drawings by Mexican artist Renato Garza Cervera entitled Mareas Humanas (Conflictos II) / Human Tides (Conflicts II) satis...
Category
2010s Contemporary Montreal - Art
Materials
India Ink, Archival Paper
Nuit Blanche à Dubai
By Michel Piquette
Located in Montreal, Quebec
It is the luminous colours of Michel Piquette’s works that first catch the eye. His chromatic circles that stir up vision take root in an aesthetic tradition a few decades old alread...
Category
2010s Abstract Montreal - Art
Materials
Archival Paper, Digital
The Darker Stage of Dusk
By Holly King
Located in Montreal, Quebec
Holly King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed r...
Category
2010s Contemporary Montreal - Art
Materials
C Print
Exquisite Resting Place
By Adam Gunn
Located in Montreal, Quebec
y painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from l...
Category
2010s Abstract Montreal - Art
Materials
Oil, Wood Panel
The Historical Eiffel Tower in Paris by Catherine Colosimo 20"x24"
By Catherine Colosimo
Located in Montreal, Quebec
- Comes with a certificate of authenticity
- Signed by the artist Catherine Colosimo
- Comes with a frame.
Category
2010s Constructivist Montreal - Art
Materials
Canvas, Oil
Capacious Memory (XVII)
By Robbie Cornelissen
Located in Montreal, Quebec
Robbie Cornelissen is one of the leading contemporary draughtsmen in the Netherlands. Cornelissen has established a reputation for the monumental, architectural drawings that he has ...
Category
2010s Abstract Montreal - Art
Materials
Archival Paper, Graphite
You Should Have Seen What I’ve Seen
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
2010s Contemporary Montreal - Art
Materials
Plexiglass, Photographic Paper
72.89ºS, 8.15ºW; 75º @ 21 km/h; 35.0ºC 22/09/15 18:00 Local
By Colleen Wolstenholme
Located in Montreal, Quebec
By Sophie Lynch
In Hyperobjects, Nova Scotia-based artist Colleen Wolstenholme presents works that developed from her earlier drawings of brain cell patterns and her interest in t...
Category
2010s Contemporary Montreal - Art
Materials
Ink, Archival Paper
Entre nous IV
By Karine Payette
Located in Montreal, Quebec
Text by Nancy Webb
It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level.
Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings.
Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
Livre
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...
Category
21st Century and Contemporary Post-Modern Montreal - Art
Materials
Plaster
Crossing The Line
By Jessica Houston
Located in Montreal, Quebec
In Jessica Houston’s Afterward, Silence (Franklin’s Crewmen’s Grave, Beechey Island) a single pale gravestone stands on an otherwise desolate ashen shore – a relic of Sir John Frankl...
Category
2010s Contemporary Montreal - Art
Materials
Photographic Paper
I’ve Run Right Out Of World
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Plexiglass, Digital
Mean Weather
By Jessica Houston
Located in Montreal, Quebec
In Jessica Houston’s Afterward, Silence (Franklin’s Crewmen’s Grave, Beechey Island) a single pale gravestone stands on an otherwise desolate ashen shore – a relic of Sir John Frankl...
Category
2010s Contemporary Montreal - Art
Materials
Photographic Paper
Chalk Shoreline
By Holly King
Located in Montreal, Quebec
King creates large format photographic landscapes in her studio with sculptural props and painted backdrops. She is interested in the tension between artifice and constructed realiti...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
Plasma 5
By Laurent Lamarche
Located in Montreal, Quebec
Informed by microbiology, Laurent Lamarche’s sculptural installations and photographic production look like living unidentified microorganisms. Its narrative is ambiguous, constantly...
Category
21st Century and Contemporary Abstract Montreal - Art
Materials
Plexiglass, Digital Pigment
for intérieur – sang 1
By Patrick Beaulieu
Located in Montreal, Quebec
Patrick Beaulieu’s multi-disciplined practice creates finely tuned and subtle gestures that aim to re-focus our attention on the physical world that we see and experience. In convers...
Category
21st Century and Contemporary Contemporary Montreal - Art
Materials
Photographic Paper
Pastiche
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
21st Century and Contemporary Post-Modern Montreal - Art
Materials
Plexiglass, Photographic Paper
Le piège
By Guillaume Lachapelle
Located in Montreal, Quebec
Guillaume Lachapelle's artistic practice is shaped predominantly by sculpture, expressed in the form of installations and detailed miniature models. Lachapelle presents playful unive...
Category
21st Century and Contemporary Post-Modern Montreal - Art
Materials
Plaster
Holothurian
By Colleen Wolstenholme
Located in Montreal, Quebec
With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...
Category
2010s Contemporary Montreal - Art
Materials
Oil, Wood Panel
Diplulmaris Antarctica
By Colleen Wolstenholme
Located in Montreal, Quebec
With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...
Category
2010s Contemporary Montreal - Art
Materials
Oil, Wood Panel
Helmet Jellyfish
By Colleen Wolstenholme
Located in Montreal, Quebec
With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...
Category
2010s Contemporary Montreal - Art
Materials
Oil, Wood Panel
Yellow Ctenophore
By Colleen Wolstenholme
Located in Montreal, Quebec
With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...
Category
2010s Contemporary Montreal - Art
Materials
Oil, Wood Panel
Triptych
By Colleen Wolstenholme
Located in Montreal, Quebec
With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...
Category
2010s Contemporary Montreal - Art
Materials
Oil, Wood Panel
Triptych
By Colleen Wolstenholme
Located in Montreal, Quebec
With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...
Category
2010s Contemporary Montreal - Art
Materials
Oil, Wood Panel
Triptych
By Colleen Wolstenholme
Located in Montreal, Quebec
With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...
Category
2010s Contemporary Montreal - Art
Materials
Oil, Wood Panel
Triptych
By Colleen Wolstenholme
Located in Montreal, Quebec
With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...
Category
2010s Contemporary Montreal - Art
Materials
Oil, Wood Panel
Radiolarian
By Colleen Wolstenholme
Located in Montreal, Quebec
With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...
Category
2010s Contemporary Montreal - Art
Materials
Oil, Wood Panel
Pelagic Polychaete
By Colleen Wolstenholme
Located in Montreal, Quebec
With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...
Category
2010s Contemporary Montreal - Art
Materials
Oil, Wood Panel
Glass Squid
By Colleen Wolstenholme
Located in Montreal, Quebec
With Into the Deep Blue Sea, Nova Scotia-born, New Brunswick-based artist Colleen Wolstenholme presents a series of deep sea oil paintings and ink drawings, accompanied by a tent ins...
Category
2010s Contemporary Montreal - Art
Materials
Oil, Wood Panel
Saved by the bell
By Sonny Assu
Located in Montreal, Quebec
Coming out of Sonny Assu's artist residency at the Institute of American Indian Arts, they have created a new body of work called the Santa Fe series. The artwork is filled with flui...
Category
2010s Contemporary Montreal - Art
Materials
Mixed Media, Archival Paper
Roswell
By Sonny Assu
Located in Montreal, Quebec
Coming out of Sonny Assu's artist residency at the Institute of American Indian Arts, they have created a new body of work called the Santa Fe series. The artwork is filled with flui...
Category
2010s Contemporary Montreal - Art
Materials
Mixed Media, Archival Paper
King Tide
By Sonny Assu
Located in Montreal, Quebec
Coming out of Sonny Assu's artist residency at the Institute of American Indian Arts, they have created a new body of work called the Santa Fe series. The artwork is filled with flui...
Category
2010s Contemporary Montreal - Art
Materials
Mixed Media, Archival Paper
Wheezing the Juice
By Sonny Assu
Located in Montreal, Quebec
Coming out of Sonny Assu's artist residency at the Institute of American Indian Arts, they have created a new body of work called the Santa Fe series. The artwork is filled with flui...
Category
2010s Contemporary Montreal - Art
Materials
Mixed Media, Archival Paper
Horne Foundry
Located in Montreal, Quebec
Oli Sorenson’s solo exhibition, «Après moi, le déluge » discloses a series of impactful works on the deadly perils of capitalism through a group of paintings, prints, watercolours, a...
Category
2010s Contemporary Montreal - Art
Materials
Canvas, Epoxy Resin, Acrylic, Spray Paint
Consumption (diptych)
Located in Montreal, Quebec
Oli Sorenson’s solo exhibition, «Après moi, le déluge » discloses a series of impactful works on the deadly perils of capitalism through a group of paintings, prints, watercolours, a...
Category
2010s Contemporary Montreal - Art
Materials
Canvas, Acrylic, Mixed Media
Blood Diamond
Located in Montreal, Quebec
Oli Sorenson’s solo exhibition, «Après moi, le déluge » discloses a series of impactful works on the deadly perils of capitalism through a group of paintings, prints, watercolours, and installations. The title draws a parallel between our times and Louis the XV’s sentiment, the French king’s citation indicating his disconnect with what chaos he left in the wake of his excesses. The same phrase was later revisited by Marx to stigmatize the bourgeoisie of his era, as the leitmotif of the flood strongly features throughout history and human consciousness from past myths to our very factual and impending future. Biblical creatures were punished for their sins by torrents, and today with climate change, we are also faced with rising seas and historic inundations worldwide. Hence the mood of Sorenson’s show reflects our anxieties in the face of natural disasters and the weight of the Anthropocene—the impact of human activities on the Earth’s ecosystem—bearing down on our collective psyche.
Sorenson’s oeuvre depicts a myriad of humanitarian crises occurring as we stand on the edge of an ecological precipice. We find evidence of this pending collapse in African mining industries with Blood Diamond...
Category
2010s Contemporary Montreal - Art
Materials
Canvas, Spray Paint, Acrylic
The Old Bridgewater Theater
By Adam Gunn
Located in Montreal, Quebec
This exhibition highlights Adam Gunn’s latest work, consisting of oil paintings on wood panels. This recent body of work was inspired by three coinciding events in the artist’s life:...
Category
2010s Contemporary Montreal - Art
Materials
Oil, Wood Panel
Sunset at Stonehurst
By Adam Gunn
Located in Montreal, Quebec
This exhibition highlights Adam Gunn’s latest work, consisting of oil paintings on wood panels. This recent body of work was inspired by three coinciding events in the artist’s life:...
Category
2010s Contemporary Montreal - Art
Materials
Oil, Wood Panel
Polly’s Cove East View
By Adam Gunn
Located in Montreal, Quebec
This exhibition highlights Adam Gunn’s latest work, consisting of oil paintings on wood panels. This recent body of work was inspired by three coinciding events in the artist’s life:...
Category
2010s Contemporary Montreal - Art
Materials
Oil, Wood Panel
Orange Moon Over Caribou
By Adam Gunn
Located in Montreal, Quebec
This exhibition highlights Adam Gunn’s latest work, consisting of oil paintings on wood panels. This recent body of work was inspired by three coinciding events in the artist’s life:...
Category
2010s Contemporary Montreal - Art
Materials
Oil, Wood Panel
