New York City - Prints and Multiples

Charles Bragg, American (1931 - 2017) - In the Beginning There Were Mistakes, Year: circa 1970, Medium: Etching, signed, numbered, and titled in pencil, Edition: 300, Image Size: 7...

First edition lithograph published on the back cover of Derriere le Miroir (DLM) No. 157. Back Cover page only, with no additional pages.

A colorful signed lithograph by French Modern artist Jean Cocteau. This print features a stylized dancing lion with the title “Lions Club” in the upper left corner and a signature an...

Richard Mock, American (1944 - 2006) - Childhood in America, Year: 1999, Medium: Linocut on BFK Rives, signed, titled, numbered and dated in pencil, Edition: 80, Image Size: 17 x...

Paper Size: 29.5 x 37.5 inches ( 74.93 x 95.25 cm ) Image Size: 21.6 x 36 inches ( 54.864 x 91.44 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additio...

First edition exhibition poster designed by Andy Warhol for Art Expo Denmark in 1986. Andy Warhol's fascination with reigning queens, particularly Queen Elizabeth II, is evident in ...

Colorful vintage poster for the 1980 Democratic National Convention, held in Madison Square Garden in New York.Concentric lines of orange and bright green interweave with strokes of pink, yellow, red, turquoise, silver, and gold. Printed with metallic ink that catches light differently from each angle, complementing the poster’s lime green and red text. The top of the poster reads “Let us move forward with a strong and active faith.” It was at this 1980 convention that Jimmy Carter was nominated for reelection. This large poster was printed by Petersburg Press in 1980, and features Frank Stella’s Polar...

1994, color aquatint, 48 x 36 inches, edition of 40 Although best known for his portraits, Katz has depicted landscapes both inside the studio and out of doors since the beginning o...

Paper Size: 50 x 32 inches ( 127 x 81.28 cm ) Image Size: 45.25 x 32 inches ( 114.935 x 81.28 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

Original exhibition poster created by Rosenquist for an exhibition held in Lonon, Ontario Canada in 1973. The poster image was taken from the portfolio entitled Process by Rosenquist. The poster measures 33 1/4 x 24 inches. The printing is bright and vivid and on thick paper. A very rare Rosenquist poster...

Original exhibition poster for Cindy Sherman at The Museum of Modern Art, New York in 1997. Hand signed in black marker in the forehead area. This signed poster is a unique opportuni...

This lithograph page from Derrière le Miroir (DLM) No. 170, created by René Bazaine, exemplifies his mastery in abstract art. The piece, presented in the renowned French art magazine...

Paper Size: 23.25 x 29 inches ( 59.055 x 73.66 cm ) Image Size: 20 x 25.75 inches ( 50.8 x 65.405 cm ) Framed: No Condition: A: Mint Additional Details: The image of ""Reflecti...

Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...

Kehinde Wiley Andries Stilte oversized beach towel, 2008 Silkscreen on 100% Cotton Large Beach Towel or hanging tapestry 70 × 60 inches Edition of 2000 In original packaging with ta...

Helen Frankenthaler Variation II on Mauve Corner (Harrison, 17), 1969 Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published by ULAE, West Islip, NY, with their blind stamp Frame included Accompanied by gallery issued Certificate of Guarantee Lithograph in colors on Chatham British paper Signed, dated and numbered 14/21 in graphite pencil on the front Published and printed by ULAE, West Islip, NY, with their blind stamp Literature: Frankenthaler, A Catalogue Raisonné: Prints 1961-1994, Harrison, no. 17, ppg. 106-109 Accompanied by gallery issued Certificate of Guarantee Elegantly floated and framed in a museum quality wood frame under UV plexiglass Measurements: Framed: 23.75 (vertical) x 28.75 (horizontal) x 2 inches Artwork: 20 inches (vertical) x 25 inches (horizontal) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

First edition printing of Roy Lichtenstein's poster titled "M...Maybe, 1965" printed in Tel Aviv, Israel. Serigraph measures 54 1/2 x 39 1/2 inches and it is unsigned and unnumbered....

Sam Gilliam Cuatro, 1994 Monoprint with screenprint, collage, acrylic, stitching and embossing in colors on handmade paper Hand signed, dated, titled and annotated P/P by Sam Gilliam...

Robert Mangold A Square with Four Squares Cut Away, 1976 Numbered on the back Rubber stamp print on custom cut Cambersand paper Stamp made by Unity Engraving Company, Inc. Printed by...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

The World of Posters auction catalog, directed by Peter Philips and published by Philips Son & Neale, New York, in 1980, is a softcover edition with minor wear and a small tear at th...

Harry Shokler used serigraphy to great advantage in this landscape. It's colorful and detailed. It is signed in the image at the lower left. When printmakers began making serigraphs...

Artist: Roberto Matta, Chilean (1911 - 2002) Title: Porol-Vua Year: 1978 Medium: Lithograph, signed and numbered in pencil Edition: 97/100 Image Size: 20 x 28.5 inches Size: 22 x 29....

The Resurrection by Salvador Dali, Spanish (1904–1989) Date: 1979 Lithograph on Arches, signed and numbered in pencil Edition of 243/250 Image Size: 23 x 16 inches Size: 29.5 x 21.5 ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Alexander Calder, After, American (1898 - 1976) - Exhibition at Brewster Gallery. Year: circa 1975, Medium: Lithograph Poster, Size: 35 in. x 21.5 in. (88.9 cm x 54.61 cm)

This proof depicts one of Jim Dine's signatures motifs, a deep red heart, which drips down the page. Along the right side of the heart, hand-drawn text reads: “Red design for satin h...

Marc Chagall, Russian (1887 - 1985) - Spring Day from Derrier Le Miroir, Year: 1972, Medium: Lithograph, Size: 15 x 11 in. (38.1 x 27.94 cm), Printer: Mourlot, Paris, Publisher: Ma...

Pablo Picasso, After, Spanish (1881 - 1973) - Profile III from "Le Gout du Bonheur". Year: 1964 (Printed 1970), Medium: Lithograph on Arches, Edition: 666, Size: 13 x 9.75 in. (33.02...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact when they're placed next to each other. I experiment with intensity of colours and the different sensations colours evoke. Why a Circle? When I explore my fascination with this shape I discover that the circle represents all that is familiar and comforting. It is the shape of the rising sun, of a mother's nipple, of the iris of the eye, and of a full moon. I use the latest digital technology as a medium to create my circles. ABOUT THIS ARTIST: Ruth Adler is a Canadian artist whose mediums include paintings, works on paper, animated films and textiles. She is inspired by the city of Tel Aviv, music (she plays the harmonica) and her personal memories. Jim Kempner Fine Art...

Affiche avant Lettre (Mujer Suite) Rufino Tamayo Mexican (1899–1991) Date: 1969 Lithograph Poster, signed in the plate Size: 32.5 x 24 in. (82.55 x 60.96 cm)

Facing the viewer, the woman in this print is rendered in a linear style that emphasizes the geometric qualities of her form. A typical example of Pablo Picasso's Cubist portraits, his portrayal of the woman is angular and non-representative of reality, defying the tenets of traditional portraiture. A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Portrait au Cou Bleu...

This reproduction showcases an early rendering of the Chrysler Building in New York City, created by draftsman Andy Hickes. The image represents the building before its construction,...

Francisco de Goya, Spanish (1746 - 1828) - The Custody is as Barbarous as The Crime, Year: circa 1810, Medium: Etching and burin on cream laid paper, Image Size: 3.75 x 3 inches, Si...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el jardin de Miro (Number 16) Year: 1975 Medium: Lithograph, signed in the plate Edition: 150...

Artist: George Clair Tooker, Jr., American (1920 - 2011) Title: Woman with a Sprig of Laurel Year: 1978 Medium: Color Lithograph, signed and numbered in pencil Edition: AP Image: 17....

Women’s Equality by Marisol Escobar, French/Venezuelan (1930–2016) Date: 1975 Offset Lithograph (Unsigned as issued) Size: 17 in. x 14 in. (43.18 cm x 35.56 cm) Frame Size: 20 x 17 i...

Tim Engelland (American, 1950-2012) A little freshly ground black pepper?, 1996 Linocut 11 x 7 in. Signed and dated lower right: T. Engelland 996 Signed and numbered lower left: 102/200 Edition of 200 printed by hand on an 1892 Poco Proof Press A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy, a prestigious preparatory school in Deerfield, Mass. There he taught art and photography, coached basketball and lacrosse, and served as faculty resident. When the school began accepting female students, Tim designed The Deerfield Girl, a bronze statue to accompany The Deerfield Boy statue...

Paper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 12 x 16 inches ( 30.48 x 40.64 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Artist: Gloria Vanderbilt, American (1924 - ) Title: Indian Summer Year: circa 1970 Medium: Screenprint on Arches Paper, Signed and numbered in Pencil Edition: 250 Size: 31 in. x 24 ...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Portrait de Femme au Chapeau et a la Robe Vert Jaune". The original painting was completed i...

This colorful work by Peter Max was created in 1988. The vintage WFUNA lithograph "The Better World" has an Authentication certificate attached on the verso #443/750 There is no ch...

Paper Size: 39.25 x 23.5 inches ( 99.695 x 59.69 cm ) Image Size: 39.25 x 23.5 inches ( 99.695 x 59.69 cm ) Framed: No Condition: D: Heavy signs of wear, Torn, Damaged. SOLD AS IS...

Note: This is a unique text variant which Albers titled in pencil "Blue Reminder" instead of "Blue Reminding". The authenticity of this work has been kindly confirmed by Brenda Danil...

KAWS SHARE (Grey), new & unopened in its original packaging. KAWS SHARE first appeared in 'BLACKOUT' – the first London solo exhibition by KAWS (Skarstedt London 2019). In SHARE, KA...

Reproduction of Joan Mitchell’s Mon Paysage (1967), published by Éditions Maeght. This striking piece captures Mitchell’s bold brushwork and emotional resonance, evoking a landscape ...

This poster by James McMullan provides a detailed look into the wildlife of a seemingly barren grassland, revealing the hidden diversity of species that thrive within this unique eco...

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Tete de Femme". The original painting was completed in 1958. In the 1970's after Picasso's d...

This exhibition poster, featuring Nudes with Beach Ball, was created for a show held in Madrid, Spain, in 2007. This first edition includes text and show information, capturing the e...

This lithograph page, titled Composition IV, is part of the Derrière le Miroir (DLM) No. 170 series, featuring the work of René Bazaine. Known for his lyrical abstraction, Bazaine’s ...

Salvador Dali, Spanish (1904 -1989) - Purgatory Canto 22 - Prodigality, Portfolio: The Divine Comedy, Year: 1964, Medium: Woodcut, signed and numbered in red pencil, Edition: 126...

This screenprint was created by American artist David Roth. Roth's images are proportioned according to a strict mathematical formula - the pictures are composed according to horizon...

Paper Size: 31.5 x 23.5 inches ( 80.01 x 59.69 cm ) Image Size: 18 x 23.5 inches ( 45.72 x 59.69 cm ) Framed: No Condition: A: Mint Additional Details: Poster created for a Hoc...

Dali’s Inferno by Salvador Dali, Spanish (1904–1989) Portfolio: Dali's Inferno Date: 1978 Lithograph on Arches, signed and numbered in pencil Edition of 2...

This poster, printed in Italy by Impronte Edizioni, is based on Roy Lichtenstein’s 1973 painting of the pointed finger, referencing the WWI poster "Uncle Sam Wants You." Published by...

This original poster, created in conjunction with the I Love Liberty celebration taped on February 22, 1982, in Los Angeles and broadcast nationally on March 21, 1982, holds significant value as a collectible artwork by Roy Lichtenstein. Published by the artist and People for the American Way...

This poster was created for the annual exhibition "Painters, Witnesses of Their Time" at the Galliera Museum, Paris. The lithograph, derived from a detail of Marc Chagall's preparato...

Jean-Michel Basquiat, Gagosian Gallery, Los Angeles, 1983: RARE historic Basquiat announcement card published on the occasion of: Jean- Michel Basquiat. Larry Gagosian Gallery, Los ...

A lithograph from the portfolio "Seeing Voices", a collection that also includes several poems. This abstract piece by Paul Jenkins is signed and numbered on the front of the print i...

Digital C-print (Edition of 25) Signed, dated, and numbered, verso 28 x 24 inches, sheet 22 x 18 inches, image This artwork is offered by ClampArt, located in New York City. Edwar...