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Item Ships From: New York City
Untitled limited edition signed abstract geometric print by renowned sculptor
By Keith Sonnier
Located in New York, NY
KEITH SONNIER
Untitled, 1995
Letterpress on Sumerset Paper
Edition 91/100
Signed and numbered in graphite from the edition of 100, recto
Frame included
Measurements:
Sheet: 6 inches ...
Category
1990s Contemporary New York City - More Prints
Materials
Mixed Media, Pencil, Lithograph
Secret Seas: Acrylic, Silkscreen Ink on paper (unique signed numbered variant)
By Faile
Located in New York, NY
FAILE
Secret Seas, 2019
Acrylic, Silkscreen Ink on Lenox 100 Paper. (two sided)
Hand Signed, titled, dated and numbered 6/250 (each unique)
25 × 19 inches
Hand signed and annotated o...
Category
2010s Street Art New York City - More Prints
Materials
Ink, Acrylic, Handmade Paper, Paper, Mixed Media
Blue Movements and Green Victor Pasmore British geometric abstraction blue green
By Victor Pasmore
Located in New York, NY
A tranquil, blue, green and tan abstract composition by the iconic British artist Victor Pasmore. Geometric and curvilinear shapes are placed harmoniously with a thin black line and ...
Category
1980s Abstract Geometric New York City - More Prints
Materials
Screen
Freedom From Want - The Four Freedoms
By Norman Rockwell
Located in New York, NY
NORMAN ROCKWELL (1894-1978) - The Freedom from want - [from the series THE FOUR FREEDOMS.] 1943.
40x28 1/4inches, 101 1/2x71 3/4 cm.
World War II poster
U.S. Government Printing Of...
Category
1940s American Modern New York City - More Prints
Materials
Paper
Tapisseries, en L'eglise de Chateau-Felletin-Creuse by Le Corbusier, 1963
By Le Corbusier
Located in New York, NY
Artist: Le Corbusier
Medium: Lithographic Poster, 1963
Dimensions: 29.5 x 19.25 in, 74.9 x 48.9 cm
Classic Poster Paper - Perfect Condition A+
This rich and beautiful lithographi...
Category
1960s New York City - More Prints
Materials
Lithograph
Lt Ed. Lithograph from the Deluxe (Hand Signed) 1984 Olympic Committee portfolio
By Sam Francis
Located in New York, NY
Sam Francis
Untitled Abstract Expressionist print for the 1984 Olympics, 1982
Offset Lithograph on Parsons Diploma Parchment paper, hand signed with COA from publisher for Olympic Co...
Category
1980s Abstract Expressionist New York City - More Prints
Materials
Lithograph, Offset, Pencil
Untitled Abstract Expressionist color band - rare silkscreen signed & numbered
By Cleve Gray
Located in New York, NY
Cleve Gray
Untitled, 1970
Silkscreen
Boldly signed and numbered 32/100 in graphite pencil by Cleve Gray on the front
30 × 22 1/2 inches
Signed and numbered 32/100 by artist on the fr...
Category
1970s Abstract Expressionist New York City - More Prints
Materials
Screen, Pencil, Graphite
Merce Cunningham & Dance Company Latin American Tour
By Frank Stella
Located in New York, NY
Frank Stella
Merce Cunningham & Dance Company Latin American Tour, 1968
Lithograph on paper affixed to black paper board
© 1968 Frank Stella on the front
27 × 48 inches x .75 inches
...
Category
1960s Pop Art New York City - More Prints
Materials
Board, Lithograph
Offset lithograph poster (Signed by both Helen Frankenthaler and Aaron Copland)
By Helen Frankenthaler
Located in New York, NY
Helen Frankenthaler
Pro Musica's Contemporary American Choral Music (Hand signed by both Helen Frankenthaler and Aaron Copland), 1982
Offset lithograph poster (Hand signed by Helen F...
Category
1980s Abstract Expressionist New York City - More Prints
Materials
Ink, Lithograph, Offset
Sam Francis McGovern '72 Poster (Hand signed by Sam Francis) Abstract lithograph
By Sam Francis
Located in New York, NY
Sam Francis McGovern '72 Poster (Hand signed by Sam Francis), 1972
Photo offset poster (hand signed by Sam Francis)
Signed in blue ink on the front by Sam Francis with Sam Francis co...
Category
1970s Abstract Expressionist New York City - More Prints
Materials
Offset, Lithograph
Takashi Murakami record art 2018 (Takashi Murakami Kanye West)
By Takashi Murakami
Located in NEW YORK, NY
Takashi Murakami Record Art 2018 (Takashi Murakami Kanye West Kid Cudi):
This Takashi Murakami designed cover & record album is for Kids See Gh...
Category
21st Century and Contemporary Pop Art New York City - More Prints
Materials
Paper, Offset
Walt Whitman
By Antonio Frasconi
Located in New York, NY
Antonio Frasconi created the woodcut entitled "Walt Whitman" in 1974. It is signed in pencil. The paper size is 24.25 x 19.25 inches. This piece is in very good condition. “Someti...
Category
1970s American Modern New York City - More Prints
Materials
Woodcut
Second Quartet: Black and White
By Mel Bochner
Located in New York, NY
Mel Bochner is recognized as one of the leading figures in the development of Conceptual art in New York in the 1960s and 1970s. Emerging at a time when painting was increasingly dis...
Category
Late 20th Century Conceptual New York City - More Prints
Materials
Lithograph
Black with White Lines, Vertical, Not Touching (Krakow 1970.07; 3. Kornfeld)
By Sol LeWitt
Located in New York, NY
Sol Lewitt
Black with White Lines, Vertical, Not Touching, from Conspiracy: The Artist as Witness (Krakow 1970.07; 3. Kornfeld), 1971
Lithograph on Wove Paper
Edition AP (A rare Artists Proof, aside from the regular edition of 150)
Hand-signed by Sol Lewitt: pencil signed on the reverse (see photos), annotated Artists Proof, blindstamp of the publisher; copyright stamp reads: COPYRIGHT 1971 BY SOL LEWITT
Published by: Bank Street Shorewood Atelier
Frame included: Held in original vintage metal frame
Measurements:
Framed:
25 inches x 28 inches
Sheet:
17 inches x 23 ½ inches
This one-color lithograph pulled by hand from stone on Arches paper at the Shorewood Bank Street Atelier in New York by American master Sol Lewitt is a classic example of pure Minimalist art from the early 1970s - the most influential and desirable era. A very rare Artists Proof, aside from the regular edition of 150.
"Vertical Lines Not Touching (Black)" was created for the legendary portfolio "CONSPIRACY: the Artist as Witness", to raise money for the legal defense of the Chicago 8 - a group of anti-Vietnam War activists indicted by President Nixon's Attorney General John Mitchell for conspiring to riot during the 1968 Democratic National Convention. (1968 was also the year Bobby Kennedy was killed and American casualties in Vietnam exceeded 30,000.) The eight demonstrators included Abbie Hoffman...
Category
1970s Minimalist New York City - More Prints
Materials
Lithograph, Pencil
Girl With Spraycan, Deluxe hand signed edition of 1 Cent Life Portfolio, 85/100
By Roy Lichtenstein
Located in New York, NY
Roy Lichtenstein
Girl With Spraycan (Deluxe hand signed edition of the 1 Cent Life Portfolio, from the estate of artist Robert Indiana), 1964
Limited E...
Category
1960s Pop Art New York City - More Prints
Materials
Lithograph, Pencil
Alhambra XII
By Antonio Frasconi
Located in New York, NY
Antonio Frasconi created the color woodcut entitled “Alhambra XII” in 1963. This piece is signed titled, and dated in pencil. The edition is 12, and paper size is 18 x 24 inches. “...
Category
1960s American Modern New York City - More Prints
Materials
Woodcut
Hardback monograph: The Gay 90's (Hand signed by Mark Ryden)
By Mark Ryden
Located in New York, NY
Mark Ryden
The Gay 90's (Hand signed by Mark Ryden), 2013
Hardback monograph (hand signed by Mark Ryden)
Boldy signed by Mark Ryden
12 1/4 × 9 1/4 × 1 inches
This elegant hardback monograph with illustrated covers and no dust jacket, as issued, was signed by the artist for the present owner at the exhibition "Mark Ryden: Dodecahedron" at the Paul Kasmin Gallery on December 10, 2015.
It makes an excellent gift!
Publisher : Rizzoli; First Edition (April 16, 2013)
Hardcover : 146 pages with color illustrations
Publisher's blurb:
Celebrated Pop Surrealist artist Mark Ryden’s newest body of work, presented in this book for the first time. Crowned "the high prince of Lowbrow," Mark Ryden has become a fixture of the contemporary alternative art movement. In his newest work, Mark Ryden: The Gay 90’s, the artist casts...
Category
2010s Contemporary New York City - More Prints
Materials
Paper, Ink, Mixed Media, Lithograph, Offset, Board
View of Venice II - Bacino
By Antonio Frasconi
Located in New York, NY
Antonio Frasconi created the color woodcut entitled "View of Venice II – Bacino" in 1968. It is signed, titled, dated, and inscribed “13/18” in pencil. The paper size is 24 x 36 inch...
Category
1960s American Modern New York City - More Prints
Materials
Woodcut
Vintage Jim Dine Green Bathrobe exhibition poster, 1970s retro pop art font
By Jim Dine
Located in New York, NY
This original, vintage poster on poster stock features one of Jim Dine's most iconic motifs: the bathrobe. In 1964, Dine saw an ad in the New York Times: “The ad shows a robe with the man airbrushed out of it. There was nobody in the bathrobe, but when I saw it, it looked like me.” Standing in for the artist's own body and rife with personal meaning, it provides a framework for limitless formal and stylistic experimentation. Here, the garment is colored bright green and defined by variegated black lines. Numbers label each part of the robe as in an anatomical chart. Bold black lettering reads Jim Dine, Petersburg Press...
Category
1970s Pop Art New York City - More Prints
Materials
Paper, Offset
ART (Sheehan, 80) iconic 1970s geometric abstraction lt ed s/n for Colby College
By Robert Indiana
Located in New York, NY
Robert Indiana
Colby ART (Sheehan, 80), 1973
Silkscreen in Colors on White Wove Paper
Pencil signed and numbered 69/100 on the front with artist's copyright @Robert Indiana lower right front
Published by Robert Indiana with copyright; Printed by Seri-Arts, Inc.
Vintage metal frame included
Classic early 1970s work. There was a time, we are told, when every prestigious collector in Germany would have an edition of Robert Indiana's iconic ART print prominently hanging in their home.
This is an uncommon and desirable Robert Indiana piece from the early 1970s. Boldly signed in graphite on the recto (front), numbered and bearing the artist's copyright: @ Robert Indiana 1973...
Category
1970s Pop Art New York City - More Prints
Materials
Screen, Pencil
View of Venice I - San Giorgio
By Antonio Frasconi
Located in New York, NY
Antonio Frasconi created the color woodcut entitled "View of Venice I – San Giorgio" in 1968. It is signed, titled, dated, and inscribed “17/20” in pencil. The paper size is 24 x 36 ...
Category
1960s American Modern New York City - More Prints
Materials
Woodcut
Dog print by California Funk "nut art" painter world renowned for dog portraits
By Roy De Forest
Located in New York, NY
Roy De Forest
Untitled (Dog), 1981
Color lithograph with deckled edges. Floated and framed.
Pencil signed and numbered from the edition of 125
Frame Included: held in original vintage white frame
Wonderful whimsical rare 1981 lithograph by the incredibly popular and beloved Roy de Forest, famous for his paintings and prints of dogs...
Category
1980s Surrealist New York City - More Prints
Materials
Lithograph
Bridget Riley Hand Signed by Bridget Riley Geometric Abstraction British Op Art
By Bridget Riley
Located in New York, NY
Bridget Riley Flashback (Hand Signed), 2009
Offset Lithograph (hand signed by Bridget Riley)
27 × 27 inches
Boldly signed in black marker on the front
Unframed
Signed by Bridget Riley in her inimitable hand on the occasion of this 2009-2010 exhibition at the Southampton City Art Gallery of works from the Arts Council of Great Britain collection.
Bridget Riley Biography
Bridget Riley's (b. 1931) abstract compositions yield a singular sense of visual pleasure for the viewer, a notion derived as much from the artist's formative encounters with Old Master and Impressionist painting as from her early experiences with nature. Since 1961, she has focused exclusively on seemingly simple geometric forms, such as lines, circles, curves, and squares, arrayed across a surface—whether a canvas, a wall, or paper—according to an internal logic. The resulting compositions actively engage the viewer, at times triggering sensations of vibration and movement. This sense of dynamism was explored to great effect in the artist's earliest black-and-white paintings, which established the basis of her enduring formal vocabulary. In 1967, Riley introduced color into her work, thus expanding the perceptual and optical possibilities of her compositions.
Riley was born in 1931 in London, where she attended Goldsmiths College from 1949 to 1952 and the Royal College of Art from 1952 to 1955.
Riley’s first solo exhibitions were held at Gallery One, London, in 1962 and 1963, followed by two exhibitions at Robert Fraser Gallery, London, in 1966 and 1967. She was also at that time included in numerous group exhibitions such as Towards Art?, Royal College of Art London (1962); The New Generation, Whitechapel Gallery, London (1964); and Painting and Sculpture of a Decade 1954–1964, Tate Gallery, London (1964). In 1965, her work was included in the now-seminal group exhibition The Responsive Eye, organized by William Seitz at The Museum of Modern Art, New York. In 1968, she represented Great Britain at the 34th Venice Biennale (along with Philip King), where she was the first living British painter to win the prestigious International Prize for Painting. Her first retrospective, covering the period from 1961 to 1970, opened at the Kunstverein Hannover in 1971 and subsequently traveled to Kunsthalle Bern; Kunsthalle Düsseldorf; Galleria Civica d’Arte Moderna, Turin; and the Hayward Gallery, London.
More recent significant solo presentations include those at Dia Center for the Arts, New York (2000-2001); Museum Haus Esters and Kaiser Wilhelm Museum, Krefeld, Germany (2002); Museum of Contemporary Art, Sydney (2004-2005); Musée d'Art Moderne de la Ville de Paris (2008); Walker Art Gallery, Liverpool (traveled to Birmingham Museums and Art Gallery; Norwich Castle Museum and Art Gallery; Southampton City Art Gallery; 2009-2010); The National Gallery, London (2010-2011); Art Institute of Chicago (2014-2015); The Courtauld Gallery, London (2015); De La Warr...
Category
Early 2000s Op Art New York City - More Prints
Materials
Lithograph, Offset
Roland Garros French Open tennis tournament Paris (Hand signed by Sean Scully)
By Sean Scully
Located in New York, NY
Sean Scully
Roland Garros French Open tennis tournament, Paris, France (Hand signed by Sean Scully), 2001
Offset lithograph poster (hand signed by Sean Scully)
29 3/4 inches (vertical) × 22 1/2 inches (horizontal)
Edition of 2000 (uniquely signed)
Published by Sean Scully and Galerie LeLong
Unframed
Official offset lithograph poster designed and created for the tennis tournament held at Roland Garros French Open every year. This print was published in a limited edition of 2000, but the regular edition was unsigned. However, exceptionally, Sean Scully hand signed this one in ink directly under the plate signature. Very rare when hand signed and dated by the artist. As it was personally signed by Sean Scully for the present owner in 2023, the provenance is direct.
A collectors item for all fans of Sean Scully and the French Open!
More about Sean Scully:
Sean Scully was born in Dublin in 1945, and grew up in the south of London, where his family moved in 1949. He began painting in the late 1960s, and moved to New York City in 1975; he became an American citizen in 1983. Scully has shown extensively, both nationally and internationally, including, most recently, at the Hirshhorn Museum and Sculpture Garden, Washington, D.C., Yorkshire Sculpture Park, West Bretton, England, the State Russian Museum, St. Petersburg, Russia, the Wadsworth Atheneum, Connecticut, the National Gallery of Art in London and San Giorgio Maggiore for the Venice Biennale, Upcoming solo exhibitions include the Albertina, Vienna, and in 2020 a major retrospective at the Philadelphia Museum of Art.
He is known for rich, painterly abstractions in which stripes or blocks of layered color are a prevailing motif. The delineated geometry of his work provides structure for an expressive, physical rendering of color, light, and texture. Scully’s simplification of his compositions and use of repetitive forms—squares, rectangles, bands—echoes architectural motifs (doors, windows...
Category
Early 2000s Abstract New York City - More Prints
Materials
Lithograph, Offset
"Drawings 1970-80 (Cicada)" Exhibition Poster
By (After) Jasper Johns
Located in New York, NY
"Drawings 1970-80 (Cicada)"
Margo Leavin Gallery, Los Angeles, 1981
Exhibition Poster
30.5 x 22.5 inches
Unsigned
Category
1980s Contemporary New York City - More Prints
Materials
Offset
Abstract expressionist lithograph s/n (Lembark, 16) from the Estate of Wolf Kahn
By Sam Francis
Located in New York, NY
SAM FRANCIS
Affiche Moderna Museet Stockholm (Catalogue Raisonne L-16, p.66), 1960
Color lithograph on Rives BFK Paper with deckled edges
Pencil signed lower right of center; numbered 39/75 lower left of center
Published by Kornfeld and Klipstein, Bern; printed by Emil Matthieu at Emil Matthieu Atelier, Zurich
(Catalogue Raisonne L-16, p.66)
37 1/4 × 27 inches
Provenance: Estate of Wolf Kahn and Emily Mason
Unframed
Editions of this iconic Sam Francis work have been exhibited in museums throughout the world over the past half center; many remain in the permanent collection of major museum and institutions .
In addition to this pencil signed and numbered lithograph, there was, separately a poster edition of 500 (unsigned) published by Moderna Museet featuring the same image on different paper.
About Sam Francis
B. 1923, SAN MATEO, CALIFORNIA; D. 1994, SANTA MONICA, CALIFORNIA
Samuel Lewis Francis was born on June 25, 1923, in San Mateo, California. He began painting in 1944 after being diagnosed with spinal tuberculosis, resulting from a U.S. Army Air Corps accident. In 1947 he studied privately with painter David Park, and soon gave up his intended medical studies, earning a BA in 1949 and an MA in 1950 at the University of California, Berkeley.
He experimented with the dominant and emerging styles of the late 1940s, particularly Abstract Expressionism and Surrealism, eventually developing a personal style of abstraction focused on dripping, cell-like forms, an allover instability, and sensitivity to color and light, as in Opposites (1950). In 1950 Francis moved to Paris and attended the Atelier Fernand Léger, where he was exposed to the work of Pierre Bonnard and Henri Matisse, which reinvigorated his interest in light and vibrant color, visible in his 1953 painting Big Red. Producing such work led to his association with Art Informel, although Francis never fully associated with any movement. A visit to Japan in 1957 coincided with an opening up of expanses of white space in much of his work, and his subsequent move to a larger studio in Paris resulted in the production of large-scale paintings and mural commissions, including a 1959 painting...
Category
1960s Abstract Expressionist New York City - More Prints
Materials
Lithograph, Pencil
Ojai Festival print (Deluxe hand signed limited edition)
By Kenneth Noland
Located in New York, NY
Kenneth Noland
Ojai Festival print (Deluxe signed limited edition), 1986
Offset Lithograph
Hand signed and numbered 6/100 by Kenneth Noland on lower front
Frame included: framed in ...
Category
1980s Color-Field New York City - More Prints
Materials
Lithograph, Offset
Narcissus Gene Davis minimalist abstract color field lithography with blue
By Gene Davis
Located in New York, NY
Vertical lines in muted colors take on the organic quality of handmade paper, resulting in this subtle iteration of Gene Davis’ iconic color field stripe paintings. The title "Narcis...
Category
1970s Abstract New York City - More Prints
Materials
Lithograph
Lincoln Center Globe by Donald Baechler (image of children around the globe)
By Donald Baechler
Located in New York, NY
This edition was printed in approximately 40 colors on Lanaquarelle paper with a deckled edge. The print is signed, numbered and dated, 2011 by the artist. The print comes directly f...
Category
2010s Pop Art New York City - More Prints
Materials
Screen
The Sojourner, No. 9
Located in New York, NY
Digital C-print
Category
2010s New York City - More Prints
Materials
Digital, C Print
The Sojourner, No. 7
Located in New York, NY
Digital C-print
Category
2010s New York City - More Prints
Materials
C Print, Digital
The Sojourner, No. 4
Located in New York, NY
Digital C-print
Category
2010s New York City - More Prints
Materials
C Print, Digital
The Sojourner, No. 1
Located in New York, NY
Digital C-print
Category
2010s New York City - More Prints
Materials
C Print, Digital
Sculpture: Forty Years (Book hand signed by Richard Serra)
By Richard Serra
Located in New York, NY
Richard Serra
Sculpture: Forty Years (Hand signed by Richard Serra), 2007
Hardback monograph (Signed by Richard Serra on the title page)
Hand signed with marker by Richard Serra on t...
Category
Early 2000s Minimalist New York City - More Prints
Materials
Mixed Media, Permanent Marker, Lithograph, Offset
As I Opened Fire, Roy Lichtenstein
By (after) Roy Lichtenstein
Located in New York, NY
This offset lithograph in colors in three panels was created in 2002 and is from the unsigned edition of unknown size measuring
25 x 20 ½ in. (63.5 x 52 cm.) each and 25 x 62 in. ...
Category
21st Century and Contemporary Pop Art New York City - More Prints
Materials
Lithograph, Offset
Jean Cocteau Poteries, 1958 - Original Lithograph Poster
By Jean Cocteau
Located in New York, NY
Artist: Jean Cocteau
Medium: Original Lithographic Poster, 1958
Dimensions: 25 x 19 in, 63.5 x 48.3 cm
Classic Poster Paper - Perfect Condition A+
This original vintage poster wa...
Category
1950s Modern New York City - More Prints
Materials
Lithograph
Munich 1972 Olympic Print, Danilowitz 213 Abstract Op Art hand signed & numbered
By Josef Albers
Located in New York, NY
Josef Albers
Munich 1972 Olympic Games (Danilowitz 213), 1970
Color silkscreen on 250-gram Schöllers Hammer paper.
Signed, dated and numbered 183/200 in graphite pencil on the front
40 × 25 1/2 × 3/10 inches
Catalogue Raisonne Reference: Danilowitz, 213
Unframed
Pencil signed and numbered from the limited edition of 200.
By Josef Albers - famous color theorist and longtime influential head of the Yale University Art Department. This 1970 silkscreen was exhibited in the show "On Black Mountain: The Bauhaus Legacy in America", April 5, 2019-April 27, 2019 at the Sager Braudis Gallery in Columbia, Missouri. It is reproduced on page 8 of the exhibition catalogue. It features Albers signature ‘cinetic window’, and is an impressive piece of art and sports history. This is one of only 200 hand signed, dated and numbered prints - (NOT to be confused with the open poster edition of the same image on different paper, which, unlike the present work, only bears the artist's printed signature.) The present work was created in 1970 for the 1972 Munich Olympics. In anticipating of hosting the 1972 summer Olympics, Germany sought to create a positive image for itself. As Arnold Schwarzenegger would write in his memoir "Holding the Olympic Games in Munich was meant to symbolize West Germany's transformation and reemergence in to the community of nations as a modern democratic power". The Munich Olympics were billed as "the happy games" - a term that would become tragically ironic. In spite of, or rather because of, the ruthless killing of Israeli athletes by terrorists during the Munich Olympics, prints like this Albers silkscreen have become a poignant symbol of the enduring power of art to bring cultures together and promote peace. This Josef Albers Olympic...
Category
1970s Abstract New York City - More Prints
Materials
Screen, Offset
Rare constructivist etching on paper by renowned abstract modernist sculptor
By Fletcher Benton
Located in New York, NY
Fletcher Benton
Etching on wove paper in artist's frame
Signed by the artist with his printed signature in graphite, signed by the artist with his hand signature also in graphite, nu...
Category
1990s Constructivist New York City - More Prints
Materials
Etching
Crimson Night 1
Located in New York, NY
2014, Giclee print
Custom sizes available, please inquire
Category
2010s New York City - More Prints
Materials
Giclée
Crimson Night 2
Located in New York, NY
2014, Giclee print
Custom sizes available, please inquire
Category
2010s New York City - More Prints
Materials
Giclée
Autumn Colors
Located in New York, NY
2015, Giclee Print
Category
2010s New York City - More Prints
Materials
Giclée
Glaspalast Edition poster, Munich, Germany 1996 (Hand Signed by Sean Scully)
By Sean Scully
Located in New York, NY
Sean Scully
Munich 1996 (Hand Signed), 2001
Offset Lithograph poster Hand signed and dated by Sean Scully in 2018
Boldly signed in black marker on the recto. Hand signed by Sean Scul...
Category
Early 2000s Abstract New York City - More Prints
Materials
Lithograph, Offset, Ink, Permanent Marker
Sakura Utage
Located in New York, NY
2016, Giclee Print
Category
2010s New York City - More Prints
Materials
Giclée
Autumn Light
Located in New York, NY
2017, Giclee Print
Category
2010s New York City - More Prints
Materials
Giclée
The Greatest Place
Located in New York, NY
2014, Giclee Print
Category
2010s New York City - More Prints
Materials
Giclée
Sakura in Daigo
Located in New York, NY
2015, Giclee Print
Custom sizes available, please inquire
Category
2010s New York City - More Prints
Materials
Giclée
Crimson Moon
Located in New York, NY
2014, Giclee Print
Custom sizes available, please inquire
Category
2010s New York City - More Prints
Materials
Giclée
Spring of Lightning Fire
Located in New York, NY
2017, Giclee Print
Category
2010s New York City - More Prints
Materials
Giclée
Spring Bright
Located in New York, NY
2018, Giclee Print
Category
2010s New York City - More Prints
Materials
Giclée
Crimson Waterfall
Located in New York, NY
2014, Giclee Print
Category
2010s New York City - More Prints
Materials
Giclée
Hazy 1
Located in New York, NY
2011, Giclee Print
Custom sizes available, please inquire
Category
2010s New York City - More Prints
Materials
Giclée
Melody
Located in New York, NY
2012, Giclee Print
Custom sizes available, please inquire
Category
2010s New York City - More Prints
Materials
Giclée
Sign of Light
Located in New York, NY
2012, Giclee Print
Custom sizes available, please inquire
Category
2010s New York City - More Prints
Materials
Giclée
Vintage Museum Press Kit (National Gallery, LACMA & Dallas Museum)
By Roy Lichtenstein
Located in New York, NY
Roy Lichtenstein
Vintage Museum Press Kit (National Gallery, LACMA & Dallas Museum), 1994 -1995
Offset Lithograph brochures, press releases, magazines and a bookmark
12 x 9 inches
Un...
Category
1990s Pop Art New York City - More Prints
Materials
Lithograph, Offset
Box of Strength
Located in New York, NY
2023, Digital print on fine art paper
Category
2010s New York City - More Prints
Materials
Digital
Seeing Red
Located in New York, NY
2023, Digital print on fine art paper, Limited edition of 8
Category
2010s Abstract New York City - More Prints
Materials
Digital
The Degrees of Meaning
By Shusaku Arakawa
Located in New York, NY
The Degrees of Meaning
1973
Signed and numbered, recto
Lithograph
31 x 23.25 inche
This work is offered by CLAMP in New York City.
Category
1970s Contemporary New York City - More Prints
Materials
Lithograph
Tube James Rosenquist Black and white abstract Pop art chrome based on painting
By James Rosenquist
Located in New York, NY
Printed in the same scale as the original James Rosenquist painting, this black and white, abstract pop art composition features a car door collaged over a gleaming, metallic chrome circle. The shining metal and automobile imagery is characteristic of Rosenquist’s work. Bold, minimalist and monochrome, with a hint of yellow and cobalt blue, Tube's circular composition became a recurring motif for Rosenquist. Circles appear in the artist’s prints from the late 60s – he was interested in the “circles of confusion”, or the phenomenon of a camera lens being pointed directly at the sun.
Lithograph based on Rosenquist’s 1963 painting...
Category
Late 20th Century Pop Art New York City - More Prints
Materials
Lithograph
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Julius Meinl
Vintage Aspen Poster
Vintage Flamenco Dancers Posters
Vintage Hindu Posters