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Item Ships From: New York City
Mardochee mene en triomphe, Heliogravure by Lucas van Leyden
By Lucas van Leyden
Located in Long Island City, NY
Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Mardochee mene en triomphe, Year: 1873, Medium: Heliogravure, Size: 9.25 x 12 in. (23.5 x 30.48 cm), Printer:...
Category
Late 19th Century New York City - More Prints
Materials
Etching
David jouant de la Harpe devant Saul, Heliogravure by Lucas van Leyden
By Lucas van Leyden
Located in Long Island City, NY
Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - David jouant de la Harpe devant Saul, Year: 1873, Medium: Heliogravure, Size: 10.5 x 7.5 in. (26.67 x 19.05 c...
Category
Late 19th Century New York City - More Prints
Materials
Etching
La Conversation de Saint Paul, Heliogravure by Lucas van Leyden
By Lucas van Leyden
Located in Long Island City, NY
Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - La Conversation de Saint Paul, Year: 1873, Medium: Heliogravure, Size: 12 x 16.5 in. (30.48 x 41.91 cm), Prin...
Category
Late 19th Century New York City - More Prints
Materials
Etching
Abraham et les Trois Anges, Heliogravure by Lucas van Leyden
By Lucas van Leyden
Located in Long Island City, NY
Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Abraham et les Trois Anges, Year: 1873, Medium: Heliogravure, Size: 7.5 x 5.75 in. (19.05 x 14.61 cm), Printe...
Category
Late 19th Century New York City - More Prints
Materials
Etching
Le Calvaire, Heliogravure by Lucas van Leyden
By Lucas van Leyden
Located in Long Island City, NY
Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Le Calvaire, Year: 1873, Medium: Heliogravure, Size: 12 x 16.5 in. (30.48 x 41.91 cm), Printer: Amand Durand,...
Category
Late 19th Century New York City - More Prints
Materials
Etching
Jesus Christ presente au Peuple, Heliogravure by Lucas van Leyden
By Lucas van Leyden
Located in Long Island City, NY
Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Jesus Christ presente au Peuple, Year: 1873, Medium: Heliogravure, Size: 12 x 18 in. (30.48 x 45.72 cm), Prin...
Category
Late 19th Century New York City - More Prints
Materials
Etching
Paysans se Rendant au Marche Piece Non Decrite by Herman van Swanevelt
By Herman van Swanevelt
Located in Long Island City, NY
Artist: Herman van Swanevelt, After by Amand Durand, Dutch (1603 - 1655) - Paysans se Rendant au Marche Piece Non Decrite, Medium: Heliogravure, Size: 5 x 7 in. (12.7 x 17.78 cm), ...
Category
Late 19th Century New York City - More Prints
Materials
Etching
La Tendresse Champetre, Heliogravure by Adriaen van Ostade
By Adriaen van Ostade
Located in Long Island City, NY
Artist: Adriaen van Ostade, After by Amand Durand, Dutch (1610 - 1685) - La Tendresse Champetre, Medium: Heliogravure, Size: 7.5 x 5.5 in. (19.05 x 13.97 cm), Printer: Amand Durand...
Category
Late 19th Century New York City - More Prints
Materials
Etching
Le Goute, Heliogravure by Adriaen van Ostade
By Adriaen van Ostade
Located in Long Island City, NY
Artist: Adriaen van Ostade, After by Amand Durand, Dutch (1610 - 1685) - Le Goute, Year: 1875, Medium: Heliogravure, Image Size: 7.5 x 9.75 inches, Size: 8.5 x 10.25 in. (21.59 x 2...
Category
Late 19th Century New York City - More Prints
Materials
Etching
Immature Artist, by Matthew Brannon (gourmet cheese delights)
By Matthew Brannon
Located in New York, NY
This signed and numbered limited edition print was commissioned by Lincoln Center for the Performing Arts in 2012.
This impression has never been framed and is in excellent condition.
Note: Framed image is for reference purposes only.
Artist's Statement: "When I was asked to make a print to benefit Lincoln Center I was both honored and intimidated. I was reminded of my moving to New York City in 1997. My student loans had yet to kick in and I was so broke that I really couldn’t afford much of a night on the town. So instead, as an alternative, I’d meet friends outside of Lincoln Center. There we’d spend a few hours socializing and drinking alongside the lights, on marble steps and by the fountain. I always remember that time. "When I begin to make a work of art I begin with the concept. I play word games and I try to loosen up my associations and assumptions. I make visual and verbal connections. Sometimes these are very personal and frustratingly obscure and sometimes more public. In this case I got stuck on cheese. Why cheese? I remember noticing when I moved to New York that people in New York (at least in the art world) loved cheese. Whatever the event or occasion there it was. And someone was always explaining what he or she liked about this or that particular cheese. I’m a natural mimic and so I paid attention, it comes from moving around a lot. From being the 'new kid.' So I kept mental notes on what was 'good' and more importantly what was 'bad.' You can tell a lot about a person by their opinions on cheese. (The truth is I’m not a huge fan of cheese. I believe I have a lactose intolerance.) So all this is to say in my mind it’s forever linked with connoisseurship and culture. I know these days things have changed. But much of my art concerns itself with outdated notions of 'fancy.' The status symbols of the past I knew when it felt like it mattered. I’m aware that my insecurities are what drove me forward. But that’s one way to learn. You could say the print is of artisanal cheeses—aspirational cheeses.
"And then there’s the fun part—adding the text. Which is like my last word on the my artwork; the punch line—the commentary—the poetry. I had a number of ideas but I went with this one—Immature, Artist. Because artists take time. And some of us need reminding." -Matthew Brannon, December 1, 2012
Permanent Collections:
Museum of Modern Art, New York, NY, Whitney Museum of American Art, New York, NY, Rennie Collection, Vancouver, Canada, Ringler Collection, Zurich, Switzerland, Rubell Family Collection, Miami, FL, MADRE Museum, Naples, Italy, The Hammer Museum, Los Angeles, CA The Museum of Modern Art, New York, NY, The Alfond Collection of Contemporary Arts, Cornell Fine Arts Museum, Rollins College...
Category
2010s Contemporary New York City - More Prints
Materials
Screen
Extremely rare 2-sided lithographic announcement to Galerie Maeght vernissage
By Joan Miró
Located in New York, NY
Joan Miró
Extremely rare 2-sided lithographic announcement to Galerie Maeght vernissage, 1953
2 sided Lithographic invitation (header image shows both front and back on one panel)
Un...
Category
1950s Surrealist New York City - More Prints
Materials
Lithograph
Venus, Surrealist Etching with Aquatint by Sergio Gonzales-Tornero
By Sergio Gonzales-Tornero
Located in Long Island City, NY
Venus
Sergio Gonzales-Tornero, Chilean (1927)
Date: 1968
Etching with Aquatint, signed, numbered, dated and titled in pencil
Edition of 36/100
Image Size: 24 x 15.75 inches
Size: 30 ...
Category
1960s New York City - More Prints
Materials
Etching, Aquatint
Sean Delonas Signed Political Cartoon
Located in Larchmont, NY
Sean Delonas
Untitled (sssuuuccckkkeeerrrsss), c. 21st century
Screenprint (?)
Sight: 9 1/2 x 12 3/4 in.
Framed: 18 7/8 x 21 7/8 x 1 in.
Signed and inscribed top
Signed lower left in plate
Best known as the cartoonist for the New York Post’s Page Six from 1990 to 2013. His cartoons are currently syndicated by CagleCartoons and appear worldwide. An award winning painter and illustrator, his work has appeared in the nation's largest newspapers, magazines, books, television and Broadway.
Sean's work is in the permanent collections of the Smithsonian - National Museum of American History, the Library of Congress, Brooklyn Museum of Art, Newseum, the Cartoon Art Museum, New York Historical Society Museum and Library, the Billy Ireland Cartoon Library and Museum, appeared in shows at National Museum of Health and Medicine, the Norman Rockwell Museum, the Concord Museum and the Whitney Museum of American Art.
Sean's cartoons were responsible for the New York Mets decision to boycott the press in 1992 (New York Daily News, 03/28/1993). In 2009, his cartoons led to worldwide media attention and the largest protest against the New York Post in it's 200+ yr history with many politicians calling for his arrest. Sean's cartoons linking Freddy Ferrer to Al Sharpton "helped decide the 2001 mayoral race" ( New York magazine, March 21-28, 2005) and were mentioned in the NYC Democrat mayoral candidate's concession speech (November 7, 2001). In 2018, New Mexico’s entire congressional delegation condemned Sean for an immigration cartoon based on Trump's State of the Union speech that appeared in the Albuquerque Journal. (New York Times, 02/08/18)
A sold out one man art show at the Limner Gallery led to his largest commission -- creating the altar painting for the Church of St. Agnes in NYC. Many of his friends at the NY Post, were the models for this painting.
Together with his son, is the author of Scuttle's Big Wish (ReganBooks/HarperCollins 2006 and Scholastic Books 2007) and, Sean Delonas: The Ones They Didn't Print, (Skyhorse Publishing, 2015).
Pulitzer prize winner, Mike McAlary’s character, Scar [played by Glenn Fitzgerald], from CBS’s “New York News” was " drawn from that wacky talent, Sean Delonas." Mike McAlary, NEW YORK DAILY NEWS Wednesday, August 2, 1995.
His work is in the private collections of celebrities, politicians, and other public figures, including George H.W. Bush, Secretary James Baker, Andrew Lloyd Weber, Rupert Murdoch, Howard Stern, George Steinbrenner, Spike Lee, Rush Limbaugh, Dan Rather, Wolf Blitzer, Steve Kroft, Mario Cuomo, John Cardinal O’Connor, Jackie Mason , Cindy Adams, Pete Hamill, David Blaine...
Category
21st Century and Contemporary Contemporary New York City - More Prints
Materials
Screen
Praise, Limited Edition, Dalton natural bond paper gold stamp signature
By Agnes Martin
Located in New York, NY
AGNES MARTIN
Praise, 1976
Lithograph on Dalton Natural Bond paper. Gold stamped signature on the front
An unnumbered proof, aside from the regular edition of 1000
Accompanied by the ...
Category
1970s Minimalist New York City - More Prints
Materials
Lithograph, Ink, Mixed Media, Paper
LOVE from the American Dream Portfolio by Robert Indiana
By Robert Indiana
Located in Long Island City, NY
Artist: Robert Indiana, American (1928 - 2018)
Title: Die Deutsche Liebe (The German LOVE) from the American Dream Portfolio
Year: 1968 (1997)
Medium: Silkscreen on Wove Paper
Editio...
Category
1960s Pop Art New York City - More Prints
Materials
Screen
Victorian House Facade, Photorealist Lithograph by Harry Devlin
Located in Long Island City, NY
Victorian House Facade
Harry Devlin, American (1918–2001)
Lithograph on Arches, signed and numbered in pencil
Edition of 111/260
Image Size: 32 x 22 inches
Size: 41.5 x 29.5 in. (105...
Category
Mid-20th Century New York City - More Prints
Materials
Lithograph
Peace on Earth, Surrealist Etching with Aquatint by Sergio Gonzales-Tornero
By Sergio Gonzales-Tornero
Located in Long Island City, NY
Peace on Earth
Sergio Gonzales-Tornero, Chilean (1927)
Date: 1970
Etching with Aquatint, signed, numbered and dated in pencil
Edition of 15/100
Image Size: 19.75 x 23.75 inches
Size:...
Category
1970s New York City - More Prints
Materials
Etching, Aquatint
Buddy’s Truck Stop, Photorealist Etching by John Baeder
By John Baeder
Located in Long Island City, NY
Buddy’s Truck Stop
John Baeder, American (1938)
Date: 1979
Etching on Arches, signed, numbered and dated in pencil
Edition of AP
Image Size: 15.25 x 23.75 inches
Size: 21 x 30 in. (5...
Category
1970s New York City - More Prints
Materials
Etching
Deux Contes: Le Centaure picador. Le Crépuscule d'un faune
By Pablo Picasso
Located in New York, NY
Deux Contes: Le Centaure picador. Le Crépuscule d'un faune, 1947
Illustrated book with four drypoints and collotype reproductions of ornamental titles an...
Category
1940s Abstract New York City - More Prints
Materials
Paper, Drypoint
Into 84: Tony Shafrazi Gallery, Signed Exhibition Poster by Keith Haring
By Keith Haring
Located in Long Island City, NY
This poster was made to advertise American Pop artist Keith Haring’s exhibition at Tony Shafrazi Gallery in 1984. The composition features a nude figure in the center with their back...
Category
1980s New York City - More Prints
Materials
Color
Leo Castelli Gallery poster (Roy Lichtenstein, Frank Stella, John Chamberlain)
Located in New York, NY
Rare collectors item:
Roy Lichtenstein, Frank Stella, John Chamberlain
New Work, Leo Castelli poster, 1967
Offset lithograph poster invitation with original folds, addressee and post...
Category
1960s Pop Art New York City - More Prints
Materials
Offset, Lithograph
I'm Staying Adam! : mixed media collage
Located in New York, NY
Contemporary digitally reprinted collage by Florence Alfano McEwin.
Watercolor digitally reprinted two plate photo intaglio with collage and chine collé of found, painted, torn, cut...
Category
2010s Contemporary New York City - More Prints
Materials
Mixed Media
Sliced Photo Collage on Black Bristol TWO : photography collage
By Barbara Rosenthal
Located in New York, NY
Barbara Rosenthal’s Conceptual Photography is a concrete manifestation of complex inner stresses from external realities of all kinds: physical, familial, political, religious, time,...
Category
2010s Abstract New York City - More Prints
Materials
Giclée
Pop Shop, Exhibition Poster by Keith Haring
By Keith Haring
Located in Long Island City, NY
This poster shows American Pop artist Keith Haring sitting in the checkout window of his pop up shop, a space entirely covered ceiling to floor with black line illustrations in Harin...
Category
1980s New York City - More Prints
Materials
Color
Future Primeval, Exhibition Poster by Keith Haring
By Keith Haring
Located in Long Island City, NY
An exhibition poster for American Pop artist Keith Haring’s show “Future Primeval” that was held at the Queens Museum and the Illinois State University Galleries in 1990 and 1991. Th...
Category
1990s New York City - More Prints
Materials
Color
Lithograph Coloring Book by Keith Haring
By Keith Haring
Located in Long Island City, NY
A blank coloring book designed and printed by American Pop artist Keith Haring. This collection is spiral bound and features several illustrations in the artist’s classic style.
Col...
Category
1980s New York City - More Prints
Materials
Lithograph
Sante Fe Opera, Pop Art Screenprint by Robert Indiana
By Robert Indiana
Located in Long Island City, NY
Sante Fe Opera
Robert Indiana, American (1928–2018)
Date: 1976
Screenprint, signed, dated and numbered in pencil
Edition of 157/250
Size: 31 x 22 in. (78.74 x 55.88 cm)
Frame Size: 4...
Category
1970s New York City - More Prints
Materials
Screen
Signed Lithograph Coloring Book by Keith Haring
By Keith Haring
Located in Long Island City, NY
A blank coloring book designed and printed by American Pop artist Keith Haring. This copy is signed and dated in pen by the artist and features several illustrations in the artist’s ...
Category
1980s New York City - More Prints
Materials
Lithograph
Tony Shafrazi Gallery, Signed Exhibition Poster by Keith Haring
By Keith Haring
Located in Long Island City, NY
This poster was made to advertise American Pop artist Keith Haring’s exhibition at Tony Shafrazi Gallery in 1989. It features a series of colored “bubbles” with several illustrated a...
Category
1980s New York City - More Prints
Materials
Color
1983 Edward Ruscha 'Untitled (no text)'
By Ed Ruscha
Located in Brooklyn, NY
Paper Size: 31 x 27.5 inches ( 78.74 x 69.85 cm )
Image Size: 31 x 27.5 inches ( 78.74 x 69.85 cm )
Framed: No
Condition: A: Mint
Shipping and Handling: We ship Worldwide. For Dom...
Category
1980s Contemporary New York City - More Prints
Materials
Lithograph
Untitled Abstract Expressionist lithograph, from Carnegie Museum (155 Lembark)
By Sam Francis
Located in New York, NY
Sam Francis
Untitled (from Fresh Air School), 1972
Lithograph on wove paper, for the Carnegie Museum of Art
15 × 22 inches
Limited Edition of 6,000 (unsigned edition; there is a sepa...
Category
1970s Abstract Expressionist New York City - More Prints
Materials
Lithograph
Overdrive
By Robert Rauschenberg
Located in New York, NY
Robert Rauschenberg, Overdrive, 2017
Screenprints in color on three individual maple wood skate decks
With artist's printed signature
31 x 8 in. (78.7 x 20.3 cm), each, unframed
Edit...
Category
21st Century and Contemporary New York City - More Prints
Materials
Screen
The Paris Review, signed and numbered 1960s Op Art geometric abstraction print
By Richard Anuszkiewicz
Located in New York, NY
Richard Anuszkiewicz
The Paris Review, 1965
Silkscreen on Beckett 90 lb. Hi-White paper with vellum finish
31 × 26 inches
Edition 23/150
Signed lower left; dated and numbered lower r...
Category
1960s Op Art New York City - More Prints
Materials
Pencil, Screen
Ferris Wheel: abstract modern minimalist color field drawing with rainbow colors
By Gene Davis
Located in New York, NY
This geometric, minimalist print glows in rainbow shades. Vibrant raspberry pink, magenta, yellow, lime green, and sky-blue lines take on the organic quality of handmade paper, resul...
Category
1970s Abstract New York City - More Prints
Materials
Lithograph
Historic limited edition 1960s retrospective poster British Council Pop Op Art
By Bridget Riley
Located in New York, NY
After Bridget Riley
Bridget Riley Works 1959-1978: A Major Retrospective Exhibition, 1978
in collaboration with five international museums
Published by the Fine Arts Council UK
Offs...
Category
1970s Op Art New York City - More Prints
Materials
Offset, Lithograph
Pop Shop IV 1989 (2)
By Keith Haring
Located in Miami, FL
Hand numbered, signed and dated on the recto in the lower right margin. Private collection. Reference Littman, K, & Haring K. Keith Haring, Editions on Paper 1982-1990: The Complete Printed Works, Cantz, Stuttgart, 1997, p.146. Publisher Martin Lawrence...
Category
1980s Pop Art New York City - More Prints
Materials
Screen
Deluxe Hand Signed & Numbered 25/30 Cat: Lembark 155 Carnegie Museum lithograph
By Sam Francis
Located in New York, NY
Sam Francis
Untitled Abstract Expressionist lithograph (Hand Signed from the Carnegie Museum Deluxe Edition), 1972
Catalogue Raisonné: 155, Lembark
15 × 22 inches
Hand signed and nu...
Category
1970s Abstract Expressionist New York City - More Prints
Materials
Pencil, Lithograph
The Red Boots on a Black Ground, 1968 ORIGINAL SERIGRAPH
By Jim Dine
Located in Brooklyn, NY
"The Red Boots on a Black Ground, 1968" by Jim Dine
This silkscreen print was created in 1968 by Multiples for a 1969 calendar featuring twelve major Pop artists. It is a small edit...
Category
1960s Pop Art New York City - More Prints
Materials
Screen
"Daytona 500", circa 1979, Serigraph by Seymour Chwast
By Seymour Chwast
Located in Long Island City, NY
Artist: Seymour Chwast, American (1931 - )
Title: Daytona 500
Year: circa 1979
Medium: Serigraph, signed and numbered in pencil
Edition: 250
Image Size:...
Category
1970s Pop Art New York City - More Prints
Materials
Screen
The original limited edition 1965 Los Angeles County Museum of Art LACMA poster
By Alexander Calder
Located in New York, NY
Alexander Calder
The original Los Angeles County Museum of Art poster, 1965
Limited Edition vintage Offset Lithograph
32 × 24 3/4 inches 81.3 × 62.9 cm
Edition of 300
This is the OR...
Category
1960s Modern New York City - More Prints
Materials
Lithograph, Offset
Robert Indiana, "Oranges", from the American Dream Portfolio
By Robert Indiana
Located in Long Island City, NY
Artist: Robert Indiana, American (1928 - 2018)
Title: Oranges from the American Dream Portfolio
Year: 1969 (1997)
Medium: Serigraph
Edition Size: 395
Image Size: 16.75 x 14 inches
Si...
Category
1990s Pop Art New York City - More Prints
Materials
Screen
Attica Defense Fund, historic Limited edition 1970s poster on lithographic paper
By Frank Stella
Located in New York, NY
"The concentric square is just a powerful pictorial image. Its so good that you can us it, abuse it, and even work against it to the point of ignoring it. It has a strength that's al...
Category
1970s Abstract Geometric New York City - More Prints
Materials
Offset, Lithograph
SIGNED Frank Stella poster 1980 Democratic Convention colorful vintage Pop
By Frank Stella
Located in New York, NY
Colorful vintage poster for the 1980 Democratic National Convention, held in Madison Square Garden in New York.Concentric lines of orange and bright green interweave with strokes of pink, yellow, red, turquoise, silver, and gold. Printed with metallic ink that catches light differently from each angle, complementing the poster’s lime green and red text. The top of the poster reads “Let us move forward with a strong and active faith.” SIGNED by the artist lower right with pen.
It was at this 1980 convention that Jimmy Carter was nominated for reelection. This large poster was printed by Petersburg Press...
Category
1980s Pop Art New York City - More Prints
Materials
Lithograph
VOTE, limited edition political silkscreen with artist's famed basketball image
By Jonas Wood
Located in New York, NY
Jonas Wood
VOTE, 2018
6-color screenprint on Coventry rag paper
Hand signed, dated and numbered from the limited edition of 300 by Jonas Wood on the front
20 3/10 × 14 3/5 inches
Unf...
Category
2010s Pop Art New York City - More Prints
Materials
Screen
Peter Halley, Jablonka Galerie, Köln rare exhibition poster (Hand Signed)
By Peter Halley
Located in New York, NY
Peter Halley
Jablonka Galerie, Köln (Hand Signed), 1990
Offset lithograph (Hand Signed by Peter Halley)
26 1/2 × 30 inches (ships rolled in a tube 37 x 6 x 6)
Signed by Peter Halley ...
Category
1990s Abstract Geometric New York City - More Prints
Materials
Offset, Permanent Marker, Lithograph
Peter Halley Small Paintings Rare European poster Minimalist Neo Geo Hand Signed
By Peter Halley
Located in New York, NY
Alpha 137 Gallery is honored to offer this historic offset lithograph of legendary American artist Peter Halley's 1998 exhibition of small paintings at Galerie Bruno Bischofberger in...
Category
1990s Minimalist New York City - More Prints
Materials
Offset, Felt Pen
Romare Bearden - Mecklenburg Morning: Sunrise for China Lamp -
By Romare Bearden
Located in Brooklyn, NY
Sku: CB8608
Artist: Romare Bearden
Title: Mecklenburg Morning: Sunrise for China Lamp
Year: 1993
Signed: No
Medium: Serigraph
Paper Size: 35 x 43.75 inches ( 88.9 x 111.125 cm )
Imag...
Category
1990s Contemporary New York City - More Prints
Materials
Screen
Vintage Frank Stella poster Democratic Convention 1980 colorful Pop political
By Frank Stella
Located in New York, NY
Colorful vintage poster for the 1980 Democratic National Convention, held in Madison Square Garden in New York.Concentric lines of orange and bright green interweave with strokes of pink, yellow, red, turquoise, silver, and gold. Printed with metallic ink that catches light differently from each angle, complementing the poster’s lime green and red text. The top of the poster reads “Let us move forward with a strong and active faith.”
It was at this 1980 convention that Jimmy Carter was nominated for reelection. This large poster was printed by Petersburg Press in 1980, and features Frank Stella’s Polar...
Category
1980s Pop Art New York City - More Prints
Materials
Lithograph
Freedom From Want - The Four Freedoms
By Norman Rockwell
Located in New York, NY
NORMAN ROCKWELL (1894-1978) - The Freedom from want - [from the series THE FOUR FREEDOMS.] 1943.
40x28 1/4inches, 101 1/2x71 3/4 cm.
World War II poster
U.S. Government Printing Office...
Category
1940s American Modern New York City - More Prints
Materials
Paper
Sicilian Magician - lt ed silkscreen by renowned abstract expressionist painter
By Walter Darby Bannard
Located in New York, NY
Walter Darby Bannard
Siciliian Magician, 1980
Silkscreen on wove paper
Pencil signed, titled and dated by the artist on the front
Unframed
Provenance: Bart Gallery, Providence, RI
Th...
Category
1980s Abstract Expressionist New York City - More Prints
Materials
Screen, Pencil, Graphite
Geometric Abstraction Color field silkscreen signed Artists Proof, museum frame
By Ludwig Sander
Located in New York, NY
LUDWIG SANDER
Untitled geometric abstraction
Artists Proof, aside from the regular edition of 90
Hand signed and annotated AP on the front
Elegantly matted and framed in white wood m...
Category
1970s Abstract Geometric New York City - More Prints
Materials
Screen, Pencil
Untitled Abstract Expressionist print for the Carnegie Museum of Art
By Joan Mitchell
Located in New York, NY
Joan Mitchell
Untitled Abstract Expressionist Print for the Carnegie Museum of Art, 1972
Lithograph on wove paper
15 × 22 inches
Limited Edition of 1000 (unnumbered)
Printer: Maeght...
Category
1970s Abstract Expressionist New York City - More Prints
Materials
Lithograph
Eman si pasión [Emancipation / Participation]
By Cecilia Vicuña
Located in New York, NY
Visual poems, the works in Vicuña’s PALABRARmas series are carefully attuned to the power of language. Many of these works incorporate wordplay, and throughout her practice, Vicuña t...
Category
2010s Contemporary New York City - More Prints
Materials
Screen
Untitled, Jasper Johns. Colorful rainbow hatching on parchment
By Jasper Johns
Located in New York, NY
This print features Johns's exuberant hatching in orange, white, bright green, and purple atop collaged newsprint. Printing on translucent parchment makes the image particularly vibr...
Category
1970s Abstract New York City - More Prints
Materials
Screen
Early Days
By James Nares
Located in New York, NY
2015, screenprint, 47 x 34 3/4 inches, edition of 48
Signed and numbered by the artist on the front.
Category
21st Century and Contemporary Abstract New York City - More Prints
Materials
Screen
Botanical series - monoprints
Located in Greenport, NY
Botanical monoprint created by printing actual plants, working with Maria Ancona at 10 Grand Press.
Susan Rowland was born in 1940 in Boston, she atte...
Category
Early 2000s Contemporary New York City - More Prints
Materials
Monoprint
Bunraku, James Rosenquist, abstract Japanese puppetry monochrome Pop Art
By James Rosenquist
Located in New York, NY
This abstract monochrome print portrays large, shiny dark purple bubbles that cascade over a scribbled, dense background. The sense of moveme...
Category
Late 20th Century Pop Art New York City - More Prints
Materials
Lithograph
Dream of William Burroughs (rare 1970s limited edition lithograph) for Earth Day
By Robert Rauschenberg
Located in New York, NY
ROBERT RAUSCHENBERG
Dream of William Burroughs, 1972
Offset lithograph
34 1/2 × 24 inches
Edition 103/150
Signed, dated and numbered in black marker on the front
Unframed
Wonderful early 1970s print
Words appearing in a dream of William Burroughs
Co-published by Automation House and E.A.T., produced by Local One, Amalgamated Lithographers of America, New York
Signed and numbered 103/150 in black marker
This work is registered with the Robert Rauschenberg archives, reference number:
RRF 72.E001
Text reads:
THEY DID NOT FULLY UNDERSTAND THE TECHNIQUE. IN A VERY SHORT TIME THEY NEARLY WRECKED THE PLANET.
More information about this work from the Rauschenberg Foundation:
Lithopinion 26, the current affairs and graphic arts journal, dedicated its summer 1972 edition to the subject of “Our Transportation Mess.” Among the contributors were Theodore Kheel, who was a lawyer, leading labor mediator and arbitrator, as well as an environmentalist, and Senator Edward Kennedy. Kheel commissioned artists such as Romare Bearden, Christo, and Rauschenberg, his friend and client, to address the transportation system in the United States.
Rauschenberg’s contribution was inspired by a dream that William Burroughs, the Beat writer, had described to him, and which resulted in the lithograph Dream of William Burroughs (1972) published by Experiments in Art and Technology (E.A.T.). Surrounded by images of various modes of transportation, the lithograph includes the words: “They did not fully understand the technique / in a very short time they nearly wrecked the planet.” As an E.A.T. board member, Kheel understood, like Rauschenberg, that environmentalism and technology were not conflicting views but symbiotic relationships. In Lithopinion 26, E.A.T. stated that it “supports technology when it tries to help people achieve their human potentiality [and] criticizes it when it doesn’t.”
About Robert Rauschenberg:
Robert Rauschenberg ushered in a new era of postwar American art in the wake of Abstract Expressionism. His approach, along with that of his contemporary Jasper Johns, was sometimes termed “Neo-Dada,” due to its relation to both European forebears and the physical gestures of American Abstract Expressionists. His Combine works (1954 to early 1960s) blurred the distinctions between painting and sculpture, as their flat surfaces were augmented with discarded materials and appropriated images. Rauschenberg also worked with photography, printmaking, papermaking, and performance, the last of which resulted in a number of collaborations with choreographers, including Merce Cunningham, Paul Taylor, and Trisha Brown. Rauschenberg was among the founding members of the innovative group Experiments in Art and Technology (E.A.T.) in 1966, and in 1984 he established the Rauschenberg Overseas Culture Interchange (ROCI) to bring art to communities around the world, saying, “I feel strong in my beliefs, based on my varied and widely traveled collaborations, that a one-to-one contact through art contains potent peaceful powers, and is the most non-elitist way to share exotic and common information, seducing us into creative mutual understandings for the benefit of all.” Rauschenberg’s nontraditional art practice and creative energy generated an enduring influence that impacted generations of artists, as noted by art historian Branden W. Joseph: “Rauschenberg’s was a position with which artists across the board were confronted and to which they almost necessarily had to respond. … Rauschenberg’s work served as a stimulus, an impetus and a challenge.”
Robert Rauschenberg was born in 1925, in Port Arthur, Texas and died on Captiva Island, Florida in 2008. He has had numerous exhibitions worldwide, including “Robert Rauschenberg: A Retrospective,” Solomon R. Guggenheim Museum, New York (1997, traveled to Menil Collection, Contemporary Arts Museum, and Museum of Fine Arts, Houston, Museum Ludwig, Cologne and Guggenheim Museum, Bilbao, through 1999); “Combines,” Metropolitan Museum of Art, New York (2005, traveled to Museum of Contemporary Art, Los Angeles, Centre Pompidou, Paris, and Moderna Museet, Stockholm in 2007); “Cardboards and Related Pieces,” Menil Collection, Houston (2007); “Traveling ‘70–‘76,” Museu de Arte Contemporânea de Serralves, Porto (2008, traveled to Haus der Kunst, Munich, and Madre, Naples in 2009); “Gluts,” The Peggy Guggenheim Collection, Venice (2009, traveled to The Tinguely Museum, Basel, Guggenheim Museum Bilbao, and Villa e Collezione Panza, Varese in 2010); and “Botanical Vaudeville,” Inverleith House, Royal Botanic Garden, Edinburgh (2011). Gagosian Gallery first exhibited Robert Rauschenberg’s work in 1986.
About William Burroughs
William S. Burroughs was a Beat Generation writer known for his startling, nontraditional accounts of drug culture...
Category
1970s Pop Art New York City - More Prints
Materials
Offset, Permanent Marker, Lithograph
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