New York - Prints and Multiples

Marcel Marceau, French (1923 - 2007) - Angel, Portfolio: Le Troisieme Oeil (The Third Eye), Year: 1981, Medium: Lithograph on Arches Paper, signed and numbered in pencil, Edition:...

Paper Size: 30 x 19.25 inches ( 76.2 x 48.895 cm ) Image Size: 24 x 19.25 inches ( 60.96 x 48.895 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supplem...

Jean-Michel Basquiat Galerie Delta Rotterdam 1982: Rare, highly sought-after 1982 exhibition catalogue published on the occasion of: 'Jean-Michel Basquiat- December 1982', Galerie D...

This rare and beautiful lithographic poster was created for an exhibition of René Magritte's work at the Museum of Modern Art in New York in 1965. The painting was reproduced by the Mourlot Studio famous Master Printer Henri Deschamps and supervised by the artist. It was based on Magritte's painting L'idole from 1965. The exhibition featured 81 works created between 1926-1965 and was attended by the artist. The exhibition also travelled to the Rose Art Museum, the Art Institute of Chicago, the University of California Berkeley...

This high-quality original poster designed for Jean-Michel Folon's "I'm Writing From" portfolio exhibition at Cecile Gallery in Long Island, New York, in 1986, beautifully captures t...

ABOUT THIS ARTIST: Laura Hendricks is a photographic and mixed media artist. She combines her own photo images from different locations and times to create new scenes that are a coll...

This original, vintage poster on poster stock features one of Jim Dine's most iconic motifs: the bathrobe. In 1964, Dine saw an ad in the New York Times: “The ad shows a robe with the man airbrushed out of it. There was nobody in the bathrobe, but when I saw it, it looked like me.” Standing in for the artist's own body and rife with personal meaning, it provides a framework for limitless formal and stylistic experimentation. Here, the garment is colored bright green and defined by variegated black lines. Numbers label each part of the robe as in an anatomical chart. Bold black lettering reads Jim Dine, Petersburg Press...

Hebru Brantley Art Toy collection: 2018/2022. Set of 4: Hebru Brantley art toys, each new in original packaging: Composed of three 2017 Hebru Brantley Flyboy's & one Hebru Brantley F...

ABOUT THIS PIECE: A study of gesture in a digital context. Nicole Yates is inspired by the landscape and architecture in her everyday life. She deducts, simplifies, and abstracts the...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

This original poster was designed by renowned artist Robert Motherwell for the Newport Opera in 1979. A dedicated supporter of the arts, Motherwell's involvement in this project high...

Artist: Saul Steinberg, Romanian/American (1914 - 1999) Title: Chrysler Building (Day) from Derrier le Mirroir Year: circa 1965 Medium: Lithograph Size: 14 x 10.5 in. (35.56 x 26.67 ...

Paper Size: 34.25 x 22.5 inches ( 86.995 x 57.15 cm ) Image Size: 27.75 x 21 inches ( 70.485 x 53.34 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or a...

This original 1987 exhibition poster was created for an exhibition of works by Marc Chagall which travelled Japan (Tokyo, Yamagata, Nagoya and Gunma). It was printed in Paris by the ...

Paper Size: 36.5 x 19.5 inches ( 92.71 x 49.53 cm ) Image Size: 20 x 19.5 inches ( 50.8 x 49.53 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shippin...

Screen print on Ries Textured Rag paper, Signed and numbered, Edition of 108 Working across all media, Richard Artschwager (1923-2013) has long specialized in the relationship betwe...

Brian Wall Untitled Hard Edge Minimalist Etching (Geometric Abstraction) from the 1960s, 1969 Etching on wove paper with deckled edges Hand signed and numbered 22/75 by the artist in...

Temporal Perception 4 (Diptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a diptych. Each element size is: 45 x 30" ...

Exhibition poster by Roy Lichtenstein titled "Post Visual", published and designed by the prestigious Beyeler Foundation in Basel, Switzerland. Printed on lightweight stock with exce...

Vic Herman, American (1919 - 1999) - Dances of Guanajuato, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Image Size: 13 x 23.5 inches, Size: 1...

Paper Size: 24 x 18 inches ( 60.96 x 45.72 cm ) Image Size: 15 x 15 inches ( 38.1 x 38.1 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping and H...

Limited edition Wild Style Spray-paint Can: This much decorative limited edition Wild Style spray paint can was born out of a collaboration between director Charlie Ahearn & Montana colors circa 2024 & features the iconic artwork of NYC graffiti legend Zephyr. A standout, highly collectible pop art, graffiti display piece. Medium: Off-set lithograph on metal spray paint can. c.2024. Dimensions: 7.5 x 2.5 inches. Accompanied by original box. Excellent overall condition. Unused. From a sold out limited edition of unknown. *Available for US shipping only* Universally hailed as the first hip-hop & graffiti movie, director, Charlie Ahearn’s “Wild Style" featured seminal figures & legends from early 80's New York hip-hop and graffiti scene such as: Fab Five Freddy, The Chief Rocker Busy Bee, Lee Quinones, Lady Pink, Zephyr, Queen Lisa...

Henri Laurens, French (1885 - 1954) - Portrait, Year: circa 1935, Medium: Etching on wove paper, signed in the plate, Image Size: 5 x 3.25 inches, Size: 12 x 8.25 in. (30.48 x 20.9...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Paper Size: 27.5 x 25.75 inches ( 69.85 x 65.405 cm ) Image Size: 27.5 x 25.75 inches ( 69.85 x 65.405 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or ag...

Werner Drewes brought his modernist vision to this subject but created, in my opinion, a great work of the Etching Revival. The reference is Rose 183. It...

Image Size: 9 x 6.75 inches ( 22.86 x 17.145 cm ) Framed: Yes Frame Size: 16.5 x 13.5 Condition: A-: Near Mint, very light signs of handling Additional Details: Lithograph from the b...

Etching and drypoint on watermarked Hudelist laid paper, 9 5/8 x 5 inches (245 x 129mm) full margins. Second state (of five) after lettering. A superb condition with a pencil inscrip...

Silkscreen in colors with enamel inks and tar-like texture on 2-ply museum board.

David Salle Hand Signed Poster by David Salle upper left, 2000 Offset Lithograph Signed by the artist and dedicated to Nadine 25 × 30 inches Unframed This is a uniquely signed David...

1960s Francis Bacon lithograph from Derrière le miroir: Well-suited for matting & framing, this original 1960's print is derived from Bacon's ...

Paper Size: 36.25 x 26 inches ( 92.075 x 66.04 cm ) Image Size: 28 x 23.5 inches ( 71.12 x 59.69 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addition...

Vic Herman, American (1919 - 1999) - High Hopes, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 200, AP 30, Image Size: 26 x 15 inches, Size: 29 i...

ABOUT THIS PIECE: Color is the foundation of my work. My circles start as a mood or idea that eventually evolves into a colored circle. I am curious how different colours interact wh...

This vibrant exhibition poster features the iconic image "Aloha, 1962," designed for an exhibition held in January-February 1993. Printed in Israel by Sha Ul Zayg Studio, this poster...

Jean-Michel Basquiat "Horn Players" skateboard deck set: Basquiat Skateboard Deck Triptych licensed by the Estate of Jean Michel Basquiat in conjunction with Artestar c. 2017, featu...

Jean-Michel Basquiat, 1985 Limited Edition Artist's Book with Offset Lithographs. Hand signed and numbered by Jean-Michel Basquiat Hand signed and numb...

The work of Blue Chip artist Frank Stella is in the collection of every Major Museum Worldwide. In 2019 a work of his sold at Christies for over 28 Million Dollars. This etching, screenprint, and relief on white TGL handmade paper by Frank Stella is from a very limited edition of only 25 works, there were also eight artists proofs. Titled, "Green Journal", Created in 1985, it is hand signed, dated, and numbered in pencil 13/25 F. Stella 85 in the lower right. The TGL Blind Stamp is located on the lower right from the publisher Tyler Graphics Ltd. Paper size is a large 66x51" and the framed size 76x62". Catalog Raisonne reference is Axsom 163. "Green Journal" is a first for Frank Stella, in that it is the first time a printed word occurs in a Stella print...

Immerse yourself in the world of television history with this very large advertisement poster created by Mobil to promote the television movie adaptation of John Mortimer's "A Voyage...

This limited edition print, titled Composition, May 1953, is a striking work on thick paper, showcasing the artist's distinctive style. The print is hand-numbered 30 out of a limited...

Hiroshi Sugimoto Photogenic Drawings (Hand Signed), 2012 Offset Lithograph Poster. (Hand signed by Hiroshi Sugimoto) Unframed This offset lithograph poster was hand-signed by photogr...

Takashi Murakami Flowers Skateboard Deck: A vibrant piece of Takashi Murakami wall art produced as a limited series in conjunction with the 201...

Richard Serra, Equal, 2015 (Hand Signed) Offset lithograph poster (hand signed by Richard Serra) Boldly signed in black marker on the front Published by David Zwirner; Designed by McCall Associates 24 × 36 inches Unframed Acquired from David Zwirner Gallery Richard Serra Biography: Richard Serra was born in 1938 in San Francisco and lives and works in New York and the North Fork of Long Island. His first significant solo exhibition was held at the Leo Castelli Warehouse, New York, in 1969. His first solo museum exhibition took place at the Pasadena Art Museum in 1970. Serra has since participated in numerous international exhibitions, including documenta (1972, 1977, 1982, and 1987) in Kassel, Germany; the Venice Biennales of 1980, 1984, 2001, and 2013; and the Whitney Museum of American Art’s Annual and Biennial exhibitions of 1968, 1970, 1973, 1977, 1979, 1981, 1995, and 2006. Solo exhibitions of Serra’s sculptural work have been held at numerous public institutions worldwide, including, among others, the Museum Boijmans Van Beuningen, Rotterdam, 1980; Musée National d’Art Moderne, Paris, 1984; Museum Haus Lange, Krefeld, 1985; The Museum of Modern Art, New York, 1986; Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster, 1987; Städtische Galerie im Lenbachhaus, Munich, 1987; Stedelijk Van Abbemuseum, Eindhoven, 1988; Kunsthaus Zürich, 1990; CAPC Musée d’Art Contemporain, Bordeaux, 1990; Museo Nacional Centro de Arte Reina Sofía, Madrid, 1992; Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 1992; Dia Center for the Arts, New York, 1997; Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; Trajan’s Market, Rome, 2000; Pulitzer Foundation for the Arts, St. Louis, 2003; and Museo Archeologico Nazionale di Napoli, Naples, 2004. In 2005, The Matter of Time, a series of eight large-scale works by Serra from 1994 to 2005, was installed permanently at the Guggenheim Museum Bilbao, and in 2007, The Museum of Modern Art, New York, presented the retrospective Richard Serra Sculpture: Forty Years. Promenade, a major site-specific installation, was shown at the Grand Palais, Paris, for MONUMENTA 2008. In 2011, the artist’s large-scale, site-specific sculpture 7 was permanently installed opposite the Museum of Islamic Art in Doha, Qatar. In 2014, the Qatar Museum Authority presented a two-venue retrospective survey of Serra’s work at the QMA Gallery and the Al Riwaq exhibition space, Doha, and East-West/West-East, 2014, was permanently installed in the Brouq Nature Reserve in the Zekreet Desert, Qatar. In June 2020, a new major sculpture by Serra was installed on the West Quad of Kenyon College, in Gambier, Ohio. In June 2022, the Glenstone Museum in Potomac, Maryland, will inaugurate a new building specially conceived to house a recent large-scale forged steel sculpture by Serra. Museum exhibitions that have focused on the artist’s drawings include Richard Serra: Tekeningen/Drawings 1971–1977, Stedelijk Museum, Amsterdam, The Netherlands, 1977; Richard Serra: Zeichnungen 1971–1977, Kunsthalle Tübingen, Germany, 1978; Richard Serra: Drawings, Louisiana Museum, Humlebaek, Denmark, 1986; Richard Serra: Tekeningen/Drawings, Bonnefantemuseum, Maastricht, The Netherlands, 1990; Richard Serra: Drawings, Serpentine Gallery, London, 1992; Richard Serra: Drawings and Prints, The National Museum of Art, Osaka, Japan, 1994; Richard Serra: Rio Rounds, Centro de Arte Hélio Oiticica, Rio de Janeiro, 1997–1998; and Richard Serra: Drawings: Work Comes Out of Work, Kunsthaus Bregenz, Austria, 2008. A major traveling retrospective dedicated to the artist’s drawings was presented at The Metropolitan Museum of Art, New York; the San Francisco Museum of Modern Art; and The Menil Collection, Houston (which was the organizing venue), in 2011–2012. The Courtauld Gallery, London, presented Richard Serra: Drawings for The Courtauld in 2013, and Richard Serra: desenhos na casa da Gávea was on view at Instituto Moreira Salles, Rio de Janeiro, in 2014. Richard Serra: Drawings 2015–2017, a significant overview of the artist’s recent works on paper, was on view at the Museum Boijmans Van Beuningen, Rotterdam, in 2017. Serra/Seurat. Drawings, an exhibition pairing a selection of Serra’s recent drawings alongside those by Georges Seurat, was presented at the Guggenheim Bilbao in 2022. Four Rounds: Equal Weight, Unequal Measure, Serra’s monumental sculpture which debuted at David Zwirner in 2017, is now on long-term view at Glenstone Museum, Potomac, Maryland, in a new building that was designed by Thomas Phifer in collaboration with the artist. Serra has been the recipient of many notable prizes and awards, including a J. Paul Getty Medal (2018) awarded in honor of extraordinary contributions to the practice, understanding, and support of the arts; the Chevalier de l’Ordre national de la Légion d’honneur, Republic of France (2015); Orden de las Artes y las Letras de España, Spain (2008); Orden pour le Mérite...

Artist: Doig, Peter Title: D1-2 Couloir 2 Series: D1 Zermatt Date: 2022 Medium: Giclee Print on Cotton Smooth Rag Unframed Dimensions: 44.75" x 35.4" Framed Dimensions: 48.25"...

This black and white portrait drawing is one of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from the portfolio (edition of 75) and the book. Signed by the artist and numbered 8/25 lower right in pencil. This print features a pair of sketches...

Paper Size: 26.75 x 38.5 inches ( 67.945 x 97.79 cm ) Image Size: 26.75 x 38.5 inches ( 67.945 x 97.79 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or...

Paper Size: 24 x 36 inches ( 60.96 x 91.44 cm ) Image Size: 16.5 x 33 inches ( 41.91 x 83.82 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...

Paper Size: 31.25 x 25.75 inches ( 79.375 x 65.405 cm ) Image Size: 24.5 x 24.5 inches ( 62.23 x 62.23 cm ) Framed: No Condition: A: Mint Additional Details: This poster by Ernest T...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Titles: Male Nude 3 Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 175 Paper Size: 44 x 30 in. (111.76 ...

Original stone lithograph with hand-coloring from "The Quadrupeds of North America. Octavo Edition" by John James Audubon. Plate CXXXI. Philadelphia, J.T. Bowen, ca. 1856. Excellent ...

Paper Size: 18 x 12.25 inches ( 45.72 x 31.115 cm ) Image Size: 17.5 x 12.25 inches ( 44.45 x 31.115 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Suppleme...

Artist: Nicholas Krushenick, American (1929 - 1999) Title: Untitled VI from Fire-Flash-Fire-Fade Portfolio Year: 1971 Medium: Screenprint, signed and numbered in pencil Edition: 150 ...

MILTON GLASER Untitled Abstract Landscape, 1965 Monotype with Mixed Media 11 × 13 inches Signed and dated 1965 on the lower right recto Unique Frame included: held in original vinta...

This reproduction of Eugène Bléry's etching Le Charlemagne depicts the Forêt de Fontainebleau, a renowned forest located south of Paris. The print is produced by La Calcographie du L...

Duane Bryers, American (1911 - 2012) - Lonesome Train Whistle, Year: Circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Image Size: 17 x 22 in., Siz...

Jack Hofflander, American (1920 - 2003) - Donkey Ride, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 250, AP 30, Image Size: 22 x 30 inches, Size: 26 ...

Paper Size: 28 x 22 inches ( 71.12 x 55.88 cm ) Image Size: 21.25 x 20 inches ( 53.975 x 50.8 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: This is an original poster featuring the award-winning photograph by Nina Leen...

Edward Giobbi In a Landscape #1, from Long Point Gallery Portfolio, 1988 Lithograph on paper with deckled edges Hand signed, numbered 22/3...

ABOUT THIS PIECE: “Liquid Mirrors” is an ongoing project— started in late 2012— where I use mylar to photograph the reflections of my subjects. I am mimicking the medium of oil paint...

The 2016 Roland Garros poster by Marc Desgrandchamps, a distinguished French contemporary artist, offers a contemplative and abstract interpretation of the French Open. Desgrandchamp...