New York - Prints and Multiples

Paper Size: 34.75 x 26.75 inches ( 88.265 x 67.945 cm ) Image Size: 34.75 x 26.75 inches ( 88.265 x 67.945 cm ) Framed: No Condition: A: Mint Additional Details: Dreaming with...

This original signed poster, titled Expo de Gravures de la Guilde Graphique, was created by French Canadian artist Julien Lacroix for an exhibition. The poster, published in 1973, is...

Paper Size: 38 x 24 inches ( 96.52 x 60.96 cm ) Image Size: 38 x 24 inches ( 96.52 x 60.96 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supplemental C...

David Shapiro (American, b. 1922) Waterfall I (de-accessioned from the Denver Art Museum), 1979 Spit-bite etching, drypoint and carborundrum on Lanaq...

Andre Masson, French (1896 - 1987) - Assemblage de femmes, Year: 1966, Medium: Etching and Aquatint, signed and numbered in pencil, Edition: 24/50, Image Size: 6.75 x 7.75 inches, S...

This fold-out card showcases Donald Judd's Series of Ten Woodcuts in Three Color States: Cadmium Red Light, Ultramarine Blue, and Ivory Black. Published by Brooke Alexander, the card...

This original lithographic poster was created for Max Bill's 1974 exhibition at Marlborough Galerie Zürich. A leading figure in the Concrete Art movement, Bill's work is celebrated f...

Keith Haring Rain Dance 1985: RARE original 1980s Keith Haring illustrated poster announcement for a Keith Haring UNICEF benefit party at Larry Levan’s legendary Paradise Garage...

"Homage to the Square - Portfolio 2, Folder 4, Image 1" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origina...

Paper Size: 25.5 x 27.25 inches ( 64.77 x 69.215 cm ) Image Size: 21.75 x 26 inches ( 55.245 x 66.04 cm ) Framed: No Condition: A: Mint Additional Details: From an exhibition h...

Reclining into an armchair, the nude woman in this print appears fragmented and reduced to angular shapes. While recognizable, the figure of the woman is seen through multiple perspe...

Cynthia MacCollum is a painter, printmaker, and photographer who lives and works in New Canaan, CT. Her work has been shown online at ODETTA, NYC, and in person at the Center for Contemporary Printmaking...

Burke Libaire is a Charleston based visual artist and designer. She began her career in New York City, translating her love of art and architecture into the world of interior design ...

Paper Size: 45 x 29.5 inches ( 114.3 x 74.93 cm ) Image Size: 38 x 29.5 inches ( 96.52 x 74.93 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age ...

Paper Size: 19.5 x 16 inches ( 49.53 x 40.64 cm ) Image Size: 13.75 x 12 inches ( 34.925 x 30.48 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age ...

Man Ray, American (1890 - 1976) - Untitled from Le Surrealisme en 1947, Year: 1947, Medium: Lithograph, signed in the plate, Edition: 950, Size: 9 x 7.75 in. (22.86 x 19.69 cm), Pri...

This original poster by Vardea Chryssa, published by HKL in 1968, is a striking serigraph acquired from the collection of Pace Posters. The image is characteristic of Chryssa's work,...

This striking serigraph poster by Michel Granger was created for an exhibition at Galerie Marquet and showcases his signature surrealist style. In this imaginative composition, Grang...

Paper Size: 31.25 x 19.75 inches ( 79.375 x 50.165 cm ) Image Size: 25.75 x 19.25 inches ( 65.405 x 48.895 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

Mark Tobey, American (1890 - 1976) - Liberation II, Year: 1973, Medium: Color Etching on Richard de Bas, signed, numbered and titled in pencil, Edition: 96, Image Size: 10.75 x 9.2...

Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that see...

Donald Baechler The Benefit Mummy, 2005 Linoleum print, one color, with chine colle, on Rives BFK paper Rare print from an edition of only 17, with documentation sheet from Artist's ...

Exhibition poster by Roy Lichtenstein titled "Post Visual", published and designed by the prestigious Beyeler Foundation in Basel, Switzerland. Printed on lightweight stock with exce...

Ted Jeremenko, Yugoslavian/American (1938 - ) - Lighthouse IV. Year: 1986, Medium: Silkscreen on Arches, signed and numbered in pencil, Edition: 175, Image Size: 20 x 25 inches, Size: 27 in. x 31 in. (68.58 cm x 78.74 cm), Description: Theodore Jeremenko's rendering of an antique lighthouse...

This reproduction of Agrigente by Nicolas de Staël is a beautiful tribute to the artist’s signature style, capturing the essence of his bold and evocative approach to abstraction. Ag...

MASSIMO LISTRI Sammezanno VIII, Tuscany, 2005 48 x 40 inches 120 x 100 cm Edition of 5 60 x 48 inches 150 x 120 cm Edition of 5 88.5 x 71 inches 225 x 180 cm Edition of 5 UNFRAM...

Artist: Kyohei Inukai, American (1913 - 1985) Title: Egg 2 (Purple) Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 45 Image Size: 20 x 26 inches Size: 2...

Martha Diamond (1944-2023) was a Contemporary American painter best known for cityscape abstractions in sweeping, gestural brush strokes. Skyscrapers is...

ABOUT THIS PIECE: A 1 inch white border is included in the listed image size (W x H) as per the artist's request. Inspired by the warm light, open vistas, and saturated colors of he...

Artist: Robert Motherwell, American (1915 - 1991) Title: No. 6 from Three Poems, collaboration with Octavio Paz Year: 1987 Medium: Lithograph on Japon with Chine Colle Edition: 750 I...

Artist: K.B. (Kyu-Baik) Hwang Title: Maturity Year: circa 1970 Medium: Mezzotint, signed, numbered, and titled in pencil Edition: AP Paper Size: 30 x 22 inches

Susan Gorelick (American, 1924-2000), "Red Expulsion" A/P, Abstract Etching signed, titled and numbered in Pencil, 19.50 x 27.88 (Image: 17.25 x 23.50) Late 20th Century Colors: Ora...

Signed in pencil. A European town square with fountain and tower.

Paper Size: 35.25 x 27 inches ( 89.535 x 68.58 cm ) Image Size: 35.25 x 27 inches ( 89.535 x 68.58 cm ) Framed: NoCondition: A-: Near Mint, very light signs of handling Additional Details: Original exhibition poster for Martin Kippenberger...

ABOUT THIS PIECE: "This particular series is a an homage to photographs taken with film. They are the result of an aberration of light passing through a locked shutter and the camera...

Paper Size: 31.75 x 22 inches ( 80.645 x 55.88 cm ) Image Size: 18 x 16.5 inches ( 45.72 x 41.91 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age ...

Slavko Kopac was born in Croation in 1913. He was one of the founding members and curators of Art Brut (Compagnie de L'Art Brut). 1948, Compagnie de L'Art Brut is founded by Slavko K...

ABOUT THIS PIECE: Continuing the story of polar melt, which is the main cause of rising seas, I followed the meltwater from the Arctic to the equator. I spent September 2013 in the M...

From the portfolio "Formulation: Articulation", created by Josef Albers in 1972. In the portfolio, there were 127 screenprints, with only the colophon bearing Albers' signature and t...

Pablo Picasso may be best known for pioneering Cubism and fracturing the two-dimensional picture plane in order to convey three-dimensional space. Inspired by African and Iberian art...

Rendered in hues of blue and grey, this portayal of a woman in an artist's workshop includes a depiction of an easel with a canvas facing the woman. Pablo Picasso's Cubist technique ...

Jasper Johns Recent Still Life (Hand signed and dated by Jasper Johns), 1966 Collotype. Hand signed and dated by Jasper Johns Edition of 2100 (this work is, exceptionally, hand signed & dated by Johns; the regular edition is not) Signed and dated lower right front by Jasper Johns in graphite pencil August, 27, 2008 Provenance: Estate of artist and noted collector Rick Collar Framed This scarce early (1966) limited edition collotype was published on the occasion of the exhibition "Recent Still Life" at the Museum of Art, Rhode Island School of Design. The regular unsigned edition was 2100, and the official signed edition was 100; however, exceptionally, Jasper Johns signed...

Paper Size: 38 x 19 inches ( 96.52 x 48.26 cm ) Image Size: 35 x 19 inches ( 88.9 x 48.26 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Deta...

Paper Size: 31.5 x 23.5 inches ( 80.01 x 59.69 cm ) Image Size: 18 x 23.5 inches ( 45.72 x 59.69 cm ) Framed: No Condition: A: Mint Additional Details: Poster created for a Hoc...

Sebastian Münster (German, 1488-1552) LA SITUATION DE LA VILLE DE ROME Antique Map of Rome, 1549 Possibly printed in 1964 Print on paper Publisher:...

Bodegon by Juan Manuel Gomez-Quiroz, Chilean (1939–2021) Date: 1979 Etching, signed, titled, numbered and dated in pencil Edition of 65 Image Size: 29.5 x 23.5 inches Size: 35.75 x 2...

Paper Size: 62.75 x 47.25 inches ( 159.385 x 120.015 cm ) Image Size: 62.75 x 47.25 inches ( 159.385 x 120.015 cm ) Framed: No Condition: B: Very Good Condition, with signs of handli...

Peter Halley Cell with Explosions I, 1993 Line Engraving on Japanese Wahon Creme Kozo Paper with glazed surface Hand signed and numbered 49/50 by the artist on lower front Original frame included: matted and framed in a wood frame Rarely to market, this hand signed and numbered 1993 Peter Halley print is held in its original 1990s vintage frame. It's on elegant Japanese Wahon cream paper which is 100% Kozo paper with glazed surface. The specs on the paper are part of the design process. Measurements: Frame: 19 x 19 x 1 inches Visible: 12 1/4 x 12 1/4 inches Sheet: 15 7/8 x 15 1/4 inches Peter Halley Biography Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Artist: Pablo Picasso Medium: Lithographic Poster, 1962 Dimensions: 39.5 x 26 in, 100.3 x 66 cm Classical Poster Paper - Good Condition A- This rare and beautiful lithographic po...

Made for an exhibition of artist Pierre Soulages works at the Musee Des Arts Decoratifs (museum of decorative arts and design) at the Palais du Louvre in Paris, 1960. The original im...

This is an original exhibition poster for Livet Som Kunst ("Life as Art"), held from February 14 to June 22, 2003 at the prestigious Louisiana Museum of Modern Art in Humlebæk, Denma...

Basquiat boxing poster 1997: This rare double-sided 1997 Basquiat boxing poster was published on occasion of the 1990s exhibition, “Jean-Michel Basquiat Works and Portraits” at Parco...

ABOUT THIS PIECE: Color is the foundation of this Canadian artist's work. Her circles start as a mood or idea that eventually evolve into a colored circle. She is curious how differe...

Paper Size: 10 x 7.5 inches ( 25.4 x 19.05 cm ) Image Size: 10 x 7.5 inches ( 25.4 x 19.05 cm ) Framed: No Condition: A: Mint Additional Details: Lithograph by Maurice Briancho...

Additional Details: First edition, Printed by Maeght Editeur. Front and back cover for DLM 156. Fold line down the center as issued. DLM stands for Derriere Le Miroir, literally tran...

Joan Miró Extremely rare 2-sided lithographic announcement to Galerie Maeght vernissage, 1953 2 sided Lithographic invitation (header image shows both front and back on one panel) Un...

Robert Kipness was an American painter and printmaker who’s work focused on forms and a pronounced moodiness. This print is signed, numbered, dated, and...

Black and white original artist proof etching by the well known Russian/American artist Nahum Tschacbasov. Marked “Arist Proof” lower left in pencil. Signed by the artist lower righ...