USA - Art

Joan Jett is one of the most prolific, bad-ass women in music. I was honored when Joan asked me to recreate the cover of her 1981 album "I Love Rock & Roll" for its 33 1/3 Anniversar...

Framed Dimensions (inches): 14.5" x 16.5" Ernst Haas (1921–1986) is acclaimed as one of the most celebrated and influential photographers of the 20th century and considered one of the pioneers of color photography. Haas was born in Vienna in 1921, and took up photography after the war. At the invitation of Robert Capa, Haas joined Magnum in 1949, developing close associations with Capa, Henri Cartier-Bresson, and Werner Bischof. His images were disseminated by magazines like Life and Vogue and, in 1962, were the subject of the first single-artist exhibition of color photography at New York's Museum of Modern Art. He served as president of the cooperative Magnum Photos, and his book The Creation (1971) was one of the most successful photography books ever, selling 350,000 copies. A Poet’s Camera (1949), which combined poetry with metaphoric imagery by artists like Edward Weston, was particularly important to Haas's early development. Unsure of his career path, Haas realized that photography could provide both a means of support and a vehicle for communicating his ideas. He obtained his first camera in 1946, at the age of 25, trading a 20-pound block of margarine for a Rolleiflex on the Vienna black market. In 1954 Robert Capa, Magnum's first president, was killed while on assignment covering the First Indochina War. That same year, Werner Bischof died in a car accident in the Andes. Following their deaths, Haas was elected to Magnum's board of directors and traveled to Indochina himself to cover the war. After the death of David “Chim” Seymour in Suez in 1959, Haas was named the fourth president of Magnum. In 1962 the Museum of Modern Art in New York presented a ten-year survey of Haas's color photography. Haas had been included in Edward Steichen's exhibition The Family of Man, which premiered in 1955 and traveled to 38 countries. In addition to editorial journalism and unit stills work, Haas was also highly regarded for advertising photography, contributing groundbreaking campaigns for Volkswagen automobiles and Marlboro...

Provenance: Manuel Ortíz de Zevallos y García, Peru; and by descent in the family to: Private Collection, New York. This impressive baptismal dish is an example of eighteenth-cent...

A unique original silver gelatin black and white photograph. The Tuileries Garden in Paris under the snow, France, 26th of January 1926. Features: Original Silver Gelatin Print Phot...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of contemporary art, illustrating the creation of beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—generally found in screen doors, windows and filters—he creates contemporary abstract sculptural artworks and installations, which resemble flowers, clouds, and other natural phenomena. Working in metal, Adams effortlessly transforms rigid material into airy, effervescent artworks. This 9 by 12 by 7 inch silver metal wall sculpture...

Silver Resin Bulldog with Bottle by William Sweetlove Arrives in a beautiful collector's box. With his cloned animals William Sweetlove calls for greater ecological awareness and urges us to reflect on the consequences of the climate change challenging humanity. His penguins carry water bottles because the earth is running out of safe and clean drinking water. William Sweetlove is a contemporary Belgian sculptor and a member of the Cracking Art...

This horizontal wall hanging sculptural artwork by John Monn was created using a rainbow clearcoat over a shiny chrome polymer. It measures 7 i...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

This wall hanging sculptural artwork by John Monn was created using a rainbow clearcoat over a shiny chrome polymer. It measures 8.5 inches high and 9 inches wide and .5 inches deep. It is hand signed on the back. It has wooden cleates on the back for hanging installation...

This vertical wall hanging sculptural artwork by John Monn was created using a rainbow clearcoat over a shiny chrome polymer. It measures 12 inch...

This wall hanging sculptural artwork by John Monn was created using a rainbow clearcoat over a shiny chrome polymer. It measures 7.5 inches high and 12 inches wide and .5 inches deep. It is hand signed on the back. It has wooden cleates on the back for hanging installation...

This wall hanging sculptural artwork by John Monn was created using a rainbow clearcoat over a shiny chrome polymer. It measures 12 inches high and 11 inches wide and 3 inches deep. It is hand signed on the back. It has wooden cleates on the back for hanging installation...

This wall hanging sculptural artwork by John Monn was created using a rainbow clearcoat over a shiny chrome polymer. It measures 10.5 inches high and 10 inches wide and .5 inches deep. It is hand signed on the back. It has wooden cleates on the back for hanging installation...

This wall hanging sculptural artwork by John Monn was created using a rainbow clearcoat over a shiny chrome polymer. It measures 12.5 inches high and 10 inches wide and 6 inches deep. It is hand signed on the back. It has wooden cleates on the back for hanging installation...

At a media party with Gordon Parks, Alan King and Genevieve Young. Veteran Village Voice photographer Fred W. McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto." An exhibit of McDarrah’s photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.” artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson...

Brindle’s works occupy the space where Color Field painting, Light and Space conceptualism and Finish Fetish sensibilities intersect. Borrowing tools and techniques from the industri...

Selected from Phillip's acclaimed series, The Horses of Deep Hollow Ranch. Working with a vintage Mamiya handed to him by a stranger in NYC, Graybill creates contemporary photographic compositions in a style that is reminiscent of the Pictorial School from the early 1900’s. Artist: Phillip Graybill Title: Silver Edition: Signed and numbered in the margin, archival pigment prints on 100% cotton rag paper, remastered and printed at FATHOM Los Angeles Phillip Graybill is from Atlanta, Georgia. He moved to NYC in 1996 where he lived for 20 years and now splits his time between NYC and Venice, Ca.  He has exhibited with celebrated artist Julian Schnabel. He has also exhibited alongside such photographic luminaries as Peter Lindbergh and Nigel Barker. Graybill was the primary photographer for the Nine Inch Nails...

Black and white Maritime 1970's Seascape Photograph. Martine Franck (2 April 1938 – 16 August 2012) was a Belgian documentary and portrait photographer. She was a member of Magnum Photos for over 32 years. Franck was the second wife of Henri Cartier-Bresson and co-founder and president of the Henri Cartier-Bresson Foundation. Franck studied art history at the University of Madrid and at the Ecole du Louvre in Paris. After struggling through her thesis (on French sculptor Henri Gaudier-Brzeska and the influence of cubism on sculpture), she said she realized she had no particular talent for writing, and turned to photography instead. In 1963, Franck's photography kick started following trips to the Far East, having taken pictures with her cousin’s Leica camera...

As we go through different phases of life and experience the change of seasons, we learn more about ourselves and perhaps unite with a deeper part that finds ourselves evolving and d...

Jimi Gleason introduces two exuberantly gestural, lustrous silver nitrate paintings edged with electric bands of color.

The funeral of Malcolm XFred W. McDarrah, 1926-2007 Veteran Village Voice photographer Fred W. McDarrah Over a 50-year span, McDarrah documented the rise of...

The alchemists in their ‘Magnum Opus’ sought to cipher a ‘Philosopher’s Stone,’ a mythical substance which would not only convert common metals into precious ones, but was the key to...

Sculptor Jacques Lipchitz Terling Silver Anniversary Silver Sculpture Plate Israel This is a beautiful sterling silver commemorative plate. It was spec...

Double layers of stainless steel mesh acrylic painting on lower screen and torched on upper screen, mounted on canvas. Mirang Wonne is a prolific artist who uses innovative media an...

Framed black and white silver gelatin print, Mykonos #15 by photographer Jed Fielding. An internationally recognized street photographer, Jed Fielding has made photographs for over forty-eight years, working extensively in Peru, Greece, Egypt, Spain, France, Mexico, Italy, and the United States. Inspired by mentors Aaron Siskind and Harry Callahan, Fielding explores the diversity of emotion, culture, and humanity through his art. Fielding’s photographs have been widely collected and exhibited, and are represented in private and public collections, including: The Museum of Modern Art, New York; Walker Art Center, Minneapolis; The Art Institute of Chicago; International Center of Photography, New York; Museum of Fine Arts, Houston; Fogg Art Museum, Harvard University, Cambridge; Museum of Fine Arts, Boston; and The Goldman Sachs Collection, New York. His monograph, City of Secrets: Photographs of Naples by Jed Fielding, was published in 1998 by The Museum of Contemporary Photography (Chicago) and Takarajima Books (New York and Tokyo). His second monograph, Look at me: Photographs from Mexico City by Jed Fielding, was published in 2009 by the University of Chicago Press. In 2000, he was awarded an Illinois...

This is a 19th century colored aquatint and stipple engraving finished by hand entitled "Silver Rock Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate 67 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a Silver Rock Melon still on the vine, but the melon lies on a heater green mat. A wedge of the melon has been dissected to reveal its inner anatomy, including the seeds. The melon skin is a heather and light green color, while the inner portions are a light peach color. The vine and leaves are shown attractive shades of light green and there are soft yellow flowers. The plant is displayed on a light brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There are wide white margins. The title and inscription lies within the lower border. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick heather green mat. The frame measures 25.75" high, 21.5" wide and 1.13" deep. It is glazed with UV conservation glass. There is a short thin vertical line of discoloration in the lower margin through the word "melon" and a tiny spot in the upper margin on the left. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. t depicts a cluster of grapes. The two prints would make a striking display pairing...

Jimi Gleason introduces two exuberantly gestural, lustrous silver nitrate paintings edged with electric bands of color.

A stunning original Gordon Abbott photograph depicting Central American in the 1940's. Signed on the mat and reverse. Abbott was a twentieth century American photographer born in 1...

Jimi Gleason introduces two exuberantly gestural, lustrous silver nitrate paintings edged with electric bands of color.

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Malcolm X Funeral signed in ink Veteran Village Voice photographer Fred W. McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generatio...

A representational abstract depiction of "Silver Pond" on Long Island. Darius Yektai dives back into his popular "Silver Pond" palette in this dreamy waterscape. He paints his canvas...

Artist: Nicholas Krushenick Title: Silver Image Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition: 200, AP 30 Paper Size: 32 x 26 inches (81.28 x 66.04 cm)

Elsa Peretti was born in Florence, studied interior design and was a language teacher and ski instructor before becoming a model. Peretti settled in New York in 1968 and began a care...

Silver Teapot by Lu Haskew Oil 12x16" image size, 18x22" Framed (Linen Liner and Gold) Still Life of a silver teapot with grapes and pears ABOUT THE ARTIST: Lu Haskew 1921-2009 "L...

This painting by Antoinette is a stylish and luxurious mixed media on canvas piece depicting abstract floral shapes with bold use of color and contrast. The Silver Leaf background allows for the luminosity to shine through effortlessly, as the lines and intricate details of the silk paper laid over paint and mixed media add a most interesting texture. The artist's hand embellishes with free fall paint dripping to add elegant accents. This painting comes housed in a black oak floater frame with hanging wire on verso ready to be displayed. Art measures 31.5 x 31.5 inches Frame measures 33 x 33 inches Antoinette Ferwerda is a renowned Australian artist largely recognized for producing a bold collection of fine artwork that joyfully explores the geometry of shape and the changing light from dusk to dawn. Championing her love for shape, reflection, and nature using a diverse pallet of mixed media to portray her abstract interpretations of nature. Antoinette's diverse past and a childhood that was somewhat nomadic has inspired much of her work today. Antoinette’s backstory reads like something out of an adventure series, having spent her early days living in remote pockets of Papua New Guinea, where she was lucky to spend time in a seaside shack on Ela Beach in Port Moresby, as well as the volcanic town of Rabaul, the Cargo Port Lae, before moving on to Darwin where her Dad worked for the Red Cross and helped with the re-build process after Cyclone Tracy. This was followed by a family stint in Europe, visiting Netherlands, London, Belgium, France, Italy, and Switzerland, before finally settling back in Melbourne for her formative years. Her love for nature and exploring the patterns and relationships she finds within started early. “I’ve been forever fascinated with color and the magical interplay of light”. “Blessed to have a teacher Mum who fostered regular creative time during our nomadic stint, my childhood was largely spent creating, especially outdoors”. Never without a pen, sketchbook or scraps of paper, her natural ability to create in layers instinctively started in these early years. Although her work continues to evolve, she consistently creates works that are rich in layers, resulting in pieces that are optimistic, luminous and full of stories from her colorful life. Her signature work is abundant with color and texture, resulting in a transparent quality of her works. Adaptable to any palette, Antoinette has produced works from a diversity of spectrums and mediums – sun-soaked, muted and ethereal, vibrant, as well as monochromatic with accents of gold. Her themes include abstract and metaphysical interpretations of fossicking in rock pools, exploring the rolling hills of the countryside both here and abroad, the rock formations of the Australian outback and the magical light of a European summer to name just a few. Her dream and longing to become an artist became a reality after starting her own family and farewelling a corporate life in the pharmaceutical industry, with her debut solo exhibition in 2014. Six years on, Antoinette has fast become a firm favorite amongst interior designers, stylists and home decorators alike, having been represented by fenton&fenton, Thom Gallery and Trit House (formally Click On Furniture) to name just a few. Continually experimenting and evolving as an artist, Antoinette invites the viewer to look deeper through surface layers to find hidden stories of color and form. Past collections have been inspired by visits to the bustling markets of India, the morning light outside her childhood beach shack...

Jimi Gleason introduces two exuberantly gestural, lustrous silver nitrate paintings edged with electric bands of color.

Fred W. McDarrah, 1926-2007 Veteran Village Voice photographer Fred W. McDarrah Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests. Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office. Not just a social chronicler, McDarrah was a great photo-journalist. For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto." An exhibit of McDarrah’s photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.” artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson, Jasper Johns, Franz Kline), actors (Dustin Hoffman, Robert De Niro on the set of “Taxi Driver”), musicians (Janis Joplin, Alice Cooper, Bob Dylan) and documentary images of early happenings and performances (Yayoi Kusama, Charlotte Moorman, Al Hansen, Jim Dine, Nam June Paik). The many images of Andy Warhol include the well-known one with his Brillo boxes at the Stable Gallery in 1964. Woody Allen, Diane Arbus, W. H. Auden, Francis Bacon, Joan Baez, Louise Bourgeois, David Bowie, Jimmy Breslin, William Burroughs, John Cage, Leo Castelli, Christo, Leonard Cohen, Merce Cunningham, William de Kooning, Jim Dine, Mark di Suvero, Marcel Duchamp, Bob Dylan, Federico Fellini, Allen Ginsberg, Robert Indiana, Mick Jagger, Jasper Johns, Kusama, John Lennon, Sol Lewitt, Roy Lichtenstein, Nam June Paik, Elvis Presley, Claes Oldenburg, Yoko Ono, Robert Rauschenberg, Lou Reed, James Rosenquist, Mark Rothko, Ed Ruscha, Robert Smithson, Susan Sontag, Andy Warhol, and others. McDarrah’s prints have been collected in depth by the J. Paul Getty Museum and the National Portrait Gallery, Washington. His work is in numerous public and private collections. Lynn Nolan Ryan...

Donald Sultan "Silver Flowers, March 5, 2011" 2011; Silkscreen with hand applied Black Silica on Sauders Waterford paper 38 x 38 inches Edition of 75 Signed Unframed The Black Silica...

This Gorham Vanity Dresser set is made out of sterling silver. It is in the Melrose pattern. The creation date is in the 1950s. Gorham, founded in P...

The Perpetuations Neckpiece ( w/ detachable brooch) is a one-of-a kind wearable art piece by Alexandra Forsythe. The necklace has a detachable pin that can be removed and worn as a complement to the necklace or on it's own. This remarkable conversation piece is made of Sterling silver, with petrified wood, and agate. The Instantiating Time Collection is a body of work reflecting objects...

Continuance Ring 3 is a one-of-a kind wearable art piece by Alexandra Forsythe and part of the Instantiating Time Collection. A body of work reflecting objects...

Artist Commentary: This is the second print in an edition of three. Approximate image size is 12"W x 8"H. Keywords: City, urban, NYC, photograph, black and white, buildings, foggy, ...

Ivan Karp Sherman Drexler Ivan C. Karp (June 4, 1926 – June 28, 2012) was an American art dealer, gallerist and author instrumental in the emergence of pop art in the 1960s. Karp ...

This incredible work comes with a COA. The work is currently framed in a new acid free mat and the original 1969 silver metal frame, but new framing is available included in the pric...

Taking cues from the anti-figurative aesthetic of American Abstract Expressionists, Ripley’s process is one of spontaneity and gesture. Color is applied in broad strokes atop a black...

Continuance Ring 5 is a one-of-a kind wearable art piece by Alexandra Forsythe and part of the Instantiating Time Collection. A body of work reflecting objects...

Continuance Ring 4 is a one-of-a kind wearable art piece by Alexandra Forsythe and part of the Instantiating Time Collection. A body of work reflecting objects...

Durate Brooch is a one-of-a kind wearable art piece by Alexandra Forsythe and part of the Instantiating Time Collection, a body of work reflecting objects...

This beautiful blue painting is by Japanese artist, Takefumi Hori. He was born in Tokyo, Japan. He paints beautiful gold leaf paintings. This piece is acrylic, gold leaf and metal ...

This incredible work comes with a COA. The work is currently framed in a new acid free mat and the original 1969 silver metal frame, but new framing is available included in the pric...

This artwork titled "Silver Trees" c.1970 is an original lithograph on wove paper by noted American artist Robert Kipniss, b.1931. It is hand signed and nu...

Sylvia Miles and Larry Rivers

Artist Commentary: With seemlingly mundane subject matter, Koyo creates a timeless, elegant image with soft grays and rich blacks. Keywords: photography Artist Biography: Koyo Tam...

Richard Nixon inauguration Fred W. McDarrah, 1926-2007 Veteran Village Voice photographer Fred W. McDarrah Over a 50-year span, McDarrah documented the...

this is a rare (possibly unique) vintage silver gelatin emulsion print of the artist's daughter, it is signed and dated 1980. Laurence Salzmann is a native of Philadelphia who has worked as a photographer/ filmmaker since the early 1960's. His projects document the lives of little known groups in America and abroad. He looks at the lives of people ranging from occupants of single room occupancy hotels in New York City to transhumant shepherds in Transylvania, residents of a Mexican village, and Philadelphia Mummers. His photographic study of a nearly extinct Jewish community in Romania was published as The Last Jews of Radauti by Dial/Doubleday in 1983, with text by Ayse Gürsan-Salzmann. His most recent work in Cuba is soon to be published in book form by Blue Flower Press...

Shire (2022), surreal abstract dream-like landscape, blue, silver, pink, black "Shire" by Shamona Stokes portrays a dreamy, inviting, surreal landscap...