USA - Art

Los Angeles artist Marc Raphael's abstract expressionism paintings are influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work for the fir...

Wild Things (Till Death do us Part) - 2005, 20x20cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invento...

Wild Things (Till Death do us Part) - 2005, 20x24cm, Edition of 10, plus 2 Artist Proofs, Digital C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory #...

Title: Cloud II Medium: Oil on canvas Size: 19 x 23.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting...

After Thomas Moran Harbor, Venice oil/canvas board signed LL 15.75 x 20 unframed, 24 x 28 framed Good original as purchased condition in what looks to be a period frame? Possibly original. Signature looks similar to others found online. The last two photos are of similar signatures from two paintings listed in Brunks Auction in 2025. Small dent, lower center, under the two black objects as seen in photo. Might benefit from a light professional cleaning. Purchased at Stair Auctions Also shown here is a similar venetian painting by Moran sold at Shannons Auctioneers 2022 for $162.500 including premium showing a similar signature. Biography Thomas Moran was born 12 February 1837 in Bolton, England, not far from Manchester, the birthplace of the Industrial Revolution. Several generations of the Moran family had worked as handloom weavers in Bolton until the introduction of power looms radically changed the industry. In 1842/1843, seeking public education for his children and economic opportunity in a new land, Thomas Moran, Sr., journeyed to America. The following year his wife and children joined him and the reunited family settled in Kensington, a suburb of Philadelphia, where they became part of a well-established community of immigrant textile workers. While still a teenager Thomas became an apprentice at the Philadelphia engraving firm of Scattergood and Telfer. After three years he withdrew from his apprenticeship and began working in the studio of his older brother, Edward, who had begun to establish himself as a marine painter. Serving, in effect, a second apprenticeship, Moran benefitted not only from the advice of his brother but also from that of James Hamilton (1819-1878), a well-known Philadelphia painter who had befriended Edward. Described by contemporaries as the "American Turner," Hamilton may have sparked Thomas Moran's life-long interest in the work of English artist J.M.W. Turner. In 1861, after several years of studying Turner's work in reproduction, Thomas and Edward journeyed to London where they spent several months studying and copying Turner's work at the National Gallery. A decade later, when Thomas journeyed west to join Ferdinand Vandiver Hayden's expedition to Yellowstone, the watercolors he produced on site bore clear evidence of his debt to Turner. Moran's trip to Yellowstone in 1871 marked the turning point of his career. The previous year he had been asked by Scribner's Magazine to rework sketches made in Yellowstone by a member of an earlier expedition party. Intrigued by the geysers and mudpots of Yellowstone, he borrowed money to make the trip himself. Numerous paintings and commissions resulted from this journey, but the sale of his enormous (7 by 12 feet) Grand Canyon of the Yellowstone (1872, National Museum of American Art) to Congress shortly after passage of the bill that set Yellowstone aside as the first National Park, brought Moran considerable attention. In 1873, following up on his earlier success, Moran joined John Wesley Powell's expedition down the Colorado River through the Grand Canyon. Shortly after his return he set to work on a second canvas equal in size to his earlier Yellowstone painting...

Daniel Key's "Lilting" (2025) is an original, handmade oil painting that depicts a fresh array of pink roses and assorted flowers. About the artist: Daniel J. Keys was born on Oct....

Artist: Dennis Oppenheim, American (1938 - 2011) Title: Information Lines, 1981. Medium: Lithograph, signed and numbered in pencil A/P 1/30. Artist's Proof. Size: 41.25 in. x 29.7...

Charming early 20th-century oil landscape depicting a quiet riverside scene with trees, reeds, and soft reflections in the water. Painted in a gentle impressionist style with atmosph...

You turn from Me (Till Death do us Part) - 2005, 20x20cm, Edition 1/10, digital C-Print print, based on the Polaroid, Certificate and Signature label. Artist Inventory No. 9555....

Artist: Slonem, Hunt Title: Twilight Bunnies Series: Bunnies Date: 2025 Medium: Lithograph on Paper Unframed Dimensions: 16" x 24" Framed Dimensions: 22" x 29" x 1.25" Signatu...

This lithograph is a part of my private collection from the early 1970's. It is artist pencil signed in the lower right corner, and numbered in the lower left. Published : Guild de l...

No matter where one lives currently, be it London, Austin, or Mumbai, if you have lived near or hiked up Mount Diablo in San Francisco’s East Bay, this could bring back warm memories...

"The Orange Voltaire" by Linda Delahaye (France based) is an original oil on panel depicting a graceful female nude bathed in sunlight. Born: 1980, Canada ...

Title: White And Blue World Medium: Oil on canvas Size: 22 x 26 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2...

This piece titled "I-76" is original artwork made from pencil, marker, carborundum drypoint print adhered to panel by Miriam Singer. This piece measures 10"h x 6"w. Miriam Singer grew up in Buffalo, New York, In 2000 she received her BA from Brandeis University, and in 2003 her MFA from Massachusetts College of Art. Since moving to Philadelphia in 2004; Miriam Singer has exhibited at James Oliver Gallery. Stanek Gallery, LG Tripp Gallery, Woodmere Art Museum, Space 1026, Friends of the Print and Picture...

White Glove (Michael Jackson) by Tom Schierlitz, a highly detailed still life photograph of the King of Pop 's glamorous Swarovski crystal rhinestone glove, capturing intricate detai...

This woodcut black and white is part of my private collection. It is in very good condition. It is artists signed in the lower right and numbered o the left. Atelier Othon-Friesz

Antique oil on board landscape painting. Nicely framed. Excellent colors. Ready to hang.

Medium: original lithograph. Printed in Paris in 1960 by the Mourlot Freres atelier. Size: 12 1/2 x 9 1/2 inches (320 x 242 mm). Not signed.

Paper Size: 4.25 x 6 inches ( 10.795 x 15.24 cm ) Image Size: 3.75 x 5.5 inches ( 9.525 x 13.97 cm ) Framed: Yes Frame Size: H: 17.25 x W: 13 x D: 1.25 in. Condition: A-: Near Mint, very light signs of handling Additional Details: This vintage blank...

In a time of profound environmental change, Kevin Sloan’s images depict rare beauty intertwined with puzzlement. Part art, part artifice, his painstaking vignettes of animals posed i...

Ohara Koson, 'Wading Egret', color woodblock, c. 1900 - 1910. Signed 'Koson' in black ink with the artist’s red seal beneath, lower left. A superb, skillfully-inked impression, with ...

Raphaël Nannini (Italian, 1852-1925) Napoleon Bust, Late 19th Century Bronze on marble base Signed on back 17 x 11 x 8 inches Raphael Nannini was born in Florence. He exhibited at t...

North Park, Kendall oil/canvas laid to panel image 9 x 12 Purchased from the artist in 2003. This is a beautiful plein air painting done in North Park, Kendall. This is one of three ...

Cartoon sketch, ca. 1955. Pencil on paper, sheet measures 8.5 x 11 inches. Unsigned with editor's notations. From a group of sketches meant to be preliminary drafts for editor appro...

Italian artist Alessandro Casetti's paintings metaphorically represent all the emotions, fears, and hopes that populate our daily life inside and outside of our own bodies. Through a...

This artwork titled "Tweet" c.1990, is an acrylic painting on paper by noted American artist Glen Chesnut. It is. signed and titled at the lower right corner by the artist. The artwo...

Antique American modernist abstract cubist oil painting. Oil on board. Signed. Framed. Measuring: 28 by 18 inches overall. In excellent original condition. Handsomely framed in a ...

In this contemporary encaustic monotype, layers of pigmented beeswax on lightweight paper create an undulating composition suggesting layers of the earth's crust and geological forma...

A wonderful composition of one of Slonem's most iconic subjects, Butterflies. This piece depicts delicate multicolor butterflies in ascension placed in a wonderful golden silver land...

"Red Hill" is a framed oil painting on canvas by Marshall Noice, depicting a dreamy, abstract landscape bathed in warm, vibrant hues. The composition suggests a forest path illuminat...

Keith Haring 'Rap It' record art 1983: A rare vinyl art cover featuring original artwork by Keith Haring and Futura 2000 (reverse side). Truly vibrant colors that make for stand-out ...

After Antonio Canova (Italian, 1757-1822) Bust of Young Napoleon as Caesar, 19th Century Hallow cast bronze with verdigris patina, attached to rouge...

6060 A vintage street scene of Parisians walking thru Paris. , oil on artist board signed by Soula`, displayed in a white wood frame

Richard Anuszkiewicz (American, 1930-2020) Temple of Evening Reds, 1983 Acrylic on canvas Signed verso 36 x 36 inches 36.75 x 36.75 inches, framed Richard Anuszkiewicz was born in E...

Willy Oster Untitled Geometric Abstract Mixed Media Collage; Acrylic, Paper 1990 27.55 x 39.37 inches (70 x 100 cm) Signed, dated and annotated by hand on verso COA provided *Condit...

Etching on vélin de Rives BFK paper. Paper Size: 11.5 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Lysistrata, 1934. Published by The Limited E...

"More Red" is a framed oil painting on canvas by Hunt Slonem, depicting the artist's iconic singular bunny in black paint with a bright red background. This original painting has be...

Artist: PABLO PICASSO (AFTER ) Title: Vive le Paix (Long Live Peace) Year: 1954 Published by: Combat Pour La Paix, Paris Medium: Lithograph on Lana paper (Blind stamp JPG attached) P...

A whimsical oil painting depicting a Cafe scene with figures in Paris by the Park during spring by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were p...

Jack Youngerman Blue/Yellow from New York City Center of Music & Drama Portfolio, 1968 Silkscreen on wove paper Hand signed, dated and numbered 75/144, in graphite by Jack Youngerman...

There was a time, before photography, before airplanes, a time when multi-masted wooden ships carried wonderous things to ports throughout Northern Europe. Then, a faithful rendering...

Elizabeth Langreiter’s "Going Nowhere Day 6" is a whimsical, textured mixed-media painting that captures a serene moment of relaxation on the water. Featuring two miniature figures floating effortlessly on bright yellow inner tubes against an expansive turquoise sea, this artwork evokes feelings of peace, leisure, and the joy of drifting and relaxing. Langreiter’s signature raised elements add dimension and a tactile quality, making this piece perfect for coastal art lovers, collectors of contemporary beach scenes, and those seeking a joyful escape in their home décor. The textural aerial ocean and beach scene...

Highly detailed still life photograph of the King of Pop 's glamorous Swarovski crystal rhinestone glove, capturing intricate details of the iconic bespoke handstitched concert acces...

Anita Zotkina’s “Shared Dreams” is a 20 x 16 x 0.7 inch surreal oil painting on gallery-wrapped canvas. The work depicts a woman with luminous golden hair and upward-looking eyes, su...

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical...

nknown Artist (Signed “Kaufman”) Untitled (Pastoral Horizon), mid-20th century Oil on board Framed dimensions: 25 in. H × 21 in. W Original cream-toned carved wood frame This expres...

This piece is executed with hand cut butterflies, and comes displayed in an acrylic shadow box. These works conjure sensations of nostalgia, created from paper, cutting out colorful ...

My Girl (Till Death do us Part) - 2005 48x46cm, Edition of 10, plus 2 Artist Proofs, Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #92...

In this piece, artist Paul Renard depicts his subject in a most romantic yet academic way. The artist was truly a master of capturing the magic and romance of the busy streets of Paris portraying the way of the times effortlessly. With much attention to detail and subtle brush strokes using a wide color pallet, a beautiful rendition of the street with figures is accomplished. We are reminded of the great impressionists of the early 20th Century such as Edouard Cortès in this piece. Paris in all of its glory in the "Roses in the Cart" is a pertinent example of how Renard achieves excellence in his work, leaving us with emotions of Paris in Autumn during dusk effortlessly. This piece is signed lower right lower right and comes housed in a beautiful wood carved museum quality...

Anthony Padovano Untitled Abstract Expressionist drawing, 1971 Ink wash on paper drawing Signed and dated in ink wash Unique Original (unique) signed Abstract Expressionist ink wash ...

Samuel Chamberlain, 'Manhattan Old and New', drypoint, 1929, edition 100, Chamberlain and Kingsland 81. Signed, titled, and numbered '81/100' in pencil. Titled and annotated '30.00' in pencil, in the artist's hand, bottom margin. Matted to museum standards, unframed. A superb, finely-detailed impression, with selectively wiped plate tone, on heavy Rives cream wove paper; full margins (1 1/2 to 2 1/4 inches), in excellent condition. The subject of the print is the lower Manhattan cityscape just before the Depression. Image size 8 3/4 x 6 13/16 inches (222 x 173 mm); sheet size 12 3/4 x 10 inches (324 x 254 mm). Impressions of this work are held in the collections of the National Gallery of Art and the Zimmerli Art Museum. ABOUT THE ARTIST 'There is something about the atmospheric vibrancy of an etching which imparts a peculiar and irresistible life to architectural drawing...A copper plate offers receptive ground to the meticulously detailed drawing which so often appeals to the architect'. —Samuel Chamberlain, from the Catalogue Raisonné of his prints. Samuel V. Chamberlain (1896 - 1975), printmaker, photographer, author, and teacher, was born in Iowa. His family moved to Aberdeen, Washington in 1901, and in 1913, Chamberlain enrolled in the University of Washington in Seattle, where he studied architecture under Carl Gould. By 1915, he was enrolled in the School of Architecture of the Massachusetts Institute of Technology in Boston. With the United States' involvement in the First World War, Chamberlain sailed to France, where he volunteered in the American Field Service. In 1918, he was transferred to the United States Army to complete his tour of duty. After the war, he returned to Boston and resumed his architectural studies, which he eventually discontinued, working for a few years as a commercial artist. Chamberlain received the American Field Service Scholarship in 1923, which he used to travel to Spain, North Africa, and Italy. In 1924 he was living in Paris, where he studied lithography with Gaston Dorfinant and etching and drypoint with Edouard Léon, publishing his first etching the following year. In 1927, he studied drypoint with Malcolm Osborne...

Ali Enache (b. 1985, Washington, D.C.) is a Los Angeles-based abstract painter whose minimalist, textural works are characterized by warmth, subtle movement, and tonal depth. With a ...

Vintage American modernist landscape oil painting. Signed and Exhibited. Oil on canvas. Measuring 17 by 31 inches overall and 16 x 30 painting alone. In excellent original condition,...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Décora...

Paper Size: 4.25 x 6 inches ( 10.795 x 15.24 cm ) Image Size: 3.75 x 5.75 inches ( 9.525 x 14.605 cm ) Framed: Yes Frame Size: H: 17.25 x W: 13 x D: 1.25 in. Condition: A-: Near Mint, very light signs of handling Additional Details: This vintage blank...

The image "Still Life with Crystal Bowl, 1973" by legendary Pop artist Roy Lichtenstein was used for this exhibition poster, designed for a presentation of the Whitney Museum collect...

Edouard Benedictus, 'Poppy' from the portfolio 'Relais', plate 14, color pochoir, 1930. Signed in the matrix, in the center bottom margin. A superb, richly-inked impression, with fresh, vibrant colors, including metallic gold and silver inks, on heavy, cream wove paper; the full sheet with margins (1 3/8 inches), in excellent condition. Published by Éditions Vincent, Fréal et Cie, Paris. The pochoir production is by Jean Saudé, the French printmaker known for his mastery of the technique and the author of the first how-to book on the pochoir process. Matted to museum standards, unframed. Image size 14 3/8 x 11 inches (365 x 279 mm); sheet size 17 1/4 x 13 7/8 inches (438 x 352 mm). Impressions of this work are held in the following museum collections: Cooper-Hewitt National Design Museum Library (Smithsonian), Metropolitan Museum of Art, Minneapolis Institute of Art, New York Public Library, Toledo Museum of Art, Victoria and Albert Museum (London), Virginia Museum of Fine Arts. ABOUT THIS WORK The Pochoir process is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by virtue of its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique. ABOUT THE ARTIST Edouard Benedictus (1878 -1930), artist, designer, composer, and chemist, was born and died in Paris. A highly-regarded designer and art critic of the Art Nouveau era, Benedictus gained renown as a colorist and creator of Art Deco-inspired geometric and floral motifs. His work had a significant influence on international fashions in clothing, home furnishings, graphic design, and decorative objects of the period, earning him commissions from leading European design firms. In 1925 he was invited to represent Art Deco textile design...

Drawing inspiration from an immersive and impressionistic interpretation of nature, Canadian artist Vé Boisvert paints textural original artworks that capture the fleeting effects of...

Artist Len Klikunas paints to modify experienced reality through visual perception. Klikunas focuses on the larger idea behind his original abstract minimalist artworks. The work is ...