USA - Paintings

This work is a unique piece. It is an oil painting on linen canvas gilded with 22 carat gold leaf. CS Art comprises of two artists, one French, the other Norwegian. They have been p...

Signed lower right, 'Di Gesu' for Victor Di Gesu (American, 1914-1988) and created circa 1950. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Los Angeles Art Cen...

Y, 2022 by Hunter & Gatti From the series Lous and The Yakuza Acrylic and oil wax on fine art paper 255 grs. Image size: 20.6 in H x 15.7 in W Unframed This is a project together wi...

Abstract painting by contemporary artist Anthony Polizzi. This colorful abstract work of art would be a lovely addition to anyone’s home. Anthony Poli...

A Visual Journey: Landscape #10, Contemporary Abstract Expressionist Painting, 2022 9" x 12" (HxW) Watercolor and Acrylic on Paper Hand-signed by the artist. Reminiscent of the abstract expressionist works of Hans Hoffman, this small-format mixed media painting study by artist Simona Gocan...

Compelling small abstract of numbers titled, "Room For One More" by Tom Hamil (American, b. 1928). Circa 1980. Signed upper left corner and on verso. Presented in rustic slat wooden frame. Image size: 12"H x 8.25"W. Tom Hamil, was born in New York in 1928 and raised primarily in California. After attending the US Naval Academy in Annapolis, he returned to California to begin his formal art training at the California School of Fine Arts in San Francisco (now known as the San Francisco Art Institute). He completed his education at the University of Washington with a Master’s Degrees and Doctorate in Fine Arts and Education. His first solo exhibition was held in 1956. Since then, he has participated in numerous one man shows, group shows, and has been represented in galleries in the US and Mexico. In addition to his painting, Hamil has authored and illustrated a number of books. While at the Naval Academy, he received recognition for his paintings, drawings, and illustrations. Listed among Hamil’s many awards and honors are a Ford Foundation Fellowship and an Award of Excellence from the American Graphics Society. Currently, he lives in Zirahuen, Michoacan, Mexico and Truth or Consequences, New Mexico. Hamil’s statement: “I am a man...

In bold, acrylic line paintings, US artist Hilary Bond depicts the heads and torsos of women, often repeating the image in overlapping compositions. Her contemporary groups of pop c...

This stunning abstract by contemporary artist, architect, and designer Ana Carolina Mönnaco blends a beautiful variety of colors that make the piece jump off the canvas. This piece was made for the artist's exhibit, "Blurred & Fractured," at Modfellows Art Gallery - WeHo in Nashville, Tennessee. The piece is hand signed by the artist in the bottom-right corner and comes with a Certificate of Authenticity issued by the gallery. Mönnaco’s history in architecture has pushed her to peer past the structured world in which we live, to convey the unbound world which surrounds us. She is interested in the continuous reaching of life. She says, “we live with this blurred and fractured vision of the world, yet inside each of us there’s an undeniable conviction that something beautiful and perfect still exists beyond our grasp.” In response to this, Mönnaco uses a sophisticated color palette and inspiration found in the beauty of the natural world to create rich environments which encapsulate the viewer by surrounding them with wonderment of the unknown. About the Artist: Ana Carolina Mönnaco is an artist from Curitiba, Brazil, where she developed a love of art and architecture. She graduated from Carnegie Mellon University in Pittsburgh, Pennsylvania. After graduating in 2002, she joined Morris Architects in Orlando, Florida. Mönnaco has won many prestigious awards including the International Watercolor Masters Merit Award, the AIP 24 Juror Award, and the AIP Hugh Ferris...

Using pornography as a vehicle for understanding, Rick Sindt's work explores the discovery and development of queer attraction. Sindt transforms pornographi...

High Velocity (Abstract painting) Acrylic on canvas - Unframed. Matthew Langley's technique in creating the artworks come from building and extending as well as reducing and minimizi...

High Velocity (Abstract painting) Acrylic on canvas - Unframed. Matthew Langley's technique in creating the artworks come from building and extending as well as reducing and minimizi...

ARTIST'S STATEMENT The inspiration for my paintings comes from images of landscapes; the urban landscape and the narrative of my "inner landscape." Within these worlds, I express my...

'Two Ladies Trying to Out-Mystify Each Other', Original 1969 semi-abstract cubist style oil painting portraying two female figures with still life. Figural abstraction, oil paint on ...

Kimber Berry, Liquid Landscape 092708, Acrylic and Mixed Media on Canvas, 36x60. This is a layered, dimensional contemporary painting. It is filled with pinks, white and vibrant colors. Berry is a California "Flow" artist. Kimber Berry is a Los Angeles artist, who is part of the "Flow Movement," a term coined by Art Critic (and curator) Peter Frank. Her artwork is vibrant and dynamic mixed media combining acrylics, resins and digitally altered photographs of her paint-strokes. As a native of LA, Kimber loves to blur the line between what is real and what is illusion. In this latest series, Plastic Gardens, Kimber addresses the ongoing diminishing natural environments. According to Kimber, "Amongst hundreds of thousands of miles of concrete and steel we feel a distance from nature and are compelled to create green spaces, oasis, parks and gardens of cut grass, pruned trees and waterfalls constructed of painted concrete rocks encircled by highly designed flower beds, essentially nature on our terms. I've constructed this series of paintings inspired by these plastic gardens." Berry has received a lot of positive attention from art critics and curators on the West Coast and has been featured in solo and group shows in New York, LA, Atlanta and London. She in exhibits at the Riverside Museum and the Huntington Beach Art Center in California. Berry has been was featured in the magazines Art LTD, Hamptons Cottages & Gardens, Ocean Home...

Acrylic abstract painting on canvas

Artist Jill Keller Peters abstract color-field oil paintings communicate ideas through color. By juxtaposing pure and vivid hues that speak to each other w...

Abstract textured biomorphic shape painted with bright pink pigment by contemporary Houston, TX artist Matthew Reeves. The work is designed to hang away from the wall and cast a shad...

South Congress View of the Capitol 60" x 48" Acrylic on Wood Panel

Artist: Slonem, Hunt Title: King Charles Garden Series: Butterflies Date: 2022 Medium: Oil on wood Unframed Dimensions: 28" x 20.5" Framed Dimension...

This one of a kind painting is done in acrylic on paper. The photos show the painting in different light conditions. A few gold accents.I try my best to represent the true colors of ...

Modfellows Art Gallery presents Lovescapes, an exhibition of works by Martin Kahnle that explores the nature and humanity of the southern Blue Ridge Moun...

Signed (on stretcher): Twardowicz Stanley Twardowicz (1917–2008), a one-time orphan, Golden Gloves boxer, professional baseball player and auto worker, emerged from a hardscrabble u...

A representational abstract painting of a lily pond. Airy washes of alizarin paint, built up more opaquely in areas, creates the background of this piece. Epoxy resin covers the aliz...

Represented by George Billis Gallery My paintings are intuitive responses to the myriad forces that shape my life—emotions that translate into color, visual memories of forms and co...

Lynn Sanders is an artist excited by beauty: architecture, foliage, landscapes, seascapes, interiors. She finds palettes and shapes in her environment and...

Denise Driscoll's "Interaction 8" is a 12 x 12 x 1.5 inch abstract painting on panel in matte blue and orange woven together with shiny metallic gold. Webs of color tumble and intersect in flowing, mesmerizing pattern in this acrylic painting. "Interaction 8" is signed, titled, and dated on the reverse and the sides are painted a deep blue. Denise Driscoll is an abstract painter who creates imaginary maps...

Ride or Die (Abstract painting) Oil on panel Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion. Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the submerged language of a work. Her use of reds and pinks link to flesh and blood...

Ride or Die (Abstract painting) Oil on panel Spielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion. Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the submerged language of a work. Her use of reds and pinks link to flesh and blood...

Brett Hammond’s spray-painted canvas panels pay homage to pop art traditions as he explores his own interests in satire, drama, and romantic tension. Above all, his work is smart, fu...

This work is part of a two panel installation sold individually or together. There are 2 interlocking panels each listed separately for the price above. The words written on the canv...

Lisa Pressman earned her BA in Art from Douglas College, Rutgers University and an MFA from Bard College. Her work has been exhibited extensively throughout the U.S. and abroad, incl...

David Ackerson 24" x 48" Acrylic on Canvas

This is a vibrant pink encaustic (pigmented beeswax) painting on birch panel accented with a darker shade of reddish pink along the edge. Signed and titled on verso. Joanne Mattera’...

Signed, verso, 'di Gesu' for Victor Di Gesu (American, 1914-1988) and created circa 1980. A lyrical, post-impressionist oil still-life flowers, shown loosely arranged in a shallow b...

Emilio Rama's captivating pop art-inspired paintings featuring origami animal figures are a distinctive and original contribution to the realm of contempor...

Composition of pink hop, oil on paper. Signed lower left HRAIR.

In this mixed media 24"x24" painting by XVALA, 'Meme Money 000: Goochi Sponge,' the artist colorfully plays with the 'Gucci' brand in tandem with the childhood cartoon series, SpongeBob. SpongeBob as a Goochi sponge takes center stage with orange glasses glasses in a palette of purple, green, and red on a fuschia pink background. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His Fear Google campaign exposed the decay of privacy and No Delete used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...

Contemporary abstract painting by local Houston artist Chris Cascio. Currently featured in the show "5 Artists 5 Rooms" at Reeves Art + Design in Houston, TX. Artist Biography: Chr...

Mulberry paper and acrylic on gauze Xinyi Liu is an interdisciplinary artist based in New York and Beijing. She works with materials that resonate with the thin and silky quality of...

Yana Beylinson's (US based) "Four Peonies" is an oil painting that depicts impressionistic pink flowers with vivid green leaves. Artist Bio: Yana is driven by a deep r...

Downtown was painted after a trip to New York City. We love hanging out in the west village and this was the vibe I had.

Acrylic, Watercolour Pencil, and Silkscreen on Panel 40in x 50in 2019 Large Sized Abstract Landscape on panel using the medium of Acrylic and Spray Paint,...

This 24" x 30" acrylic on canvas painting by artist Dragana Milovic features a fantastical landscape of houses, florals, and other whimsical elements. ...

For Rock and Roll art collectors this is one incredible rare work of art. It is an original painting created by David Byrd based on David's original 1968 first drawing for Hendrix's first 1968 appearance at The Fillmore East. It is featured numerous times in the new coffee table book on David Byrd's art titled "Poster Child" This original painting on acetate of Jimi was painted in 2006. It was based on David's 1968 original drawing of the very 1st version for Jimi's first Fillmore East appearance. When Bill Graham asked David if he can "add the other two guys" to the image, David created the now famous orange poster with all 3 members of the Experience and this first version of the poster was never created until 2006 when we asked David if he could create an original painting based on the very first drawing that he did for the concert. This original painting was exhibited at the Bethel Woods Museum which is on the site of the original 1969 Woodstock Music Festival. This original art was painted in the same exact way that David painted his other painting for the famous Hendrix poster...

Aaron Fink (American, b. 1955) Hand signed and dated 1986, verso. The large canvas size measures approx: 72" x 66". This painting is part of the artist's "Images of Gambling" series, amongst his best figural work. Aaron Fink was born in Boston in 1955. He received his MFA from Yale University and his BFA from the Maryland Institute College of Art. His work has been exhibited widely throughout the U.S., Europe and Japan and Australia, and is included in the collections of the Museum of Modern Art, NY, the Art Institute of Chicago, the Museum of Fine Arts, Boston and the Walker Art Center, Minneapolis, among many others. He lives and works in the Boston area. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. Figurative abstract expressionist art. In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers, who remained a strong supporter of his work until his death in 1999. Fink’s work is represented in the collections of the Art Institute of Chicago, the Hara Museum, Tokyo, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York and the National Gallery of Art, Washington, DC, among many others. Fink currently divides his time between Boston and Rockport, Massachusetts. He was included in the show The Expressive Voice: Selections from the Permanent Collection at the Danforth Museum of Art. An exhibition of Boston Expressionism, a school that embraced a distinctive blend of visionary painting, dark humor, religious mysticism, and social commentary. Historical roots of this movement can be traced to European Symbolism and German Expressionism, but artists living and working in the Boston area from the 1930’s through the 1950’s, were particularly inspired by Chaim Soutine and Max Beckmann. Artists included; Aaron Fink, Bernard Chaet, David Aronson, Ernst Ludwig Kirchner, Hyman Bloom, Jack Levine, Jackson Pollock, Jason Berger, Karl Zerbe, Lawrence Kupferman, Michael Mazur, Sigmund Abeles and Willem de Kooning. He was included in the show 40 Years of Printmaking: From the Center Street Studio Archives, along other great figural artists Gabor Peterdi, John Walker, Lester Johnson and Nell Blaine. S E L E C T E D C O L L E C T I O N S Art Institute of Chicago Bank of America Boston Public Library Bouwfonds Nederlandse Gemeenten, The Netherlands Brooklyn Museum of Art Castelli Collection, New York Chase Manhattan Bank Chemical Bank Choate Rosemary Hall, Wallingford, CT Citizens Bank, Boston Coopers & Lybrand Danforth Museum, Framingham, MA Danish House of Parliament Davis Museum, Wellesley College, Wellesley, MA DeCordova Museum and Sculpture Park Lincoln, MA Farnsworth Museum, Maine Fidelity Investments, Boston Fogg Museum of Art, Harvard University, Cambridge, MA Fuller Museum of Art, Brockton, MA G.E. Corporation Goldman Sachs & Company IBM, New York Indianapolis Museum of Art Library of Congress Massachusetts Institute of Technology, Cambridge, MA Metropolitan Museum of Art, New York Museum of Contemporary Art, Chicago Museum of Fine Arts, Boston Museum of Modern Art, New York National Gallery of Art, Washington, DC New York Public Library Philadelphia Museum of Art Portland Museum of Art, Portland, Maine United States Department of State University of Massachusetts, Amherst Awards Residency, Anderson Ranch, Snowmass, CO, 1998, 1996 National Endowment for the Arts, 1987, 1982 Artist Fellowship, Massachusetts Council on the Arts and Humanities, 1984 American Academy in Rome, Prix de Rome – Alternate in Painting, 1979 Yale University, Ford Foundation Special Project Grant, Fall 1979 Skowhegan Scholarship Award, conferred by the Maryland Institute College of Art, Spring 1976 SELECTED GROUP EXHIBITIONS Contemporary Responses to Modernism: A New England Perspective, University of Southern Maine Color and Line: Expressive Tradition in Boston, Endicott College, Beverly, MA, Beautiful Decay, Danforth Art Museum, Framingham, MA MICA Then and Now, Ethan Cohen Gallery, Beacon, NY Bon Appetit, Concord Art Association Celebrating Ten Years, Galerie D’Avignon, Montreal, Canada New England Impressions: Exploring the Woodcut, Concord Art, Concord, MA Go Figure: The Figure in Contemporary Art – A Response to Art History, Painting in Boston: 1950-2000, DeCordova Museum and Sculpture Park, Lincoln, MA Working Sources: The Painter and the Photographic Image, Alpha Gallery, Boston, MA The Unique Print: Six Innovative Approaches to the Monotype, Starr Gallery, Newton, MA Selections from Atelier Mourlot, Hankyu Department Store, Tokyo, Japan Yale Collects Yale, Yale University Art Gallery, New Haven, CT, 1993 70’s and 80’s: Printmaking Now, Museum of Fine Arts, Boston, MA, 1986-1987 Skowhegan Alumni, Leo Castelli Gallery, New York, and Portland Museum of Art, Portland, Maine, Public and Private: American Prints Today, Brooklyn Museum, Brooklyn, NY Contemporary Miami Collectors, Metropolitan Museum, Coral Gables, FL, 1984 The American Artist as Printmaker, Brooklyn Museum, Brooklyn, NY, 1983-84 Jon Abbott, Aaron Fink, Tom Lieber, Chris Wool...

Cute with the e 2022 oil pastel, pen, acrylic, and watercolor on paper 6.5 x 4.5 inches Christina Nicola’s paintings are a direct reflection of herself — a liberated, queer, Black femme. With the erotic and intimacy front and center on her canvases, whether they’re miniature or large, Christina’s work offers a lens into this moment in her life — a moment intentionally focused on reclamation & personal exploration. In addition to honing in on her practice, she has also carved out spaces for Black and brown femme and non-binary artists to showcase their work with a series of exhibitions, the most recent being Sapphic Summer at Brian Leo Projects. Looking forward, the self-proclaimed “AfroRomantic Lyrical Abstractionist ” plans to publish a memoir in conversation with her paintings, debut her first solo museum exhibition, and continue to co-create curative spaces for artists of color...

Remembering Plains no.50 by Alyson Kinkade 8" x 8" oil on linen ©2011 gallery wrapped, black sides The allure of the horizon of the Great Plains, where waves of colors meet sky. AB...

In bold, acrylic line paintings, US artist Hilary Bond depicts the heads and torsos of women, often repeating the image in overlapping compositions. Her contemporary groups of pop c...

Finding My Way 3 Cheryl D. McClure oil on wood panel 30 x 30 x 2 Inv #: 821 Price $3,300 To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional...

US Navy veteran Randy Morales fuses nostalgia and graphic expressionism within his street-pop artworks. The choice of subjects within his artworks is strongly influenced by his exper...