USA - Animal Prints

Toned gelatin silver print Signed, titled, dated, and numbered, recto 11 x 14 inches, sheet (Edition of 25) 16 x 20 inches, sheet (Edition of 25) 20 x 24 inches, sheet (Edition of...

The single letter "M", from the alphabet, illustrated by mischievous monkeys . All letters from Kelvin Mann's bestiary alphabet are available, and the full set of 27 etchings in foli...

The letter "G", illustrated by goldfish. All letters from the Kelvin Mann's bestiary alphabet are available, and the full set of 27 etchings in folio box is available for $3500. Anim...

Donald Baechler, Starfish, 1999: A fun, whimsical, and highly decorative signed limited edition Baechler piece that works well in any setting. Medium: Soft-ground etching and aqu...

Artist Commentary: The Key West Bound Series is about the insistent nature of Key West’s ability to adapt and thrive despite the continual barrage of hurricanes, weather patterns, a...

This artwork titled "Sheet of Studies, Comparaisons: Machines and Organic Forms" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches pap...

This artwork titled "Ants" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British artist Graham Vivian Sutherland, ...

Selected from the personal collection inherited by Marina Picasso, Pablo Picasso's granddaughter. After Pablo Picasso's death, his granddaughter Marina authorized the printing of t...

Kenny Scharf 1997-1998: A set of 2 individual hand-signed Kenny Scharf exhibition catalog's published on the occasion(s) of: Kenny Scharf Tony Shafrazi Gallery, New York 1998: 100+ pages with bold, bright colors & superb overall print quality; features essays by Carter Ratcliff & Robert Farris Thompson; interview and texts by Tony Shafrazi, Dennis Hopper & Kenny Scharf. A definitive survey of the artist's early work & life. Hand-signed, inscribed & dated '98 by Scharf on the interior 1st page. 1st edition, 1998. Limited edition of 2000. Kenny Scharf Pop Surrealist: Salvador Dali Museum...

This Blue Dog work consists of the By the Light of the Moon print with candles and a moon with several dogs, including the black & white, a re...

Mexican Artists of russian origin, was married to Diego Rivera from 1911 to 1921, the series for sale are illustrations for book, “Peter and the Wolf...

This Blue Dog work consists of a pink and red split background with the moon in the top left corner. There are 4 scattered dogs all with soulful yellow eyes. This pop art animal original silkscreen print...

Edmund Blampied (1886-1966), Ostend Horse, drypoint, 1926, signed in pencil lower margin [also signed and dated in the plate lower left], from the edition of 100, printed on ivory laid paper with full margins with deckle edges, 7 x 9, the sheet 9 1/4 x 12 1/2 inches, still in the original SFA Museum mat with extensive annotations. Provenance: Kennedy Galleries (with their stock number A49359) Ex Collection: Albert M...

Medium: Screenprint Year: 2021 Image Size: 11 x 18 inches Edition of 25 After over-exploitation led to a collapse in the green turtle population, the area is now used by conservatio...

Medium: 8 color Screenprint Year: 2023 Image Size: 20.75 x 14.5 inches Edition of 12 Over-exploitation led to a collapse in the green turtle population in the area, but it is now us...

Crane, Color Nature Photography by Geoffrey Baris Archival pigment print on museum fine art paper Edition of 7 Includes certificate of authenticity. Signed and numbered by artist. C...

Douglas C. Backhaus - Unicorn in Field, Year: 1978, Medium: Hand colored Etching, signed, dated and numbered in pencil, Edition: AP, Image Size: 11 x 13.75 inches, Size: 15 x 17.75 i...

Here are four framed hand colored humming bird species published in the early 20th century representing the original 19th century work of Scottish naturalist, Sir William Jardine. Presented under glass with marbleized mating...

This Blue Dog work consists of 1 blue and 1 red dog on either side of Lady Justice centered and standing on a moon. All are on a two-toned black background and the dogs have soulful yellow eyes. This pop art animal original silkscreen print on paper is guaranteed authentic and is hand signed by the artist. Artist: George Rodrigue Title: Blue Dog “Equal Justice...

Raphael Macek Maternum, 2020 Afresco series Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring on...

Dog and Fox Cross 1887 Etching 3 x 5

'Dipping and Diving' Linoleum Block Print, Edition 10, 35 1/4 x 23 1/4 Inches, is one of a series of 8 related prints in this size in varying shades of blue. Sold individually or...

This is one of a series of 6 related bird prints, identical in size and each the same shade of bright blue and white, which are as commanding individually as they are in groupings. Lisa Houck is a very established New England area artist as recognized for her public installations, paintings, watercolors, textiles and mosaics as her work with linocuts and woodblock prints. At times reminiscent of Folk and Aborigine art, inspired as well by James Audubon and Hokusai, Houck is widely known for a gorgeous and elegant sensibility which is both playful and quite serious that is uniquely her own. Lisa Houck 'Chittering and Chattering V' Linoleum Block Print, Edition 10 11 1/2 x 11 1/2 Inches (Image Size) Sold individually or as sets of 2, 3, 4, 5 or 6. These prints are unframed. Also available is a separate series of 8 larger linoleum block prints (editions of 10 each, 35 1/4 x 23 1/4 inches image size) of very related bird themes each in a different shade of blue. These series are also sold individually or as sets of 2, 3, 4, 5, 6, 7 or 8. Among the many large public art commissions the artist has completed for interior and exterior sites in Boston and nationwide in mosaic and mural format are permanent installations for The Dana Farber Cancer Institute, Children's Hospitals in Boston and Waltham, The Frieda Garcia Park, Fort Point Channel, The Cambridge Senior Center, and 4 libraries in Broward County, Florida. LISA HOUCK Education and Professional Affiliations: Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989. Rhode Island School of Design, Providence, RI: B.F.A. 1975. Boston Printmakers SELECTED SOLO EXHIBITIONS: Beth Urdang Gallery, Boston, MA 2017 Cambridge Arts Council, Gallery 344, “A Long Walk with No Destination”, Cambridge, MA 2016 Beth Urdang Gallery, Wellesley, MA 2015 Patricia Carega Gallery: “White Line Woodcuts,” Center Sandwich, NH 2014 Rivers School, Weston, MA 2008 Bentley College: “All About the Square,” Waltham, MA 2003. Barton-Ryan Gallery: “Improbable Botanicals and Landscapes,” Boston, MA 2000. Randall Beck Gallery: Boston, MA 1993, 1991. Barbara Singer Fine Art: Cambridge, MA 1991. Coyote Gallery: Cambridge, MA 1989. Tufts University: “MFA Thesis Exhibition,” Cohen Arts Center, Medford, MA 1988. Modestino Gallery: Cambridge, MA 1987, 1986. New England School of Art and Design: Boston, MA 1986. Mott House: “The Comet and Other Phenomena,” Washington, DC 1986. SELECTED GROUP EXHIBITIONS: Arsenal Center for the Arts, “Big Print”, Watertown, MA 2016 FPAC Gallery, Fort Point Channel, “Mosaic Muse”, Boston, MA 2016 Art of Mosaic: Piecing it Together, Fuller Craft Museum, Brockton, MA 2013 National Mosaic Exhibit on Cape Cod, 2011 Fancy Plants: Bentley University, 2010 Contemporary Mosaics: Attleboro Arts Museum, 2010 Boston Children’s Museum: “I See Trees,” 2009. Somerville Museum: “Art of Mosaic,” 2009. Milton Academy: “Design/Build,” 2009. Danforth Museum: Members Show, 2007 Boston Printmakers: North American Print Biennial, 2005. Peabody Essex Museum: “In Nature’s Company,” Salem, MA 2004. Cambridge Art Association: “Hot Colors,” (Best in Show Award), Cambridge, MA 2002. Tufts University: “Alumni Exhibition,” Aidekman Gallery, Medford, MA 2001. Acacia Gallery: Gloucester, MA 2000. Wiggin Gallery: “Women in Watercolor,” Boston Public Library, Boston, MA 2000. New Art Center: “Lasting Impressions: Looking at the Land,” Newton, MA 1997. Bernard Toale Gallery: “The Pet Show,” Boston, MA 1996. Albers Gallery: Memphis, TN 1994, 1992,1991. Pritam & Eames: East Hampton, NY 1992. Boston Center for the Arts: Boston, MA 1989. DeCordova Museum: “Explorations in Handmade Paper,” Lincoln, MA 1989. Fuller Museum of Art: “RISD Alumni in Boston,” Brockton, MA 1989. St. Botolph Club: Boston, MA 1988. Danforth Museum: “Symmetry and Pattern in Art and Nature,” Framingham, MA 1986. Brunnier Museum: “Images of the Universe,” Ames, IA 1986. New England School of Art and Design: “A Celebration of the Return of Halley’s Comet,” Boston, MA 1985. Rose Art Museum: “Boston Printmakers,” Waltham, MA 1985. Fuller Museum of Art: “Triennial Exhibition,” Brockton, MA 1983. Cambridge Arts Council: “Lofty Views and Heightened Perspectives,” Cambridge, MA 1983. The Boston Company The Boston Public Library Brigham and Women’s Hospital Brunnier Museum, Ames, IA Coopers & Lybrand Fidelity Investments Fogg Art Museum Goodwin Procter Harvard Business School Harvard Community Health Plan SELECTED PUBLIC COLLECTIONS, NUMEROUS PRIVATE COLLECTIONS: Museum of Fine Arts, Boston Fogg Art Museum Boston Athenaeum The Boston Company The Boston Public Library Brigham and Women’s Hospital Fidelity Investments Goodwin Procter Harvard Business School Harvard Community Health Plan Brunnier Museum, Ames, IA Coopers & Lybrand Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ GRANTS/PROJECTS: Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Museum of Fine Arts, Boston Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ “City Square with Reflecting Pool,” 6’ X 6’ mosaic for Iron Street Park in Boston. Located on the corner of A Street and Iron Street in Boston, commissioned for this new park in Boston by a private client in 2014. Children’s Hospital, Waltham, MA: eleven-panel, oil-on-wood painting for the lobby, 2005. Grant from Massachusetts Cultural Council, 2005. For a ceramics program in the public schools, sponsored by the Dedham Cultural Council. John Hancock Financial Services: Frieda Garcia Park. Commission to create two mosaic murals incorporating children’s art from the community, 2004. Murals are 8’ X 10’ and 8’ x 22’. Broward County Cultural Affairs Office/Public Art Department, Florida: Public Art Commission to create paintings and printed materials for four libraries in Broward County, 2003. Dana Farber Cancer Institute/Jimmy Fund Clinic, Boston, MA: eight panel mosaic for the reception area. Architect: Miller, Dyer, Spears, 2003. Massachusetts Port Authority, Logan International Airport, Terminal E, Boston, MA: Six digital reproductions of paintings. Project Coordinator: Urban Arts Institute, 2001. ”The Rare Tropical Cod,” part of the Cavalcade of Cod, a school of 5’5” fiberglass fish sculptures which were displayed throughout the city of Boston in the fall of 2000. Sponsored by Boston’s B2K Committee. Poster and button and display banners for First Night Boston, 1998. Grant from the City of Cambridge to create murals for the Cambridge Senior Center, 1995. Administered by the Cambridge Arts Council. Fellowship in the Visual Arts, Massachusetts Cultural Council, 1994. Administered by the New England Foundation for the Arts. Grant from Arts on the Line, Cambridge, MA for temporary art in the subway including a 36-foot painting for the Kendall Square subway station, Cambridge, MA 1988. Grant from the Cambridge Arts Council for a mural for the Cambridge River...

George Rodrigue Angel Baby From the rare limited edition of 150 Original serigraph on paper Hand signed and numbered 2000 20x16 inches MINT CONDITION

Lisa Houck is a highly established artist from Boston, recently re-located to Maine, with a very large following devoted to her exceptional paintings, watercolors, mosaics and prints reminiscent of Folk Art, Matisse and Aborigine art. Houck is widely admired and recognized for a gorgeous sense of color and a sensibility both playful and serious that is uniquely her own. This is one of her 3 most recent large format bird prints in various shades of blue and aqua in a series which now consists of a total of 10 related prints. They are outstanding installed individually or as groups. Houck's highly sophisticated and complex sense of pattern and design is delightfully whimsical, as well as extraordinarily compelling for its knowledge of so many artistic forms which the artist is miraculously able to reference and incorporate, while maintaining a style so distinctively recognizable as her own. Lisa Houck "Flittering and Fluttering" 2023 Linoleum Block Print Edition 10 35.25 x 23.25 Inches This print is not framed. Lisa Houck has an outstanding reputation for not only her work as a printmaker but for achievements in painting, watercolor, mosaic and textiles as well. She has executed many large permanent public art commissions for interior and exterior sites in Boston and nationwide including ambitious murals for Dana Farber, The Children's Hospital, Frieda Garcia Park and numerous libraries, playgrounds and other public buildings. Her works have been featured in many museum and gallery exhibitions and are included in a multitude of public and private collections. Artist's Statement: "I work in watercolor, oil on wood, ceramics, mosaics and etching. Each medium allows me to invent new ways to express my view of nature through color and pattern. My artwork has been exhibited widely, and is in numerous public and private collections, including The Boston Athenaeum, Brigham and Women’s Hospital, Boston Children's Hospital, Fidelity Investments, four libraries in Broward County Florida, Hale and Dorr, Massachusetts General Hospital, and the Museum of Fine Arts, Boston." LISA HOUCK Education and Professional Affiliations: Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989. Rhode Island School of Design, Providence, RI: B.F.A. 1975. Boston Printmakers Selected Solo Exhibitions: Beth Urdang Gallery, Boston, MA 2017, 2021 Cambridge Arts Council, Gallery 344, “A Long Walk with No Destination”, Cambridge, MA 2016 Patricia Carega Gallery: “White Line Woodcuts,” Center Sandwich, NH 2014 Rivers School, Weston, MA 2008 Bentley College: “All About the Square,” Waltham, MA 2003. Barton-Ryan Gallery: “Improbable Botanicals and Landscapes,” Boston, MA 2000. Randall Beck Gallery: Boston, MA 1993, 1991. Barbara Singer Fine Art: Cambridge, MA 1991. Coyote Gallery: Cambridge, MA 1989. Tufts University: “MFA Thesis Exhibition,” Cohen Arts Center, Medford, MA 1988. Modestino Gallery: Cambridge, MA 1987, 1986. New England School of Art and Design: Boston, MA 1986. Mott House: “The Comet and Other Phenomena,” Washington, DC 1986. Selected Group Exhibitions: Cove Street Arts, “Menagerie a Trois”, Portland, ME, 2022 Fuller Craft Museum: “Mosaics Today”, Brockton, MA 2022 Turtle Gallery, “Summer Show”, Deer Isle, ME 2022 Gallery Twist, Lexington, MA “impressions” 2019 and 2020 Boston Athenaeum, New England on Paper, Boston, MA 2017 Cotuit Center for the Arts: Marking Time: 70 Years of the Boston Printmakers, Cotuit, MA 2017 Arsenal Center for the Arts, Big Prints, Watertown, MA 2016 FPAC Gallery, Fort Point Channel, “Mosaic Muse”, Boston, MA 2016 Art of Mosaic: Piecing it Together, Fuller Craft Museum, Brockton, MA 2013 Highfield Hall, National Mosaic Exhibit on Cape Cod, Falmouth, MA, 2011 Fancy Plants: Bentley University, 2010 Contemporary Mosaics: Attleboro Arts Museum, 2010 Boston Children’s Museum: “I See Trees,” 2009. Somerville Museum: “Art of Mosaic,” 2009. Milton Academy: “Design/Build,” 2009. Danforth Museum: Members Show, 2007 Boston Printmakers: North American Print Biennial, 2005. Peabody Essex Museum: “In Nature’s Company,” Salem, MA 2004. Cambridge Art Association: “Hot Colors,” (Best in Show Award), Cambridge, MA 2002. Tufts University: “Alumni Exhibition,” Aidekman Gallery, Medford, MA 2001. Acacia Gallery: Gloucester, MA 2000. Wiggin Gallery: “Women in Watercolor,” Boston Public Library, Boston, MA 2000. New Art Center: “Lasting Impressions: Looking at the Land,” Newton, MA 1997. Bernard Toale Gallery: “The Pet Show,” Boston, MA 1996. Albers Gallery: Memphis, TN 1994, 1992,1991. Pritam & Eames: East Hampton, NY 1992. Boston Center for the Arts: Boston, MA 1989. DeCordova Museum: “Explorations in Handmade Paper,” Lincoln, MA 1989. Fuller Museum of Art: “RISD Alumni in Boston,” Brockton, MA 1989. lisa houck Selected Collections: The Boston Company The Boston Public Library Brigham and Women’s Hospital Brunnier Museum, Ames, IA Coopers & Lybrand Fidelity Investments Fogg Art Museum Goodwin Procter Harvard Business School Harvard Community Health Plan Grants/Projects: Herman Miller Lahey Clinic Massachusetts General Hospital Massachusetts Mutual Corporation Montgomery Watson Harza Museum of Fine Arts, Boston Neiman Marcus New England Medical Center State Street Bank and Trust Valley Hospital, NJ Wrapped a Radiology room with art at Boston Children’s Hospital 2019. Project consultant: Betty Bothereau, L’Attirude Gallery Boston “City Square with Reflecting Pool,” 6’ X 6’ mosaic for Iron Street Park in Boston. Located on the corner of A Street and Iron Street in Boston, commissioned for this new park in Boston by a private client in 2014. Children’s Hospital, Waltham, MA: eleven-panel, oil-on-wood painting for the lobby, 2005. Grant from Massachusetts Cultural Council, 2005. For a ceramics program in the public schools, sponsored by the Dedham Cultural Council. John Hancock Financial Services: Frieda Garcia Park. Commission to create two mosaic murals incorporating children’s art from the community, 2004. Murals are 8’ X 10’ and 8’ x 22’. Broward County Cultural Affairs Office/Public Art Department, Florida: Public Art Commission to create paintings and printed materials for four libraries in Broward County, 2003. Dana Farber Cancer Institute/Jimmy Fund Clinic, Boston, MA: eight panel mosaic for the reception area. Architect: Miller, Dyer, Spears, 2003. Massachusetts Port Authority, Logan International Airport, Terminal E, Boston, MA: Six digital reproductions of paintings. Project Coordinator: Urban Arts Institute, 2001. ”The Rare Tropical Cod,” part of the Cavalcade of Cod, a school of 5’5” fiberglass fish sculptures which were displayed throughout the city of Boston in the fall of 2000. Sponsored by Boston’s B2K Committee. Poster and button and display banners for First Night Boston, 1998. Grant from the City of Cambridge to create murals for the Cambridge Senior Center, 1995. Administered by the Cambridge Arts Council. Fellowship in the Visual Arts, Massachusetts Cultural Council, 1994. Administered by the New England Foundation for the Arts. Grant from Arts on the Line, Cambridge, MA for temporary art in the subway including a 36-foot painting for the Kendall Square subway station, Cambridge, MA 1988. Grant from the Cambridge Arts Council for a mural for the Cambridge River Festival, installed in Inman Square, 1987. Poster for the Haystack Mountain School of Crafts, 1987. education and professional affiliations Tufts University/School of the Museum of Fine Arts, Boston, MA: M.F.A. 1989. Rhode Island School of Design, Providence, RI: B.F.A. 1975. Boston Printmakers New England Mosaic Society Publications: Maine Gallery...

Color lithograph, Ed. 30 Chagoya's newest prints, "Invites Into the World of the Eternal Instant" and "Expresses Nothing but the Self", are concerned with the current unsustainabl...

Art: 29-3/8"x 21-1/8" Frame: 31'x 22-1/2" Original signed lithograph poster Claude Weisbuch was born in Thionville, France in 1927 and was a pupil at L' École des Beaux-Arts de Nanc...

'Chittering and Chattering,' Linoleum Block Print, Edition 10, 35 1/4 x 23 1/4 Inches, is one of a series of 8 related prints in this size in varying shades of blue. Sold individ...

The artist describes this work as follows: “The impact of species loss is a deep concern that informs the ideas behind my artwork. I paint carefully rendered miniature portraits of ...

From Celebrated Horses, Grundy 24. A fine chine applique impression in fine condition with full margins. A proof before letters. Exhibited at the...

Sorex Reticulatus, The Reticulated Shrew, Print by Joseph Rossano, 2018 Additional information: Medium: Archival pigment print Dimensions: Image size: 10" x 14" Paper size: 20" x 24...

Children’s book by Italian graphic designer and Futurist, Bruno Munari. Fun book features pochoir-colored pages with cut outs, wax pages with color illustrations, and tipped in secti...

Raphael Macek Ornate II, 2020 Afresco series Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring o...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

"Jubilant Leaves Unfurl Their Praise" is an etching by Texas artist Lauren Kussro. In the print, an unfurling object reveals curious clusters of flora an...

Color lithograph/triptych, Ed. 25. Hung Liu’s Xiao Lu triptych was inspired by the artist’s encounters with two fallen deer. In November of 2008, Liu was taking a morning walk in the Oakland hills...

"Palepai" is an original color woodcut by Carol Summers. The artist signed the piece in the lower right and wrote the title and the edition number lower left. Palepai are weavings fr...

"Stag Beetle & Longicorn Beetle" is an original color lithograph by Louis Prang. It depicts two forest-dwelling beetles. The artist signed the piece in the stone lower left. It was published by Selmar Hess in New York. 8" x 5" art 19 3/8" x 16" framed Louis Prang (March 12, 1824 – September 14, 1909) was an American printer, lithographer, publisher, and Georgist. He is sometimes known as the "father of the American Christmas card". Prang's early activities in the US publishing architectural books and making leather goods were not very successful, and he began to make wood engravings for illustrations in books. In 1851 he worked for Frank Leslie, art director for Gleason's Pictorial Drawing-Room Companion, and later with John Andrew. In 1851, he married Rosa Gerber, a Swiss woman he had met in Paris in 1846. In 1856, Prang and a partner created a firm, Prang and Mayer, to produce lithographs. The company specialized in prints of buildings...

"Red Devil" is an original color collagraph from the "Los Animales" portfolio by Joseph Rozman. The artist signed, dated, titled, and editioned the artwork below the image. It is num...

Archival pigment print (Edition of 15) Signed in pencil, verso From the series, "Allowed to Grow Old" This artwork is offered by ClampArt, located in New York City. Please note that...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 11 x 14 inches, sheet (Edition of 25) 16 x 20 inches, sheet (Edition of 25) 20 x 24 inches, sheet (Edition of 15) 30 x 40 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Michael Crouser writes: ““I find that when I am in the dog runs, I am nearly invisible to my subjects. . . They play like little boys throwing one another down a hill on the school playground. They practice in their play what nature has said they must know. Dominance, defense, breeding and agility. And I am often nearly on top of the dogs in useful obscurity, making the first pictures of my life that actually make me laugh.”” Michael Crouser captures the thrilling intensity of dogs at play in his collection of photographs titled "Dog Run." Crouser catches both rare and provocative moments, —split seconds of intense play that give an intimate glimpse into the expressive personalities of his dynamic subjects. The photos were shot in neighborhood dog runs, where the dramatic action is all about dogs being dogs away from the influence of their masters. The photos spotlight...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 11 x 14 inches, sheet (Edition of 25) 16 x 20 inches, sheet (Edition of 25) 20 x 24 inches, sheet (Edition of 15) 30 x 40 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Michael Crouser writes: ““I find that when I am in the dog runs, I am nearly invisible to my subjects. . . They play like little boys throwing one another down a hill on the school playground. They practice in their play what nature has said they must know. Dominance, defense, breeding and agility. And I am often nearly on top of the dogs in useful obscurity, making the first pictures of my life that actually make me laugh.”” Michael Crouser captures the thrilling intensity of dogs at play in his collection of photographs titled "Dog Run." Crouser catches both rare and provocative moments, —split seconds of intense play that give an intimate glimpse into the expressive personalities of his dynamic subjects. The photos were shot in neighborhood dog runs, where the dramatic action is all about dogs being dogs away from the influence of their masters. The photos spotlight...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 11 x 14 inches, sheet (Edition of 25) 16 x 20 inches, sheet (Edition of 25) 20 x 24 inches, sheet (Edition of 15) 30 x 40 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Michael Crouser writes: ““I find that when I am in the dog runs, I am nearly invisible to my subjects. . . They play like little boys throwing one another down a hill on the school playground. They practice in their play what nature has said they must know. Dominance, defense, breeding and agility. And I am often nearly on top of the dogs in useful obscurity, making the first pictures of my life that actually make me laugh.”” Michael Crouser captures the thrilling intensity of dogs at play in his collection of photographs titled "Dog Run." Crouser catches both rare and provocative moments, —split seconds of intense play that give an intimate glimpse into the expressive personalities of his dynamic subjects. The photos were shot in neighborhood dog runs, where the dramatic action is all about dogs being dogs away from the influence of their masters. The photos spotlight...

Raphael Macek Calceus, 2020 - Afresco series 71 x 48 inches 180 x 120 cm Archival Pigment Print Edition of 7 Framed Large-scale photograph from the Equine Beauty series. The legen...

"Animal Farm" is an original color collagraph by Joseph Rozman. This artwork, edition number 9/10, is from the artist's "Los Animales" portfolio. The artis...

Archival pigment print Signed and titled, verso 18 x 12 inches, image (Edition of 10) This artwork is offered by ClampArt, located in New York City.

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 11 x 14 inches, sheet (Edition of 25) 16 x 20 inches, sheet (Edition of 25) 20 x 24 inches, sheet (Edition of 15) 30 x 40 inches, sheet (Edition of 15) This photograph is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Michael Crouser writes: ““I find that when I am in the dog runs, I am nearly invisible to my subjects. . . They play like little boys throwing one another down a hill on the school playground. They practice in their play what nature has said they must know. Dominance, defense, breeding and agility. And I am often nearly on top of the dogs in useful obscurity, making the first pictures of my life that actually make me laugh.”” Michael Crouser captures the thrilling intensity of dogs at play in his collection of photographs titled "Dog Run." Crouser catches both rare and provocative moments, —split seconds of intense play that give an intimate glimpse into the expressive personalities of his dynamic subjects. The photos were shot in neighborhood dog runs, where the dramatic action is all about dogs being dogs away from the influence of their masters. The photos spotlight...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 14 x 11 inches, sheet (Edition of 25) 20 x 16 inches, sheet (Edition of 25) 24 x 20 inches, sheet (Edition of...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 11 x 14 inches, sheet (Edition of 25) 16 x 20 inches, sheet (Edition of 25) 20 x 24 inches, sheet (Edition of...

Cyanotype on albumen-coated watercolor paper (Unique) Signed, verso This artwork is offered by ClampArt, located in New York City. “Ghost Ship” is a series of unique, large-scale c...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 48 x 72 inches (Edition of 3) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Zack Seckler's series, “Botswana,” is comprised of a series of exquisite aerial photographs taken in the Kalahari basin in south central Africa between 2009 and 2010. The body of work offers a quite different and almost magical view of the much-photographed and iconic landscape. In order to be able to capture these breathtaking images, Seckler enlisted the services of an expert pilot who flew a small, ultra-lightweight aircraft at low altitudes under 500 feet. Zack Seckler was born in Boston, and studied psychology at Syracuse University. Then, traveling solo with a point-and-shoot camera in northern India, his mind opened to the visual world. Upon returning to Syracuse, he took coursework in photography at the renowned Newhouse School. With an internship in a Hong Kong photo...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 53.3 x 80 inches (Edition of 3) This artwork is offered by Clamp...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 53.3 x 80 inches (Edition of 3) This artwork is offered by Clamp...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 53.3 x 80 inches (Edition of 3) This artwork is offered by Clamp...

Archival pigment print Signed and numbered, verso 26.7 x 40 inches (Edition of 10) 40 x 60 inches (Edition of 5) 53.3 x 80 inches (Edition of 3) This artwork is offered by Clamp...